Tag Archives: bootlegs

A Silhouette Begins the Show

So, show of hands….how many of our readers are at home because of snow/cold days?!? I hear that Chicago is going to be colder than the Antarctic this week. Amanda has been telling me about forecasts that have Madison’s wind chill at -50 (Fahrenheit) or more. That’s ridiculous!! I hope everyone stays warm!

I apologize for the lateness of the blog. I used to have this routine down – I’d be up by 7, blogging by 8. Nowadays, I’m dragging myself out of bed at 8:30 and I’m hard pressed to get the blog finished by noon my time. It’s not a great routine yet, but I’m working on it.

A fog is lifting

I came upon something today that reminded me about Reportage. It was a picture of what was obviously a fan-made cover for the album, and it was in turn on the cover a book titled Bootlegs. I’d never seen a cover of any kind for the album until today. That said, as far as I’m aware, no copies exist outside of the hands of the band. Naturally though, this photo got a few of us talking.

It would seem that very few fans have heard Reportage. Most everyone else continues to speak of it as though it is this hidden treasure. To find it is akin with finding the Golden Ticket. I think the expectations of the album have likely been inflated beyond maximum pressure. Those that have listened are usually quick to downplay, and not much of real substance is explained beyond a perfunctory, “Yeah, it wasn’t bad. You could probably find it if you wanted.”

Could I find it? Really? More importantly – do I really want to find it?

In the shadows

These are questions I was asking myself this morning, as I chatted back and forth with friends on Twitter. There are real collectors in the Duraniverse. They are people I very much admire because they work hard to find that obscure poster from 1981 or a specific promo copy of “Hallucinating Elvis”. I have a great deal of respect for people like that, and I tend to learn a lot when speaking with them too. There is a vast amount of expertise to be gained from the collectors amongst us! Me? Nah. I don’t spend a lot of time hunting for albums in old vinyl shops (although I do pop in and check the “D” section from time to time), I don’t hunt online for posters on eBay. I don’t have all of the tour books, pins, or even t-shirts. I do like knowing that I’ve heard all of the variations of music, though.

When it comes to unreleased music though, I’m not sure how I feel. On one hand, I love hearing how Duran Duran went from Point A to Point B. Hearing demos is one way of audibly experiencing that journey. I enjoy having that understanding, because when it comes down to it – I’m still a musician at heart, and I dearly love being able to hear the progression of a song from reasonable beginning to completion. On the other hand though, as I said this morning, if the band wanted me/us to hear it – I would think they’d just let us have it. So to get it from some other means seems, well, not right.

Lit by scandal

As my friend said in reply – I’m no goody-goody here. It doesn’t seem right or fair to the band to get hold of something that they weren’t ready to put out themselves. It is, of course, very different if John or Nick said “Hey, why don’t you take a listen?” But to just leak an album and broadcast its existence wouldn’t be right. As we know, that hasn’t happened with Reportage anyway. I mean, at least not that I’m aware. In some ways I still wonder if I’m among the last remaining DD fans that hasn’t heard it.

I suppose I haven’t really hunted much for Reportage. Several years ago I did try to sniff it out online, but came up empty. After that, I kind of let it go, only to be reminded of its existence every now and again. I’ll think of it for a few minutes, and then I’m off again. I would have figured it would have been leaked by now and be commonplace. It would seem that this is one of the better-kept “secrets” in our fandom, at least from my perspective!

So while I suppose I’m still curious about what it sounded like, I’m also more interested in what the band is working on now, post-Paper Gods. Hearing Reportage now would be like looking back, when really all I want to do is keep moving ahead.

-R


Duran Duran Bootlegs

I’m officially on summer break now, or as I call it, “Retirement 2.0”.  While I’m supposedly enjoying my time off, I’m also cleaning out, organizing, and packing up the house. I’m not sure how successful the tasks are going so far, because my house still looks pretty much the same, but currently in my garage I have about thirty-two black and yellow large bins from Costco that are stacked four high and about four deep. Moving has been wonderfully cleansing so far, and I’m not even done yet.

While I’m at home, my husband Walt lives in Santa Barbara during the week. Often, I will get texts from him exploring new places, and I won’t lie – I’m a little envious as I’m cleaning out the closet, packing up my office, or weeding in the backyard. This past Monday though, I got a very curious picture from him.

He had been wandering around State Street during lunch, and found himself in a record store. He is apparently far better trained than I realized, because he immediately looked for any DD vinyl. When that didn’t pan out (I already have everything they had in stock), he looked at their CD’s and DVD’s. Hitting the jackpot, he texted me this picture:

Now, curiously enough, I didn’t recognize these DVD’s. Upon closer inspection, Boys on Film was filmed from an MTV appearance at New Year’s Eve Rock and Roll Ball at the Palladium in NYC 1982 (12/31/82). Then there’s Duran Duran Coachella, filmed in 2011. Lastly, there is Duran Duran San Francisco 2016, which was filmed at the Outside Lands Music and Arts Festival. All of them must be bootlegs.

I didn’t ask, but Walt dutifully bought all of them anyway. They all have varying copyrights and addresses – two of them are archives (one says The Archivists Society and the other is Duran Archives, each has a different UK address), and the other is from Duran Films in New York City. I haven’t watched them yet (that is today’s assignment), but I can hardly wait to see the quality of what I am fully expecting to be shoddy iPhone video. We will see.

It turns out that only after he’d already bought these, he saw even more of these DD concert bootlegs for sale. It’s almost unnerving. I mean, Duran Duran has no control over what is being filmed and later sold, and naturally – none if this is new or even news. I just haven’t seen so much of it gathered in one actual brick and mortar store before. (I don’t get out much, apparently!)

He also picked up a CD for me, which might even be worse than the DVD’s. It’s called Duran Duran Ultra Rare Trax.  Let me just say, the trax are not rare…and the only thing “ultra” going on here are the ultra-tacky descriptions of the songs compiled on this clearly homemade CD.  Below is just a sampling of the titles and descriptions:

  • Notorious (Disconet): Title track from their 1986 LP. Pushed forward their chic influences to the fore. Cutting funk guitars and slap bass supply the backdrop to a fine Disconet Mix.
  • I Don’t Want Your Love (Prime Cuts): The Prime Cuts people get to work on this Duran Favourite, with its excellent back track it rolls on and over. Another Prime Cut.
  • Save A Prayer (DMC): A nice up-tempo dance version of this usually classic ballad. The Earliest Duran number we could find a dance version of.         (I don’t think they looked very hard, just saying.)
  • A View to a Kill (Art of Mix) 007 meets POP! Duran go big screen. A great track given the Art of Noise treatment.
  • Duran (Megamix) The first time ever DMC mix available for the first time on CD format. Previously a cassette 1984 release. Coupling together some Duran classics – Is There Something I Should know, Planet Earth, Girls on Film, Rio, among others.

It goes on from there. Writing is clearly not this bootlegger’s forte. I can hardly wait to listen, though.

I’m not one to encourage bootlegging, but I have to admit I’m more than a little amused to sit down and watch some fairly recent Duran Duran shows. I can’t think of a better way to spend my break – particularly since the alternative involves more packing!

Is there a place for bootlegs in the industry? On one hand, the band seems to have no control over what is filmed and sold – and the economic impact to them is pretty clear. I mean, it is their music and their image, and it seems wrong that they shouldn’t get some royalty from that. On the other though, there are people out there may actually want videos from shows they attended, or maybe even for those who can’t get themselves to places in the world where the band has played.

What about unreleased music? I own Duran Goes Dutch, which is a fairly rare and collectible vinyl that isn’t official at all. The music is rare because the songs are arranged very differently. The band didn’t necessarily take advantage to press that vinyl, but someone else did. Fans like me have benefitted from being able to own the record. I’ve also read that bands, perhaps not Duran Duran – I really can’t say, have bootlegged their own material at times because their label wouldn’t commit resources to doing so for various reasons. It’s a sticky situation, not nearly as black and white as it may seem, and I definitely am not claiming to know the ins and outs. The issue is certainly worthy of discussion.

I’m going to sit and think about all of this while I watch my new videos today!

-R

 

Today in Duran History – Cadiz, Spain

On today’s date in 1989, Duran Duran played at the Puerto Reel festival in Cadiz, Spain.  This was one of several festivals that the band played during this summer.

Not that I would ever dare suggest one buy a bootleg, but in my search for information regarding this appearance, I saw that there is actually a bootleg of this gig.  Live and learn!

-R