Tag Archives: The Chauffeur

Question of the Day: Tuesday, December 3, 2019

Sunday’s winner: Careless Memories

Which song better represents the Paper Gods Tour: The Chauffeur or Come Undone?

Coming Soon
Which Song Better Represents the Paper Gods Tour?
The Chauffeur
Come Undone

You Didn’t Quite Change Our Mind About Barbarella

Wow. If these are the opening remarks of this series, Amanda and I need to do our homework! Great job, everyone. I thoroughly enjoyed reading and contemplating a reply. Originally I was going to just reply in a comment, and then I wrote a short novel and realized that wasn’t going to work.

I can’t say that my view has been completely changed, but I’ve certainly been given some food for thought. I’d like to keep my response to the same 250 word limit given to our esteemed interns. I was close…

Lyrical evidence

Sexism is about power. Those who hold the power oppressing, defining, and weakening those who do not. With that in mind, none of the songs offered up as being possibly more sexist tend to hold up, at least lyrically. In these cases: ASWI, HLTW, GOF and The Chauffeur, the words clearly put the woman in a position of power. The man is ultimately chasing them. Even in GOF, arguably the most lyrically sexist song lyrically of those mentioned, the woman is clearly a model. There is no clear indication that she is there by force. Read My Lips, on the other hand, is overtly sexual – no argument there – but sexist? I read the lyrics as perhaps someone (maybe even a celeb) in a bar trying to convince a woman to go away with him for a one night stand. Falling Down has nothing to do with sexism, lyrically. It could be about anyone. 

In Electric Barbarella, we can read that this female subject was found on a so-called “showroom floor”. At the onset, she has no power – whether robot, or arguably, even if human. She is powerless. He buys her. He takes her home, dresses her, “plugs her in” and trains her. 

Video evidence

In videos, women still have the power. ASWI – the men are puppets. HTLW – the male is desperately pursuing the female. GOF – in every vignette, it is a woman in charge. She is the horse rider, the masseuse, even the hero. Sex objects, yes. Sexism? No. In Falling Down, the video definitely poses women as the rehab/psych patients and the men are doctors, treating the patients. Is that as overtly sexist? I don’t think so. 

Loved doing this – it was a great exercise!

-R

A Durandipitous Sunday Night

It is rare when Jason submits an article to Daily Duranie without a title…and when he does, I take full advantage. “Durandipitous” is my newest word creation. It’s not a word, you say? It is now. -R

I wasn’t going to go. The amount of Duran Duran shows coming through Vegas since Paper Gods was released had worn me down. It’s an emotional experience to dig deep into my soul and light the fuse of nostalgia. And tickets are getting out of hand in Sin City. The last pair of dates left a sour taste in my mouth with two predictable and pretty much identical set lists. I could miss this weekend and hold out for a new album and tour while saving up to someday get a seat up front. 


A visit to Jeff and Jason’s pop-up shop on Friday got my juices flowing. Then, the Duranies met up that night at a Tiki bar and the cocktails started to flow. I met Larry, who first saw Duran Duran in Miami, FL on the Big Thing tour. Same as me! If nothing else, the Daily Duranie party on Sunday was a must for me. There is something special about the Duran community these days. We are survivors, and the band’s continued success is our sweet reward. 
Playing StubHub bingo, I hit refresh about 5,733 times throughout the meet-up to no avail. If I was going to clean out my PayPal fun money for a ticket, it wasn’t going to be a standing room, obstructed view night. Honestly, seeing the passion and swapping stories about Duran was all I needed. Instead, there I was, watching everyone go into the show, ready to head home. Then, a Paper Goddess walked up and granted me a miracle. I was in. Not only that, I was sitting next to the curators of the pop-up shop and two of the most inspiring fans I know: Jeff and Jason. This was Durandipity! 


Opening with “Hungry Like the Wolf” is a masterful stroke. As much as I love a moody, art-pop opener like “Paper Gods”, the energy of a major single sets fire to the room. The casual fans are instantly on their feet, which is essential to a good show. I’m not sure if “I Don’t Want Your Love” counts as a major hit, but nobody sat down after the opener, and the energy was building.  While “A View To A Kill” isn’t Simon’s strongest vocal, he sells it like an exuberant uncle playing James Bond at Halloween. 


If I came for one song, it was “Anyone Out There”, which had surfaced at some recent shows. The excitement of hearing that turned out to be just the start. I never expected to hear “Astronaut”, but the opening synth of “The Chauffeur” is when I officially lost my mind. It is the one classic that I never heard live, and I had not seen it on many set lists. The video cut out a few times so maybe the video engineer was even caught off guard. It didn’t matter, the pocket of Duranies that I saw the show with were singing at the top of their lungs and there were hugs and hi-fives all around. Next to “The Seventh Stranger” earlier this year, it is probably my favorite live Duran moment so far. 


The surprises continued with a rocking “(Reach Up For the) Sunrise” with the “New Moon On Monday” snippet, but the “Planet Earth” mash-up with David Bowie stole my heart. As a music critic, my fandom often finds itself in conflict with the more honest and rationale side of my brain. This Duran Duran show more than satisfied both sides of my being. The band sounded energized, playing with a little swagger instead of going through the motions and the set list was a gift to fans. What a night!


The recent NASA show obviously served as an impetus for this short run of shows, but the thematic arc of the set represented more than that for me. As cartoon spaceman flew around the screens above the band, I kept picturing MTV moon men; the award given at the Video Music Awards in the 1980s. Perhaps they still give them away but I can’t be bothered to go see what MTV is up to in 2019. Still regarded as a video band by many, the band have proven to be so much more and all the moon man imagery of this tour playfully pokes anyone who would disagree. 


It’s hard to choose a favorite set list from a band but Sunday night in Las Vegas is probably it for me. It delivered surprises and the band seemed to have an extra gear that, honestly, isn’t there every show. When a set list changes night to night, musicians cannot lapse into muscle memory and it leads to a better performance. I see enough shows to feel confident in that assessment. I count myself lucky to have been there singing “The Chauffeur” on Sunday night and even luckier to have found a tribe of so many amazing Duranies, especially one Paper Goddess who made it all possible. Thank you. 

Rio goes gold, 1983

Do you know what happened on this date in 1983?

Rio went Gold.

That means by this date in 1983, that little album with the recognizably Nagel cover had sold 500,000 copies. 500,000 people or so, snatched up that vinyl, or cassette. (did they have 8-track too??) I still have my original copy and remember buying it. Do you?

I’m a little surprised that my copy still works. I would have thought that with the number of times I played it – over and over again – that by now the grooves would have widened and been completely worn out. I loved that album from the very moment I heard the opening “backwards sounding” rush of notes all coming together to transport me away to a completely different world. Escapism at its best.

To this day, some of my favorite songs and videos are from that album. So for this Throwback Thursday, I’m going to spend some time gleefully skipping down a memory lane dipped in gold!

https://www.youtube.com/watch?v=e3W6yf6c-FA

https://www.youtube.com/watch?v=LjqA6He180g

https://www.youtube.com/watch?v=oOg5VxrRTi0

I couldn’t find a full-length clip of Last Chance on the Stairway (dammit, why hasn’t someone else done it for me?!) but I did find a couple of the electroset version they did….and this is the longest:

Happy listening and viewing!

-R

 

PS – Happy March!!!

 

 

Simon and Dom on Jack Diamond, 2008

Every now and then, something comes up in Duran Duran history that I haven’t heard or didn’t know about. Today is one of those days! On this date in 2008, Simon and Dom appeared on The Jack Diamond Morning Show on WRQX – Mix 107.3, in Washington DC.

A couple of things about this appearance jump out at me. The first being that Dom was on the show with Simon. He was there to play acoustic guitar, which is really pretty cool! The second is that there’s a bootleg album of this appearance out there in fan land…and I need to find it!

In addition to an interview, they perform “The Chauffeur”, “Ordinary World”, and “Falling Down”, which was the single off of Red Carpet Massacre, which they were promoting at the time. I looked on YouTube, hoping to find a snippet, but I came up empty.

If you happen to have the bootleg of this appearance – let me know!

-R