Tag Archives: You Kill Me With Silence

More about those Duran Fragrances!

Yes, you too can smell like they sound, Duranies.

I have always wanted to use that line on someone! Who knew that if I just waited long enough….my perfect opportunity would arrive! 

Honestly, I’m not sure that’s even a compliment or what it would smell like, but today Duran Duran, in conjunction with D.S. and Durga, have released four Duran-inspired fragrances, available exclusively at Liberty London.

The most curious part of the equation here is that the band approached the fragrance house. (which is located not in England…but in Brooklyn. Brooklyn, New York.)  Who would have guessed that the band would ever be into the idea of putting their name on a fragrance bottle?!?

According to the press release, available to read on DD’s website here, Simon worked with David Moltz (the perfumer) to create each scent – there are four – each named after a song in a different eras/decades of the band’s career. Yes, there really IS a 40th-anniversary connection here, subtle as it may be.

Simon says the scents are “brave, original, cut to the heart and ring like glass”. Is he right? Inquiring minds want to know!

Here are the notes from each fragrance, taken from duranduran.com:

FRAGRANCES

(notes from perfumer David Moltz)

HUNGRY LIKE THE WOLF, 1982. smells like it sounds

“I insisted on this song from the 80’s (although there were so many that would have worked!) The fragrance is animalic and captures some of the scenes in the video – the market, the jungle at night. It is furry, wolfy and badass!”

Notes include leather, atlas cedar, cade, sandalwood and patchouli.

COME UNDONE, 1993. immaculate dream made breath & skin

“A sexy song and a sexy scent! It smells of body secretions – musks, hot breath and possibly illegal substances…….!”

Notes include oil of saffron, coca leaf, geraniol and tonka.

SKIN DIVERS, 2007. love in an aquatic landscape

“Using Calone (a molecule created in the 1990’s) to help convey a drenched love affair.”

Notes include seaweed, blue water, ylang ylang, vetiver and bergamot citrus.

YOU KILL ME WITH SILENCE, 2015. cold, silent northern woods in torment, smoke and ice

“A cold and smokey Arctic wood fragrance. It uses Nootka tree and wintergreen extract to achieve a bitter woody note that conjures the feeling of being frozen out by a loved one in a fight – like in the song.”

Notes include smoke, cistus, ice and incense.

Before anybody grabs their plastic and heads out the door – the prices aren’t for the faint of heart. Wanna smell like a VIP? It’s gonna cost ya. The fragrances (like everything else DD seems to release these days, are a “limited edition” at 500 pieces), are priced at £68 each for a 10 mL oil-based rollerball bottle. Let me do the math for you, that equates to $89.30 USD.  As my dear accountant friend and fellow Duran fan Jeff said today on Twitter, ” I can tell you that amounts to a cost of £28,800 per gallon, or $37,713 per gallon.”

Who wants to go in on a gallon or two with me??

I’m kidding.

I am wondering though, about those folks who have called Duran out on the proverbial carpet for “selling out” in the past. Is this just more of the same, or something different?

-R

Where Forever and Yesterday Collide

Where forever and yesterday collide…

I think those words, which I am borrowing from my friend @BoysMakeNoise, sum up the emotion of this day.

Today, we commemorate 9/11.  I had a friend lose a daughter that day, not a single Patriot’s Day goes by without my thinking about Lisa Frost or her family. I don’t take the date or the memory lightly, nor does anyone else I know, whether they are here in the LA area or in the east. My thoughts are with those who lost friends and family that day. We will never be the same, we will never forget, but we are learning how to go on.

September 11th has also become a day to remember something else in addition to the day our lives changed forever. We were given a cause to smile, if not quite celebrate. Paper Gods was released on this date in 2015.

My feelings about Paper Gods has almost certainly evolved over time. This single album is responsible for teaching me so much about myself, I am forever indebted. When I think back on where I sat three years ago, I assuredly see and feel personal growth. It wasn’t that I sat in a chair, hit “play” and felt an epiphany. If only.

No, when I first heard the entire album, I was aghast with some of the choices. I can’t say I fell in love immediately. In fact, I struggled. Rather than keeping quiet about it, I shared my tug-o-war. Probably not the smartest blogging decision I’ve ever made. People I deeply respect and very much care about had put their blood, sweat, tears into the making of the album, and yet I panned a major portion of it.

I still carry a fair amount of guilt about that. When I say I’ve learned from those mistakes, believe it. I sat with friends I admire and look up to, and did a lot of listening and soul-searching. I own my feelings about the album, but I wish that I had given myself more time to fully digest it all. Blogging for eight years has been a constant challenge and source of education for me, and that’s not an exaggeration. I’m definitely not the same person I was in 2010, and I have this blog to thank for much of that growth and adaptation.

Paper Gods isn’t an easy album. It is deep and complex, possibly in reflection of the band’s career. I sense the struggle in writing and recording it, and even the moments of anxiety and despair mixed with joy and satisfaction. It took me an incredibly long time to find my own way with Paper Gods. Great music can be that way, and I didn’t account for any of that when I gave it a knee jerk review. The pressure to be first outweighed the concern for being right or fair, which ended up being altogether wrong – at least for me. I’ll never do it again, that is for sure.

People tease me occasionally about my review of “You Kill Me With Silence”, a song that took me months to come to terms with. I loved the verse, but it was the chorus that bothered me. I liked the painstakingly slow and torturous melodic structure, but the chorus felt so bright and almost happy, it made me mad. It took me months to realize that the music perfectly described an emotionally abusive relationship, just as did the words. When that light bulb finally turned on for me, I embraced the song on a deeply personal level.

I also grappled with “The Universe Alone”.  Don’t get me wrong, I love the song. It is likely one of the most brilliant pieces of music the band has ever written. At the time though, I felt like the song was carrying me into a whirlpool, threatening to take me down into an emotional abyss I wanted no part. I may have taken the meaning of the song far too literally. If it was to be Duran’s end, I wasn’t going down quietly. Silly? Probably. I just wasn’t ready to even think about the end. But you know, in the three years since first hearing the song, I have a different understanding. For the band, each “last song on the album” is really kind of the end. It’s a new world on the other side, and this band never knows where they’re going next. Do any of us?  How will I feel when it really IS the end?  I’ll grieve and feel like there can’t possibly be a tomorrow, but the sun will defiantly come up again anyway. It always does, and we will all have to learn how to go on.

Then there’s “Danceophobia”. I have found reason to smile and even laugh with this one. Doesn’t it make good sense it was included on Paper Gods? On an album filled with seriously deep and complex feelings that appropriately seem to cover the entirety of their career up to this point, shouldn’t laughter and silliness be one of them?

I still have Paper Gods in my car, three years later. It is an album that I almost always play from start to finish, and I let myself listen and be carried by the current through all of the sentiments the music evokes. Lately, it has been exactly the therapy I’ve craved. The idea that it can sit side by side with their debut album, Rio, and even All You Need is Now and completely hold its own is worth celebrating.

On a lighter note, I think about all of the fun I had while the band toured this album. I can’t help but be filled with gratitude. Once again, the band was the backdrop for some of the best moments of my life. I can hardly wait to do it all again…and then some. I miss Amanda, Lori and Suzie terribly.  I can’t wait to watch Nick laugh at us, share knowing grins with Simon, maybe even scream for Dom. (Maybe??!) I look forward to seeing friends again and meeting new ones. The band might not be ready just yet, and we may have quite a while to go, but I’ll be ready when the time comes. Will you?

-R