Never Take Us Alive feat. Dom Brown

Anyone heard the latest single from Michael Kratz featuring Dom titled “Never Take Us Alive”?

Interestingly enough, we didn’t hear about the single from Dom himself, but instead we caught it “through the grapevine”, and Amanda alerted me while I was…yes again…deep in the forests of Southern Washington. It is a miracle I had cell coverage, but no wi-fi, and unless I wanted to risk life and limb downloading it while using our (VERY!) limited data plan that has to be split between five family members, I had to wait until I got home to download and listen.

I tweeted Dom a few times about this, trying to get him to come out from under his rock (or out of his studio) to share the news of the single, to no avail. Turns out, I think he’s traveling. Having a holiday with family, as if that’s a thing or something. <wink> I did finally see a tweet from him announcing the song on release day, and that was it.

Seems to me he needs a PR person, or at least someone well-versed in social media to help him with this stuff. I know Dom works a lot outside of his Duran Duran touring, and produces for a lot of people. Seems to me he could really publicize far more than he is in order to help make a bigger name for himself…but what do I know? I merely write a daily, very-well read, fan blog that Amanda and I built from the ground up.

Did I mention that I work for cheap? 😀

I digress…

I’m bad with names sometimes, but I couldn’t make a connection to Michael Kratz. So I searched for some basic information. Turns out, Michael Kratz is Danish, and has done session work over the years. He has several albums out in a style called west coast—a style attributed to the coast on which I live in America—and I’ve never heard of it before now.  According to westcoast.dk, it’s a style that emphasizes melody, harmonics and arrangement. When I listen to Michael’s music, I hear heavy 1980s pop with lush electronic backing. It vaguely reminds me of some electronic musicians I’ve seen that tend to play small venues, and it’s usually just themselves and their keyboard set-up, but Michael’s work seems a bit more complex with far more dimension. It’s still very pop compared to anything on our radio these days.

I have a feeling that west coast music is one of those styles that is popular in other parts of the world, unbeknownst to those of us who live here…and so the rest of the world might think everything we listen to here in California sounds that way. Kind of like how most of the country (if not the world) thinks we all surf every day or have lunch with celebrities. Newsflash: we don’t. I haven’t been on a surf board since I was in my late teens, and using the word “on” is exaggerating, if you understand what I mean. I’m trying to remember the last time I saw a celebrity anywhere near me, and unless we’re talking Duran Duran….I think Teemu Selanne is the only one I can brag about. His daughter and mine were preschool chums, and my youngest is now nine.

Aside from being puzzled as to why Dom didn’t take full advantage of those of us who would buy nearly anything he’s worked on, I was happy to hear some new music from him. I wasn’t really ready for the full blast back to 1987 or 1988 when I listened to “Never Take Us Alive”, though, I must admit. That took more than one listen to warm up to, and I don’t want to pan Michael (or Dom) for that, it’s the style – and it’s just very different from what I might hear on any of our radio stations in the US right now.  Dom’s guitar cuts right through the melody, adding much-needed “guts and groove”, and he sounds like he’s having a lot of fun playing it too, which I appreciate.

Yes, “Never Take Us Alive”  is about as pop as you can get, reminding me of when I worked at (dating myself here) Millers Outpost (google it – the store was famous for having a denim “wall” in the back of the store and carried Levi’s 501s, an American clothing staple) in 1988. We had a stereo system in the store that played what felt like a revolving track of late 80s pop. Not a single The Cure or Duran Duran song to be heard, with endless hours of Lionel Richie, Steve Winwood, Terence Trent D’Arby (if I ever hear “Wishing Well” again…), Jermaine Stewart, Richard Marx, and so on. You get the idea. I quit working there after three very long months. I wonder why?

Rambling again…this is what happens when someone stays up until after 1am, watching The Killers concert stream from Las Vegas, I suppose. I need coffee.

Regardless, after many listens, I’ve decided the tune is catchy, and I’m starting to find myself humming the tune and knowing some of the words. Dom’s guitar adds exactly the right touch, and I love hearing his groove in the background, adding backbone and structure to a song that I have to admit would be incredibly shallow otherwise. It is worth the $1.29 download just to hear what he’s worked on. Sometimes it is easy to forget that Dom is a very accomplished session guitarist because he’s been with Duran Duran for so long.  I will brag about him to anyone who will listen (or read!) and say that his session playing has improved a hundred-fold since I first started checking him out. I can hear the emotion and enjoyment in his playing, which can be challenging to do as a session player.

I only wish he’d let some of us help him publicize and brag about him a bit more!

-R

Get your copy of Michael Kratz “Never Take Us Alive” on iTunes! Click on the photo to go to iTunes.

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