Tag Archives: Giorgio Moroder

October 2019 Katy Kafe with Simon

We all know this is Simon’s birthday month in the Kafe, and he came ready to visit – complete with a cocktail recommendation!

Cocktail of the month – Pisco Sour

Simon wasn’t sure if we’d been given this one yet (we have not) as a recommendation, but the recipe is easy!

Three parts Pisco,

Two parts sour (Simon likes his sour with lemon/lime)

One part simple syrup (to make this you put equal parts sugar and water into a pan, heat and dissolve the sugar)

One egg white

Blend (egg white will become frothy), add a dash of Angostura Bitters and serve in a coupe glass (this is an old-fashioned, wide mouthed champagne glass).

If you’d care for something non-alcoholic, Simon recommends sparkling water with lime!

Tall Ships Youth Trust

As I wrote yesterday, Simon took part in the Round UK event. Essentially each group stays on the ship for six days. When they come aboard, these kids are very shy and quiet. They don’t speak to one another at first, but like any good team building event – by the end, they’re working together to do everything from trimming sails to cleaning. It is a great charity, and Simon believes that everyone should have the opportunity to be at sea.

West Coast Shows

By now, the September shows feel like they were many months back. (although it’s only October!) Simon said that they were great, but that the Tahoe show was “red hot” for the band, and that they played a great set at KAABOO. Agreeing with Roger, Simon said that he really doesn’t want to go more than three months without doing a show (According to Katy, Roger had said six months). It is easier for the band to keep up that way. However, fans shouldn’t believe it is because WE prefer it that way. No, Simon was very clear that the main reasons for the ongoing, intermittent shows is that it is better for the band. Regardless of the minutia, we can all agree that more shows is a win-win for everyone.

Studio time

As I type, it is quite possible that Giorgio Moroder is in the studio with the band. While Simon said that yes, he has some ideas for music in mind – he planned to head in with an open mind, and was looking forward to finally working with the famed writer/producer. Wouldn’t you love to be a fly on the wall???

As for more scoops on the album though, Simon remained very quiet. It has hit the part of the process when Simon tends to sound put-off when the subject comes up. You can hear it in the tone of his voice, and he even pretends not to quite hear Katy when she asks him if he had any bets on when the album would come out. Eventually he says “In 2020 there will be ‘some-THING’”, rather flatly. He has songs he likes, but that he doesn’t know about a single…and that’s about all Katy got out of him today on that subject!

Halloween

Katy finishes out the Kafe on the topic of Halloween, asking Simon if it’s a big deal there in the UK. He says that it’s a big deal for some people all over the world. He has been known to dress up when his children were younger to scare the kids away (why do I have no trouble believing this?!?), and that they do carve Jack o’ Lanterns there, but that Nick is a huge fan of Halloween. (No! You don’t say??!)

Simon thanked everyone for the gifts and notes he’s received, saying that he appreciates the support for Duran Duran because there would be no band without it.

That’s all for this month’s Katy Kafe!

-R

Giorgio Moroder in the Studio!

I’m officially excited.

Granted, I was late in listening, but I took some time to check out Dean Delray’s podcast “Let There Be Talk” this morning.

While I would LOVE to make a general commentary about the podcast in general, I’m going to save that for a later, yet-to-be-determined date. Instead, let’s talk about the final two minutes of the podcast. More specifically, there was news that Giorgio Moroder is coming into the studio to work with Duran Duran for a portion of the next album.

I can’t even begin to explain how thrilled I was to hear this bullet point regarding the new album! Just hearing John speak his name in reference to being in the studio with him nearly blew my mind. I thought for sure this was going to be “just one of those things” that doesn’t end up happening.

So, who is Giorgio Moroder? Known as one of the founders of disco, Moroder is not only a producer, but a songwriter, performer and DJ. While he’s perhaps best known for his work in the disco and electronic dance music genre, it would be a mistake to pigeonhole his career in that way. He has worked with everyone from Donna Summer to Daft Punk, scored films such as Scarface, and written specific tracks like “Take My Breath Away” from Top Gun. His career is comprehensive. As I said earlier on Twitter, with all of the seriousness in the world, “Mark Ronson cut his teeth on Moroder’s albums.”

Let’s look at a few songs over the course of his career, just to get a taste!

Disco

First up is Donna Summer’s “I Feel Love”. If you can’t hear what is to later become new wave music in the first 30 seconds, you should stop the video, go back, and listen again. You’ll hear Nick Rhodes whispering to you.

Okay, maybe not really Nick Rhodes, but the influence is right there…makes my hair stand up on end, and I don’t mean like an astronaut, either.

The 80s

Next is “Call Me” by Blondie. Released in 1980, it was the main song from “American Gigolo”, co-written by Blondie and Giorgio Moroder.

Moroder’s influence touches even the great David Bowie, as evidenced by “Cat People (Putting Out Fire)”, 1981. This is just the audio track, but worth the listen for sure.

My daughter would have my head if I didn’t include “Flashdance”. Giorgio is credited as the music writer for the iconic song, lyrics and performance by Irene Cara.

Did you know he wrote “Danger Zone”? I didn’t!

My youngest (a huge Freddie Mercury/Queen fan) would be thrilled to know I’m using one of her favorites in today’s blog because it was co-written by Giorgio Moroder in 1984. While the song is probably on the other side of “different”…it’s also the reason I like it.

The 90s

Moroder has worked with everyone, including Elton John, producing “Don’t Go Breaking My Heart” on the 1993 Duets album. Still true to the original written by Elton John and Bernie Taupin, it’s amped up for 1993, courtesy of Moroder and Ru Paul, who sings with Elton. The video is cute, too.

And beyond

I know I’ve shown you a lot from earlier in his career, so how about a few more recent offerings? In 2013, he collaborated with Daft Punk, performing a spoken-word monologue “Giorgio by Moroder”, for their album Random Access Memories. I ADORE this piece. The music is perfect, and to hear Giorgio speak of his own history – it’s superb.

In 2015, Giorgio released his own album, Deja Vu, collaborating (such a buzzword of the 2000’s, don’t you think?) with a variety of artists such as Sia, Kylie Minogue, Britney Spears, Charli XCX and others. Here’s the title track with Sia. I chose this one because he’s in the video. Maybe you’ll recognize him.

That is quite a bit of video watching and listening for one day! Maybe not “just a few”, but well worth the time. As you’re listening, the signature “Moroder” sound is there throughout, but each song stands up on its own. Giorgio has evolved over the years without losing the qualities that make his music unique. Duran Duran has done the same, evolving, without reinventing the wheel. It’s exciting to know that these two juggernauts—Duran Duran and Giorgio Moroder—will finally share studio space. I can’t wait to hear the results!

-R

September 2019 Katy Kafe with Roger

There are days, and then there are days. Today is the latter. I’ve spent my morning neck deep in the throes of webhosting madness, and now I am rewarded with a new Katy Kafe!

Roger was still in LA for one more day before traveling home, and found time for a chat with Katy to fill us all in on the DD happenings over the summer.

Mini-Tour

They just finished the mini tour and KAABOO Festival in Del Mar (just north of San Diego). Roger said he loves touring the west, making note of our constant sunny days and the positive energy he felt from all of the audiences. He and Katy also made note of the audience in Tahoe, saying that they were surprised by the amount of people who came out to see the show, saying that it felt more like a festival. They moved Wild Boys to the encore that night and ended up doing four songs for what he thinks may have been the first time.

Roger commented that he was happy to get “Anyone Out There” back out, along with “Astronaut”, and mentioned how lucky they were to do the NASA gig, too. He ended by saying how it “gets to a point in life where you’re really happy to still be in the room”, referring to the hundreds of other bands out there who were just as talented, but for some reason didn’t go the distance.

Above Ground

While in LA, Roger found time to attend a charity show benefitting Above Ground, an organization committed to working with musicians with varying types of mental illness including depression. The show featured many artists, including Billy Idol, whom Roger met that night for the second time.

The first meeting took place many years ago after Billy and his band Generation X played at Barbarella’s in Birmingham. Roger told a story about how he’d gone to see them play (they were his favorite band at the time), and they were booed offstage! During that time in Birmingham, punk was still very much on the scene, and Generation X had begun to slide a bit more mainstream – which did not go over with the crowd. Roger met Billy and had him sign his Generation X album, which remains the only album Roger has ever gotten signed.

When Roger met Billy in Los Angeles, he shared the memory of the show at Barbarella’s, and Billy remembered. I loved the anecdote, simply because it is endearing to hear of my own biggest idol meeting his idol. The only difference is that I’m still shy enough to where if I ran into Roger, I’m not sure what I’d say!

Album update

I know everyone chomps at the bit to hear news of what may be on the horizon. I’m happy to say that Roger was pretty forthcoming! He didn’t even need much prodding, and said that they are pretty well advanced on the album, citing Erol Alkan’s influence as producer, “He has given us a good boot up the backside!” Katy asked if there would be other producers on the album, and Roger said they worked a little with Mark (Ronson), and that there has been talk of Giorgio Moroder…but the bulk of the album would be completed with Erol Alkan.

The greatest news is that they’re hoping to have the album out by SPRING…which is amazing. Roger said that they had really only gotten back into the swing of things this past year, which means they’ve worked at a pretty decent speed.

Katy spoke of how it has been five years in between Paper Gods and this one (assuming it is released in 2020). I took pause at that. Has it really been that long?? I suppose so. I know that Amanda and I have tried to talk about just about anything but the album they’re working on – figuring that it will happen when the band is ready. Meanwhile, I guess we’ve all been busy!

Paper Gods was released in 2015, but as Roger explained – they toured the album extensively for a couple of years. So while it will be five years in between albums, it doesn’t seem like it has been that long to me. I would also say that having the band break up that time with the occasional run of shows has also helped!

The touring question

That brought the discussion around to why they haven’t toured in many of the places fans wanted. **Please note the disclaimer here. Do not shoot the messenger. **

If the band was able to tour so much with Paper Gods, why is it they focused on so few regions of the world?

Roger was very clear, explaining that “in America in particular, people do not forget [them] and show the love.” They are able to fill arenas, no matter how long the span of time has been from show to show. Katy continued, saying that she feels bad because she receives emails from fans wondering why the band doesn’t go other places. She says they don’t understand that while “they, and their friends…and even their friends friends will go see them, that just isn’t enough to fill an arena.”

In order to make touring in many places of the world economically viable, they don’t just need to fill an arena once, either. They need to be able to fill more than one, multiple times. Otherwise, the cost to ship and rent equipment along with transportation, housing, food, etc etc means that essentially, the band would be paying to tour, which wouldn’t work for long.

Vegas Residency Revisited

Katy asked Roger if they’d do a Vegas Residency. In my head, they’ve just done one – having played the Chelsea at the Cosmopolitan six times over the past 18 months or so. That seems like enough, doesn’t it? Roger paused, and said that it would have to be something very cool, mentioning the show, Love, the Michael Jackson show, Cirque du Soleil and even Elton John. He mused over how it would be to stay in Vegas for any length of time, suggesting that it is not the same as LA or New York, and he doesn’t know if he’d like that. Katy suggested living in LA and then commuting to Vegas for weekends. While I don’t think a residency is really on their radar, it didn’t sound to me as though Roger was ready to write off the possibility, either. We’ll see!

New dates??

Katy suggested that maybe there might be new dates prior to the release of the album, saying that maybe the East Coast would get some love this time – although they did do the NASA show in Florida. So, my East Coast people – don’t be surprised if the band suddenly pops dates and pre-sales on you before the holidays!! That’s your warning….

Until next time…

-R