Tag Archives: Sony Records

The Union of the Snake

Telegram force and ready

When I don’t have real news to report, admittedly I fall back to historical dates. They tend to either jar my memory, or get my creative juices flowing. Or, it remains as dry as the Sahara, and I struggle a lot to get something written. You just never know!

Today though, there’s a lot to get my brain going. I really don’t know what it is about March 27th, but this seems to be a day for label deals. Perhaps that is because many of their albums (or so it seems) have been released during autumn, so give or take six months prior brings us to March? I really don’t know. I’m not an expert, but I do know that in 2009, Simon blogged on duranduran.com that the band had left Sony Records.

There’s a fine line drawing my senses together

Much has been written about that time. The band had recorded and self-produced Reportage. Sony wasn’t sold on it, and had given the band a list of names to choose from to produce their album. We all know that during that time, Andy had also left the band for the second time, and of course – Timbaland entered the picture for Red Carpet Massacre. I still believe to this day that Sony felt that anything Timbaland touched would turn to gold (or platinum), and when that didn’t happen – they were convinced it was the band that was the problem.

I still smile nearly every year when I think back on it. It was probably the best move imaginable for the band – regardless of whether the band left Sony or if Sony left them. I cheered when I read the news that day, and when I posted the update on a message board (DDF), a mysterious visitor commented that they could not be happier. This was of course, AFTER handing me my backside on a platter for nearly crucifying the album. I still chuckle about that. I can honestly say it was the only time I’ve ever really laughed at myself after being publicly flogged. Perhaps I deserved it…but maybe the person doing the flogging needed to understand that it’s OK to still be proud of something that the general public didn’t fully embrace at the time, too.

Give me strength at least give me a light

On the same date in 2015, Duran Duran announced that Warner Bros. Records (Part of Warner Music Group) signed a global “recording contract” for Paper Gods. Many fans argue whether or not the band is still signed by Warner Bros. I cannot confirm one way or another, as I do not know. However, Duran Duran is not included on their current artist roster. I just checked the website again today, but I don’t know how up to date that really is. Then again, they signed with Warner Bros. in 2015. Seems like they might update that roster every once in a while?

The truth is, they could have had any one of a number of different deals with Warner. Production deals are common, although unlikely since the album was already written and recorded when Warner Bros. signed them. A distribution deal is also possible, even globally. That means the label would have been responsible for getting the product out into the world, and maybe even marketing. Standard deals are another option, which are what most people think of when they hear of a label “signing” a band. A deal like that usually includes development, recording, pressing, distribution and marketing. Lastly, there is the 360 deal, which is common these days. This means the label has their hands in everything from touring to brand development and everything in between, and the band would lose a lot of control and autonomy. Each type of deal has it’s benefits and detractions (like money, or lack thereof!).

Or, it could be some clever wording from DDHQ and PR people so that fans don’t really know what type of deal it is – because it’s really none of our business anyway.

There’s a chance you could be right

Many people have commented that since John said Warner Bros. suggested the record store day offering of As The Lights Go Down on vinyl, that must mean they’re still with Warner Bros. Again, I’m not an expert, but that’s possible. Another possibility is that the band is still on good terms with Warner Bros, and asked them to press and distribute the album. PR “spin” would be that Warner came to the band with this bright idea because it makes it sound as though the band is in demand. Which isn’t wrong. We fans are kind of demanding, aren’t we? That sort of spin happens frequently! According to John, the entire catalog is under “one umbrella” these days, so I can see this scenario as a possibility.

There’s no reason that I can find at this point, to assume anything more or less drastic. Paper Gods did well for Duran Duran – it was the first top ten for them since 1993, and it would not be a surprise if the band stayed with Warner Bros. for future albums. It also wouldn’t shock me if they didn’t – but by all means feel free to enlighten me otherwise!

In any case, March 27th seems to be the day of deals for this band. Makes you kind of wonder what the next year or two could bring!

-R


Label comings and goings

I don’t know what it is about March 27th, but Duran Duran has announced a record deal ending, as well as one starting on this date in the past.

In 2009, Simon Le Bon wrote about their deal ending with Sony on duranduran.com.  It was also on this date in 2015 that Warner Bros. announced their deal with Duran Duran.  Two sides of the same coin, perhaps?

I can remember thinking that it was wonderful that Duran Duran was getting out from under Sony Records, particularly after Red Carpet Massacre. I don’t know what Sony had expected for the album, but I know that at the time, the album seemed to be underperforming. That isn’t a critique of the band, it is a critique of Sony, in my opinion. I felt that the label allowed the album to fall flat after its release. (Yes, I expected the label to move mountains rather than expect it to move under its own steam, I suppose.) Context is everything though, and during this time period, labels all over the country were redefining and consolidating themselves. It was, and still is, a very difficult time to be a musician.

On the same token, or the other side of the coin, there is Warner Bros.  Duran Duran released Paper Gods with Warner, and while yes, the album spent a small period of time in the top ten – did it really do well? I am really not sure. I don’t mean that I’m skeptical of its success…I mean I’m really not sure what DEFINES success these days. Is it sales? Is it tickets to live shows? What ever happened to videos? Do they matters? What about streaming – where does that fit into the equation? Does ANYONE, aside from the execs along with the Adeles, Justin Timberlakes, Taylor Swifts and Beyonces in this world, anyway, make money at this business in 2018?

I guess that really is the question, isn’t it?

-R