Tag Archives: Budokan

New release from Duran Duran!

Exciting news, Duran-fans! On this year’s Record Day (April 21) we will all be able to go hunting in our local record stores for the brand-spanking new, OFFICIAL vinyl from Duran Duran.

(Yes, I could insert lyrics from my favorite song, “Hungry Like the Wolf”, right here. I could do that, but I won’t.)

Just announced today on duranduran.com, 2018 will not go by without at least one new prezzie from the band to tide fans over. Their new release, Duran Duran Budokan, recorded at the Nippon Budokan on September 20, 2017, is a gift to fans who have been crying for a live album from the Paper Gods tour.  Commemorating the final show on their two-year long tour, Duran Duran Budokan is the perfect closing chapter for an amazing moment during the band’s career.

Anyone Out There (I succumbed to the pressure. I am sorry.) want to see the track listing?

Side A
1. Paper Gods
2. A View To A Kill
3. Pressure Off/Hold Back the Rain

Side B
4. I Don’t Want Your Love
5. (Reach Up For The) Sunrise/New Moon On Monday
6. The Universe Alone/ Save A Prayer

Want to see the cover? Those Duranies who want to see the band smiling on the cover…you won’t be disappointed.

That cover. Wow. I LOVE IT. It is the type of cover that I will spend hours scouring, trying to sort out what all of the symbolism means, both individually as well as all together. Is there a message? Is it just a collage? (never!)  April 21 needs to hurry up and get here.  Japanese graphic artist Tadanori Yokoo designed the cover – and if you look, the Japanese influences are very clear and commemorate the show. However, there are also additional flourishes added by John Warwicker, a name that should be familiar to Duranies. Bonus points to those who may be able to discern his artwork from Tadanori Yokoo.

I am excited to see that a live album has been officially announced, and I can’t wait to get my hands on a copy. I can’t speak for everyone, but two years went by in the blink of an eye for me. I’ve seen the band a “few” times now, and many of the shows I saw on the Paper Gods tour had the band at their absolute best. I love that this album commemorates the final show on the official tour.  One of my favorite things about the Paper Gods tour— one thing (of many!) I hope to remember forever—was hearing (Reach Up for the) Sunrise mashed with New Moon on Monday. I am overjoyed that the band decided to include this special mix on this album, and now I will be able to hear it anytime the mood strikes. I won’t ever forget, now.

As always, there’s a challenge when it comes to anything Duran Duran….and in this case, the album is a limited pressing of just 2,700 copies. Fans would do themselves well by researching which stores in their area will have a copy in stock, because these are sure to go quickly.  No word on price, but you can guess that once in secondary markets (eBay, etc), this limited release live album will be far more expensive for collectors. Good luck!

-R

Too Much is Never Enough

So last night, Duran Duran played Budokan in Tokyo. For a place that the band seems to really enjoy visiting, like so many other areas of the world, they do not seem to visit Japan very often. I think the last appearance there was in 2010 for a conference (I believe this may have been a private gig, but I’m not positive), and before then they played Tokyo in 2009. (Yes, I looked this up because there is absolutely no way I would ever remember this kind of thing. My brain is full.)  The band seems happy to be in Japan again, with Dom commenting last night that it was a dream of his to play Budokan.

During their time there, I’ve seen a few comments here and there from some of our Australian fellow fans. Suffice to say no one is happy that the band is not making the trek to Australia and/or New Zealand while in that area of the world. What boggles my mind though, is the anger towards America, and American fans as a result. In fact, I’ve seen other fans comment in response that the band must be tired ending the tour as a direct result of how much time they’ve spent in America.

That’s right. It’s America’s fault for continuing to line their pockets and fill whatever venues they need filled for shows. It is absolutely the fault of the U.S. for being just over 1 million square miles, or about 2.6 million square km larger than Australia, not to mention Japan and even Europe, with dozens of large cities that are not closely connected. It is also America’s fault that the worldwide media/entertainment industry is headquartered there, and the US dollar seems to still matter on a global level. Naturally, there are also comments about how DDHQ is located in New York, of all places. Surely that must be the reason for the obvious favoritism, on top of everything else. Those damn Americans!

Of course I’m being facetious, but I’m also frustrated. We hear about how terrible we are, and how unfair it is that the band  chooses to be here after every single tour is announced. It is to the point where I nearly wince when the band announces U.S. shows.

If we’re going to point fingers, look at the promoters in whatever country we’re talking about. Simon and John, for instance, do not sit down, spin a globe and decide where to go based on where it stops. There’s no grand scheme here to leave out entire continents. It comes down to dollars, timing, and the willingness of promoters to book them. I can’t answer why promoters aren’t knocking down their doors to book them in places like Australia, or most of Europe. I think the markets in those places of the world must be very different. Bottom line is that it is not 1985. The world has changed, the music industry has changed, and, like it or not—the band has changed too. While we still think they’re the biggest and best band in the world, it would seem that concert and tour promoters do not. Right or wrong, it is the way it is.

I’m sorry that Duran Duran didn’t tour everywhere.I am very empathetic to other Duranies, and yes, it IS unfair. While I’m frustrated at the moment, I also care about fans in general. On the other hand, I can’t help but be thankful that the band comes here so often because yes, I love them too.  In some ways, I feel as though I should apologize for their frequent visits here, which is ridiculous because I have no control over what they do. Sometimes I think people would appreciate it if Amanda and I came out and told the band that they shouldn’t visit the U.S and spend the time elsewhere.

First of all, the band isn’t going to listen to us because—and I’m thankful for this—I am not a tour promoter or a band manager. I’m a mom, blogger, and fan. Secondly, it isn’t because they toured  America more than once that they didn’t visit Europe, or Australia, or even why they didn’t do more dedicated shows in South America.  I know it is convenient to just blame those “damn Americans” but let’s get real for just a minute before everyone goes back to hating. The band is able to book a plethora of shows here and have them well attended enough to pay their bills AND make a profit.  They can play a variety of different places over an extended period of time, and since the U.S. is one large country, I suspect the logistics with paperwork and so forth is a bit easier, too. All of it adds up to money and turning a profit. Like it or not, the band makes their living that way, as do the hundreds of people who work for them in one way or another.

I get it. America is the scapegoat, and if fans really feel like they need to blame someone or somewhere, we’re an easy target. I just wish fans spent a little more time thinking about why Duran Duran might continue touring here, rather than just blaming America for all the places the band has missed.

-R