I know the final leg of Paper Gods #Duranlive is coming because I see the tweets from DDHQ. The posts with a stage shot, sparking my anticipation a bit. I look at the calendar and recognize that next week at this time (I’m starting to lose track of what day of the week it is – which is WONDERFUL), I’ll be nervously packing up the last of the things I need and getting ready to drive up to Los Angeles to pick up my copilot for this final leg!
What a road it has been, and not all of it smooth or easy to navigate. In a lot of ways, I can’t believe this is really the last leg of Paper Gods. It seems like just a few months ago that Amanda and I received the full album and gave it a good listen. Even less since I picked Amanda up from LAX and drove to our hotel near the Hollywood Bowl (apparently it’s been long enough for me to forget the name…), or since she and I hung out at the W in Los Angeles, or drove over the Canadian border. I don’t know where the time went, but I have to say, I think I really did love every minute of it!
Paper Gods, for me, wasn’t an easy sell. I didn’t fall in love at the first listen. Falling somewhere in between Red Carpet Massacre and All You Need is Now on a musical level (for me – your experience will be different and that’s wonderful!), I didn’t have that immediate bonding that I craved. It took time and patience, which was something I wasn’t expecting. I wrote many a review, and spent a lot of time trying to pinpoint what I loved, and what fell short. Even so, it would be unfair not to recognize the musical genius within. The hard work is evident, and it is very clear that the band went full-throttle with heart, soul and everything in between to finish.
On the upside, the touring here in the states has been nothing short of phenomenal. The Hollywood Bowl, Ravinia, Red Rocks, shows on New Years Eve and New Years Day, but to name a few. Absolute craziness. Shows were announced without warning, and it’s a good thing I take blood pressure medicine religiously, because one never knew what would be announced next.
On the other hand, there’s the rest of the world. A handful of shows in Italy, a few in the UK, Lollapalooza in South America, Gran Prix in Singapore…and a scattering of others. The rest of world pretty much missed out. Yes, there are a million verifiable reasons why the tour shook out this way, none of which provide much in the way of solace for fans who have been waiting. I might also gently suggest that the band saying “We really want to go to the Far East!” or “Hoping to hit Australia and even New Zealand!” probably didn’t help, although, if one really listened and read through the lines, particularly just before the album was announced and the band was saying they probably would not get to a lot of places on this tour and that it would be shorter, maybe there wouldn’t be as much of a surprise. Even so, as a fan, I have to wonder what is really going on. No conspiracies, but to leave out the rest of the world seems odd. Promoters work to get the band booked places, and I have a difficult time believing there is no demand for them in say, Japan. Or Australia. Or anywhere in Europe besides Italy.
Here we are, standing ever closer to the edge—together. We’re near the end of one album cycle, one final leg of the tour left, not entirely sure of what will follow. There’s talk of the studio, of a three-year celebration of the 40th anniversary (I still have a hard time typing that number. It feels like a mistake and I have to remind myself that yes, it really has been that long.), of a musical, and still many other fans believe that band is going to retire and they’re on their way out. None of us really know what will come next, until the band tells us. So while I’m anxious to go see the shows next week, I’m also slightly apprehensive of the unknown. After all, I’ve had a lot of fun and I don’t want it to stop!
Nagging thoughts aside, I get the feeling we’ve only just gotten started.