Going on together, many journeys to arrive

I think it’s time I start writing real blogs again, don’t you?

Today marks “Work day one” of being back from vacation. It was a nice trip  – we just went camping, which I realize to many of you probably sounds like a death sentence, but we have a trailer, and honestly if you want to get away – it’s a good way to do it unless you have the resources to fly away to an island away from people.  We drove to Morro Bay, which is about an hour south of Big Sur, CA  for a few days, and then up north of San Francisco.  Our trip included visits to some universities because our oldest daughter – Heather, has just begun her applications to college. We even took a tour of the Jelly Belly factory in Fairfield, California. (Oh yes, we can be tourists like the best of them!) It was a fun trip, and perhaps one of the last we’ll take as a whole family given that next year, Heather will likely be packing up for school unless she decides to go somewhere close to home.  Hard to believe. but I have an entire year to bore you on that subject!

I am thrilled to see that news is finally starting to trickle on a semi-regular basis from the band. It feels like we might be coming out of a very long drought, and it’s nice to feel like I might be able to start really blogging again with purpose.  I know Amanda feels the same.

Daily Duranie has been a place to convene and discuss, and this is something I value about what we’ve created. It stands to reason that during a time where there was little to talk about, the blog quieted, and I’m sure it’s been noted that our posts in recent months were little more than expanded “Day in Duran History” posts.  We simply felt that while we were waiting for new news, it was time to take a bit of a hiatus rather than force words where there were likely none to be found.

In my attempts to reacquaint myself with reality, I finally listened to Simon’s Katy Kafé from last week. It was nice to hear that things are finally moving towards an end in recording – I’m excited to hear what they’ve worked on. One thing that I’ve really missed since the mass exodus of message boards is having a place to really talk about the music and what might be coming out of that studio.

There seem to be two types of people in this world: those that will speculate, and those that prefer to say, read or think nothing until they hear. I am likely to be found in that first group, much to the chagrin of the band, I’m sure. When I listened to the Kafe, I couldn’t help but notice Simon’s unwillingness to really say what the album sounds like – and I can’t really blame him. As much as I’d like to have something to chew on and think about while we wait, I haven’t forgotten some of the speculation in the past.

Let’s take Red Carpet Massacre, for example. I remember the endless flow of news we were getting from the studio. They were working with Timbaland, they were working with Timberlake, Nick said they were in grooooveland…(I still smile at that one), there was even a rumor at one point that they were working with Kanye. It seemed that with each video or news byte, there was more and more groaning from fans. In a lot of ways, I think I had my mind made up about the album before I heard it. I felt like I knew what it was going to sound like…I feared it. I don’t think that speculation from the fans, including myself, helped.

On the other hand, what about All You Need is Now? We knew they had been working with Mark Ronson, and based on things that Mark had said in interviews – he made it clear that he wanted to do a follow up to Rio. I panned that comment, months before the album ever dropped, because I felt that was setting the bar incredibly high. Did we really hold Rio to be the pinnacle of the band’s career? I think many fans and the public probably do…and I’m still hoping that the best is yet to come. Even so, I couldn’t help but wonder what the album would sound like, and even the thought of trying to make a return to the musical space that I still feel the band owns made me excited for the outcome, but still apprehensive. I didn’t want to be disappointed. Instead, that album quickly took hold of my heart and still gets regular play in my car. I wasn’t wrong to wait for them.

So here we sit, waiting for the album we’re still hash tagging #DD14. It has a yet-to-be-shared, five-syllable title that doesn’t have a spelling but somehow describes where they are musically (I am terrible at these sorts of Jeopardy questions!), and Simon says that ONE aspect of the record is that it is “club” sounding, and it’s definitely a departure from All You Need is Now, which was much more 80s sounding. I won’t lie, I’m wondering if I’ll like it, and I think many other fans feel the same.

Mr. Hudson had a “massive” influence on them. Mr. Hudson is pretty modern sounding in his own right – but even so, on some of his songs I still hear the influence of the music I grew up with. I hold hope that he helped the band remain true to themselves and not try to be something they clearly are not. Club music can be a lot of different sounds. Will it be like Red Carpet Massacre, which has been described as “urban club-music” or maybe more like Notorious? Will I like it? Will I love it as much as I loved All You Need is Now? Will I find a renewed sense of fandom in the music as I have in the past? I have no idea, and I’m certainly not making any claims to know more than any other fan.

I don’t have an inkling as to what we’ll eventually hear. I only know that once again, we sit at what I like to think of as the “entrance” to a new period of Duran music….waiting for the gates to open so that we can flood in, and even at the age of 43, probably 44 by the time the album drops, I’m still nervous-excited. There’s something to be said for a band that can still make me feel that way.

-R

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