35% of our participants own Extraordinary World but 56% do not. 13% used to own it.
What about the Greatest DVD?
35% of our participants own Extraordinary World but 56% do not. 13% used to own it.
What about the Greatest DVD?
Don’t ever assume we’re done…even when years go by in between reviews! Yes, it is true that approximately three years and eleven months have gone by in between the review of “Edge of America” and “Lakeshore Driving”, nevertheless, we are BACK and the reviews will continue until we’re done!! Be on the lookout for them twice a month, on the second and fourth Fridays!
To those who have not previously had the pleasure, an introduction is necessary. Basically, we challenged ourselves to review the entire Duran Duran catalog. (we don’t know what we were thinking. It is in line with agreeing to write daily, we suppose…) Granted, neither of us are music critics (but isn’t everyone a critic?), neither of us have been trained in music journalism….but that’s never stopped us before. Why now? We’re also not unbiased. (Hey, that’s a double negative, isn’t it? Damn.) That said, we try to be hard on the band, but we’re unabashed Duranies. Say whatever you will.
A couple of extra things, just to be clear:
1. We are not employees of Duran Duran. They aren’t holding us in duress, nor are they telling us what to say and write. (We’d bet that sometimes though, they wish they could…or at least, could shut us up!)
2. We pay for our own music. That said, anytime they want to send us music, we’re all for it. We can be bought. (Ok, ok…Just kidding about the being bought part!)
We review each song using the same guidelines of musicality/instrumentation, vocals, lyrics, and all of that put together – or overall. Then, at the end, we assign it a cocktail rating. Why cocktails? Have you not met Amanda or I yet???
1 cocktail : It’s really not our thing and honestly at this point, the band should be sending US cocktails just to keep listening.
2 cocktails: It could really use work. There are problems in most, if not all, areas of the song/album. It’s not making our ears bleed, but it’s close.
3 cocktails: It’s not bad, but it’s not great either. We aren’t going to turn it off, but we might not actively listen either.
4 cocktails: We’re liking what we hear! It reminds us as to why we’re still fans after all of this time!
5 cocktails: AMAZING! Can this band really get much better?!? This is the Duran we know and love!
Of course, we may even do half cocktails when necessary!
As you may have guessed, this week we press on to finish Big Thing by taking a good look (and listen) at Lakeshore Driving. As the final song on the album, it takes over from where Edge of America leaves off, quite literally. Does it pack a punch, or leave the listener dazed and confused? Read on and see just how many cocktails this one earns!
Obviously, the most forward-sounding instrument is the guitar, which for me is a breath of fresh air. I love the hard-driving, rock guitar as the track starts out. It contrasts beautifully against the far lighter, almost playful, keyboards. It reminds me of the way it used to be when the guitar and keyboards would have a sort of tug-o-war quality about them, and I admit I had to remind myself that this was actually Warren playing. It’s not like the rest of the music he plays with Duran, that is for sure. Then as you keep listening, you get this wonderful second track of guitar that comes out. It is very Nile Rodgers-esque, similar to the style heard on Notorious. It is a jam session that comes to life, without being overly indulgent. I don’t hear a lot of bass or drums, unfortunately. The guitar tracks are so forward that it’s difficult to hear anything else as the song continues on. I’m not really sure I’d call it balanced, but by the same token – I don’t know that it really needs to be. In fact, perhaps the unbalance is what really works for the track.
Obviously there are no vocals or lyrics for this one, so we’ll move on….
I do love the track. It isn’t crazily long, but I like the fact that we’re hearing what this band can really do if left to their own devices. I enjoy that Duran Duran doesn’t always play by the rules. Sometimes, in hindsight, I think they’ve forgotten how to just play. I miss that. I love the feeling that this song just sort of “happened”, and it is a great placement at the end of the record. The tension and sound just continues to build and build, which is a great effect, because I just feel like I’m being swallowed into this whirlpool of sound – it’s an excellent song to listen to when you just need to stop thinking! Towards the end, the sound is full, and it’s easy to think it will never end, until it does. The effect of it just abruptly cutting out is crazy – it’s like you’re floating along grooving away and then there’s just, nothing. You drop like a 50 pound brick back into the harsh reality. This album quits, genuinely leaving you wanting more! So rude, but so good, too.
Four and a half cocktails!
Before I dive into specifics, I have to acknowledge the pairing of this song with Edge of America. It is truly rare for me (and I’m guessing countless other Duranies) to listen to this song by itself despite having its own unique track number. After all, there is little time in between the two on the album and when they played the two tracks live, it felt like a brief pause rather than a complete change in song. I’m sure that it was done deliberately even though the two have very different feelings. After all, Edge of America is more introspective and softer while Lake Shore Driving is an instrumental and one driven by guitar. While I didn’t see this song performed live, I have seen clips in which Warren would come to the center stage by himself to play, clearly giving the guitar the spotlight. That isn’t to say that it is the only instrumentation present but it definitely overshadows the rest. You have to listen closely to hear the bass, for example. So the question is – is Warren’s guitar and its prominence something appreciated or not? While it is different, I’m not sure I’m a fan. When I think of the best Duran material, it is that fight for balance between the instruments in which some instruments rise to the surface for a few notes before another takes over. That isn’t this. It could have been but it feels like so much guitar to me when I would have preferred more rhythm section, for example.
One aspect of doing reviews that I missed was taking the time to really listen closely to a song. In many cases, I learn to appreciate a song more. As I began to type this review, I starting pondering where this song is located on the album and how it is connected to the song, Edge of America. I never really thought that much about it before now, but in writing this review, I think I get it. The Edge of America gives listeners a sense of despair, of hopeless. It leaves you with the idea that the country is not meeting the needs of its people and the emotion that is left, the emotion that can be expressed is anger. “Learn to love your anger now. Anger here is all you possess.
Welcome to the edge.” That song has always reminded me of many of my students who face an incredibly uphill battle. One student, in particular, pops in my head. This kids was the youngest of a bunch of boys. All of his siblings have ended up in prison as his single mother had struggled with substance abuse and making enough money to provide for her kids. This student was bright and he soon realized that so much was going against him. As he recognized this, his anger grew. Eventually, it became his only emotion. Why share this story? I feel like Lake Shore Driving is the anger, the anger that follows the sadness, the despair. I saw it with that particular student and many others. What does this mean in terms of my review? Simple. When I listen to the song on its own, I think of it as this overbearing guitar driven track. When I place it in context, it means more. I can appreciate it more.
So sorry that the question of the day was missing for a couple of days. We are trying a new poll plug-in. Bear with us as we learn about how to create polls with this new kind.
Sometimes I wake up, go through my morning and cannot figure out what to write about for this blog. I’ve written about this very thing before, but the ending is different this time so stick with me!
So today, like pretty much every day, I went through the motions of taking a shower, getting ready, then coming out and feeding the pets. First the cats, then I walk outside (it was 39 degrees F this morning, which was wonderfully brisk!) and take care of the chickens. Then I come back in, get coffee going, make sure the youngest is up, downstairs and eating breakfast. We leave the house at 7:40 and that’s when I turn on Feedback.
I know I’ve talked a lot about Feedback lately. Truthfully it’s because I finally have a vehicle that has satellite radio. I’ve listened on and off to Lori’s show(s) since she first announced being on Feedback, but nowadays – I can listen regularly. So, I try to listen every day. I might not get an entire show in, but I hear at least half. Sometimes I laugh, other times I’m yelling at Nik (oh yes), and still other times, I’m inspired. Today was that day.
This morning, they had Sarfraz Manzoor on, who is the author of Greetings from ‘Bury Park. His story was the inspiration for the recent movie Blinded by the Light. Ultimately, the movie is about being a fan of Bruce Springsteen.
One of the topics they discussed was how it felt to have Springsteen give backing to the movie. They talked about how Bruce showed up to the premier and then the afterparty…and Sarfraz said something so poignant, I’ll never forget it.
“Imagine you create something that’s really personal to you, and then he… the person it is partly about, graces your premiere and says ‘I give my approval to it.’ You know what I mean? It’s not the same as me going to a concert or seeing him on Broadway. It’s him coming to our party. And then he played!”
He goes on to explain that even crazier, after the “whole photography thing”, Sarfraz expected Bruce would go home. So he asks him, and Bruce answers, “I’m going to watch the movie with you.” And so Springsteen sat two rows in front of Manzoor and throughout the movie there is a silhouette of him, meanwhile the movie is going on and it’s about his (Manzoor’s) dad and all of these things…and he can see Bruce watching the film.
Stuff directly out of my wildest, craziest dreams…right there.
Now, Lori and Manzoor (Nik too, although he was quiet and Lori took the lead here) go on to talk about the discomfort with how some characters in the movie love the Pet Shop Boys and think Bruce is over, and yet Springsteen was having to sit there and watch that in the film….but to me, that’s not really that important. (sorry Bruce, no offense)
No, I’m stuck back thinking about how it might have really felt to have that approval.
Here’s the thing – I’ve already admitted here that I seek approval, so this is totally in my wheelhouse, but can you imagine?
Several years ago now, I can remember chatting with someone online. At the time, Amanda and I were really hoping to have some sort of tangible acknowledgement from the band. Something beyond a follow on Twitter or a link on their site. Bear with me here, because this is tough to admit and write, but it’s true. At the time, I desperately wanted that approval. I wanted that validation, or so I thought. No matter what I said, how I responded, I don’t think I made my point clearly. This person’s response, and rightfully so, was that I needed to be OK with what I was writing completely on my own. I didn’t need the band to approve it. In hindsight, that person was right.
It has taken me a long, long, time to come to terms with that. Did I think it would change my life or be an experience so profound that it might spark something in me? I don’t know for sure. I think it was definitely about validation though, at least for me. Approval and validation weren’t coming from any other places at the time for me, least of all from myself. So, I’d hoped to find that here. Perhaps that is saying far too much about myself, but I know that I’m a work in progress. If sharing some of my biggest flaws help someone else – so be it.
Since I’m in that introspective space, I’ll go one farther and say that part of my initial motivation for trying to write a manuscript and get a book deal was the band. It was as though I needed to get through all of that surface crap to really dive deep and find my own motivation. In a lot of ways, I wonder if that very thing isn’t part of what kept us from getting our projects published. I don’t suppose I’ll ever be sure, but I do know that I’ve changed along the way. The project Amanda and I are working on now is very different. Still about fandom, still about music, but Duran Duran isn’t my motivation. They, or at least the experience I’ve had as a fan over the years, is my inspiration, but it isn’t what is motivating me to write. No, that’s coming 100% from me.
So when I say that I can’t really imagine what it must have been like for Sarfraz to have his hero show up and support his work, I mean it. I can’t. The emotion in his voice as he told the story was palatable. I mean, what fan wouldn’t want an ending like that? Is that enough to drive me, though? I don’t think it was enough for Sarfraz Manzoor, either. The approval from Bruce was just an amazing side benefit that was so big, he likely could not have dreamt it.
No, it’s not. While having the band’s approval and support would be otherworldly and of course, very welcome – that’s not why I keep writing. For me, this is personal.
Recently, I explained it to my husband. Some people do decathlons. It is a goal, and they train every single day to get there. Some people never even cross the finish line, but they are determined to keep trying and don’t give up. Other people start bands, or write screenplays. What about athletes who train for the Olympics? Many people never even get there, but they keep trying for as long as they can. For me, writing a non-fiction book that gets a publishing deal is my thing. That is my dream and I don’t want to give up. Writing this blog every day is part of that dream, too. It is almost like my brainstorm board, or my chalkboard. It keeps me thinking, dreaming, and working.
Now, I’ll share with you that no, my husband still doesn’t get it. He won’t ever get it because he is pragmatic, and doesn’t operate based on emotion. He’s very black and white. Writing makes zero dollars unless you are published and the book does well. Not just one tough thing, but two impossibly high hurdles in my way, I guess. As he pointed out to me, writing is actually costing money right now since we pay for hosting, research materials (research books are not cheap!), and all that good stuff. It’s menial, but it adds up. You can’t be a writer as a career if you never get anything published, or so he says. I could have continued arguing with him about that, but I decided to just let it go.
This was my own light bulb moment, mainly because I answered my own “Why do you keep writing?” question. It’s not about the money (ha ha ha), or the fame (still laughing). It’s about reaching the finish line and doing it on my own steam. I just want to see it happen. For myself.
In a lot of ways, to circle this back towards Duran Duran, if I may – I think this is why Amanda and I have never tried all that hard to meet the band. I mean, yeah – both of us have gone to album signings and that was lovely and all – but I mean really meet them. Let’s face it, we’ve been doing this – the blog – for long enough now that if we really wanted to shove the issue, we could find a way. Many others of you have, and it is because it was worth it to you to do so. I get it.
I think about how even at the last show at Agua Caliente, I ran into people who went outside to see them pack up and leave. Where was I at the time? Oh, I was at the bar. Dancing to Duran Duran. What’s worse, I didn’t even feel a twinge of anything about not being there. I was doing what I wanted.
For me, the reasons for operating the website, posting the blogs and writing about fandom have far more to do with my innermost thoughts than they do about seeking approval from Duran Duran. That’s “the place” in my heart that motivates me and keeps me going day to day. The band, and this fandom, serves as my inspiration.
Any Mark Ronson fans out there? Well, YouTube hears your pleas, and they have answered with news of a Mark Ronson documentary, to be aired (for free!) on YouTube on October 12. Mark (ha!) your calendars and set aside a couple of hours for viewing! Extra special for DD fans, Simon Le Bon was interviewed for the documentary along with a plethora of other celebrities and music artists, such as Lady Gaga, Bradley Cooper, and Miley Cyrus. Other friends and family are also featured including Boy George, Charlotte Ronson, Josh Home, Lykke Li, and even Sean Lennon, among many others.
Perhaps worthy of note to some, I see that this film was made as a Livewire/Eagle Rock Films production, which is the same production company that did A Diamond in the Mind. Here’s the trailer below!
Now, I wouldn’t be me…or Daily Duranie for that matter…if I didn’t note that despite my watching the trailer twice, I didn’t see or hear Simon. (forgive me if I’m wrong!) He might have been in there and I missed it, but I don’t think so. There were a lot of different voices in the audio overlay, but you’d think I’d be able to pick Simon out, right?? I also didn’t see footage of Mark with the band, which on one hand didn’t surprise me, but on the other – I couldn’t help but be the tiniest bit sad. Yeah, I’m picky and want it all. Am I not a Duran Duran fan?? <insert wink here!>
There was, however, one quick flash of Mark with the platinum blonde hair he sported during the production of All You Need is Now, so I’m obviously hoping for a bit more during the film. I guess we’ll see, because I’ve got it on my calendar for viewing this weekend! Regardless, I think it will be very insightful, inspiring, and worthy of a watch or two!
I have one piece of non-Duran news to share. A-ha is coming to the US for just two shows in 2020, on September 25 and 26! Both shows happen to be at the Wiltern theatre in Los Angeles, and they will be playing their album, Hunting High And Low in its entirety. The shows go on sale Friday at 10am.
This is worthy news because I know that there must be many DD fans who, like me, fell in love with A-ha at the very first moment they heard “Take on Me”, or saw the iconic video (which remains one of my most favorite). As I understand it, next year will be their 40th anniversary as well, and they’re celebrating by playing their breakthrough album live and even coming to the states to do it! It is one of my very favorite albums of the 80s, and I’ve never seen A-ha live.
It’s funny because today on Feedback, the music talk show that fellow Duran Duran fan Lori Majewski co-hosts alongside Nik Carter on SiriusXM channel 106, the subject of albums you’d most want to hear played live came up. Hunting High and Low is on that list for me, along with several others, of course!
As a quick aside – Feedback is a great show. If you haven’t heard it, I strongly recommend it! I can appreciate the different points of view, and Lori does a great job of keeping Nik’s ego in check (as she well should!). It is tough being a female in that world, which is a subject that is near and dear to what Amanda and I have been researching and working on for the past few months. It is alarming to hear that even in 2019, women seem to be far and few in between when it comes to discussions on music. I would swear that the only people that listen or call in seem to be male. Yes, I actually do think that’s a bad thing, for a multitude of reasons (another blog, another day). I listen every day, but I’m on the west coast. Calling in doesn’t work for me, as I hear the show about three hours after the fact. That said, I’m an avid tweeter, even though I’m tweeting after they’ve already gone off the air and I’m listening to a replay! Hoping some of my Duranie friends remember to let them know they’re listening.
Back to A-ha…
The news of their 2020 tour is also worthy of mention because of the timing. What I mean is that these shows go on sale this Friday – October 11th. They’ll likely sell out completely given that they’re the only US dates and the Wiltern isn’t a huge venue. Yet, the shows are nearly an entire year away. I can remember when we used to buy shows that were just weeks away, and then it grew to be where we’d have to pony up for tickets three months out. Even then, I never minded. Lately, I’ve seen pre-sales announced closer to six months out from show dates, and now? This is nearly 12 months away. An entire year.
Maybe I’m alone in this, but I think it is bonkers to plan that far in advance. Essentially we’re giving our money to someone else who can essentially earn interest for nearly twelve months before we even see the concert. While there may not be much I can do to stop this ball from continuing to roll downhill, I can say that it makes me think twice before buying tickets. In the case of my very frugal and pragmatic husband, it stops him dead in his tracks, including this time. There’s no good sense of giving someone your money to sit on for that length of time, and in his head – if that’s what it takes to go to shows, then he guesses it’s time to stop giving money to big acts like this and just go to see local bands who haven’t quite made it yet.
Will I die if I don’t see A-ha before they end their career (could have sworn they announced their retirement once….)? No, probably not. I’d love to see them, but I’ve made peace with knowing that much of what I want isn’t what I necessarily need. A-ha is in the “wish” column, rather than the “must” column, right next to Duran Duran. All of that said, these bands, promoters and/or venues could make it a little easier if they didn’t demand our money so far out in advance. Twelve months seems ridiculous, don’t you think? Maybe I’m just old.
Hey, you kids, get off my lawn!
35% of our participants own a copy of Decade (Video) and 54% do not. 12% used to own it.
What about Extraordinary World?
Here’s a description of it:
This is the first video to cover the subject of the band’s history and also features six songs from The Wedding Album era.
Good morning, Duran-fans! Welcome to a new (work) week. Mine started off on a nice note as I found out yesterday at about 4:45pm that my youngest had the day off from school today. I stayed up late watching Breaking Bad over again (we re-watched some of the series to prepare for El Camino, the Breaking Bad movie that’s coming out on Netflix in just four days, not that I’m counting down at all), and then woke up blissfully later than normal.
Is anyone ready for some new music? Dying for just about anything you can get your hands on that might have a little Duran-something in there? Well, check out the new album by Jon Regen called Higher Ground. There are a number of contributions from recognizable musicians on the album, including one Nick Rhodes playing on a song named “Who Cares if Anybody Else Knows”. I don’t think you’ll miss Nick’s contribution! While it might not be quite Duran Duran, it’s something new besides!
Now for blog news. In the interest of being sure to offer opportunities for fans to use their voices in a safe environment – I wanted to announce that we are ALWAYS willing and ready to publish guest blog posts from fans and readers. Maybe you’d like to offer up your own POV of a recent show, or you want to analyze your favorite Duran Duran song and/or video. Perhaps you want to celebrate your favorite band member, or even show off your own tribute band or DD-themed artwork. Maybe you want to share your own “How I became a fan” story, or share your experience of meeting a band member. The world – or at least this website – is your oyster. Your ideas and opinions do not need to be similar to ours, either. All it takes is an email (email@example.com), and we can sort the rest out.
Additionally, I wanted to send a shout-out to Jason Lent, who will be contributing blog posts on a more regular basis. You will likely be seeing his posts on Wednesdays. I look forward to reading more about the Duran-world from his point-of-view! Thanks for the extra help, Jason – and don’t forget, rum and cokes are on me next time!
I’m hoping that those of you who struggled with links from Facebook and even Twitter at times are finding that they’re working again. We set up the security certificate, and that should have solved the problems so many were having. Thanks for your patience.
Lastly, Amanda and I are going to be returning to Friday song reviews. We left off at the very end of Big Thing, and so we are going to start by finishing that album and moving on from there. Be on the lookout for those to start appearing!
Have a wonderful week!
26% of our participants own 6ix by 3hree while 67% do not. 7% used to own it.
What about Decade (the video compilation)?
By Bart Van Bemmel
Let’s do a little experiment…
Go get all your Duran records and sprawl them out on the floor. I know you’re ranking them — it’s hard not to. I do it too. Maybe you’re one of those fans that doesn’t count anything that John Taylor didn’t play on, yet it was somehow okay if Roger and Andy didn’t. Or, maybe that’s a whole other blog post. But I can tell you’re already frustrated because your order may have changed since last week — mine does all the time. Where to put All You Need is Now… This might take another glass of Malbec. Okay, now I want you to grab Duran Duran, Rio, Seven and the Ragged Tiger, and Astronaut. Now, as for the rest — pretend they never existed. POOF — gone! Would you be okay with that? This could very well mean that there goes the soundtrack of your life. And there also goes Duran Duran’s career. And with that folks, is my argument that WHEN Duran gets immortalized in the Rock and Roll Hall of Fame that Warren Cuccurullo goes in with them. I’m not sure my argument can be defeated. Come at me. I know, I know. Duran isn’t even on the ballot yet, but one day they will be. And with Duran’s 40th Anniversary coming up — we’re all crossing fingers. But this issue for some reason has been eating at me for a while. Warren better get the call.
The second British invasion may have been led by the original members of Duran in all those Sri Lanka videos that dominated MTV, but there’s no denying Warren Cuccurullo’s crucial and powerful impact on Duran’s career. Through the highest of times to the leaner years, Warren Cuccurullo helped steer this mighty ship. From his work on seven studio albums, countless hits, tours, MTV Unplugged, TV appearances, and more — his tenure in the band was much longer than Andy Taylor’s. The band also produced more hits and released more singles during Warren’s Era. However, this isn’t about Andy vs. Warren, this is about what’s right. Cuccurullo helped successfully navigate the band through the Grunge Era undertow that killed countless bands of the 80’s. It was Warren’s songwriting and producing that help resurrect the band to land them their biggest selling album and tour to date with The Wedding Album. There’s a reason on their past Paper Gods Tour that several Wedding Album songs made it into the set: Ordinary World, Come Undone, Too Much Information, and Love Voodoo (OW and Come Undone are always mainstays). And so, we have reached my second argument in the Rock and Roll Hall of Fame vs. Warren Cuccurullo debate. Would Duran be here today — with their most recent album landing in the top ten on Billboard, without the hit song Ordinary World? The answer is NO. According to the band’s Songbook performance, even their record label was gun shy about spending money on the band at this point in their career until they heard this song. As for the music video — it’s known as one of their most iconic to date. I should probably also mention Ordinary World also won the prestigious Ivor Novello songwriting award. Duran of course went on to have even more hits after this with Warren — not to mention the first band to ever release a digital downloadable single with Electric Barbarella.
Now it’s time to see the potential Rock and Roll Hall of Fame side of things.
Duran Duran was known as the second coming of the Beatles — the Fab Five. That means Simon Le Bon, Nick Rhodes, Roger Taylor, John Taylor, and Andy Taylor. All instant heart throbs, icons, and musical prodigies. Sorry, but Warren Cuccurullo wasn’t in the band back then during that initial chaos and debauchery. With one member you have to have the other. Imagine if the Beatles replaced Ringo or George? Wait — Duran are guilty as charged. So let’s face it, people. When we think of Duran — we think of them in those fancy suits on that sailboat singing Rio. Or — that ginormous tidal wave crashing down over the audience in the Reflex video. Plus, Warren was a glorified hired gun until he became an official member after the Big Thing Tour. So, this means mega hits such as Notorious, Skin Trade, I Don’t Want Your Love, and All She Wants Is will not be credited to him. You could say we can be naive to think he didn’t have a hand in the arrangements of these songs, but we’re checking the songwriting credits. And not to stick the knife in deeper or anything, but even Funko is about to release toys of the original band. Warren didn’t make the cut as a Pop figure. So thank you Warren for your time, but this case is closed. You’re not getting in to the Rock Hall.
If the Rock Hall doesn’t recognize Warren Cuccurullo’s tenure in Duran, then why did Vivian Campbell from Def Leppard also get inducted? I mean no absolutely disrespect towards Viv or Lep (big fan over here), but his impact on that band was nowhere near what Warren’s was with Duran. Leppard rarely even puts a Vivian Era song in their regular tours, whereas half of Duran’s set list is from the Warren Era. Many haters disagreed with Viv getting in (for the record — I thought he more than deserved to be there). And now throw in Pete Willis from Def Leppard. He got in and only played on two and half of Leppard’s albums. But the bottom line here is will the Rock and Roll Hall of Fame recognize Warren Cuccurullo as a member of Duran Duran if and when they get inducted? Jon Bon Jovi wrote a letter to the powers that be at the Rock Hall about the importance of Hugh McDonald that replaced Alec John Such on bass throughout Jovi’s entire career. McDonald got in. Will Simon, John, and Nick have to write their own letters? Will they even want to is something else entirely. Or maybe the Rock Hall will already consider Warren a lock. Warren’s personal views on life and his choices off the stage have nothing to do with the music. If we were to do this then most of the rock stars who have been inducted already shouldn’t be there.
And so, I will leave you with this. I play in the touring Duran Duran tribute band — Wild Boys: The Duran Duran Experience. I don’t play Andy or Warren, I portray Dom Brown on guitar. We’re the only tribute that has the Dom role and we stand by it for countless reasons. By presenting ourselves as the Duran of today means we can play their entire catalogue, as well as their continuing on-going legacy that they create (from Planet Earth to Pressure Off). And I can tell you right now that if we didn’t include the countless Warren Era hits in our show then we would be fact checked and discredited as a Duran tribute in every shape and form. To push this fact even further — our most requested song to play is Serious off Liberty. So if we were to go back to our original experiment of throwing out the Warren Era records, I think I just proved my point again.
So where do you stand on this case? Does Warren deserve to be in to the Rock and Roll Hall of Fame as a member of Duran Duran? I’m so looking forward to your thoughts in the comments!
For those who do not know Bart, here is his biography from the Wild Boys website!
Playing the Rock and Roll Hall of Fame on VH-1 is something an artist can only dream about. Well, that dream has already become a reality for former Dallas singer/songwriter Bart Van Bemmel. Bart’s song Something (Afterglow) took home first prize in the VH-1’s “Rock Across America” Songwriting Contestwhere he and his band got to share the stage with rock legend John Fogerty. Soon Bart and his band would go on to work with Grammy nominated engineer/producer Chris Bell (Destiny’s Child, Fuel, Polyphonic Spree, Erykah Badu, Kenny Wayne Sheppard), Billboard Award-winner Redbeard (Nationally syndicated show In the Studio), and producer Alex Gerst (Ellie Goulding).
But we have to go back to the beginning. Once Bart saw Duran Duran’s video for PLANET EARTH on MTV – it would forever change his life. It was Duran’s New Romantic sound that made him want to start playing music. As he grew older – Bart meticulously studied Duran’s sonic rock and funk stylings as he did his best to nail their sounds. As luck would have it – just a few years ago, Duran Duran guitarist Dom Brown shared his guitar rig rundown with Bart to help assist him with his mission to conquer all things Duran.
By the time Van Bemmel was 15 years old he and his band were playing clubs, getting their demo on Texas Q102, and winning Z-Rock’s Battle of the Bands where they won a slot opening for Sony recording artists Dirty Looks. As he continued in high school – his band went on to open for several national recording artists from Sony, Atlantic, MCA, and more – eventually catching the eye of producer Tim Miner (Paula Abdul/Steve Perry from Journey) making demos for him and Eric Andersonfrom Sony Records.
As the years passed some of Bart’s songs would ed up landing him invites to play several festivals in Texas and on the East Coast including SXSW, the Dallas Music Festival; Mainstream radio airplay in Texas/New York/Canada; Securing top spots in songwriting contests – including runner-up in the final round of the We are Listening Singer/Songwriter Awards where the songs were reviewed by judges including: KK (Producer-Dido/Nelly Furtado), Steve Williams (Producer-Sting/Seal/Eric Clapton), and Carly Vermes (Music Supervisor-Paramount pictures); Landing second place in the John Varvatos Free the Noise on SPIN Earth contest, and more.
Even though Van Bemmel is no longer chasing elusive record deals, he’s switched over to the film business where he has two feature films in development with named talent attaching.
But in the meantime – Van Bemmel will never forget his roots in music – which is why he joined Wild Boys. Because each time he and his bandmates play Duran Duran — he doesn’t know who has the better experience: himself or the fans.
38% of our participants own Working for the Skin Trade and 59% did not. 3% used to own it.
What about 6ix by 3hree?
Here is some information about it:
6ix by 3hree (Six By Three) is a video compilation by Duran Duran released in 1989 on VHS and LaserDisc. There is currently no commercial DVD release available but the whole compilation was included as an extra on the 2010 DD Fan Club DVD release of ‘Three To Get Ready’. The six videos of the title are from the bands’ albums Notorious and Big Thing.
The intent of this release was similar to the Seven and the Ragged Tiger video EP “Dancing on the Valentine“, mopping up an album’s worth (or two albums in this case) of videos and getting them to market. However, the release of Decade a year later meant that most of the videos on both of these compilations were readily available on one release.
6ix by 3hree does include two videos not available on other compilations – “Meet El Presidente” and “Do You Believe in Shame?” – but they were included as extras on the CD/DVD special releases of Notorious and Big Thing respectively.