Tag Archives: Paper Gods tour

April 2017 Katy Kafe with Roger Taylor!

This past weekend, the gift of a gleaming new April 2017 Katy Kafe with Roger Taylor was posted on DuranDuranMusic for members. I gave it a listen yesterday afternoon, knowing I’d be blogging the highlights this morning. Roger and Katy covered a variety of subjects, and as always—I took notes and will cover the more notable topics here. If you want the full Kafe, I’d suggest getting your DDM membership!

Lollapalooza

Roger said that going in, he was concerned that the crowd would be different, and that they might struggle with the audience. Apparently the average attendee for Lollapalooza was 23. But then he saw a lineup and felt they’d fit in nicely. Katy asked him if he likes festivals, and he said yes. He likes playing outside in the elements, and says that if you have the right audience, there’s nothing like it.

I think back to the now infamous photos of the Argentina show and sure, I suppose he’s right. I’m not a big fan of “the elements”, but I can understand where the band is coming from. Someday I’d like to ask the band if it makes any difference at all whether they’re playing a smaller gig in front of 3000 real fans, or many more thousand that might not know their music as well. Judging from the way the band responds online – I’d have to think that while of course they love the fans, when you’re talking about an audience filled with thousands of people, as long as those people are responding – it doesn’t matter.  To them, they’re all fans.

Katy also asked Roger if Lollapalooza was similar to Coachella. I thought this was an interesting question, particularly because it was something I’d wondered myself! To me it seemed the audiences were very different. I watched Coachella again recently – and the way the audience even responded was incredibly different. I felt the Coachella audience stood there waiting to be entertained, where in Argentina, it was far more a group experience. They were all in the show together.  That said, Roger said they were very similar. I’m not really surprised he responded that way, either. Roger is on the drums, in the back, and I don’t know how much of that “crowd feeling” he is able to fully absorb or even notice! Whereas my line of thinking was more about the emotion of the audience, Roger stuck to aesthetics. “They were at similar times of the day” and the crowd size was similar. (in the same ballpark anyway!)

July

Most people know that the band is going out again in July for two more festivals. One is the Calgary Stampede, and the other is Electric Picnic. Katy asked him about those, and Roger let us all in on a little secret—he tries not to look at the tour dates until about three days before he leaves.

If I had an emoji sign with wide eyes that I felt I could post without getting into copyright trouble – I’d post it here. Use your imagination.  This sends my slight OCD tendencies into OVERDRIVE. Oh my. I already have my hotel reservations for a trip I’m taking in July. I know how I’m going to get there and what time I’m going to leave…and it’s not even May!  But then, I don’t have “a good group of people” doing that for me. It’s me. I book the trips. I drive the car, too!  The difference of course is that I don’t tour often, I haven’t been doing this since I was twenty, and I don’t have other people doing the itinerary. There’s something really attractive of not having to be the one to worry about where I’m going though, and only having to show up to play. I wonder what that’s like….

Katy also tells him that he’s going to be missing his son’s birthday this year, and it is in that moment that I remind myself that yes, these guys really are still human. Roger sounded sad about missing Julian’s birthday – I think that’s a genuine drawback to being a musician. He says it’s part of the deal, you miss birthdays, school concerts, etc; and then Katy reminds him that he also gets to come home and be with his kids for months at a time and pick them up at school. (which he was getting ready to go do!)  That is true, and is a benefit that these musicians have that most normal people do not. While the band is gone for extended periods to work, when they come home, they’re not working. (Studio time aside, because that’s totally different) Other people go on business trips, come home, and go back to the office.

What about Australia???

This is the question of the moment. Katy asks if the band is still going there or if they’ve shelved the idea. Now, I have no doubt people heard all the hope in the world in his voice, but I have to say that I did not. Roger said that they are waiting for just the right dates and venues, and IF that happens, then yes they’d like to go there. He said that Australia is one of their favorite places to visit, so it’s not about not wanting to go. It sounds to me as though it is purely about the business-side. It’s not worth going if they don’t have the right set of dates and venue.

In my opinion, it didn’t sound all that hopeful. I know there are a ton of rumors out there about playing with Chic, but judging purely from what Roger said, it doesn’t sound as though any of that is solid as of yet. As for the rest of the world? Nothing was mentioned at all. Whether that was  due to time or because Katy chose to focus on the positive, I don’t know. 

What is next?

Katy asked Roger what their plans are for the rest of the year (after July). At one point, Roger felt that they might end 2017 in the studio, and she was wondering if that was still possible. Interestingly enough, Roger says they are going to be doing more dates (no place was mentioned).  He also said something about going somewhere special and filming it. He talked about how he thought they’d been touring Paper Gods for nearly three years now (While I can appreciate the thought that time flies – they’ve been touring Paper Gods since September of 2015, which means it will be two years. Yes, I checked the complete tour list!) and he said they’ve done a lot and would like to finish it out with it filmed. Then he said maybe after that they’d go into the studio, but nothing was really planned.

One thing I’ll note here is that Roger is really happy with just going with the flow. He seems perfectly content to go along with whatever is going to happen! 

Rio turns 35 (Impossible!!!)

Katy mentioned to Roger that yes, in May of this year, Rio will be 35. After I picked myself up off the floor, I heard her ask him to recall ONE memory from that album.  ‘John came into the studio one day and said, “We need to write a song we can open the set with.”….and that song became Rio.’  and then he laughed and said, “now it’s the closer.”  Katy asked Roger if he felt much pressure with Rio.  I was surprised that he said no. His feeling was that the first album had more pressure because they were still really learning how to play and how to be a band. For Rio, they had a backlog of material to choose from, and they were far more confident with their instruments. Roger even said it was an easy process, comparatively speaking to many of their albums which have not always been easy (I believe he would include Paper Gods in that description).

Oh! One thing that Katy asked – which is something I, too, have always wondered – was about that sound at the very beginning of Last Chance on the Stairway.  She wondered if it was the sound of a cigarette being lit. I was really surprised though that Roger didn’t know!  He said that he hadn’t listened to it back in years, but that it was probably a sound effect that Nick added at the very last-minute. Still no firm answer, but maybe Katy will ask Nick when she gets a chance.  This conversation led to a discussion of smoking. Of course, when the band started out, everyone was smoking. Roger had a mantra to “never smoke before midnight.”

I don’t even get that…but OK. I guess if I lived at a club (Rum Runner) I’d probably have had some weird mantras too. Hell, as it is I say “Not without a hazmat suit!”  (Don’t ask.)

Apparently Roger is a coffee drinker in the morning (me too, Roger me too…) and Katy is not, although she did have a brief coffee “thing”  at one point.

So I should never invite Katy for coffee.  And if I ever get close enough to invite Roger to chat – coffee might work in the morning.  (Sure, I’m dreaming. Who cares?!?) 

And about that birthday….

Roger has nothing really planned. Going to see his kids, his parents who live about two hours from him… but nothing super special. He comments that every decade seems to go faster.

I must wholeheartedly agree on that one. I’m actually worried about how quickly the 50’s are gonna go because my 40s have mostly flown by. Can’t we slow this down a bit?!? I still have a few years to go till I’m staring 50 head-on, but at this rate I’ll blink and it will be here. No thank you. 

Katy ended the Kafe with a bit of a spoiler, saying that they may be doing something special for Rio’s 35th “Birthday” in May…which is pretty exciting. Looking forward to that!!

Until next time!

-R

Just Get a Picture: Simon’s Twitter Win

Happy Monday, everyone!

Sporadically during this last tour, Simon has taken to posting his view from his hotel room.  Sometimes, that view is of palm trees and a sunny sky, or a pretty flower garden. Other times, it is looking down over the top of a hotel roof, complete with industrial-sized AC units, or into a brick wall across the way, or even a tiled shower. Today, he posted one from his cabin, which is on a boat somewhere in the ocean.  I believe I read last week that he was in Cannes for the Panerai Régates Royales.  (He posted pictures from his room there, too)

Here’s the thing: I love the pictures. Simon doesn’t have to do much – just post the pics, and let his followers respond.  And I do.  And so do many others.  I have no idea if Simon reads them (I doubt it).  The point is, just by posting those snapshots of where ever he is and whatever he’s seeing at the time, he’s engaging and sharing with  his followers just like any of us might.  And THAT my friends, is the point of Twitter.

Granted, I too remember the glory days of John’s Tweetfests. I remember doubling over, cackling with laughter at some of the replies I’d see flash through my timeline when he’d be online and active. Those were good times. Sure, he was engaging and let’s face it—he had fans salivating over every last tweet.  But I think there’s a potentially hefty price that needs paid when you give so much of yourself online. I know how I feel when I’ve dug deep and shared things here. It leaves one feeling vulnerable, and that isn’t always comfortable. I think Twitter, and social media in general, is one of those things where you have to find your groove and what works for you.

What I like about Simon’s posts is that well, he actually tweets, first of all.  No, he doesn’t post all the time. He doesn’t really have to, either. It’s just nice seeing something from him every once in a while. For me personally, the toughest part about the in-between tour time is when the band just disappears. It’s silly really, but here we are, writing this blog, being fans, obsessing over every last news item, etc.  We go all out while they’re touring, and then suddenly, BAM—it is over and we’re back to real life. And there’s nothing. Talk about withdrawals! Yeah, I’m an addict. I think that’s probably pretty apparent to most everyone by now, including myself. Hello Daily Duranie!! So to actually see tweets every now and then from Simon, regardless of whether they’re about Duran Duran or not??  I’ll take ’em.

Secondly, they’re casual and light. It’s difficult (but not impossible) to be deep on Twitter. I have had conversations on there, but a lot of the nuance gets lost in 140 characters. Photos leave a lot open to interpretation, and there’s room for both depth and cheek, if you want it.  Again, I don’t know if he’s reading, but he’s definitely engaging.  I like seeing that he’s found something that seems to work.

I have friends who really don’t like Twitter. They don’t get the point. I remember when we were all sort of stuck on “Wait, you mean I just type whatever I’m doing at the moment?  Who cares?!?” It’s so far beyond that now.  I like that I can just put something out there, into the universe so to speak, and see if it catches on and causes conversation. I also use it as a sort of train of thought thing. Sometimes, I’m ranting about home. Sometimes, I’m laughing at something stupid I’ve done (that happens a lot). Other times, I’m posting about my dog. I like that it doesn’t take much time and I still get something out of it.

Twitter has its place in the sphere of social media. Facebook is personal. Twitter can be light and easy. Instagram is for the more visual amongst us. I don’t do Snapchat but I’ve been told by my kids to stay the heck off of it (I kind of take this as the “get off my lawn” statement for the young).  If I had to pinpoint the one thing I like most about Simon’s pictures is that it’s Simon being Simon. Sure, he’s Simon Le Bon from Duran Duran—I don’t think there’s any getting past that at this point for him, but I’d also like to think he’s being himself, or as much as he’s willing to share with the world.  I like it.

-R

Fallsview Casino – Niagara Falls, ON

December 8, 2015 — (Los Angeles, CA) — In what is promising to be one of the most eagerly anticipated tours of 2016, multi-platinum superstars Duran Duran have announced that they will hit the road for an extensive North American arena and amphitheater tour next year in support of their critically acclaimed album Paper Gods. CHIC, led by guitarist Nile Rodgers, will appear as special guests on almost all of the dates with an additional support act to be announced. Rodgers served as a producer on Paper Gods and has enjoyed a long collaborative history with Duran Duran.

The Paper Gods Tour will kick off on March 28, 2016 in Durham, NC and will be divided into two legs. The first runs through April with shows up and down the East Coast of America into Canada, including Washington DC, Brooklyn, NY, Atlanta, Austin and Montreal. The second leg returns the band to the road stateside in July and continues through early August with shows in Las Vegas, Irvine, San Diego, Toronto and many more.

Every ticket purchased online for Duran Duran’s 2016 headline tour will receive a standard physical copy of Paper Gods. After purchasing their tickets, fans will receive an email within 24-48 hours containing album redemption instructions. Festival dates are not included.

Members of the Duran Duran Fan Community will have access to pre-sale tickets and exclusive VIP packages beginning Wednesday, December 9 at 10 a.m. local venue time through www.duranduranmusic.com. Citi® cardmembers will have access to pre-sale tickets beginning Thursday, Dec. 10 at 10 a.m. local time through Citi’s Private Pass® Program. For complete pre-sale details visit www.citiprivatepass.com. Fans with the Live Nation mobile app will have access to a password-free presale starting Friday, Dec. 11 at 10:00 a.m. [local time] at Ticketmaster-ticketed venues. The app is available via the App Store and Google Play. Tickets for the general public go on sale starting Dec. 12 at 10 am local market time via www.livenation.com, with the exception of the July 6 show in Nashville, which will go on sale at a later date. Montreal goes on sale on Dec. 11 at 10am local market time.

Duran Duran’s four original members: singer Simon Le Bon, keyboardist Nick Rhodes, bassist John Taylor, and drummer Roger Taylor, performed a few special West Coast shows with CHIC around the release of Paper Gods in October before embarking on a sold out UK arena tour that wraps up on December 12.

In its review of the band’s recent Leeds show, The Guardian raved that “everything that is wonderful about pop music seems to occupy the triumphant final half hour, as a sea of blondes, brunettes and husbands come together to bellow ‘Planet Earth,’ ‘Girls on Film,’ ‘Rio,’ and the rest. Every arm is raised skyward in a giant communal bonding, an audiovisual illustration of Le Bon’s insistence that ‘music is a healing force.’”

Paper Gods was released worldwide on September 11 and bowed at No. 10 on Billboard’s Top 200 Album chart, earning Duran Duran its highest-charting album in 22 years.