Tag Archives: Virus

March 2019 Katy Kafe with Simon

Hi everyone! Happy Tuesday! Just before going to bed last night, I went through the Daily Duranie inbox. It isn’t often that we get extremely pointed reminders from anonymous people, but last night, we did. To be fair, I was happy to have the reminder! I FORGOT THE KAFE! Oops!

Yesterday was crazy, involving now 4-week old chickens figuring out how to fly up and over their 3.5-foot high fencing. Essentially, they were then having free reign of the room where they are currently located. They’re not old enough to be outside of their brooder (think baby crib for chickens!) just yet. I’ll bet none of you can imagine my reaction when opening the door to find a REAL Late Bar party going on amongst the chickies.

My life. I have to laugh. Why would I expect anything less than “baby” chicks escaping??

Anyway, I’m back on my game, the chicks are safely in their appropriate brooder, and I’ve listened to the Kafe! Below are the just the highlights! If you want to listen to the entire Kafe (and you should!) we at Daily Duranie highly recommend getting your own DuranDuranMusic.com membership!

Simon is sick with a cold right now – mentioning that he is bringing a Virus to the Kafe. As am I (Bringing Virus, that is.)

At some point, he starts singing some crazy little tune I don’t think I’ve heard before. That’s only after going after his cat – who is trying to get into a room that is off limits.

Sounds like my house on any given day! First it was dogs and cats, now it’s poultry. I don’t know people…maybe I should start singing crazy obscurities too. Moving on.

Studio time with Mark

Thrilled that Katy asked about the band being in the studio with Mark back at the end of February! After the Vegas shows, and just after Mark won an Oscar, they met in a Los Angeles studio. They did some writing with not only Mark Ronson, but also Lykke Li and Graham Coxon.

It was the first meeting of Graham and Mark, as the band introduced them that day. According to Simon, they did a lot of work – and now it is about seeing how much of it they will actually use. It did not sound as though Mark is acting as the only producer, or even as a producer at all, but rather more of a collaborative writer. although Simon did not go into a ton of detail. As Simon explained, while it sounded great, it is very difficult to discuss the songs because so much changes over the process of writing, recording, etc.

It would be a good reminder here that thousands of hours can go into recording for an album, and only a small percentage may get used. Having your heart set on Mark, or anyone for that matter, being the producer or working with the band on what ends up as the finished product is setting yourself up for certain disappointment. Keeping an open mind is prudent!

Rock and Roll Hall of Fame

So, anyone hear that Simon and John have the distinct honor of inducting Roxy Music into the Hall of Fame? The ceremony, which is to take place March 29th at Barclays Center in Brooklyn, New York, should be interesting this year. Roxy Music, Janet Jackson, The Cure, and even Def Leppard (not to play favorites but those are the few I remember off the top of my head) are being inducted this year. I’m looking forward to watching the ceremony at some point.

Simon says he is flattered and very honored to be inducting Roxy Music, as they are crucial to Duran Duran. He feels as though it is a huge responsibility to make sure they are given the credit that is due. He and John will deliver a speech (usually these are incredibly impassioned, and honestly – they are what make the ceremony special, in my opinion). Simon says that John is mostly working on it because he is a massive fan. He has never been to an induction ceremony before, so I’m curious to hear what he thinks of it all after he’s gone.

February Mini Tour

Loved hearing Simon talk about the mini-tour. He commented that the show in Miami was just “okay”. They hadn’t played a 90-minute show in about 18 months (since Japan). I know we had discussions about the length of their set several times during the mini-tour. There were critics who mentioned it as well – to which I responded in a blog right here. Listen, I’m a fan – I would love a four hour long set complete with an intermission! However, this band is made up of humans, not machines. I don’t know how people like Elton John or Paul McCartney do a 3 hour show every night. Maybe they rehearsed for months beforehand, conditioning themselves?

I just know that when Simon feels like he’s got to comment on a Kafe that it has been forever since they played a 90-minute show that maybe, just MAYBE, we need to cut them a little slack. He said that Miami wasn’t that great – I believe he used the word, “okay”, but that they got tighter in Cayman and by the time they hit NOLA they were feeling good and the show felt smooth.

I can understand that, too. Duran Duran doesn’t rehearse a ton. Now, we can certainly have a discussion about whether or not that should be happening more regularly; however, the bottom line is that this isn’t a band that rehearses for months or weeks on end before a tour begins. As they perform shows, they play tighter, and smoother. That’s the way this band rolls!

The set

As we know, they added in a few extras to the set this time around. Seventh Stranger, New Religion, Tempted, and even Friends of Mine. For long-time fans such as myself – this was a dream come true. Simon commented that they like to change things up. “We have quite a huge catalog to choose from, and it would be a real waste to stick to the same 18-20 songs.”

Yes, yes it would.

What I found particularly interesting here though was that Simon said they tried to make Seventh Stranger sound more modern. This was after saying that if they’d written that song today, they would have done it very differently. I don’t know if he felt the song was incredibly dated as is written – but let’s be fair to ourselves a bit here. It was released in 1983, and one can assume it was written at least several months (if not a year or more) prior. Simon followed up by saying they performed it by using the musical technology available today as opposed to the way it was in 1980-something.

A word or two for Simon

Nick tried to get Simon to lip-sync to the video on the screen, and I got the feeling that Simon wasn’t sure if that worked out right. Let me clear that air for him by speaking to Simon directly here. IT WAS FANTASTIC. I can imagine performing it that way, and trying to stay conscious of what was happening on screen might have felt weird, but the full effect of seeing you at 20-something on the larger screen and then right in front of me singing in person blew me away. I’m not a very emotional person (I cry in private thankyouverymuch), but that performance took everything out of me. It was an incredible five minutes that I will never forget. I am not the only one, either. The audience was filled with people sobbing just like me.

That doesn’t happen without a lot of magic, my friend. And that’s what that song and performance(s) were like. Magical. Don’t downplay it, and take my word for it. I can be incredibly hard on this band, but those performances contained some of the moments my heart was craving most. I feel lucky to have been there.

And if that weren’t enough….they announced they’d be playing at Tinderbox in Denmark this year, and Katy says “there may be more this summer”. Stay tuned….

Record Store Day 2019

It is exciting to hear that As the Lights Go Down will be available on pink and blue vinyl as Duran Duran’s RSD offering this year. Humorously though, Simon says he doesn’t remember even recording it. Not a single thing.

I’m sure there’s a joke in here about drugs in the 80s and 90s, or age….but I’m gonna just let it slide for now. (after all, I can remember the words to every Duran Duran song, but can’t remember where I put the TV remote. It was in the cupboard this morning. So….)

He does say though that when he gets his copy, he’ll “give it a go”.

Well, alright then. Just maybe then I will, too.

Simon will be back during the summer, and I can hardly wait to hear what obscurity he’ll sing.

As for me, I’m off to check on some very loud squawking I hear. I can only imagine what I’ll find this time.

-R

What in the heck is a B-side anyway?

Do you ever get the feeling that you’ve completely lost the plot? I’m right there with all of you feeling that way today. Like many, I’ve noticed the stylish instagram pics that DDHQ has posted of Wendy Laister’s (DD’s manager) son and his buddies wearing the “latest in DD fashion”.  I  commented on it before because quite a few fans were upset.  My position is that I don’t care. Sure, if it gets kids interested – by all means, who am I to argue?

That said, sometimes, I really think the message gets lost in translation.

Here’s an example: on one hand, we’ve got the kids wearing the DD gear, and the band seems to enjoy playing festivals. I’m no genius, but I think it’s probably fair to say that those types of things are designed to help to get this band heard by a younger generation….like the generation of my kids.  On the other hand, they’re playing places like Capri for very secretive, very private parties for billionaires.  Nothing like perpetuating that air of exclusivity that I grew up recognizing to be part of Duran Duran. I’m not complaining, either. In fact – that exclusivity was one of the many things that intrigued me about Duran Duran. The idea of jetting off to Sorrento and Capri, the private parties, and even the “untouchableness” (probably not a word, but it is today!!) of this band, were all things that attracted me to this band from day one.  Well, maybe since the Rio video.   These are all things I’ve said on this blog  before, correct?  But does it attract millennials?  Aren’t they all about access (hence social media)?

Here’s the thing – most of this stuff, I’ve decided, doesn’t matter. I mean, singularly, yes – going to Capri to play a private party matters. Wendy’s son and his friends “modeling” t-shirts matters.  Even those festivals matter.  Some people like the ideas, a lot of others don’t, but in the end – these things don ‘t REALLY matter, or probably shouldn’t matter, to fans, unless you’re like Amanda and I and feel it necessary to give commentary.  <wide grin here> All together, these things add up to one band trying to reach a multitude of different people.  Whether that is actually working for or against the band depends upon who you ask, and today – I’m taking a giant step back from that subject because I really don’t know. Does anyone??

What I do know today is that DDHQ posts some sort of an “engagement” type question every day or so on social media. These questions, not entirely unlike what Amanda and I used to post (and still do through our polls), are designed to keep the fan base talking about the band, even when they’re not doing much. Or when they’re traveling from Capri to who-knows-where-before-they-have-to-play-in-Oakland-on-Friday.  Today’s question asked what your favorite B-side or bonus track might be.

Before answering, I thought about the question, because I think it’s really very telling, oddly enough.  I get the point that we have to keep trying to expand our listening audience (there I go, using the word “we” as though I’m somehow “on the team”….but after this many years being a fan, doesn’t it sometimes feel that way??).  The only feasible way to do that is to become relevant to a younger demographic, because the one I belong with is shrinking, both in size and in strength. We don’t buy. (which is part of the reason why they’re trying to market the t-shirts and things to kids to begin with!) But, when they ask questions like this, trying to engage their audience, they’re talking to people like you and I because of one semi-obvious detail:

What’s a B-Side???

Millennials, such as my two older kids, don’t really know what a B-side is. They grew up after vinyl. (Although rest assured my kids know what in the hell a b-side is, even though they think the idea of having to get up and flip a record over is dumb. Too bad for them that Sony has decided to start pressing vinyl again!)  For that matter, kids today don’t really have the same understanding about what a single might be. To them, they’re ALL singles. You go and buy a song on iTunes. Done.  Never mind the bonus tracks!

So, to the young ones that may or may not stumble upon this question and others like it in the future, and may or may not be reading this blog, allow me to help.

Back in MY day, when we trudged through snow, uphill, both ways, to school each day, we had records, which were flat disks with grooves and a hole in the middle. You’d play them on a record player, and a needle would go down into the groove, and as the record spun – music would magically spill out through the speakers.  There were two sides to these records: the A side and the B side.  Now, I can’t speak for all people here, but in my case – I was convinced that the more well-known songs were on the A side, and the stuff I didn’t really know as well would be on the B. I may have developed this theory back when I was a mere child because when I’d buy singles at the record store (they were also called 45s), the song I’d know from the radio would be on the A side, and the back side would have another song I didn’t necessarily know. Duran Duran was famous (infamous?) for putting an entirely different song – one that wasn’t even included on the full album – on that B side.

As I grew up, I realized that the REAL gems on an album were often on those B sides. And bonus tracks?  Well, those are the songs that were so good they couldn’t even put them on the album!! They were like SECRET gems!!  (Just go with it, people)

So for many of us “old folk” (I hear some of you talk about us in GA lines or at shows!), the very best songs in the catalog are the B-sides and bonus tracks that they almost never play. Even better? We’d almost rather hear a concert filled with THOSE songs than the stuff many of you have heard your parents play over the years. Hungry Like the Wolf?  A View to a Kill?  Nah.  We want Late Bar or Secret Oktober, or even Virus!

And I’d fall over in a dead faint if they ever pulled out something like  Cinderella Ride.

But I digress. If anyone needs help understanding what is or is not a B-side or bonus, I’d direct you to the discography section on the DD website as a good place to start!

-R

 

What’s Your Favorite Live Recording of a DD song?

DDHQ asked for our favorite live recording of a Duran Duran song this morning. At first, I stumbled over the words. It’s Monday, I’m already tired (not really a great sign for the week ahead) and I can’t seem to make much sense out of anything yet. Live songs? Do they record anything? Seriously – it’s been that sort of morning so far.

But then, as I went about my normal tasks of feeding the animals and complaining about dishes being left in the sink, I remembered a show!  Costa Mesa, 2003. The entire show was recorded and I ordered the CD.  The Encore Series was the name.

Granted, I am pretty sure I’ve seen better shows since then. Or maybe it’s just that my seats have improved significantly in the years since, I don’t know. The fact remains that when I think about all of the shows I’ve seen over the years – that one is a definite standout, and not because it positively ticks off all of the boxes on Amanda’s Concert Rubric. Simply put, it was the very first time I’d ever seen Duran Duran – all FIVE original members of Duran Duran – on the same stage.

I don’t even remember a lot from that show, to be honest. I got there, winced at how far back our seats were from the stage (I went with my husband and I think we were about 23 rows back and off to John’s side), and once the band took the stage, I stood there pinching myself to make sure that what I was seeing really wasn’t just my overactive imagination working overtime. I remember watching as someone decided to jump up onto the stage and nearly tackle Simon as he sidestepped and allowed Dave, the band’s security, to grab her. (I won’t give away her name, but I’m pretty sure I’m friends with this woman to this day. I nearly died the day I found out she was the culprit!) I also remember Roger stepping away from his drums at the end of their set, tongue wagging as though he’d run a marathon or two. But mostly, I just remember standing there thinking about how lucky I was to be there, and how thankful I was to still be a fan so that I could finally see them all together on stage.

I am one of those people who cannot stand it when we ask a “This or That” question here on the blog and people vote by saying “both!” It’s freaking annoying (to me).  I usually grit my teeth and say “make a choice, dammit!” Probably not the nicest thing to cross my mind, but I’m being honest here.  Now it’s my turn to choose. This show, which is definitely my favorite live recording of them, wasn’t about what they played or how long they were on stage or even about how many songs they played. It was that they were there in front of me. They showed up. They were together, and I had this feeling I was at the beginning of a wild, new ride. Even so, for the sake of participation, my favorite from that set has to be Virus.  No, not a song from their back catalog, not New Religion (which is a very close second), but Virus, because I loved it.  The song had the hard edge I was looking for, I could hear all five members working together, and to this day I’m giddy when it comes up on my phone.

Thanks to DDHQ for that question today – it gave me a chance to think about that fantastic show!

-R