Tag Archives: KROQ Acoustic Christmas

(Slightly late!) November 2015 Katy Kafe with John Taylor

Today is December 3rd. I don’t know what happened, but I missed the posting of the November 2015 Katy Kafe. I’m expecting a pink slip at any point from Amanda…but until then….enjoy the highlights!!

(Remember, this isn’t word for word. I’m lucky if I even got quotes right this time because I was lightning fast with my writing. If you want to hear the whole thing, cough up your $35.00 and join the paid fan community at DDM!!)

Paris

Keeping in mind that this Kafe is from November 18th, it is no surprise that Katy opened with the subject of Le Bataclan and Eagles of Death Metal in Paris. Katy describes the gig as sacred space – which is completely accurate, in my mind. That’s exactly how I (and many music fans) feel about the concert experience. Real life, politics, etc should stay on the outside of those walls. John talks about how it “broke a boundary.” I couldn’t agree more. He continues by saying, “We really love those guys. We wouldn’t wish this on anyone.” (I appreciated that John said he didn’t feel especially equipped to really say much about the events in question because, let’s face it, how many of us really DO feel equipped? I’m still trying to process Paris, along with the atrocity that my community is digesting from yesterday. I grew up near San Bernardino, and I currently live about 30 miles from there. To say it is unreal would be an understatement. John’s humanity is genuine, and I think most fans are drawn to that about this band in general.) The subject of “Save a Prayer” is brought up, as it was the last song that Jesse Hughes’ girlfriend put up on Periscope of the show – and John admits that being tied to the horror of what happened that night in such a way feels weird. He expands by saying that the idea of a song being reinvigorated by a newer band is something any band would want, but having it happen in this way, in this sense, is not what they were thinking. He feels it’s important for Eagles of Death Metal to continue and that this is an opportunity for them to be a force of positivity.  I think that’s something we can all agree on. I hope they can find the strength and courage to continue because this tragedy happened TO them in a way it didn’t happen to U2, or Duran Duran, or anyone else for that matter. Their voice is an important call to action for the rest of us who very much love music and feel, rightly so, that a sacred space (to use Katy’s words) was breached that night – and we’re not going to let it consume us. Instead, we are going to let that act give us energy and power to keep going (anytime the Eagles of Death Metal are ready to get started – I’m ready to applaud them right here on this blog).

UK Tour

At the time of the Kafe, the band hadn’t yet began their tour, but Seal had just been announced as one of the opening acts (The Bloom Twins being the other). John explains that they first played a gig with Seal at the KROQ Acoustic Christmas in 1992. He calls Seal “a class act”. He continues on by saying that they first caught on to the idea when Nile toured with him this past October in the US.  The idea that Nile had hit songs wasn’t lost on John, as he described the experience as being an “eye opener.” (Having been at a few of those shows, I have to chime in and say that while I really didn’t give much thought to the idea that Nile had hits – of course he does!! – the fact is, Nile Rodgers is a legend and to see Chic live was a dream come true for me and likely many others. Who didn’t come away from their sets on cloud nine and totally ready for Duran? In the sense that an opening act is supposed to warm up the crowd – I think Chic and Nile did that in spades.)

US Tour (October)

In a word, John called them “AMAZING”. He said that they were among their best shows ever with some of the best crowds. He admits that it had been a few years (Entirely too long, I might add!!!) and they weren’t sure what kind of reception they’d get. (I am always surprised when they say this because what did they really think? Did they really think that only 20 of us would show and throw things at them?? Never!) He talks about the “love in the room” – of which yes, there was a lot of that. John also says that he felt a change from the last tour, that it felt different – but it was “all great”, adding that Nile seemed to set the tone and that each show left them satisfied. (The fans though? We’re never satisfied for long, are we??) 

2016

What will 2016 bring? Well, John was quick to make my entire week by saying that they are working on an American tour that looks (keep in mind this was recorded on November 18 and things may have changed in the past two weeks!!) like it will happen in two parts: an indoor section that will be happening in the spring (define spring for me, John.) and an outdoor section in August. (I am sweating just thinking about where they might play….) He continues to make me bounce in my chair by saying the words, “we are keen to get these on sale, so an announcement should come shortly!”  I know that there are many of you out there groaning at the very thought that the band would return to America – so let me assure you he also mentioned Europe and naturally Italy for the summer, they want to go back to Japan, and of course Australia and South America, too. Katy asks specifically about India as it was somewhere Nick had mentioned, but John seemed iffy at best as to whether playing there was a possibility. So, Santa might be bringing all of us a list of tour dates….and pre-sales…this holiday season. Ho ho ho….

Goals for Paper Gods

Katy brings up an interview that John did for press in Liverpool where he mentioned that their first goal with the album was to hit the bullseye with fans. She mentions that it would seem that it’s spreading beyond that bullseye now.  John says that they “set a high bar” with the album, noting that bands don’t spend two years recording to “put something out and just see what happens.”

JT doesn’t want to say what his goals are for the album, but that they all have “big dreams for it.” Round one was to get the fans to really love it. He recalls getting a text from Katy on the day that they released What Are the Chances (I want to clarify that while it wasn’t completely clear in the Kafe – I believe he’s meaning the day that we first heard WATC, prior to the release of the album, and NOT when they announced it would be the next single.). She apparently had told JT that fans were going nuts for the song and that it “hit fans right between the eyes.”  John says that he sat back and just said a triumphant “YES!”

The goal now is to broaden that appeal, which takes time and getting exposure in ways they might not think.  He and the other members of Duran Duran very much want to get this album heard by the people.  “The Pressure Off experiment has run its course, and we’re happy with how it’s done but Round two is seeing where What Are the Chances takes us.” (I wish someone would ask the band about radio. I have NEVER heard Pressure Off or What Are the Chances” on regular old land-based radio…and I struggle with understanding how important, or not important, getting it heard on the radio really is. Things have obviously changed since I was a kid! Should I worry that I never hear it? Fans like myself whisper about this from time to time in emails and I see it brought up on Twitter, but I really never know what to say.  Does it matter, and if it doesn’t – how else does a band go about getting exposure these days? Print and TV media can’t seriously be the end all, can it??) 

John then launches into a story that I think is worth including because, to be fair – is exactly how I felt when I first saw Paper Gods on iTunes. He explains that when the album came out, he was shocked to see it classified as pop, saying that he hadn’t felt like he’d been a pop musician in the past 25 years or so. He took a look at the other artists in that category – none of them were much over the age of 25 or so – and he wondered how they’d ever be able to compete with those kids.  John uses the word “fucked”, which is more than appropriate and I concur!! He specifically mentions Ariana Grande, for instance, saying that he felt they’d made a very progressive record he very much hopes to get heard by the masses – but probably NOT by listeners of Ariana Grande. (It is in this particular moment when I feel both complete dismay AND vindication to some extent. It wasn’t just me who was completely confused by Paper Gods being classified as Pop, and I wasn’t the only one thinking that there was no way they could ever compete with the likes of Justin Bieber…and honestly, would they even WANT to??? I love Duran Duran, obviously…but be honest here…no kid who listens to Justin or Ariana is likely to give Duran Duran a chance, primarily because it is THEIR PARENTS who grew up with the band.) So the question becomes – how will it all pan out?  Katy assures him that it has gotten fantastic reviews and that it’s particularly gratifying to her to see the great reception, and that it’s genuine. He and Katy are both right about one thing: fans love this album. We’ll fight to the death for it. We soldier on. The album, and most certainly this band, is worth all the blood, sweat, and tears (and there have been plenty!) we can muster.

-R