Some bands have large fan bases that are happy to get new music. They pay to go to shows, they have fun, and that’s about the size of the fan/band relationship. Then there’s Duran Duran. They have people like me…who are intense (let’s not call it an obsession), long-time fans. Some of us even blog.
Aren’t they lucky?!?
Originally, I had a “Date in Duran history” all planned out for today, but during some research, I realized we had the date wrong on our calendar. There is a method to what might seem like madness here at Daily Duranie, and so rather than re-run a historical point that we did for this date last year, I came up with my own! The trouble is, it isn’t quite history yet. However, I break rules all the time, and today will be no exception.
Just a day or two ago, I may have casually mentioned that I was nearing the point of resorting to posting videos of Simon’s more “signature” dance moves over the years, using them of course as points of discussion…along with maybe some voting and judgment. (I call it “commentary”) Today I stumbled upon the following video link (linked because of these called “copyrights” that YouTube, and probably the band…insists we follow…imagine that!):
So they’re in the “refinement” stage. You know what *I’d* like to know…if I were well, able to ask?? What do they ultimately end up doing with all of the material they scrap? Do they keep it in case they want to return to it at a later point, perhaps for another album or something? I can see a case being made either way. Maybe they want fresh material for each album, and maybe they figure that going back to look at earlier work isn’t exactly the same as starting fresh. But on the other hand, that’s so much creativity. Maybe keeping it all for future reference gets the juices flowing when they need ideas? If “someone” knows, I’d love to hear the answer and reasoning!
Can you imagine the amount of material they’ve scrapped over the years? I’d love to be let loose in that vault (of course that’s assuming they actually keep all of that somewhere)!
But of course, Simon was VERY quick to say he won’t give titles or any information and that we’re going to have to wait. Here’s the thing: I can understand the “No Spoiler” rule. There is something special about hearing a finished song or album for the first time without preconceived notion. Admittedly, it’s been a long time since that last happened for me. Like since hearing some of All You Need is Now. I am very much looking forward to the feeling that comes with hearing brand new music for the first time. Anticipation can be a wonderful thing. That said, hearing absolutely nothing from the band for months on end – or only hearing the things none of us really want to hear, such as: “We’re not going to tour anytime soon – we don’t NEED to tour” or “We’re not sure when the album is coming out, but it probably won’t be until at least 2015.” can be pretty disheartening. So Simon, it’s OK that you won’t share titles or information. I respect that (and I might not necessarily start posting those dance videos. Yet.) But sending us little clips now and again to let those of us who are not in the UK know that yes, you’re still alive and working, and maybe just telling us where you’re at in the whole process, isn’t so bad. It keeps that connection established from the last album going. Many of us have never even been in a studio, and hearing about the actual process is interesting. It’s funny when you think about it – a lot of fans have been around for over thirty years now and yet there really aren’t many who know much about recording an album or all of the tedious work that goes into the effort. I know it’s commonplace to the band, but for us – the people who care – it’s kind of an intriguing mystery.
If Simon’s little video weren’t enough, I was pretty surprised yesterday afternoon as I checked into Facebook and Twitter between naps (I’m getting over a bad cold and the couch has been my friend this week) to see that Dom Brown is actually alive, and not just an enigma that briefly appears to announce his next gig date on Twitter or Facebook. No, no. Dom showed up yesterday to mention that his wife (I applaud Martha!) has been getting on his case lately (I believe the words “kicking my butt” were used – which makes me like her even more!) to engage on Facebook and Twitter more regularly.
Men are funny. I think they can be far more utilitarian in nature than women. We women tend to be (just a weensy bit) more emotional. We talk. For example, some of the shortest emails I EVER get are from my husband. I will send long, flowing emails to him and I’ll typically get a one or two word reply. (My reply: Really?? You were somehow able to extrapolate ONE thing out of that long email that needed a comment – and a one word comment at that?!) I think that many males, and celebrities are not entirely immune to this and think that Twitter and Facebook are utilitarian devices only. They are to announce whatever important “thing” is going on – and briefly so. The idea of getting on there to actually chat and get to know people is probably mind boggling. “Why waste that kind of time” That’s why so many resort to only posting their latest sales pitch, their latest gig…and then they run. Fast.
Admittedly, it could be that female fans might be intimidating, downright scary at times…maybe we even “threaten” relationships in that if a wife/girlfriend/significant other sees tweeting or communicating with one specific person going on, she’s undoubtedly going to be concerned. Fair enough. I’m also married. I know how that can be, and I can’t promise that every female fan out there is going to be respectful. For that matter, even I can be cheeky – because it’s fun, and because I don’t actually take it seriously. Others might, I suppose. But for the most part, I don’t think many of us are out to ruin someone’s life. My point is that we’re not that scary. While yes, there’s always a risk of running into a crazy person here or there, we as fans run that exact same risk, whether it’s with a band member or it’s other fans. You learn rather quickly how to deflect, avoid, and block. My question is how can Twitter be any more frightening than running into the same fans over and over on tour, at the studio, or anywhere else?? At least on Twitter and Facebook you can essentially block the people that scare you. In person, you really can’t.
I guess I’m in the camp that believes it’s important to engage with fans however you can and are comfortable. That last part is key – and I want to make sure that the people who are bound to reply to this post read that last part again. I’m not accusing anyone of misusing Twitter – because I think that everyone has to decide for themselves how to handle social media of any kind. Maybe that’s a departure from how I’ve felt in the past, and I’m OK admitting that. So what do I mean by “comfortable”? If you’re only comfortable announcing your gigs – then hey, that’s fine. If you’re only comfortable keeping Twitter as a sales tool, then that’s what you have to do. If you’re the type that only uses Twitter to make statements and isn’t entirely interested in the back and forth type of communication that can happen – then that’s how you’ve got to keep it. That might not be ideal, but as I said, we all have our own areas of comfort.
Another issue I see: I don’t think that there’s anything necessarily wrong with replying directly to a fan, even a female fan, if you want; but I also know that not every musician or celebrity is comfortable doing so. I can’t decide if it’s because they’re worried about calling attention to a particular fan, or if it’s because they don’t want to see the “Please RT meeeeee!!!” tweets over and over. The same goes for following fans, I suppose. Once you’ve opened that door, it’s hard to explain why some are allowed through and others are not. I’m not sure that there’s a need to explain actions like that to anyone though. I certainly don’t substantiate the reasons why I’m friends with some people and not with others, but that’s just me. I can’t necessarily say where the line should be drawn – I only know how I handle it for myself. It’s tough thing to find fault with no matter what someone does, and each person has to find their own comfort zone. I have no way of knowing what it’s really like to be a well-known musician, rock star or celebrity because I’m just me: Rhonda from Southern California. I tend to treat people, my friends – whether they are male, female, rockstar or celebrity, pretty much the same. If I follow you on Twitter, I’m going to comment to you as though I think you’re reading, and I’m going to pal around with you as though we’re at least friendly if not actually friends. If that makes me odd, well…then I’m odd, and I embrace the description. I just figure that at the end of the day, we’re all just people anyway.
That’s the longest blog I’ve written in a long time. Just imagine how it’ll be once the band actually DOES start announcing titles. I’d better rest my fingers now while I can!