Tag Archives: All You Need Is Now

Question of the Day: Wednesday, May 24, 2017

Yesterday’s winner:  Electric Barbarella

Which video do you like better:  All You Need Is Now or Girl Panic?

Question of the Day: Saturday, May 13, 2017

Yesterday’s winner:  All You Need Is Now

Which video do you like better:  Girl Panic or Pressure Off?

Question of the Day: Friday, May 12, 2017

Yesterday’s winner:  Sunrise

Which video do you like better:  Falling Down or All You Need Is Now?

Notorious & Wild Boys by Steve Malins

Do you like to read books about Duran Duran?  It is probably not shocking that I do and always have.  Looking back at my childhood, I remember reading and rereading and rereading paperbacks about Duran, such as Bop Magazine’s 700+ facts.  These days, the books and magazines surrounding the band are a little more sophisticated.  Obviously, fans who like to read have been lucky enough to enjoy both Andy and John’s autobiographies in recent years.  On top of that, in 2005, an unauthorized biography called Notorious by Steve Malins was published.

As I’m sure you are not surprised, I read that book as soon as I purchased it and have even read it more than once since then.  Rhonda and I have had a few conversations about the book.  In general, I think the book is stronger in the beginning, about the band members’ childhoods and the early days of the band.  As the book moved closer to current day, the sources were clearly all secondary sources, meaning that the information came from published articles, etc. as opposed to any real life individual.  This, of course, is common with unauthorized biographies.  The band did not share or get interviewed for the project.  I would say that in many cases the information in the book is common knowledge for many Duranies.

That said, when I saw that there was an updated version out, I had to pick it up.  The updated version, called Wild Boys, contains an additional chapter, surrounding both the Red Carpet Massacre era and the All You Need Is Now cycle.  What did I hope to learn from this additional chapter?  I won’t lie.  I hoped to gain some insight about Andy’s departure as well as behind the scenes for Red Carpet Massacre as I suspect that there is a lot more that went on that fans have been in the dark about.  What did I find out?

Andy’s Departure:

Interestingly enough, the book dedicated about two paragraphs to Andy’s departure.  Literally, it mentioned that the album, Reportage (the one Duran wrote and recorded after Astronaut but shelved), was stalled by “legal issues with Taylor”.  I’m not sure what the source of that was.  The author describes reports about the album that claim that the album was “edgy and contemporary”  (Malins 283).

Then, in the next paragraph, Andy’s departure was summarized by describing the official press release on the band’s website as well as how Andy described it in his book.  According to this book, the band claimed that there was ‘an unworkable gulf’ and Andy suggested that there was tension between him and management.  Clearly, I was hoping for a lot more as I knew both of those statements already.  I read the official announcement when it was posted in 2006 and read Andy’s book as quickly as it came out as well.  Now, I realize that an unauthorized biography will not have as much insight as an authorized one where the author is getting the scoop from the celebrity him/herself.  That said, I am surprised that there was not even any speculation on the author’s part on how this major personnel change would affect the band.  Instead, there was no analysis, just those statements.

Despite the lack of analysis on Andy, the author does mention Dom Brown a number of times.  The first time was right after talking about Andy’s departure.  Here the author says, “Duran Duran soldiered on by installing Dom Brown, who had toured with them before, as their new guitarist.  He has remained with them ever since, playing an increasingly valuable role”  (Malins 283).  Later in the chapter, Dom’s contribution is described during the writing and recording for All You Need Is Now, stating how he co-write most of the songs on that album.  What I found fascinating by this is that if I didn’t know better, I would read this chapter and assume that Dom is a permanent band member.  Yet, that is not the case.  He is in some weird limbo between a touring guitarist and a band member.  Malins does not explain that at all.  Likewise, there is no explanation of when and why Dom toured with the band before RCM.

Red Carpet Massacre:

As for the album created following Andy’s departure, Malins chose to focus on an article/interview from The Quietus that came out, not during the RCM cycle but afterwards during AYNIN.  According to that interview, Nick stated how they knew that RCM would be a risk with the fans.  Simon followed by stating that the fans left “no doubt” about how they felt about the album (Malins 293).  Again, though, outside of the quotes from the band, there is little explanation about why the fans might not like RCM.  On top of that, as someone in the fandom at the time, those brief statements don’t really explain what was really going on with the fans at that time.  It is and was far more complicated than that as many fans actually liked it, creating a wide division within the fan base.

All You Need Is Now:

The focus of the All You Need Is Now discussion surrounded Mark Ronson’s vision for the album and the Girl Panic video.  On one hand, I always appreciate reading and hearing about how Mark is a fan and pushed the band to really try to embrace their true selves and to occupy their rightful place in the music industry.  On the other hand, I am not really sure why there was so much focus on the Girl Panic video.  While I get that they used models who were pretending to be the band, I still found the discussion about it superficial.  Why did they use models?  I don’t know.  Why did they show fame in the way they did with luxury hotel living, fans surrounding them, bottles of champagne, etc?  I don’t know.

This, of course, is the argument I make about the entire project.  I want more of an in-depth, behind the scenes sort of analysis.  Perhaps, my frustration is unfounded.  I already know a lot about the band so I didn’t learn anything.  Others reading this book might learn a lot.  For them, maybe, the book serves the perfect function.  It does give a rough outline about the band’s history from formation through All You Need Is Now.

Has anyone else read this book?  What did you think about it?

-A

Malins, Steve.  Notorious.  London:  Andre Deutsch, 2005.

Malins, Steve.  Wild Boys.  London:  Andre Deutsch, 2013.

Question of the Day: Sunday, April 9, 2017

Yesterday’s winner:  Too Bad You’re Beautiful

Which song do you like better:  All You Need Is Now or Friends of Mine?

Question of the Day: Tuesday, April 4, 2017

Yesterday’s winner:  All You Need Is Now

Which song do you like better:  Friends of Mine or I Don’t Want Your Love?

Question of the Day: Monday, April 3, 2017

Yesterday’s winner:  You Kill Me with Silence

Which song do you like better:  All You Need Is Now or (I’m Looking for) Cracks in the Pavement?

Question of the Day: Thursday, March 23, 2017

Yesterday’s winner:  All You Need Is Now

Which song do you like better:  Can You Deal With It or (I’m Looking For) Cracks in the Pavement?

Question of the Day: Wednesday, March 22, 2017

Yesterday’s winner:  Secret Oktober

Which song do you like better:  All You Need Is Now or Be My Icon?

I Want Your Attention: Duran Songs for Friend

Last weekend, I spent about 30 hours in a  car with three of my colleagues and friends as we traveled to and from Washington D.C. for the Women’s March.  During the drive, two of us provided the music, the soundtrack for the trip.  While I had compiled playlists of social justice songs and songs about women and women’s power, I also played some of my favorite songs.  During a long stretch of horrible fog, my friend turned to me and said, “I like many of the Duran Duran songs I have heard but I just don’t know them that well.”  She went on to say that she likes Hungry Like the Wolf and Come Undone.  Ignoring those specific songs, my brain started reeling.  Which songs should I play for her, I wondered.

Before I started picking out Duran tunes, I looked to her music collection.  She had lots of Madonna, for example, especially 80s Madonna.  The Cure took up space in her collection.  Besides that, she had a lot of 90s music on there from the Verve Pipe to Oasis, which makes sense since she is about 10 years younger than me.  I took these songs to mean that she likes pop but the fact that she had a lot of the Cure makes me think that she would be open to some darker, more obscure Duran.  Here is what I came up with to play for her divided into pop and dark.

Pop:

Since she clearly knows some classics, I thought I would skip more of the obvious ones like Rio.

Hold Back the Rain:

New Moon on Monday:

I Don’t Want Your Love:

Sunrise:

All You Need Is Now:

What do you think of those choices?  I wanted feel good songs but also wanted to showcase the fact that all Duran, even those feel good songs, have substance behind them.

Darker Duran:

Before the Rain:

Out of my Mind:

Friends of Mine:

Secret Oktober:

The Chauffeur:

What did I miss?  What else should I include?

-A