In the case of the upcoming show at The Mayan in Los Angeles, however – I feel as though we’ve got to report and comment! I recently found a PR blurb on newswire that I’d like to share. I don’t have the original link to the article, but I’m copying/pasting the article in full here for your reading pleasure:
From The PRNewswire:
First Installment of Unstaged 2011 Features Duran Duran Performance Coinciding with the Release of the Band’s 13th Studio Album and their First Official Tour Since 2008
March 23rd Live-Stream Performance Will Be Available as a Live VEVO event on YouTube
NEW YORK, March 14, 2011 /PRNewswire/ — Grammy® award-winning rock icons Duran Duran will kick-off the second year of “Unstaged: An Original Series from American Express” on March 23rd at the Mayan Theatre in Los Angeles, Calif. The event (featuring all four original members: Simon Le Bon, Nick Rhodes, John Taylor and Roger Taylor) comes one day after their critically acclaimed 13th studio album, entitled ALL YOU NEED IS NOW (S-Curve Records), hits stores. Duran Duran’s performance will mark the first time an artist within the “Unstaged” music series plays from Los Angeles. Upon release, tickets for Duran Duran’s performance at the Mayan Theatre sold out in under five minutes.
The 2011 “Unstaged” kick-off performance will be live-streamed at 10:00PM ET / 7:00PM PT atwww.YouTube.com/DuranDuranVEVO. American Express, in partnership with VEVO, the leading online premium music video and entertainment service, and YouTube will provide Duran Duran fans worldwide with access to their “Unstaged” performance, which coincides with the start of the band’s first official tour since 2008. Award-winning filmmaker David Lynch (The Elephant Man, Blue Velvet, and Mulholland Drive), known for his unique cinematic style that masterfully blends imagery and sound design, has been enlisted to capture the performance, providing fans with a visually stunning home viewing experience.
“I am very excited about this opportunity to experiment with the band, Duran Duran, at the Mayan Theater on March 23rd,” said filmmaker David Lynch. “The idea is to try and create on the fly, layers of images permeating Duran Duran on the stage. A world of experimentation and hopefully some happy accidents.”
Speaking from a rehearsal studio in London where they are preparing for the ‘Unstaged’ show, lead singer Simon Le Bon said: “We are all beyond delighted that David Lynch has agreed to direct this show for us. It’s a dream come true quite frankly. We are all such fans of his work and think he has a creative vision like no other. In talking to him about what he is planning, we all believe this live-streamed performance is going to look nothing like anyone has ever seen before. We can’t wait.”
Duran Duran’s “Unstaged” performance represents the fourth installment within American Express’ innovative music platform “Unstaged,” which launched in the summer of last year and has featured music sensations Arcade Fire, John Legend & The Roots, and Sugarland. Collectively, these artists from the 2010 “Unstaged” music series recently combined for eight Grammy® nominations and four Grammy® wins at this year’s 53rd Annual Grammy Awards. Additionally, two of the three artists’ albums debuted at #1 on the Billboard albums chart following their “Unstaged” performances. American Express, in conjunction with VEVO and YouTube, tracked more than 30 million total streams for all three artists’ performances combined.
“There is no doubt that our ‘Unstaged’ platform is quickly emerging as one of the music industry’s most innovative distribution and marketing models for musicians to share their music with their fans around the world,” said Jessica Igoe, vice president global sponsorship marketing, American Express. “We are thrilled to welcome Duran Duran to the Unstaged family and look forward to David’s artistic vision in bringing their iconic sound to their fans in an entirely new way.”
Bringing the in-concert and at-home viewing experiences to entirely new heights, “Unstaged: An Original Series from American Express” showcases some of the music industry’s most breakthrough artists playing at landmark venues across the country, while tapping some of today’s most influential filmmakers to direct the live-streams and using digital and social media to connect the online audience to the live shows in unexpected ways. Additional artists are set to be unveiled in the coming months.
“YouTube is honored to host this iconic event,” said Ali Rivera, Music Partnerships at YouTube. “The classic British band, Duran Duran, captured on camera by Academy Award® winning director, David Lynch, and shared with viewers worldwide; fans are in for a real treat.”
“We’re thrilled to elevate the American Express ‘Unstaged’ program to an even higher level in 2011… pushing the boundaries by creating innovative and personal concert experiences on multiple ‘stages,'” said David Kohl, EVP, Sales and Customer Operations, VEVO. “VEVO’s primary focus is to offer fans even more live events and interactive viewing experiences for American Express.”
American Express® Cardmembers and music enthusiasts can digitally connect to these live music experiences in ways that further blur the line between an at-home and in-concert experience:
Choose Your Cam: The audience can control their viewing experience throughout the show by switching between the director’s main stream and alternate “Lynchian” artistic lenses on the night.
“The Now Pulse” Crowd Visualizer: Further uniting the audiences at the show and at home, this new interactive project will create a real-time visualization of crowd excitement based on social chatter online. When the social buzz reaches a climax, a special Duran Duran memento will be unlocked for fans everywhere.
“All Of Us Now” Photo Project: Audiences worldwide will collaborate with David Lynch in an on-stage and online art installation, by submitting photos. In true Lynch style, the photos will be showcased on surreal displays throughout the night. Visitwww.YouTube.com/DuranDuranVEVO to find out more and submit videos.
On-line Pre Show: Building anticipation of the night, viewers who tune in early to the live-stream will catch an exclusive segment directed by David Lynch.
Tweet The Band: Fans can Tweet questions to #amexduranduran for a chance to have them answered by the band in a series of Pre-Show vignettes.
Leading up to the March 23rd performance, fans will be able to receive insider updates by connecting with American Express atwww.twitter.com/AmericanExpress or www.Facebook.com/AmericanExpress. Fans can visit YouTube for a special “Unstaged” trailer video, including highlights from previous performances. Additionally, a special screening party will be held in New York City, featuring the Duran Duran live-stream performance, including industry insiders, select media and fan club members.
Produced by Mark Ronson, ALL YOU NEED IS NOW is a return-to-roots homage to their most celebrated musical panache, and features guest vocals from longtime collaborator Ana Matronic of the Scissor Sisters and R&B/neo-soul superstar Kelis. Owen Pallett of Arcade Fire contributes the album’s string arrangements.
For more information about American Express and music, please visit http://www.americanexpress.com/entertainment.
About American Express
American Express is a global services company, providing customers with access to products, insights and experiences that enrich lives and build business success. Learn more at www.americanexpress.com and connect with us onwww.facebook.com/americanexpress, www.twitter.com/americanexpress and www.youtube.com/americanexpress.
VEVO is the web’s leading online premium music video and entertainment service with over two billion worldwide streams and nearly 60 million unique visitors in the U.S. and Canada each month. VEVO’s programming is made available across the VEVO platform, which includes VEVO.com (the service’s marquee destination site), VEVO Mobile (iPhone, iPod touch, iPad, Android), VEVO connected devices (Google TV, Boxee) and a VEVO-branded embedded player. The service also serves as a syndication platform for additional internet destination sites, including AOL, BET, CBS Interactive Music Group (including Last.FM), Univision and, through a special partnership, YouTube, expanding the reach of the VEVO platform across the worldwide web. VEVO was created in partnership by Universal Music Group (UMG), Sony Music Entertainment (SME) and the Abu Dhabi Media Company. It is operated independently by a dedicated management team with offices in New York, Los Angeles, Chicago, Detroit and San Francisco. Explore VEVO at http://vevo.com. Journalists/Bloggers can stay updated on VEVO news at http://twitter.com/VEVO_Media
YouTube is the world’s most popular online video community allowing millions of people to discover, watch and share originally-created videos. Our mission is for YOU to discover and shape the world through video. YouTube provides a forum for people to connect, inform and inspire others across the globe and acts as a distribution platform for original content creators and advertisers large and small. YouTube, LLC is based in San Bruno, CA and is a subsidiary of Google Inc.
SOURCE American Express
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The show sounds like its going to be fantastic! This is obviously a huge opportunity for the band, both in that they are going to be working with David Lynch and that the show is getting quite a bit of press and buzz – along with being shown on youtube for an entire month! Outstanding!
I will be at this show, and I’m very excited to see the band again as well. I think that the experience at home might even better than at the show, but we will see. It’s certainly going to be a very interactive experience for fans that night – and it’s the type of groundbreaking experience that I think Duran Duran is known for. Once again I must acknowledge that my luck is rarely this good – and I’m really looking forward to going to the show. It’s been a very long wait in between Duran Duran shows, and I am still having trouble believing that I’m actually going to be seeing them again just next week! (yes, it’s the fangirl in me – I try to keep her caged, but sometimes, she does escape.)
If you’ve read the article carefully, you’ll see that there is even to be a special screening party in New York City for the show that night. I haven’t read or heard anything about this within the community as of yet – but I’m hopeful that fans will have the chance to attend. I know that if I weren’t going to the show myself, I think it would be a lot of fun to be at a screening party somewhere in the country. What’s better than seeing Duran Duran? Seeing Duran Duran with a bunch of friends! The only thing I can think of that would make the experience better would be to do some sort of an interactive show of this scale on the big screen at movie theaters across the country. So rather than having one screening party, doing many across the country as was done for Live from London, yet it would be live, and interactive.
I think the fans have a good year ahead with many surprises – looking forward to seeing how it turns out!
The goal of our book is two fold: Why does a fan community exist, and how does it thrive for so long. For a lot of us, we’ve been fans since we were in that wonderfully awkward adolescent period of our lives. Yes, there are fans that may have been older, a lot that are younger – but the one thing that I feel makes our own fan community or fandom unique is that most of us literally grew up with the band in our lives. Many of us are now entering that also delightfully awkward “middle” age period (you’re welcome for the reminder – I know of what I speak, every morning MY back and knees remind me too!), and yet we’re still huge fans of the band. At times, we even forget that we’re not still 12! The point of our book is to answer why. I’m not sure that Amanda and I will ever be able to say we have the definitive answer – I’m sure there are as many reasons as there are fans, but we really hope to encourage fans to embrace their fandom and celebrate what brought us all here, and why we stay.
Last week I blogged about a thread I’d read on a board about aging fans. Naturally, this hit home with me because I am one of those fans. I won’t lie, it hit a raw nerve – and perhaps I shouldn’t have let it bother me so much. I’m human as it turns out, so it did – and I blogged about it. Many agreed with me, but there were a few dissenting opinions as well. Over the weekend, my husband and I had a date night, and in the discussion over what we should do and where we should go, my husband wanted to go bar hopping in an area that we used to go when we were younger. Much younger, as in I think the last time we were over there – I had just one little one at home. That “little one” is now 14, and she’s got a younger brother that is two years younger, and a little sister that is 11 years younger. So yes, it’s been quite a while. I can remember the days when I would jump at such an offer – but this time, I stopped, looked at my dear husband and laughed. Admittedly, I was tired that night. He’s been traveling quite a bit which means my days are very long, and with three kids – it’s tough. The real truth is though, I had zero interest in going clubbing. I remember when clubbing was fun, but nowadays, I go into those places and feel extremely over dressed (I have on far more clothes than anyone else), very old (self-explanatory here), and I’m typically shocked at the crap (aka really bad music) they’re playing. If those aren’t signs of impending old age, I’d be surprised. We ended up deciding to go to dinner (sushi, one of my favorites) and a movie (Adjustment Bureau – very interesting but nothing like what I thought it would be). It was a fun night, and when I woke up the next morning, I didn’t feel like I was about to die, which is always a bonus!
When I first really got back involved with Duran Duran, and by that I mean joining the message boards and getting to know others in the fan community, going to shows and that sort of thing, I was about 33. When I went to the convention in New Orleans, I had no trouble staying out very late (as in seeing the sunrise), having many beverages on Bourbon Street, and pretending I was in my 20’s. In 2005 when the band toured for Astronaut, I was still feeling good. I didn’t look like I was about to turn 35, and I pretty much ignored the threat of middle age. Somewhere in 2006 though, life decided to toy with me. I had major surgery in October of that year, and I swear to you – it aged me a good 5 years. It was insulting, rude, and uncalled for, in my opinion. Every time I went out with friends, rather than taking a few hours to undo the damage – it was taking days. Then in 2008, I did the craziest thing ever – I had a baby at the age of 37. If that didn’t almost kill me (and it really did), going through the grief after my father died two weeks later didn’t help matters. It took me forever to really get back to myself after all of that, and it wasn’t until September of that year when I attempted to party it up like I was still in my 20’s again. As it turns out, I’m not! The hangover from that trip (it was to see what I thought I would never see – my good friend Jessica getting married!) lasted about two weeks, I swear. The stitches I received from getting smart with the ceramic soap dish in the shower took a little longer to heal. *sigh* Later that year, I went with Jessica, Amanda and our good friend Mac to see some DD shows on the east coast. Between the time difference, the driving every day (I believe we did 800 miles in what – 4 days or so -because we’re clearly insane), and the shows – there was a moment as we were watching the band at the House of Blues in Atlantic City where I thought I was really going to hell, hard and fast. I had to go and sit down – which has NEVER happened at a DD concert before, and I realized then that as much as I might try, I am not 18 or even 25 anymore. I went to bed fairly early that night (2am really IS early when I’m with the girls on a weekend trip!), and prayed to any god who would listen to give me some energy to finish the trip. I mentioned some of this to my friends, who naturally looked at me as though I’d grown three heads, and they seemed to laugh it off, telling me to grow a pair and get on with it. I would have laughed with them, except that my body hurt too much! I finished out the weekend, and have even been to a show or two since then, but I have to admit – I’m much more careful now. I recognize the differences in my body between the ages of 35 and 40 – and for those of you who haven’t had the joy of looking into the mirror and wondering why you STILL have bags under your eyes even though you’ve had a full night’s sleep for the past 3 months, enjoy. The bags come quickly and they don’t have the decency to leave! Never mind the grey hair or the aches and pains. Seriously, turning 35 sucked and 40 isn’t being much kinder!
All of this begs the question – when will I be done? I’d love to say never, and that they’ll have to pry my cold dead hands off of my Duran Duran albums at some point, but I’m not so sure anymore. Well, they’ll probably still have to pry my cold dead hands off of my DD albums, but as far as going to shows…I really am not sure. Is it cool to keep going to concerts into my 50’s? I’ve asked these questions on the boards before, and I’ve had fans remind me that the band is in their 50’s now and that I have to stop aging myself and the band. I guess the thought is that if they can still do it, so can we.
Could someone just tell my BODY that? 😀
My impending loss of compensation is so great that my days of touring will be over. In fact, I will have to move from my apartment, if I stay where I am. I cannot begin to justify going to shows or traveling for tours, if I cannot afford to keep my home (and when I mean home–I mean my one bedroom apartment). Looking back at the last five or six years, I realize how lucky I have been. I have been able to go to 20 shows since 2005 and most of those shows have required significant drives or flying. I hope to have 5 more under my belt before summer hits. Therefore, these upcoming shows better be the best ones ever because they may have to last me for quite a while.
Now, do not get me wrong here, I am not giving up. I refuse to have to move backwards like this and have been and will continue to fight it every step of the way. Obviously, part of this fight might be to consider my options. Different profession? Different location? Both? I’m hoping that I do find something that allows me to keep this element of my life. For me, Duran is both my escape and my fun, especially touring. I do not want to give that up. The band and everything that goes with enhances my quality of life. Could I live without them? Yes. Do I want to? Nope. For one thing, it means that I won’t see my Duranie friends much as most of them live far away from me, including my co-author. That is extremely upsetting to me. It also means that I no longer have things to look forward to as I once did. Anyone who knows me knows that I’m the queen of countdowns. I normally count down every day until a big event like a tour because that countdown helps me gets through each day. It gives me a positive thing to focus on. Soon, that will be gone. I can’t rely on Duran to be the lighthouse of relief in the sea of stress. I cannot even begin to tell you how sad it makes me that I won’t be able to see my friends as much. Yes, we are all on the internet but it is not the same. I won’t have the money to travel and we won’t have the excuse of Duran to bring us together as much as we did because I won’t be able to afford it.
I now understand how Duranies who have always been in this boat must feel. I apologize if I ever seemed uncaring or not very understanding. I get it now. I get it in such a way that these last shows will be appreciated by me in a way that I probably haven’t done since 2005. I look forward to them as I desperately need the escape but I also dread them in a way because I know that they will be the last for a long time. I feel like I do at every show when I hear the opening notes to Rio, which is typically played at the very end, because I know that the song will be great but I also know that the show is almost over. It is always such a bittersweet moment. Now, the whole show will be like that for me.
JoSi is an interesting element to Duran fandom. It does not seem to be completely unique, though, as many other bands have moments when the lead singer sings with another member of the band. Like Duran, those moments seem to get many of the female fans to start screaming. Why is that? What does that say about fandom? What does that say about females? Is this just a taste of guy-on-guy action? Does this mean that we think or wish them to be gay and together? I obviously can’t know why these moments get some people all…uh…er…excited, but I can acknowledge what I see in the Duran fan community.
First, every female fan that appreciates the JoSi knows that they are both married to women. Do fans think that they are secretly gay and are in a relationship together? Do fans want that? Good questions. I doubt that most fans think that they are gay. Some might think that they are bisexual or have had experiences with members of the same sex, I don’t know. It is possible that some fans want them to be in a relationship together. I don’t know. What would this mean, if that was the case? Would it mean that they wouldn’t be into women at all? Is that what female fans want? I doubt that. Many female fans want to keep a little bit of that fantasy that they could be into them. Do they want them to be bisexual? Maybe. What does this mean to them? Maybe that means that they would have stereotypically gay male characteristics while maintaining a possible interest in women. I don’t know. Could it just be that they think that two hot guys together are super duper hot? I think this is definitely the case with a lot of them, including myself!
Interestingly enough, I also see some fans like to see the JoSi but really hate the idea of them actually being together in that way. I have to admit that I find this very strange. Do they just like John and Simon together like this as a means of showing how good of friends they are? Is it just because they are their two favorite band members? I don’t know. Maybe they don’t like the idea of them being together, romantically, because they are married and want to honor that marriage. I can definitely respect that. I hope that is all it is because, otherwise, I worry about homophobia. I would hope that there would not be any disgust over the idea of any two men together as I truly do believe that everyone should be able to love and be with anyone they want. Of course, this wouldn’t be the first time that Duran Duran has had homophobia connected with them. In fact, I would argue that part of the reason Duran hasn’t had the critical acclaim that other bands have had is because they were deemed to be too “girly”, “gay”, “non-manly” because of their fashion sense, their use of makeup and their female dominated fanbase. So, I would hope that their fans aren’t contributing to that and can just appreciate the beauty of the JoSi instead!
Personally, I cannot wait to enjoy it myself! I have to warn the people I’m going to the Chicago show with that they better not get in the way of me seeing any and all JoSi moments. I’m sure that Rhonda can help with that as I have threatened her safety and well-being more than a few times after she has blocked my view! I should probably also give them a heads up that I might *squee* a little at those little moments, which may or may not ruin people’s hearing. Just sayin’.
Many fans of bands and other things like to show off their fandom through wearing t-shirts, sweatshirts, hats, etc. Interestingly enough, Duranies do, too. When I was a young Duranie, I didn’t have many Duran related clothing but what I did, I wore ALL the time. For example, I had a Duran Duran nightshirt that I wore until that lovely picture on the front faded. Now, I have many Duran t-shirts. Some of these were gifts or purchased on their website but most of them were bought at concerts. I really appreciate the ones that had tour dates on the back that show what tours I have attended! I’m such a dork! Now, I admit that you can’t wear Duran Duran t-shirts everywhere, but I do try to sneak them in my wardrobe when I can. I suspect that when I hit my first show or two, I may have to buy another one or two, especially if they look cool. I did see a picture of the t-shirts they were selling this past week. I wasn’t wild about it–it was a group picture from the video but lacked color.
The other item I will look for at my next show is the tour book. I have a number of them from previous tours and look forward to this one. One thing about Duran is that they tend to have really quality products when it comes to things like a tour book. They want to make sure that all of their products are well-done, which is a quality that I admire. I’m hoping that it is something like the Astronaut one, which just seemed huge! Plus, the Astronaut one had a pop-up piece to it! Who didn’t love setting up the pop-up band members and being able to move them around the little stage?! Of course, I would be happy with something like the book for RCM, which wasn’t too terribly fancy but still had quality. These items will, unfortunately, increase my costs at the shows, but they are well worth the price to me and to my collection.
One collection that might not require a lot of money is one’s bootleg collection. It is not uncommon within fandom for people to have bootlegs of concerts. These bootlegs could be video or audio. (Now, I’m not going to talk about the legality of bootlegs here-just acknowledging that they exist in fandom.) For some people, they might want to have a copy of the shows they have attended and, for others, they might want to have every show possible. Perhaps, they hear something new or different with each show. Maybe, they feel like they are on tour this way, even if they aren’t. It seems to me that most bootlegs in Duranland are not passed around for profit but are done through trading from one fan to another. Thus, new shows mean new bootlegs.
It seems to me that having a collection is one way for fans to show or express their fandom. Each fan who wants to express their fandom this way decides which thing to collect. Some may focus on the music. Others may focus on something like t-shirts that can travel with them. It doesn’t matter to me, but think anything that increases or reinforces one’s fandom is a cool thing.
I remember when I first heard snippets from the original 9-track album – I don’t think anything I heard completely blew me away. Some things made me want more, other songs made me think “hmm…well, maybe the next one will be better!” Of course, I didn’t post much of that, because I like living, and because I hadn’t heard the whole song. It’s a good thing I didn’t post much of it – because oddly enough, the songs I thought I’d love ended up being ones that while I still like, aren’t necessarily my favorites; and vice-versa.
This time around, there is one song in particular that I am interested in listening to in it’s entirety. Not because I love it, but because I was shocked at how much I didn’t love it. Naturally I’m not saying which one yet. One other thing that I am really disappointed about are the interludes and the remixes of All You Need Is Now that are being included on the deluxe version. It’s not that I don’t think the interludes are worthy of being recorded and included – it’s that in my opinion, they should have gone on their own separate EP. (oh how I miss the days of the 12″ remix single…..) I don’t think they quite belong on the CD, but that’s just my own quirky opinion. I guess I should be thankful that Duran Duran is giving us everything on one album.
Oh wait. They aren’t. 😀 I know they felt they were doing this release as intelligently as possible. It’s been pointed out to me that they really are learning the way here – it’s a whole new world to release an album in 2011, and I get that. Learning how to market effectively takes quite a curve. My entire problem with this…process…so to speak, is that it seems utterly ridiculous to have SO many different versions of the album coming out. Not only do the versions vary by where you reside in the world, but they also vary by retailer (at least here in the states, if not elsewhere). I’ve complained about this previously, and Duran Duran so graciously has responded to the questions by trying to clarify – but the real problem is that there are just too many different versions to keep track of.
That said, I have to wonder if this hasn’t really always been the case to some extent. Back in the days of vinyl, I recall hunting high and low for the “Harvest” versions of some albums, or the Japanese release of others. I can remember looking in numerous record stores for Duran Goes Dutch, or countless other things by Duran Duran that may not have even been official releases, but I still wanted them for my collection. Half the fun in going to a vinyl store these days is when I find a copy of something that I’ve been looking for over the past 25 years. There are even some Duran Duran albums out there that I didn’t even know existed until rather recently – the bliss of ignorance, I suppose. Perhaps the only real difference between then and now is that nowadays, we have the tools available to us to know what other countries are actually getting, and what is included on their versions. Back in the 80’s and even the 90’s, it was much harder to tell. Ignorance is bliss once again.
I suppose that fans could argue that now, it’s even more difficult to keep track because some retailers want their own exclusive versions of the album – it doesn’t take a rocket scientist to figure out why. They have to have some way of competing with Amazon and iTunes, and this is the way to do it. If Best Buy has a different version of the album than everyone else – even if it only includes one or two different songs on it, there’s a reasonable assurance that fans are going to want to buy that version, therefore guaranteeing sales. In this day and age, where physical CD shelf space is shrinking by the day in stores – Duran Duran is going to do whatever it takes to get their product into that store. I can’t blame them. I still think though that fans owe it to themselves to really think back to the day when we didn’t know ANYTHING. We had no access to information telling us where certain versions were going to be until way after the fact and someone told someone else. The bottom line is that it’s still up to each and every one of us to make our own choice as to what to buy. The band is not holding a gun to our heads, much as we might like to characterize them as “forcing us” to love them, and once again – there is NO PRIZE for who has the most at the end. John Taylor still isn’t going to marry any of us. 😉
Oh, neither are Roger, Nick or Simon. 😀
After the anxiety of the morning, I decided to take advantage of the beautifully clear skies and 80 degree Southern California weather and go for a walk with my little one. I needed a break, and she desperately needed a change of scenery, so off we went. As we were walking, my normally very chatty little girl became quiet and I was alone with my thoughts. (very, VERY unusual around here!) I thought about the upcoming shows, the momentous UK trip, and about presales in general. I realized that this is the first presale that I’ve actually done, for myself, for a show in the state I actually LIVE in…in a very, very long time. I believe the last show I went to here in my home state of California was the show at the Pacific Amphitheater (Costa Mesa) in July of 2009, and I didn’t buy those tickets (thanks goes to Amanda, because she is the Queen of Presales)! Prior to that, I don’t think I’ve been to a show in California since 2003, and I’m not kidding! I believe the last Duran Duran show I went to in California was KROQ’s Inland Invasion Festival – and that feels like a lifetime ago. I suppose that for me, it really was – I’ve had a baby since then! I missed their show here during Astronaut because I had the audacity to be vacationing on a cruise ship at the time (and I wasn’t giving that trip up, even for Duran Duran!), and so for that tour I did shows in Chicago and Milwaukee, then later that same year I saw them in Las Vegas. Then during the Red Carpet Massacre tour I had a newborn. In fact, the very night that they began their North American tour, April 29th, 2008 I was in a hospital having the strangest childbirth experience EVER. (another story for another blog – but I will say that as I was coming out of it – Hungry Like the Wolf was playing in the background and I thought I was in Hell. Like I said, another story for another blog!) That point was a very difficult time in my life, due both to having a ridiculously messed up childbirth experience as well as my father dying two weeks later. A concert was the very last place I could go, both physically and mentally, so I missed that tour here. I did catch them later on…for three shows on the east coast…because really, why see them anywhere nearby? 😀 It’s been a joke between my friends and I that the band would never be able to place a face to my name along with where I lived or normally saw them because I’ve seen them everywhere BUT where I lived, which is really kind of true. Not that they would know me from anyone else at this point – and yes – I do take comfort in that. 😉
So that brings me to once again realizing just how lucky I’ve been. I know there are many of you out there that haven’t had the opportunity to travel to see the band, and still more of you that have to wait just so that they even come to your country. I know how lucky I am to have the chance to see them somewhat regularly, and I also realize how unfair it must seem to those of you who do not. This blog isn’t gloating, although I suppose one could read it that way – please do not. I think that mostly I’m counting my own blessings. I came from a very modest upbringing, in fact – I hadn’t even been on a plane more than twice before I was married, and the very idea of going to a concert was a luxury, much less traveling out of state to see a band! If I had only known in 2001 that just by my husband taking me to one single Duran Duran show at the House of Blues in Anaheim that I would find myself here – well, I would have jumped at the opportunity a lot sooner, and I think my husband may have thought twice before insisting I go to that concert with him!! It’s been a wild, strange trip at times, and I’m very much looking forward to getting back out there to see my friends, meet new ones, and of course to exchange a smile or two with the band!
So Pomona, California – here I come! -R
The thread topic in question was a basic review of last night’s show – Shepherds Bush Empire. I think that for most of us, this kind of marks the beginning of the shows ahead. It was the first real all-encompassing chance the band had to play some new material, mix it with some older material, and get a feel for how the crowd would take it. The setlist was pretty mixed in that there were quite a few “old standby” songs NOT on the list, but also plenty that were, and some new songs that were played, as well as many that were not. As is typical, for every fan or two you find that loved the set, there are two others that hated it. (for the record, I must again state that I would HATE to be the band. They can’t win with us. Ever.) I don’t think there was anything truly surprising about the show or the setlist, or even the review…until they got to the part about the audience.
To be fair, I was not at the show, and I have never attended a show outside of the US. I’m actually looking forward to going to the UK in May, in part because I really want to be able to see the differences between the audience and fans there vs. here. Maybe there really aren’t any differences – maybe there are plenty, I don’t know – but I’m looking forward to finding out. That said, the one comment I read that is the topic for this blog is that according to the reviewer, the band needs younger fans. I believe the topic of the thread is “All The Band Needs….is a better Audience!”, and the board is www.duranduranboard.proboards.com (you must be a member of the board to read the thread) In the thread, the reviewer says that most of the audience was “older” – in that they were in their 40’s. After about 30 minutes, much of the audience stopped clapping and dancing. Of course, a few other posters refuted that claim – but having not been there, I have no idea. I did see video clips from others though, and I saw NOTHING of the sort. It looked to me like the audience was dancing, screaming, singing right along with the band. I don’t know what else they were looking for – a mosh pit?? I will say though that I’ve been to many shows here in the states, and there have been some shows where the audience seemed dead on their feet. Still many others where I could feel the excitement reverberating in the floor, and see the effects all around me. I also think it has everything to do with where you’re standing, whom you’re around, and your own attitude. This particular reviewer feels that the fans from the 80’s are just too old to be of any real help to the band….and still a few others on the board apparently agree. I’m just not sure I understand that logic. My take on this is that if it weren’t for long time fans….of ANY age…the band wouldn’t have a fanbase. Period. To try and purposefully turn people off is not the way to go. I would wholeheartedly agree that doing festivals and trying to show younger audiences what the band is doing nowadays is a great idea – and I hope it works for them.
I guess that my big problem with this line of thinking is that – weren’t we here before? Like maybe during the last album? I know I read many, many times on the boards that the “old” fans needed to just go away if we didn’t like the new material. Many of us did leave, and many of us stuck around – figuring that we’d been fans for so long that we didn’t know who else we’d be without the band in our lives. Still others loved Red Carpet Massacre, and yet it took each one of us to make this community what it was during Red Carpet Massacre, and what it IS right now. Now the old fans need to go away if we can’t dance like we’re 15, and we’re apparently scaring the young kids away from being interested in Duran Duran. I’m sorry, but if it weren’t for each and every single one of us – regardless of how old you are or when you became a fan (I don’t care if it was yesterday – welcome to the club, here’s your card, and good luck – you’re gonna need therapy.), the band NEEDS US, because without their fans – they wouldn’t have a damn job!
If you can’t tell, I’ve definitely got my ire up today. – R
Yes, we can say that the venues are small. Absolutely. I think most of the venues that they’ve announced hold around 2000 people, give or take. We can even say that the fans were chomping at the bit for tickets, definitely. But weren’t we chomping at the bit back during the Red Carpet Massacre tour? Weren’t a lot of those shows in smaller venues? Yet – I don’t remember there being quite as much of a scramble for tickets and hearing of shows selling out within two or three minutes. So what is the difference with this tour?
I think a few moves are in play this time: to begin with, the band is touring with a brand new album that we’ve not yet heard live. Yes, they’ve played a few songs at various appearances, but not really “live” to many of us, so it’s “new” for the most part. I also think that generally speaking, this album seems to be better received by the fans. Do not send mail about how much better of an album Red Carpet Massacre was, because that’s not what I’m saying. I’m simply saying that I don’t hear of AS MANY fans wanting to use this album to line their cat litter boxes or as a backboard for darts. This can’t be hurting the band!
Naturally, the venues are smaller and I think a lot of fans really want to see the new album played in an intimate setting as well. That said, we’re US fans – and here in the US, GA (standing) shows aren’t well-loved. Yes, we’ll still go to the show and we’ll still have a great time – but a lot of us hate the idea of having to continue to fight for our spots the entire night, and here in the US – that’s the way concerts are. There’s no respect for space, or for one another for that matter. There are the people that assume that they must be the ONLY real fans of Duran Duran, and so therefore everyone else should allow them to move to the front row, even if the people who are in the front have been there since 1pm that afternoon, first in line to get in, first to the front. Then there’s the two girls (and there are always two…usually a blonde AND a brunette) who are typically very pretty, with long hair, shorter skirts than necessary….and they typically have no idea who the band really are, but since these girls know they’re gorgeous, obviously they have room with their name on it in the front row. They’ll wait until the show starts, and then start to make their way to the front, assuming that they’re good looks are somehow going to get them through the crowd to the front of the stage. They smile very condescendingly at those of us who are in their way and then nonchalantly wait for us to move aside (because obviously – why would we block their beauty?) so they can move up front. You know they must be thinking to themselves that the other women in the front aren’t nearly as hot – so why should they be allowed to stand there? Never mind that yes, those women they are eschewing have been at the venue since 1pm that day. Then there’s the drunk, older woman who seems to show up at about mid-show. You know who she is and you can see her coming because she’s been hanging out between the side of the crowd on the floor and the bar most of the night. She’d been dancing most of the time, and it becomes very obvious when the alcohol has done it’s thing because she starts laughing loudly, stumbling about since she’s wearing heels that are far, FAR too high for someone her age. Then she starts plowing through the crowd, unaware that yes, there really ARE other people there, and that yes, she is really, really drunk and looking fairly lame. And on it goes….
is it like this everywhere else in the world, or is just in the US where people are this inconsiderate?
Wait. Maybe you shouldn’t tell Daily Duranie this publicly – I mean, if you did, we might all move to your country! But I digress… (and I’m sorry for my rant above, but you’ve gotta admit – every GA show seems to have the same crowd!!!)
The fact is, here in the US, we’d sooner pay more for a seated show, and yet these GA venues have still sold out within what I would consider to be lightening speed. Sure, we can account for why these sell outs are happening, but I prefer to think that there is still a great demand for this band, even after 30 years. This isn’t a bad thing, and while I might be cursing that demand on Friday as I try to get tickets for their show in Pomona, CA (Fox theater)…I will try to remember that this is really a good thing!