Yesterday’s winner: New Religion
Which VIDEO do you like better: Planet Earth or Careless Memories?
Yesterday’s winner: New Religion
Which VIDEO do you like better: Planet Earth or Careless Memories?
On this date in 1981, Careless Memories was released in the UK. If my math is right, that was 36 years ago.
Thirty six YEARS? Well, then. Age is but a number, right? I don’t know about the rest of you reading, but with every passing year, it is getting harder and harder to believe how long this catalog has been around…and particularly difficult to believe I’ve been a fan for this long.
I was listening to Duran Duran yesterday in the car (I know, it’s difficult to believe, but true!) with my youngest. I heard her humming along – I can’t even remember what that song was at the time, unfortunately – but she was humming and I was wondering to myself if that music sounded “old” to her. What I mean by that is, when I was a kid and my parents would put on Elvis Presley or whatever it was they would listen to, I would think of the music as “old”. It was their music, not really mine. I can remember my mom reaching up to the top of our refrigerator at home and switching on the radio. My mom loved listening to the radio as she would clean the house or whatever. I don’t know what station she listened to, but I can remember the DJ saying it was “The best of the oldies” or something like that. In my car, I listen to a few different stations, but thankfully – none of them use the word “oldies”. I can stomach a lot of things, but that is not one of them. Yet. I didn’t ask her about my music as we drove – I just enjoyed listening to her hum along.
Later on, after I’d dropped her off for dance, an ad came on the radio for an 80s festival that is taking place on a beach near me in a couple of weeks. At first, I thought about the festival itself and briefly contemplated whether or not I should go. The music would be fun. The crowds and sun, on the other hand, aren’t necessarily a selling point. My thoughts drifted back to the whole “oldies” thing again because I was thinking about how cool it is that we have these festivals focusing on music I enjoy. I don’t only listen to 80s music, but Men Without Hats is playing at the festival and it’s a band I’ve never seen live. As I thought about that, I wondered how a festival like that must sound to my 20-year old. When I was her age, had my mom talked about a festival that played 50s or 60s music, for example – I would have called that an oldies festival. That makes my stomach churn a little. Yet, it’s kind of interesting that I don’t remember there ever being festivals like that. In fact, I don’t remember my mom and dad ever talking much about concerts at all back then. My parents never really went to concerts the way I do, so for all I know – they just didn’t go. I think my generation is a little more outgoing when it comes to things like concerts and even buying music. We don’t let our age stop us, and we shouldn’t. We’re not dead yet, and we shouldn’t stop living just because of a silly number.
So, instead of thinking about how “old” Careless Memories might be today, I’m going to celebrate how ALIVE that song still makes me feel. And it does….so I’m hoping to hear it again live. Soon! Until then, I’ll watch this video from Houston of this year!
Yesterday’s winner for Favorite Album: Rio
Which song do you like better: Election Day or Careless Memories?
There are days when I am so thankful for this blog, this safe, happy place, that I wish I could hug it. Today is one of those days.
Yes, we had an election in my country yesterday. Some may be happy with the results. Others may be very unhappy. I am concerned. I don’t know what to write, or how to feel. Mostly I want to move on, but I can’t seem to find the right way to go forward yet.
John voted in his first American election yesterday. He tweeted a picture from the @duranduran account. I am sure that must have been a very exciting and proud moment for him, despite the results not turning out as he may have wanted.
I know the rest of the world is sick of our politics right now. I live here and I’m sick of it too. I’ve seen many a friend and acquaintance comment in a variety of ways about the election, and I’ve come to the conclusion that there is nothing I can say to make people happy. Once again our country has come to a crossroads, voters have spoken, and we find ourselves waiting for the other shoe to drop. There are massive wounds left behind to heal, and I would be insane to think I could do anything to help with that process.
So, I’m watching videos today. I may not know much, but I do believe that music heals. It makes ME feel better. Our world is not perfect. My country may not have voted the way the rest of the world felt best, but watching a video or listening to my favorite band still has the power to make me feel better.
I’m just going to shut off my TV, shut down my computer, put down my phone, and try to enjoy some music for a while. I invite you to do the same. Sometimes, you just have to take time out to breathe.
Yesterday’s winner: Butterfly Girl
Which song would you rather have ADDED to the setlist: Careless Memories or The Chauffeur?
Just a reminder that we graciously accept reviews from DD shows, as well as blogs on any topic that has to do with Duran Duran. Today Jason Lent shares a different perspective on the recent Las Vegas show. If you’re interested in submitting a blog, please check out our “Guest Blog” page for information.
For the next two weeks I will be on vacation with family (I’m doing nearly the polar opposite of “touring” by going camping with family in Yellowstone and the Grand Tetons), so I have a few guest blogs to take my place. Enjoy!! -R
By Jason Lent
My nostalgia drenched July wrapped up with Duran Duran at the Mandalay Events Center in Las Vegas. Seven nights earlier, I stood in a parking lot downtown while Howard Jones and OMD performed on what felt like the surface of the sun. After Duran Duran, Howard Jones and Thompson Twins were pivotal touchstones in my formative years of music while OMD were always on the edges of my life soundtrack. All three provided different reminders of why I love the synth pop sounds of the 1980s. I still find myself expecting more from Duran Duran overall because they were “my” band as an impressionable 11-year-old. As I walked to my car that night in a mad dash to escape a parking garage built by Satan himself, I realized that no matter what the band does now, all I ever needed from them was already given to me back then.
Touring in support of Paper Gods, I went into last night’s show having already seen the earliest incarnation of this tour in 2015 at the Hollywood Bowl and the Life Is Beautiful Festival in Las Vegas. Selfishly hoping for some radical updates to the set list (this was, after all, the second Vegas show in under a year), I knew that such dreams were foolish. At this point, the band has firmly entrenched itself into the legacy circuit where delivering the most appeal to the largest amount of people is job number one. With that as the goal, this current tour might be as effective as any they’ve undertaken in the last twenty years. That night in Las Vegas, the cheers of the arena were literally deafening and I awoke the following morning with a ringing in my ears that I’d have expected if I stood in front of the PA at a Five Finger Death Punch concert (on a side note, very cool that Chris Kael from Death Punch was at the Duran show last night!).
From the viewpoint of a casual fan, there is no denying the overall power of the current show. After the artsy run through of the new album’s title track, the hits come fast and furious. Wild Boys, Hungry Like The Wolf, and A View To A Kill lifted the crowd to their feet and had them screaming along. The band appeared to be thrilled by the reception and Simon LeBon stepped into the role of the saucy frontman, a role he was born to play. Come Undone, the finest single of their second career peak, sounded and looked brilliant, providing one of the many highlights.
For the more ardent Duranie, the disappointment with the current show resides in the lack of hope that each show provides. Maybe this always existed with Duran Duran but age and technology now infringe on the innocent hope we carried to shows as teenagers. There is no mystery to which songs might be played and the stage banter feels a little too comfortable as a result. The show is the show and the band delivers it night after night at a very high level. However, most of us know exactly when LeBon is about to ask the audience if anybody is hungry. This lack of spontaneity and a refusal to push themselves outside their comfort zone takes a little sparkle off the modern Duran Duran.
For those of us who lived and died with each album (and Liberty sometimes felt like it wanted to kill me), the current tour does offer a few moments of ecstasy such as a killer performance of I Don’t Want Your Love from Big Thing and a reworked take on Girls On Film that feels funky and fresh. Both of these choices do nothing to hamper the casual fan’s appreciation of the show while giving us more fanatical sorts the hope for more twists and turns in the future. The clock is forever ticking when a band sticks around for over three decades but Duran Duran has some gas left in the tank and the next tour could be truly special if they are willing to take a few more chances.
First and foremost in my mind would be to bring 25-30 songs on the tour and arrange each set list slightly differently from town to town. In doing so, the band would have to stay on their toes musically from night-to-night. Why does that matter? It brings out the best in musicians. What if Notorious and Pressure Off weren’t always side by side for example. The songs are too similar sitting next to each other. If Notorious dropped down into the encore, it’s not like Nile Rodgers isn’t going to come back on stage. From what I’ve seen, he’ll take any chance to get in front of the audience especially if he gets to remind us of all the #1 hits he worked on. God bless the man, but we know you’re a legend. Stop telling us each night.
If the band brought 30 songs on the road, those extra tracks could open up a whole new world to long time fans. It starts with the new material. Last Night In the City should be dropped. It’s a boring EDM track that feels like the band trying to appeal to the very people who aren’t buying concert tickets regardless. Sunset Garage, a far better track, with a video montage of the band over the years could be a show highlight. The fatal flaw with Paper Gods was the decision to put the most Duran sounding songs into the “bonus tracks” of different versions of the release. Ask a hundred Duran fans and we would choose Planet Roaring over Danceophobia almost 100% of the time.
In addition to a better mix of the new tracks, the band’s depth gets grossly overlooked in the current tour which can be fixed fairly easily. All You Need Is Now from 2010 was one of their best studio albums since Rio and not a single song makes the current tour. This is more ludicrous than the decision to cover Public Enemy’s 911 Is A Joke. The album that brought them back into arenas gets no attention while the band continues to play Reach Up For the Sunrise, a modest hit but hardly essential listening. To make matters worse, the band taunts us with a chorus from New Moon On Monday in the middle of Sunrise. Here’s an idea, just play Monday, one of the beloved singles from the band’s biggest period.
As a kid, collecting Duran Duran 12” records felt like my life mission. On the flip side of the Careless Memories 12” was a track called Fame. At that age, I didn’t know who David Bowie was and this was my first time hearing an artist whose career and life would greatly influence everything I love in music. If the band had added Fame to the set list for this tour, not only would it have paid tribute to our collective hero, it would have taken us all back to the early stages of fandom when we were full of hope and wonder. I chalk up the medley of Planet Earth and Space Oddity as a near miss but still a lot of fun last night.
So where do we go from here? Next year is the 35th anniversary of Rio and the trend of bands revisiting complete works shows no signs of dissipating. Rather than head back into the studio, I hope Duran Duran embraces their legacy fully and undertakes a summer tour to celebrate a landmark album in all our lives. Open each night with a handful of other hits, take an intermission with a short film of the band in the studio and on video sets over the years, play Rio in its entirety and finish the night with an encore of even more hits. The ticket sales would be monumental and those of us who stayed with them all along would be rewarded with rarely heard songs like Hold Back the Rain.
I look forward to new albums and new tours while continuing to want more of the past each show. Last night was an amazing experience and despite my many words above, I left with a huge smile on my face. The music critic in me will always explore every corner of my Duran Duran fandom but my passion never diminishes. The recent resurgence in interest for their work vindicates many of us who grew up being teased for loving five good-looking lads from England. Take away their youthful smiles, the expensive videos, and all the radio hits and you still have truly gifted musicians with a natural-born entertainer on the mic. Duran Duran forever.
June is a very busy birthday month! Today I get to wish The Bass God (that’s John Taylor, in case you lost track) a very happy birthday!!
I have only met John once, during an album signing for Astronaut. (I own the disjointed voice he may or may not have heard from somewhere in the crowd say, “It’s a beautiful album, John!) My partner-in-crime has been in vicinity to him a few more times than I Once even close enough for him to sign our In the Pleasure Groove books (mine has a lovely doodle of an American flag in it, too. :D). She even has a picture with him, which still thrills me! However, today is my day to blog, so there’s not really any exciting stories to tell. Maybe next year! 😉
So, we’ll celebrate with some special John Taylor videos instead.
Gotta go with the JT cameo to begin with, because his grin cracks me up.
In fair play, I must also choose a Power Station video…which led me to Get it On.
That got me thinking about John’s solo career, and one of my very favorites is Hey Day. I wonder why? 🙂
And while I was thinking about Hey Day, I remembered riding the train from Birmingham to Edinburgh so that I could go to the Glasgow show. A little known fact is that one of my very favorite songs to watch John play is Careless Memories. That bass line just doesn’t stop. He’s brilliant.
Naturally, as one does….while I was thinking about watching John, I remembered how much, er…enthusiasm….he brings to Danceophobia. Because really, if you’re gonna play that song, you’d better sell it, right? And John does. So this is from the Berkeley show I went to in the fall of 2015. I am not sure if this shows John (YouTube was misbehaving for me today so I couldn’t preview it first), but if you ever have the chance to see the band and they play Danceophobia….he dances with more enthusiasm in his pinky finger than I do in my entire body. 🙂
Lastly, I couldn’t help but give my John-girls what they really want.
He’s strapped to a car. You’re welcome.
The happiest of birthdays to you, Mr. Taylor…with many years of health, happiness and music to come, I hope. Cheers!!
Yesterday’s winner: Girls on Film
Which song would you rather see LEFT OFF the setlist: Careless Memories or Is There Something I Should Know?
Yesterday’s winner and the winner of the favorite song off of Paper Gods: Only in Dreams
Today, then, we take the favorite songs off of each studio album, which had been voted on previously, and ask which song do you like best?
Yesterday’s winner: Careless Memories
Which single do you like best for the fans’ favorite Duran Duran single?