On this date, the Rio single was released, worldwide in 1982. It peaked at number 9 in the UK. It peaked at number 14 in the US and spent 13 weeks on the chart.
How about we watch the video to celebrate its 32nd anniversary?!
On this date, the Rio single was released, worldwide in 1982. It peaked at number 9 in the UK. It peaked at number 14 in the US and spent 13 weeks on the chart.
How about we watch the video to celebrate its 32nd anniversary?!
It’s that time again! Today I listened to the October edition of the Katy Kafé with the birthday boy this month – none other than Simon Le Bon. I took notes, shook my head several times, and came up with some highlights to share.
Now for the disclaimer: this is not going to be even remotely close to word-for-word. I picked out what *I* wanted to comment on and share, and if you’re looking for something a little more inclusive, I strongly recommend getting your membership to DDM.
VENICE: The band went to Venice last week for a private party – it was actually the party of Simon’s friend and it sounds as though a good time was had by all. I guess if you’ve got to play a private gig, I can think of worse places to have to play. If you follow Dom on Twitter or Facebook, you can see a photo from the water “taxi” that took him from the airport to the hotel. Yes, I can definitely think of worse places to have to go for work.
NILE: Katy asked Simon about working with Nile on the album. Simon said that Nile seemed very happy to reconnect with Duran Duran, and that the process of working with Nile is very easy. Nile loves music and he stays current. Given Nile’s current popularity, I would say that the band was lucky to have him work on the album. The man is incredibly busy!!
Simon also said that currently, it appears that Nile and Mark are on two or three tracks for DD14, and that he hopes that they “make it onto the album”. Between these tracks and the potential of what John Frusciante worked on, I have absolutely no sense of what the finished product will sound like, and I’m sure I’m not alone.
MR. HUDSON: He has been the main drive with the album and has become a good friend of Simon’s, helping him with “getting the lyrics right”. Mr. Hudson (Ben) is currently working with Spike Stent to mix the album. (Rhonda asks, does this mean it’s really finished being written and recorded?!)
which leads to….
WHEN WILL THE ALBUM BE READY?: Simon begins with this song and dance about how he’s a great writer, lyricist, etc…but he’s not a businessman, he doesn’t manage his own career, and so therefore he hasn’t a “fucking clue” when this album will be done. He says that HE thinks it should be ready in a month, but that he’s also the optimist. They still have to find a label, and labels want a six month lead time. (Six months?!? This waiting thing is just going to go on and on, isn’t it??) Then he goes on to say that he has been going around playing the album for anyone who will listen. (That’s funny, I don’t remember anyone asking ME….) Katy mentions that she wants to listen, and that launches Simon into a short discussion of how nobody gets sent roughs anymore. “No digital files”. It’s too risky. Yeah, you know why it’s risky?? Because fans are productive and downright sneaky. We get hold of things and the next thing you know, everyone in the community has it. Anyone remember Astronaut??
THE BIRTHDAY: Simon will be 56 this year, for those who have lost count. There was a lot of talk about cake and some innuendo about the shape of the tiers of the cake…but if you want that, you can go listen to the file yourself. I just shook my head and willed the topic to change. Simon is going to spend the day with his dad, which he does every year, since they share a birthday,
FASHION ROCKS: Simon said this was a fun show and that he met Gene Simmons, who declared (more than once) that Simon would be popular with the guys in jail. Good to know….
FORMULA-ONE FAN EVENT IN AUSTIN: For those who only read our blog for the Kafés, the band is playing November 1st at the ACL/Formula-One FanFest in Austin, Texas. They play at the Moody Theater in Austin, which is an intimate venue, and it should be a fantastic show as long as you’re comfortable parting with the $325-575 per ticket price. Simon made sure to say that this is the only public show for 2014. (unless of course you want to go see them at Dell World…which is STILL kind of a public performance, even though the show is at an industry trade event. The general public, like you and I, can purchase tickets, so check out the details on the blog link above.)
LASTLY: Check out the October 2014 Vanity Fair if you haven’t already. Simon has a photo spread from the deck of the boat we know from “Rio” (Eilean) and an article in the magazine.
Til next time!
On today’s date in 2009, the remastered versions of Live at Hammersmith ’82 and Rio were released. Do you have them?
What is really great about the remastered Rio is that the Carnival mixes stand next to the originals (and even the night versions and some demos) here – so if you ever had a question about their sounds, here was your chance to really hear the subtle, yet significant differences. While I think that for most people, the CD set was probably overkill, for the Duranies I’m probably writing for out there loved it. I know I still play these in my car, which yes – means I love them. Which do you prefer – the UK originals, Kershenbaum mixes or the night versions?
Hammersmith, on the other hand, is a fascinating show to have and hold. If you think about this show, it was recorded in November, just before the band took over the US charts by storm. Yes, they were already famous, but in 1983 they were about to take over the entire world. Go ahead, take another listen. When you experience the show with that frame of mind, it puts an entirely different emotion into your listening, not to mention that the set itself is really kind of kick-ass. Thirty-one years later and they can still put on a show that will knock you out flat if you’re not expecting it. Not that I really need it, but the CD reminds me why I’m still a fan.
On today’s date in 1982, Carnival broke the Top 100 (#98) in the US, being the first Duran album to do so. Once I was older and realized that the Kershenbaum mixes on Carnival were slightly different than the original, I sat down and really listened to both. I was surprised at how subtle the changes were, and yet that somehow made all the difference when it came to radio play in the US. Anyone else??
Just recently, duranduran.com featured a Collectors Corner regarding Carnival. You can check that out here.
It is that time of the week when I sit down and actually make sure I know what all happened over the past week. I do this to ensure that I am caught up but to help any of you reading this who might be in a similar boat. So, what happened this week? No more Unstaged screenings. No more performances–aired or streamed. Was it a completely quiet one, then, in Duranland? Let’s take a look!
September’s Collector’s Corner was published!
This month’s corner focused on the three different versions of the Carnival EP, which was released in 1982. I do own the US version and appreciated finding out the differences between the versions. It made me want to get all three now! If you, too, would like to learn about the EP and the different versions, check it out on duranduran.com here.
Vanity Fair UK October edition!
The October issue of Vanity Fair UK contains a supplement called, Vanity Fair On Time, which features those pictures of Simon on the Rio boat that Simon fans have been dying for! It also contains an essay written by Simon himself! See a couple of pictures on the official press release!
Fashion Rock photos!
If you are a paying member of DuranDuranMusic, there are some photos from Fashion Rocks that can be seen in the photos section.
John Warwicker Interview
DuranDuranMusic is featuring an exclusive interview with John Warwicker, a graphic designer who worked on Astronaut and the singles from that album. While he didn’t work on anything official until 2004, I found the interview to be fascinating as he met and did some posters for the band before they signed with EMI. He has also been recently involved with Denis O’Regan’s Careless Memories project. What really caught my attention, though, were his comments about John and Nick and their ambitious nature.
Rio’s Bass Line:
Bestbassgear.com mentioned John Taylor’s bass line in Rio as being one of the toughest bass lines around. They also featured an isolated clip of the bass here. While I always appreciate recognition of John’s work, I hate that it is wrapped up with a line that reads, “In fact, some of you might think, ‘Duran Duran counts as a band?'” Really?! They wrote and played their own music for decades. I cannot believe that people are still saying crap like that.
Mark Ronson Article:
On a better note, Mark Ronson discussed Duran Duran on cue point. As a fan who LOVED All You Need Is Now, I adore Mark Ronson both as the producer on that album but also as a fellow fan. I love the comments he made in this article about how he was a great producer and a super fan when working on that album. I will always say that part of the reason that album turned out SO WELL is because Mark is a fan. He gets it.
Rolling Stone Magazine on 1984:
This week, Rolling Stone magazine published the list of the Best 100 Singles of 1984. As someone who loved music that year, I couldn’t wait to see who and what made the list. The Reflex made it. Any guesses at what position it landed at?
Crave Online also featured a little article on Duran Duran, which is available on duranduran.com. In this article, there is a brief review at the Madza party and the lack of recognition by the Rock ‘n’ Roll Hall of Fame.
Simon hasn’t tweeted much this past week but he did come on to comment about the Scotland vote and to mention one of U2’s new songs. Did anyone listen to that one? Simon said that he wished Duran would do something like it. John didn’t tweet much but did post a few pictures.
Is that it? Did I get it all? For a “quiet” week, there was still quite a bit of activity! On to the next week…
On today’s date in 1982 (a very long time ago, indeed…) Duran Duran opened for Blondie and played at the Starlight Amphitheater in Kansas City, Missouri. This was part of a series of dates where the band opened for Blondie in between dates on the Rio tour.
In 1982 I wasn’t even allowed to cross the street in front of my house alone, much less go to a rock concert….how many of you were at this show?!?
I think it’s time I start writing real blogs again, don’t you?
Today marks “Work day one” of being back from vacation. It was a nice trip – we just went camping, which I realize to many of you probably sounds like a death sentence, but we have a trailer, and honestly if you want to get away – it’s a good way to do it unless you have the resources to fly away to an island away from people. We drove to Morro Bay, which is about an hour south of Big Sur, CA for a few days, and then up north of San Francisco. Our trip included visits to some universities because our oldest daughter – Heather, has just begun her applications to college. We even took a tour of the Jelly Belly factory in Fairfield, California. (Oh yes, we can be tourists like the best of them!) It was a fun trip, and perhaps one of the last we’ll take as a whole family given that next year, Heather will likely be packing up for school unless she decides to go somewhere close to home. Hard to believe. but I have an entire year to bore you on that subject!
I am thrilled to see that news is finally starting to trickle on a semi-regular basis from the band. It feels like we might be coming out of a very long drought, and it’s nice to feel like I might be able to start really blogging again with purpose. I know Amanda feels the same.
Daily Duranie has been a place to convene and discuss, and this is something I value about what we’ve created. It stands to reason that during a time where there was little to talk about, the blog quieted, and I’m sure it’s been noted that our posts in recent months were little more than expanded “Day in Duran History” posts. We simply felt that while we were waiting for new news, it was time to take a bit of a hiatus rather than force words where there were likely none to be found.
In my attempts to reacquaint myself with reality, I finally listened to Simon’s Katy Kafé from last week. It was nice to hear that things are finally moving towards an end in recording – I’m excited to hear what they’ve worked on. One thing that I’ve really missed since the mass exodus of message boards is having a place to really talk about the music and what might be coming out of that studio.
There seem to be two types of people in this world: those that will speculate, and those that prefer to say, read or think nothing until they hear. I am likely to be found in that first group, much to the chagrin of the band, I’m sure. When I listened to the Kafe, I couldn’t help but notice Simon’s unwillingness to really say what the album sounds like – and I can’t really blame him. As much as I’d like to have something to chew on and think about while we wait, I haven’t forgotten some of the speculation in the past.
Let’s take Red Carpet Massacre, for example. I remember the endless flow of news we were getting from the studio. They were working with Timbaland, they were working with Timberlake, Nick said they were in grooooveland…(I still smile at that one), there was even a rumor at one point that they were working with Kanye. It seemed that with each video or news byte, there was more and more groaning from fans. In a lot of ways, I think I had my mind made up about the album before I heard it. I felt like I knew what it was going to sound like…I feared it. I don’t think that speculation from the fans, including myself, helped.
On the other hand, what about All You Need is Now? We knew they had been working with Mark Ronson, and based on things that Mark had said in interviews – he made it clear that he wanted to do a follow up to Rio. I panned that comment, months before the album ever dropped, because I felt that was setting the bar incredibly high. Did we really hold Rio to be the pinnacle of the band’s career? I think many fans and the public probably do…and I’m still hoping that the best is yet to come. Even so, I couldn’t help but wonder what the album would sound like, and even the thought of trying to make a return to the musical space that I still feel the band owns made me excited for the outcome, but still apprehensive. I didn’t want to be disappointed. Instead, that album quickly took hold of my heart and still gets regular play in my car. I wasn’t wrong to wait for them.
So here we sit, waiting for the album we’re still hash tagging #DD14. It has a yet-to-be-shared, five-syllable title that doesn’t have a spelling but somehow describes where they are musically (I am terrible at these sorts of Jeopardy questions!), and Simon says that ONE aspect of the record is that it is “club” sounding, and it’s definitely a departure from All You Need is Now, which was much more 80s sounding. I won’t lie, I’m wondering if I’ll like it, and I think many other fans feel the same.
Mr. Hudson had a “massive” influence on them. Mr. Hudson is pretty modern sounding in his own right – but even so, on some of his songs I still hear the influence of the music I grew up with. I hold hope that he helped the band remain true to themselves and not try to be something they clearly are not. Club music can be a lot of different sounds. Will it be like Red Carpet Massacre, which has been described as “urban club-music” or maybe more like Notorious? Will I like it? Will I love it as much as I loved All You Need is Now? Will I find a renewed sense of fandom in the music as I have in the past? I have no idea, and I’m certainly not making any claims to know more than any other fan.
I don’t have an inkling as to what we’ll eventually hear. I only know that once again, we sit at what I like to think of as the “entrance” to a new period of Duran music….waiting for the gates to open so that we can flood in, and even at the age of 43, probably 44 by the time the album drops, I’m still nervous-excited. There’s something to be said for a band that can still make me feel that way.
This has been a busy week in Duranland. Part of me thinks that must be because my partner-in-crime was gone, which left me to blog, when necessary. It’s all good, though. I like that there have been things to discuss! That’s the way it should be!!! On that note, I’ll do my best to summarize everything that I saw and heard.
Obviously, the two biggest happenings involved the lawsuit Duran is involved with and their upcoming performance on Fashion Rocks.
For those who missed the lawsuit information, which would have been hard to do since the news seemed to be on every news source, both domestically and internationally, the basic idea is that Duran Duran is involved in a lawsuit against Worldwide Fan Clubs, Inc., a company they hired to run part of their paid fan club. I wrote a blog in reaction to this piece of information, which you can read here. Of course, there were fans out there who seemed confused or misunderstood due to poorly written headlines and really thought Duran Duran was suing their fans. This, of course, couldn’t be further from the truth. In fact, Duran Duran released a statement clarifying the situation here. Another good article about the situation could be found at Billboard.com here.
In more positive news, it was announced that Duran Duran would be one of the artists performing in this year’s Fashion Rocks, which will take place and be televised on September 9th. The blog on that is here.
There were lots of little bits of album news released this week as well. First, this month’s Katy Kafe with Simon revealed a number of tidbits. The blog about that is here. Social media also provided some information. John Taylor shared that Hollie Cook visited the studio. Hollie is a British singer who has performed as a solo artist and also as part of the lineup of the Slits. I’m not sure if this means she is working on the album or just visiting. Anyone know? Likewise, there was a studio visit with Natasha Khan of Bats for Lashes. Hollie and Natasha weren’t the only women in the studio as Anna Ross posted that she was in to work on a new track that she says we are going to love! According to her status update, she has worked on quite a few tracks. Beyond the news about who has been in the studio, John also posted a few pictures from the studio, including one with him and a dog, one with Nick and the same dog and one of Mark Ronson. While we are on the topic of the studio, have you checked out the new pictures in the dd.com gallery? If not, go here to see them!
The last pieces of news that caught my attention related to 1980s Duran. First, Buzzfeed posted an article about 6 things you might not have known about the Rio album. If you want to read it, go here. Then, Bop magazine announced that it would no longer publish monthly publications and would only issue special editions. For many of us, Bop magazine was one of THE magazines to provide Duran news and posters! I know that I wasn’t the only one who had many, mnay pictures and posters from Bop magazine decorating my bedroom walls as a kid. Thus, this news makes me sad. Truly, it is the end of an era.
I think that is about it! Of course, there was so much happening that I am sure that I could have missed one, ten or 10,000 things! If so, let me know so that I can edit this post and add it in!!!
Here is the summary of what has happened this past week with Duran Duran, at least from what I saw. This is my attempt to keep my very busy self and the rest of you in the know of what is happening and what has happened. If I missed something, which is highly likely, please let me know so that I could add it here! For the most part, I’m using the official website and Duran’s social media sites for the information.
From the official website/DuranDuranMusic:
The official website posted an excerpt from an interview from the art director at the Vinyl Factory, which was responsible for both All You Need Is Now and A Diamond in the Mind on vinyl. The excerpt shows some of the questions and pictures to represent the answers to those questions. If you are interested in all the questions and all the picture answers, head over to DuranDuranMusic! The paid fan site also has another new interview. This time, it is with photographer, Barry Fidnick, who took photos of the Unstaged screening at MoMA in the fall of 2013. He also happens to be a huge fan!! There is also a giveaway of a print from the MoMA screening!
From social media:
The band’s twitter and Facebook has been advertising some new items in the band’s online store. Some of the new items include hats, a beach towel, a mug and a t-shirt. I have already seen many a Duranie make purchases. If you are interested in seeing the items or buying yourself, go here. If you have gotten something you ordered, we welcome reviews!
Another piece of news is that Rio on vinyl is available on pre-order. This is a double vinyl of the remastered edition from 2009. The link for information is here.
Photos of Simon from a Vanity Fair photo shoot have appeared on the band’s social media. These photos are of a sailing Mr. LeBon! They are worth checking out!
Ultimate Guitar featured Khanada on bass guitar for those interested in learning to play it! You can find that here.
What did I miss??? Please, let me know so that I can add it!
I have been sitting back and waiting patiently for the first single from Making Patterns Rhyme to emerge, and today we received a taster of Moby’s cover of “Rio”. It’s not the entire song, but it’s a minute and a half of something that is incredibly different from what fans know to be Rio, and for that, I need to applaud Moby.
Personally, I think the first clue that this cover was not going to be a rehash of “Rio” came from the fact that this is a COVER album. When I first heard of this tribute being created, I knew this would go one of two ways: either the songs would sound very similar to the originals and fans would hate them…or they’d sound very different from the originals, and fans would hate them. Why?
Well, that’s really the easy question to answer. The fans of which I am speaking (and they’re not difficult to find – just look at Duran Duran’s Facebook page today and find the post of Moby’s Rio cover. Check out the comments. They’re scathing.) are diehard fans. To them, Rio is the Holy Grail. I knew this was going to be a hard sell for many a Duran fan out there, and while I can understand why – I think you have to go into each song (and no, you absolutely might not like them all, and that’s OK!) with a pretty clear head and heart. Listen to each song on it’s own merits – not those of Duran Duran. It isn’t easy to listen to a song that you have adored for thirty years be completely redone into something that isn’t automatically recognizable, and I understand how fans feel in that regard. The knee jerk reaction is to automatically say you can’t stand it, shut it off, and then listen to the original as some sort of “cleanse”. I’ve had those moments myself. Not necessarily for this particular cover…but for others, absolutely.
Maybe I’m crazy, but I don’t want to hear Moby be Duran Duran, because that’s just some sort of twisted karaoke. I want to hear Moby’s interpretation of Rio.
Moby’s version is nothing like the original, except in spirit, and I’m honestly a little surprised that fans can’t at least hear that. I would say that one need not look further for artistic inspiration than to the graphic design for the cover. (Beautifully created by none other than Patty Palazzo – and I mean it from the heart when I say it’s brilliant. That one image is exactly how I hear the song.) When I listen to the song, rather than the song actually reminding me of the way Duran Duran recorded the song, it reminds me of the ocean itself. I like that the cover is softer, dreamy…lazy like a summer day. Do I love it as much as the original? I have to be honest – for me it’s a completely different song altogether. It’s not really something I can compare. I can say though that I have played it more than once, and with each listen I like it more. I would have been very disappointed if it had sounded like the original, because that just isn’t the point of a cover at all. (This reminds me of the discussion I saw among Tears for Fears fans when Lorde did a cover of “Everybody Wants to Rule the World”. Fans were ready to start burning effigies of her because she dared to try something new and made the song dark and haunting.)
I suspect that the intention with this tribute album was to have the artists completely reinterpret the originals, and I’m betting that Manimal Records doesn’t really care what the diehard Duranies really think of the finished product(s), nor should they. We’re not necessarily the audience they’re going after, and that’s OK. The trouble for fans is that it’s really not 1983 or 1984, and times have changed. If Moby came out with Rio, Karaoke style – who’d play it today? No one. So this is his 2014 interpretation. You don’t have to love it, hell…you don’t even have to like it, but you should at least respect the space from which it’s been done.
I did go through and read the comments on Facebook. As I said before, they’re scathing, and I have to wonder what people may have thought they were going to hear. I think some were aghast that someone would dare to cover a Duran Duran song to begin with, and plenty of others said that while they’re fans of Moby – they think this is terrible.
Wanna hear it for yourself? Here ya go…the full version!