Based on yesterday’s poll, there are not many people who have seen songs from the Liberty album performed live in concert. In fact, the only songs that people indicated that they have seen live from that included Serious, Violence of Summer, Liberty and All Along the Water.
Today, we wonder how many songs from the Wedding Album people have seen live.
Last week, I asked people to rank the Liberty album from their least favorite song to their most favorite song. I had a number of people participate, but I have noticed a decrease. I’m hoping that this week’s homework will get excitement back up! Anyway, I now have the results from last week! Based on the participants’ responses, here is how the fan community ranked the songs off the first album from LEAST favorite to MOST favorite:
Read My Lips
All Along the Water
Can You Deal With It?
Violence of Summer
Anything surprise you? I was not surprised to see Serious near the top as it often ranks high in other polling and tasks we have done. I was surprised that Can You Deal With It? ranked as high as it did. Now, I can’t just let people sit back and enjoy the results. Oh no, we need to move on! Here is your new homework assignment!!
Directions: You will rank the songs off THE WEDDING ALBUM from LEAST favorite to MOST favorite. Please note: In order to make your determination, you may need to re-listen to the album one or more times.
The songs that need to be included in your list are:
Too Much Information
Breath After Breath
None of the Above
To Whom It May Concern
Sin of the City
How to turn in your homework: Once you have completed your ranking and are ready to turn in your homework, you will need to head over to the Daily Duranie message board. Specifically, you will post your homework in this thread here: Rank THE WEDDING ALBUM!. Please note: You may have to register for the boards in order to complete your assignment, if you are not already a member. Of course, even after you post your assignment, you may want to go back to the thread in order to see others’ homework! You can compare your homework to others as cheating does not exist for this assignment!
Your assignment is DUE by SUNDAY, JANUARY 17TH.
What is your assignment worth? It is worth being a part of the larger fan community and having YOUR opinion count! Besides, this is all just for FUN!!! Another recommendation is not to think TOO MUCH! Just go with your gut on how you rank the songs!
I will compile all of the results to determine how fans rank the songs off of The Wedding Album. From there, we will move on to the other albums. Have fun!
Duran Duran history for March 11 – on this date in 1993, Duran Duran performed at Die Mauer in Madrid Spain. This date was included during the Dilate Your Mind tour of Europe, in support of The Wedding Album. Additionally, there is also a bootleg of this show that is floating around somewhere, titled Die Mauer, Madrid 11-3-1993.
Duran Duran history for February 12: on this date in 1993, Duran Duran played The Early Show at The Academy in NYC. Billed as “An Acoustic Evening with Duran Duran”, the show can be found as a bootleg and was one of just five shows done “acoustically” that year, done in support of The Wedding Album.
Today’s Duran Duran history takes us back to 1993 when Simon was on the show, Hitline USA. This particular show was a radio show in which people/fans could call in to the show. Obviously, Simon then answered questions from fans during his time on the show. During this time in 1993, the band was deeply involved in promotion for the album, The Wedding Album.
If Simon was on a show like this now, what question would you call in to ask him?
Sometimes, I think Duran Duran albums talk to each other. Specifically, they talk to their predecessor. I remember the first time I listened to The Wedding Album and hearing the line “You rescued me from liberty” in Love Voodoo, and wondering if I was reading too much into the lyric to wonder if Simon wasn’t taking a shot at the last album. Or the beginning of “Hold Me,” when he starts with “This time…” — somehow I got into my head that “Hold Me” was one of the first songs written for Notorious and that line/ad lib was basically Simon’s way of expressing the uncharted territory the band was in, now down to a trio. Additionally… all the lyrics to “Still Breathing,” which I took as a declaration against the previous lineup of the band. I can’t prove any of this, it’s just in my head when I listen to these songs and albums.
This topic circles in my head for a few reasons. First, we are between albums. Speculation abounds about the sound of DD14. We know the band never does the same thing twice. We also know that, on AYNIN, they finally felt comfortable “reclaiming” some of that old ground/sound. So what will happen on the next album? In what way will it be a reaction to what they did on AYNIN?
Additionally, Notorious, the album, has been in heavy circulation on my iPod for the last few months. I think there are a lot of parallels between Notorious and All You Need Is Now. Both feature very strong title tracks that will likely be a staple of the band’s live set as long as they continue to tour (I don’t think it’s going out on a limb to say that the song AYNIN will continue to be featured, but you never know). Both were heavily anticipated after a pause in the band’s career in which it was uncertain what direction they would take. Both were heavily influenced/co-written by the album’s producer, and both featured a mix of guest musicians on other tracks (and in the case of Notorious, it remains the only Duran album that features the work of both Andy and Warren).
Why do I bring up these parallels? I am trying to draw conclusions about DD14, and I think we might gain insight by understanding the relationship between Notorious and its follow-up, Big Thing.
I’ve always viewed Notorious as being a very solid, “orderly” album, with perfect alignment between the A and B sides, the Hitchcock theme, and the neatly packaged video that tied back to the album artwork. Big Thing is the exact opposite. It’s noisy, disorganized, loud (at least the first half), moody (the second half) and unconventional. Notorious features a virtual all-star cast of guest musicians, including Nile Rodgers, Andy, Warren, and Steve Ferrone, not to mention the album cover featuring super model Christy Turlington. Big Thing boasts no such lineup—it is the truly the first (and ultimately only, as it would turn out) Taylor-Rhodes-LeBon collaboration, with Warren sprinkled in, albeit in a non-writing role. On Notorious, the songs tend to follow the standard verse/chorus/verse/chorus/bridge/chorus/outro format, which the exception of Winter Marches On. On Big Thing, it’s the exception when a song follows that format. Notorious is defined by its title track; the song Big Thing mocks itself and the music industry in general, and is probably one of the more forgettable songs on the record.
When John, Nick, and Simon hosted an hour-long countdown of their favorite Duran videos on MTV in 1988, they commented that on Notorious, they were very polite to each other and trying to figure out how to function as a band. Not so during the Big Thing sessions, where “we were all screaming at each other.” This is not surprising. The trio had weathered the uncertainty of the Notorious era; they had put out an album and toured and had success despite the loss of Andy and Roger (of course, they were no longer the biggest band in the world, but at least they knew there was still an audience for their music, albeit a smaller one than before).
So, with that out of the way, they pushed themselves creatively on Big Thing. What resulted was an album of disparate sides: the first consisting mostly of noisy, dance “house” music, and the second slower, moody ballads. Side one featured the hit single “I Don’t Want Your Love,” that is possibly the band’s most underrated and forgotten hit (and one of my personal favorites), and the follow-up single “All She Wants Is” which didn’t chart as well, but did see a lot of club play. The B-side is built around the lush anthem “Land,” one of the longer Duran songs in the catalogue that clocks in at just over six minutes. Preceding it are the haunting “Do You Believe in Shame?” and airy “Palomino.” I remember first listening to Big Thing and strongly disliking the second side, and then about a week later I had a strange tune stuck in my head…and it turned out to be “Palomino.”
Conversely, I did love “Edge of America” the minute I heard it, and still do to this day. And I always have considered “Edge of America” and “Lake Shore Driving” to be one song, even if they have different titles and are on separate tracks. It’s an unconventional way to end Big Thing but it works, as the Nick’s synths and Warren’s guitar bring the proceedings full circle to how the album started.
There are many other details about Big Thing that we could cover (the two different producers, the controversy over the mixes of “Drug” that highly annoyed John, etc.) but those can be left to another blog. The question is, how can Big Thing’s differences from Notorious inform us as to DD14’s differences from AYNIN?
For starters, I suspect that there will be more of a balance between ballads and dance songs on DD14. AYNIN was heavily skewed toward upbeat music (much like Notorious) with several well-placed slower songs to even out the album’s pacing. I think it’s natural for the band to be inclined to write some more moody material after an album as upbeat as AYNIN.
And speaking of the band…by all accounts, it’s just them, just like it was on Big Thing. Or at least it’s more of “just them” than the AYNIN sessions, which included Mark Ronson, Ana Matronic, Kelis, Owen Pallett, and Nick Hodgson, as well as newscaster Nina Hossain. There was a report that Ronson worked with them initially but every quote I’ve read since indicates that it’s just the five (Rhonda says four…because we certainly don’t hear much of Dom being there lately. Just saying..) of them in the studio.
Is this a good thing or not? I think time will tell. Duran has made some tremendous music when they close ranks and keep it “in house”—see Big Thing and The Wedding Album and Astronaut, at least as originally conceived. But therein lies my concern: Duran Duran also seems to make ill advised decisions when there is no outside producer to referee things. (I’m convinced that Ronson or even Timbaland—yes, Timbaland—or any of us, for that matter—would have told them to keep “Beautiful Colours” and “Salt in the Rainbow” on the Astronaut album. As it was, they went through three producers on that one.)
Do you think I’m reading too much into the relationship between Notorious and Big Thing to infer anything from AYNIN and DD14? And are you worried about the apparent lack of an outside producer tied to this project?
C.K. Shortell is a lifelong Duran Duran fan who lives in the northeast with his wife and two sons, one of whom loves watching concert footage of the band. When he’s not struggling to explain to a two year old why the guitarist always looks different or just what exactly Nick is doing, C.K. is constantly reminding co-workers and friends that the band never broke up.
On today’s date in 1993, Duran Duran played Flughafon Rien/Terminall (you try typing that without rechecking the spelling 50 times…) in Munich.
In 1993, I wouldn’t have even dreamt of attending a show in Germany (or the UK…or really anywhere outside of California for that matter!)… I was just about to graduate from college at the time, and for Duran Duran was far from being at the forefront of my mind, and probably had been that way for a few years by then.
However, thinking of Germany does remind me of 2011 when Amanda and I traveled to the UK for what was to be the beginning of the tour for All You Need is Now. Before I’d even left my house, I’d heard that the first shows I was to see had been canceled, so when I eventually met up with Amanda in the UK the following day, our wheels began to spin, trying to figure out what we could do to salvage the trip. One particularly insane idea we’d had at the time was to go to Germany. My memory of the time has really faded, but I think John and perhaps Nick were in Berlin, doing some press. (I’m not sure if they had originally been slated to do a show there, but I think so – and in checking the dd.com website – they don’t have any of those dates listed since the entire tour was shelved) We took the time to calculate how we could get there, how long it would take, and of course the cost and ended up staying in England as planned. Admittedly, I’ve always wondered what the adventure would have been like had we decided to throw caution to the wind and go. I think I have a teensy bit of wanderlust inside me, and when the band is involved, well, they’re pretty motivating that way.
An outspoken examination and celebration of fandom!