As a Duran Duran fan, what is your dream day? A dream day for me would end at a Duran show with good friends followed by an all-night party. The rest of the day, though, I would love one thing. I would love to be able to explore the Duran Duran vault where all songs, videos, pictures are kept. Is there such a thing? I’m not sure, but there really should be.
What would I be looking for in this magical vault or archive? Simple. I want to see and hear all of the material that I haven’t had the good fortune to watch/hear. I can think of numerous examples. Anyone remember a little documentary about the 2005 tour called Drama Americana that was never released? I would love to see it. There even was a trailer for it:
Of course, I’m sure that there is plenty of music that they created that we were never able to hear. The most obvious example is Reportage, the album created after Astronaut that was shelved after Andy left and with the change in direction leading to Red Carpet Massacre. If that wasn’t enough, I would love to hear demos of released songs. One of the best features of those re-released box sets of the early albums was not only getting official remixes but often hearing demos, showing how much some songs changed. The best example of this is Tel Aviv:
In thinking about all of the unreleased Duran material that exists, I wonder how they feel about those songs or versions that ended up on the cutting room floor. Do they think they made the right choices with what they chose to be released or do they regret some of them? Beautiful Colours is a demo that many Duranies have and desperately wish that it was included on Astronaut. If you haven’t heard it, listen to it below and let us know if you agree that it should have been on the album:
Then, I wonder about the process they go through. I think many of us have heard interviews in which they state that writing and recording usually begins with them “jamming” in a room together. When they come up with something interesting, they try to form the song around what they discovered or something like that. Every time I hear about this process I always think about how organic and natural it sounds. I get the sense from this that they don’t try to force a certain sound or a specific type of song.
That said, I suspect that there are many steps, though, between grasping onto something cool and being ready to go on an album. What I want to know more about is how they deal with questions about how they should proceed. Say, for instance, they have something like a song that they had been working hard on but they know or someone else points out that there is something missing to the song. How do they add or subtract or change to fill in the song, to make better, to make it ready to send out to the world? What about those songs that they truly change like Tel Aviv? Clearly based on the fact that some songs were never released, how and when do they decide to scrap a song? Then, do they ever feel that they wasted their time?
I can imagine that it must be frustrated to work a song that ends up not going anywhere. If that is the case, I wonder how they feel about albums that they created that never made it out of the recording studio. Do they ever wish then to pick up those projects and finish them? I know that many of the fans would really like them to see certain projects and songs through. If they chose to just fix songs that were mostly done, maybe, the next album could be released sooner rather than later??
Overall, I find myself really wondering what their creative process really is. As someone who is also working on a creative project, I bet that I could learn from them.