Tag Archives: Paper Gods

What is the function of a single in 2018?

My “Day in Duran History” desk calendar reminds me that on this day in 2011, BB2 announced that “Girl Panic” was the next single off of All You Need is Now.

Although I am the first to admit my memory isn’t what it used to be, I do remember hearing that “Girl Panic” would be the next single. I found that fascinating because up until that point, I hadn’t heard “All You Need is Now” more than a couple of times on the radio, if at all. I didn’t really understand the point of naming a single, unless of course we were talking about the physical release of a single – like on a 45. Sure, I’m dating myself here, but I really didn’t see the point, particularly if land-based radio wasn’t going to play anything the band released anyway.  I did buy the vinyl single, and like everyone else I waited on pins and needles for the video. But beyond that, I never quite got the necessity of the single.

My questions about singles lingered on through the release of Paper Gods, although on second thought I wonder if it’s simply that I have the wrong expectations in my head for what a “single” really means. Take “Pressure Off” for example. I never once heard the song played on any of the radio stations in Southern California. Not once. I didn’t hear about it being played anywhere, either. I don’t remember any kind of physical release, CD, vinyl, or otherwise for it…so what’s the point?

On the other hand, I know LA radio pretty well. In this market, there really isn’t a station that plays a genre that lends itself to recent Duran Duran. Don’t get me wrong, I’ve heard “Rio”, “Girls on Film”, “Ordinary World”, “Come Undone” and “Hungry Like the Wolf” on at least three, if not four stations in my area. It is rare that I can get into my car and drive the whole way home from work (45 minutes on a bad day) without hearing one of the above songs played. That said, as far as LA radio is concerned, Duran Duran hasn’t released even one song since 1993.  I’m pretty sure I don’t need to go into a full diatribe on that kind of stupidity, so I won’t.

I do have to ask though – what is the point behind putting out a single these days? Is it beneficial for Spotify? For subscription services like Sirius XM? What about internet radio? Does a band really need to release singles? I suppose that leads me to the question of an album, too. Are albums still necessary?

I know that recently Nick suggested that perhaps the studio time the band has casually thrown around in mention during their Katy Kafe wouldn’t necessarily lead to a full album. He’s said similar things in the past. I can’t say I’ve liked the idea enough to shout from the rooftops about it. I’m a big fan of full albums, myself. I like the idea of a complete story being told through music. I hate the idea of losing that format.

Are albums really any more necessary today than singles? I’m not sure.  Let’s not confuse this with whether we want more albums and singles. Rather, let’s consider their necessity and usefulness in this current business model and market.

-R

 

 

Las Vegas here we come!

Since I have to leave fairly early for Vegas tomorrow, I decided I’d better blog in advance on Wednesday night. This will post on Thursday morning, so our readers can enjoy while I’m driving through the desert!

Amanda and I are getting to Vegas a day earlier than our other friends, primarily so that we can get some much needed work…and relaxation done! So, I’m driving out this morning, and Amanda arrives later on.

I’m excited about having a little getaway. It all still feels a bit surreal, probably because of the holiday rush – I’m still recovering from Christmas and yet here I am packing to go see Duran Duran in Vegas, of all things!

It would seem that we have quite a crowd ready to invade Hard Rock Live for Late Bar on Friday night at 9:30. If you’re going to be in Vegas, you should definitely make plans to come to where the party is going to be that night! Great music, fun people, lively atmosphere, and it’s Vegas.  If you haven’t already told us you’d like to be included on the list for the comedy show (same place, just prior to Late Bar) and you want to go, please send us a note TODAY so we can add you!

On a personal note I feel a bit guilty going on a trip like this. Things haven’t been the greatest at home, and although my husband and son are taking this opportunity to go do “guy-stuff”, and my two daughters are going to hang out, I still feel bad leaving right now. That said, I need a break. I don’t think I’ve ever been this stressed out. I like it when life is fairly settled. The uncertainty is not fun, and while sure – life can be a great adventure – I’d be much more “up” for it if we knew where Walt (my husband) would be working. The first quarter of 2018 is going to be rocky, that is for sure. I just need to breathe.

Yep, definitely need this break. It’s going to be short, but I’ll take it.

On another note, did anyone see the song DDHQ posted today? It was sort of an odd Watch it Wednesday given that it doesn’t have a video, but they chose Planet Roaring.

While I have said that I don’t care what the band plays anymore, I will admit that I, among many other fans, would love to see them do this one live. Sure, it’s a “bonus” track, but it is such a great one. The words lend themselves so well to calling out to fans – and despite what the band seems to believe about this Vegas show – there are going to be a LOT of fans in that audience on Saturday night, and the venue isn’t that big! Play this one and they’d be liable to have an entire group of fans singing it right back at them.

The problem here is that the band just has too many good songs. It’s a good problem to have.  It’s just a shame that in order for them to take full advantage of their enormous catalog of music, they would need to change-up their show fairly often, which is pretty laborious (so I hear).  So while I may be singing Planet Roaring in my heart…my head is humming Hungry Like the Wolf and loving every minute of it!

Off to finish packing – and yes, Amanda and I will be tweeting and checking in from Vegas as much as possible. Check our Facebook, Instagram, and Twitter!!

-R

No rest for the weary?

When I last saw Duran Duran in July of this year, the shows were bittersweet. Of course I enjoyed seeing them. I always do. Yes, I’ve seen them perform that same setlist or very similar many times now, and in tours past I would comment on how I’d wish they’d change it up. I still have moments where I wish they’d pull something completely different out to surprise me, and sometimes – they have!  I don’t have a clear answer about why my attitude changed, only that it did. Instead of wishing for other music, I started really enjoying just being there with them and being thankful I can hear “Hungry Like the Wolf” one more time. My sadness came from knowing that it would be the last show for a while. I tried not to let that drag me down and soaked up as much joy as possible.

I assumed it would be at least a year or two before I saw the band again. Albums take a while to write and record, and who knows what would go on during the interim? Then of course, the show in Las Vegas was announced, along with one in Miami Beach for Sirius XM, and now Dubai in February.

First of all, I’m not going to Dubai. Let’s get that out-of-the-way right off the bat. I love Duran Duran. I love traveling. However. Yes, that one word says it all. HOWEVER. I’ll just be here cheering them on from home. Even I have my limits. As does my bank account, and these days, that limit is pretty darn narrow and close to home.

Second of all, is there no rest for the weary?  I asked that yesterday as the Dubai show was announced. I asked the question partly in jest, purely out of my surprise that they’re continuing to announce the odd show here or there. I figured that once the Paper Gods tour was complete, the band would drag themselves home, take several months respite, and go from there. I remember hearing that they would go back into the studio toward the end of this year for “fun”, and I also remember hearing that they might go into the studio next year to start the recording process once again, but I figured they’d still take time off. Thoughts of the upcoming 40th anniversary lingered in my head, and I figured the band would at least want to rest up before beginning that craziness. The lesson here, is to never assume anything about this band!

During the last hiatus in between All You Need is Now and Paper Gods, Amanda and I were anxious and ready for that band to hit the studio on Day One and keep going until a new album was placed in our hot little hands. This anxiousness wasn’t because we are part-time slave drivers, but because we had so much fun with All You Need is Now that we couldn’t stand the idea of that ending for long. Selfish? Probably, but our hearts were in the right place.

Fellow fans and readers were less-than-thrilled with our eagerness, saying that they didn’t mind having time in between projects and tours, and neither should we. Bank accounts needed refilling, and many cited that they had other priorities. “The band needs to rest!”, we were chided, over and over again. We started to feel bad that we missed “hanging out”—if for only two hours as they are onstage while we dance in the audience—with this crazy band we’ve loved since childhood. This time, I see plenty of people commenting on their anxiousness, eager to see any sign of studio work happening. Fans are excited by the prospects of the upcoming anniversary, even though the band themselves have not said much with regard to what fans might expect. It is a very different time in 2017. No one says much about the possibility of the band being tired from touring and performing, and that surprises me. What is different this time around?

Don’t get me wrong, I love the idea that the band isn’t going away, and that they seem to be doing a few one-off shows here and there. After all, we blog about them each day, and having things to write about makes my job far more interesting. I’m cheerfully surprised that it might not be several years before the world has the opportunity to see the band again. I love that fans are excited that they’re continuing to do a show here and there, and I’m tickled that so many are anxious for studio time and new music to be released. Equally, I am beyond thrilled that I will may have the chance to see my friends and the band again. I once told Dom that I was sad it would be five years before I likely saw him again, and that didn’t seem right.  It looks like it wasn’t right about that at all, and I don’t mind one bit.

My bank account, on the other hand, is very concerned. I’m a little surprised there’s not a giant “lock” emoji on the photo of my iPhone banking app at this point. I might just be imagining it, but I am pretty sure I see frowning faces pop up whenever I check my balance before making a purchase, concert-related or not!

Oh well, can’t make everybody happy all the time, right?

-R

November 2017 Katy Kafe with John Taylor!

Not much makes me happier during a lull than an invitation to listen to a shiny brand new Katy Kafe pop up in my news feed! This month, John takes a quick time out to chat with Katy, and I’ve got the highlights from the November 2017 Katy Kafe for you. Keep in mind, this is purely what I picked out, and with DD40 coming up – it might be time to get a membership to DDM so that you can stay up with all of the news that is sure to come!

What’s happening?

John comes to us from “the studio” in London, where he is working with Nick on a side project. Now whether this side project is the musical they’ve mentioned before, or something else, I’m not sure. John just says “it’s very different from what they’ve done in Duran Duran”…and I guess we’ll have to wait to hear more about it.

He mentions that they are going to be in Moscow (which they were earlier in the week) for the BRAVO award announcements where the band got back together and performed.

Ring in the New Year, Vegas-style

Katy also mentioned the upcoming Eve before New Years Eve show in Las Vegas, and asked John if he likes performing on New Years Eve. Emphatically, John answers with a quick, “YES” saying that he likes not having to worry about what he is going to do to entertain himself that night, and then almost just as quickly he adds a hasty, “but this is not on New Years Eve, it is the 30th, which means New Years Eve is still a problem that will have to be worked out.” Katy asks the question I was wondering myself, and that was whether or not John would stay in Vegas for New Years, to which he said he doesn’t know yet.

Apparently, Duran Duran has played on New Years Eve quite a bit over the years, citing the Savoy show in ’82 or ’83, and then the shows they did just outside of Washington DC last year in National Harbor. The band likes being on stage for New Years, and well….we really kind of like having them there, too!

There was a quick mention of whether this was really a final, final, Paper Gods date and John corrects Katy, saying that no, Paper Gods is finished. This is a standalone date. That leads to the obvious (Well, it’s obvious to me, anyway) follow-up about the set list. Will it change? John contends that they have to “err on the side of crowd favorites”. So, if you went to any of the Paper Gods shows and enjoyed hearing songs like Rio, Hungry Like the Wolf, Girls on Film, and any of the rest of those hits that have been in previous set lists, there is good news: you’re gonna love this one too! He does say that it might be less interesting for diehard fans – and while I can’t disagree, I can say this: most of us already know this, and guess what? WE BUY TICKETS ANYWAY.  Why? Because it is exactly the type of party we all want to be at, and the party is what we make it!

Just imagine what we’d do when/if one of them came out and said it would be a show that no diehard should miss?!?

I shudder to consider the stampede…or how Ticketmaster might “handle” the demand.  Moving on…

What about 2018?

Here is what I find most interesting about this band: every single band member has a different story about the studio, and it’s comical! Since August, I have heard they’re going into the studio at the end of the year for something “fun” from Roger, something about going in after the new year from Simon, and now John says they’re “hoping” to go back in…with no real time specified.

So I don’t think anyone really knows. And that’s fine. Odd, but fine.

John does say that an album next year is unlikely. Given my experience as a fan of this band, I’d go one farther and say it’s nearly impossible. I’d be shocked, probably to the point of needing oxygen, if the band actually came out with even ONE SONG this year, much less an entire album.

In the meantime, John says they’re talking about the possibilities for recording a new album, including who they might be looking to collaborate with, or where they will record – insinuating that perhaps London might not be the birthplace for the next one.

This led to a question from Katy who asked if the band were to stumble upon that perfect song right away, would they release a stand-alone single or just wait for the album. Speaking purely for himself, John said maybe – citing that the marketing isn’t very good for one song. You don’t get TV or magazines for a single song, typically, so the promotion isn’t quite there. He surmises that they just have to be open to whatever happens.

Paper Gods

Looking back over Paper Gods, Katy wants to know if there are any songs that John wishes they had played. He mentions two that he wishes they had played more: “Universe Alone”, which they played towards the very end of the tour (and I have often wondered why they waited so long), and “You Kill Me with Silence”, which they only played once, at the Jimmy Kimmel show in Los Angeles.  He says that it is hard to find a spot for mid tempo songs in the live show because you only want 2 or 3 of them.  I get that, although I think YKMWS was overall a difficult song for Simon because of the wide vocal range it requires.

John says that he still feels the album was the best since their reunion, but quickly says that he knows they always say that. (and they do, but I get it. Besides, if you didn’t think you were improving as a band, wouldn’t you have quit by now?? Funny how clearly it all makes sense now as opposed when I first asked about why they say that!)

I know there are fans out there that completely disagree, and some that herald Paper Gods as being the best the band has ever done. There is no accounting for personal taste, I suppose. John adds that he doesn’t want to put down the others, citing both AYNIN and of course, RCM. I’ll just say that we all have our favorites, and from the outside looking in, I think the band learned a lot from Paper Gods. They grew professionally, and perhaps personally. That’s not a bad thing after thirty-five years in the industry. John ends by saying that while the album “took some doing”, they’re all “quite proud” of something that is definitely a “Duran Duran album”.  A thought that is neither stupid, nor self-indulging. John is right when he says it ticks off all of the boxes of what one would expect from Duran Duran, whether it is your favorite album or a little less-than. It’s quintessentially Duran, and we like that!

Simple, short and sweet – John bids his farewell until the year-end Kafe, which we are rapidly approaching. Does not seem possible!

-R

 

 

 

 

 

Happy Tenth Anniversary, Red Carpet Massacre!

I remember the first time I listened to a song from Red Carpet Massacre. It was Night Runner, and boy was I ever shocked. I think I was on the carpet, perched up on my knees in the very room I currently occupy. The evolution from den to nursery to office in ten years is a fairly good indicator of the changes my life has taken during that time, oddly enough.  On that day though, I sat up on my heels, listened to the opening notes, and then checked to make sure I was listening to the right band.

Night Runner was unlike anything I’d ever heard from Duran Duran before. Slow but deliberate, and wait, was that falsetto hovering about in the chorus?!? This was not the Duran Duran I thought I knew. Without even looking at the message boards to gauge how other fans felt, I took an immediate and visceral dislike to Night Runner. It was everything, including-but-not-limited-to-Justin-Timberlake, that I hated about music at the time. It was not one of my finest moments as a fan.  I cringed every single time I heard it.

Then Skin Divers came along. As I like to say, “they had me until the chorus”. It’s true. Musically, the song was brilliant. If only Timbaland had kept his “wicky-wicky” rapping out of it. Alas. I just did not know what this band was thinking, and with every interview or update where Nick or John would tell us the album was the greatest thing since sliced bread, my sense of dread grew into an ever-hardening pit in my stomach. What were they hearing that I just couldn’t?

When Red Carpet Massacre was released, I was almost relieved because the sense of impending doom was over. It took me time, but I did learn to enjoy “The Valley”, “Red Carpet Massacre”,  and even “Last Man Standing”, but I felt like I just couldn’t get on board with the album as a whole.  Thank goodness I wasn’t a blogger back then!

 

At the time, I was just so mad. Like a lot of fans I’ve spoken with in the years since, we felt like the band had completely ditched its original fan base in favor of a younger crowd.  I can remember seeing various people scoff at that comment, self-righteous and smug in their fired-off responses. The fact is – that’s kind of how fandom works. Some people really do take it all very personally, and while it can certainly be a double-edged sword, without those types of fans, bands (or just about anything else) don’t make it for long. Loyal fan bases are what carry bands, TV shows, sports teams, and pretty much anything else, through the tough times.

I still don’t really “get” a lot about the album, but I clearly see the direction in which they were headed. I have many reasons to appreciate the album’s place in Duran’s history. Hindsight can be a beautiful thing! I just don’t think they had the choice at the time to work with someone who not only saw where they were headed, but also appreciated where they had come from. They desperately needed someone with the ability to finesse the music and sound they wanted in a way that would actually suit the band.  But again – it’s only hindsight.

In many aspects, Red Carpet Massacre paved the way for Paper Gods.  They could have never written or effectively executed Paper Gods, had they not expanded their horizons with Red Carpet Massacre. I don’t know that the fan base would have been as ready to embrace Paper Gods, had we not had the experience we did with Red Carpet Massacre, either.

One difference between the two albums is that Paper Gods continues to embrace and celebrate who Duran Duran has always been, while looking ahead and challenging their fans. This is something that I’ve always loved about this band. They continually force me to expand the boundaries of how I (and every other fans) personally define who they are. Sometimes, I enjoy the process; other times, it makes me very uncomfortable until I get it. That’s art.

I find it hard to believe it has been ten years since Red Carpet Massacre was released. Like nearly every other album, in some ways it seems impossible to have been that long and in others, it feels like a lifetime. For my family – it has been. My youngest was born the April after the album was released, and on this very day in 2007, I was at home, incubating away! Now she’s nine-and-a-half, and reminds me every single day of why I fear the teen years that lay ahead!

Happy anniversary to Red Carpet Massacre! One thing that album, and even Paper Gods, to some extent, has taught me, is to never second guess what this band will do next!

-R

Good seats, white flags and the Daily Duranie Holiday Office Party

Sometimes, I can be so naive it ends up being a little embarrassing.  Yesterday morning, I participated in the pre-sale for The Cosmopolitan in Vegas. I knew going in that the show was probably going in high demand, but I felt that with the DDM VIP membership, I’d have half a chance at good seats.

Let me define “good seats” for you, because I suspect my definition might be different from yours. Basically, I want to be closer to the front, not necessarily front row probably within the first ten rows, and in the middle. I’ve sat on both sides before, and while they’re not terrible, I like the middle best. Chances are, this has something to do with Amanda’s favorite being John and mine being Dom. Middle is what suits us, as the compromise. Before each pre-sale, we call one another and decide on how far over we’re going to be wiling to go, and how far back we’re willing to sit.

This time, since purchasing VIP meant that I’d be giving up food for the next few weeks (joking), we felt that spending $400 a ticket on something like 8th row was too much. That doesn’t mean that one of you should feel terrible for doing so, its just OUR limit. Yours can be different and that’s fine. No judgment.

Our trouble began when we found out the password was “Simon”. I joke, but Amanda and I agreed the pre-sale would either go really well, or be a disaster, and if it was the latter, Simon cursed us.

Dammit!!

From the get-go, neither of us were getting the VIP packages to show up once the sale began. Then once they did show up, we quickly tried clicking on seats. We’d select the tickets only to be told they couldn’t process the transaction. Then we’d get bounced out of the pre-sale and would have to re-enter the password, only to see that the seats we’d just try to buy were still available. We did this for five or ten minutes, panicking the entire time. I decide to tweet Duran Duran and tell them that I think the system is broken.

This is where my naivety came in. First, I was dumb enough to believe that anyone at DDHQ or DDM actually cared. Yeah, I know I wrote all about how they care yesterday. That was before pre-sales and as I said yesterday – this part IS business. The truth of the matter is, it’s not their system. It’s Ticketmaster’s system. DDHQ couldn’t fix it even if they knew what was wrong. I know that.  I just thought they should know that no one seemed to be getting anything. Secondly, never once during all of this did I consider that perhaps it’s just bad luck on my end. I wasn’t meant to get tickets today. Some people get them, others don’t. This happens for every single resale.  I just thought something was really wrong, like a server issue. What was probably really “wrong” was that other people, whether bots, scalpers or real people with quicker computers or phones or whatever, were probably grabbing the tickets from me. I was stupid in thinking that once I selected the tickets, they were in my basket. Nope.

This happened over and over again for over a half-hour. Never mind that it continued to require me to type Simon’s name over and over and over again, which was also really stupid. I suppose those are all measures to stop bots and scalpers, but I doubt it.

Then suddenly, I had third row seats. I was able to get through to the next screen to begin the actual payment process, and then Ticketmaster decided I needed to log in. I was amused at first because I’d already logged in and even in the corner of the screen it said “Hi Rhonda”. Yep, that’s me, I thought. It’s STILL me, motherfucker!! 

(I curse like a sailor during pre-sales and today I was pretty damn tame until that moment. My mother would not be proud.)

So, I typed in my password.

Nope, Ticketmaster didn’t recognize that combination. OK, try it again. Type slower, Rhonda.

Nope, still doesn’t get it. I take a deep, cleansing breath. Ok, asshole hamster working behind the scenes….I am the same freaking person I was an hour ago when you let me log on. GIVE ME MY TICKETS!  Why do I even have to log in? Can’t I just be a guest??!

(Yes, the song “Be Our Guest” came into my head at that moment.  Get your head in the game, Rhonda, I thought firmly, trying to redirect myself from the ear worm. You have no time for Disney movies, you’re buying Duran Duran tickets!!) 

Amanda saves me at this point from throwing my laptop. She suggests I use her password. Surely that will work, I thought.  I type very, very, carefully.

Nope. I try mine again. Denied again. It now says I’m locked out of my account. Bye-bye tickets. My stomach begins to do flip-flops and I can feel myself suddenly get very tired and a cold, clammy feeling washes over me. I am worried that if I keep trying Amanda’s, she’ll be locked out as well, so I stop. I tell her to keep trying, and I set about requesting a new password from Ticketmaster. Oddly, they sent it to me right away, even though I’d been locked out. I reset my password, time ticking right by. I logged back on. Everything seemed normal, except there were no VIP package seats available whatsoever.

From then on, I pulled nothing that was VIP.  Keep in mind, we are now about 40 minutes into the pre-sale. The realization that I’m not going to be getting VIP seats to this gig begins to dawn. I tell Amanda I’m done, that I just won’t go, this is a sign from the universe, and that I’m too tired to go on.

I sometimes have a flair for the dramatic.

While all of this was happening, the other two people in our four person extravaganza struck gold. Literally, because they pulled two good seats in the third-row for themselves. Amanda and I were happy for them, but we were feeling pretty dejected at the same time. I mean, it sucks when things don’t go right. That’s not just me being a poor sport, it’s reality. It’s a bummer when you can’t get what you want. Ticketmaster and I are no longer friends, and I’m really not sure we ever were.

One of our friends sends a text, “Do you want us to keep looking for you?” I’m halfway tempted to say no, that I’m staying the hell home and that I hated Duran Duran, which is untrue on even the worst of days.  I didn’t really hate them. I hate the process. Trust the process,  my ass. (Sorry John.) I’m sick of this pre-sale nonsense. But I said none of that. Instead I said “Sure.” I figured they wouldn’t find anything or they’re just being kind, or that like us – they’d see tickets, select them, and be told they couldn’t complete the transaction at that time.

Meanwhile, Amanda and I continued to go through the motions of selecting, being denied, refreshing the “best available tickets”, entering the magic word (I have never typed Simon’s name so many times in a single day. Ever!), selecting different but still good seats, and being continuously denied. It was awful, and as Amanda cheerfully pointed out, “The very definition of insanity.”

I did not laugh or share her cheer. Instead, I groaned.

Our friends texted back saying they’d found a pair of tickets but they were way off to one side, and then another pair to the other side at the very edge of the stage. Nope. While we wanted to be at the show, neither of us felt comfortable paying $400 for tickets that were going to be staring at speakers or the wings of the stage. Picky? Probably so, but again – they’re our standards, they don’t have to be yours. I was just about to say goodbye to Amanda and head out to a piano lesson when I got another text about good seats in the sixth row, just to the right of middle by a few chairs. They were good, just back a pinch more than we’d agreed initially, but things change over the course of a pre-sale!

“Take them”, Amanda said. I could hear the white flag being raised in her voice. We were both pretty spent.

We’re going. We have good seats. We’re not complaining about our seats at all. The process though, kicked our asses.  While I’d heard about bots and scalpers buying up seats en mass before, I haven’t ever had this much of a problem getting VIP tickets in the past. It was a genuine mess for us this time.

Later on, someone pointed out to me that it was just bad luck, not operational issues.  They felt I shouldn’t have tweeted the band about it because it made me seem whiny. This person continued to say “It was your turn, and about time for you to have bad luck.”  The insinuation was made that Amanda get to do more than anyone else in this fan community and that they’re sick of seeing it. First of all, we don’t go to everything. We do what we can do. You do what you can do. But to go around wishing for one of us or the other to have bad luck is just mean.  I know that life isn’t always easy or peachy keen for either Amanda or me, but perception is everything. Point taken.

Sometimes pre-sales are really hard, and other times Duran Duran and/or the venue doesn’t use Ticketmaster as the agency and it all goes smoothly. We don’t expect to have good seats every single time. Overall though, Amanda and I aren’t going to be salty (my new favorite word, courtesy of my son) about this. We’re going to Vegas. We’re going to hang out over the holidays, exchange our gifts in person and drink at our own freaking Daily Duranie holiday office party, and everyone is going to be invited. What could be better than that?!

-R