Yesterday’s winner: Hold Back the Rain
Which song better represents the All You Need Is Now Tour: Hungry Like the Wolf or Is There Something I Should Know?
Yesterday’s winner: Hold Back the Rain
Which song better represents the All You Need Is Now Tour: Hungry Like the Wolf or Is There Something I Should Know?
By Dee Cooke
Andy Taylor’s first solo gig in 30 years. Talk about a highly anticipated evening! The show, at London’s 100 Club on 27 November, was sold out. Did it live up to this anticipation?
Spoiler: yes, it did.
Andy and his band certainly kept us waiting. They didn’t arrive on stage until more than two hours after the doors to the venue had opened. Once the show got going, it was worth the wait. The well-balanced and wide-ranging setlist featured a mixture of old solo material from 1987’s Thunder album, tracks from his upcoming solo album, along with few Power Station tunes, topped by a smattering of semi-covers of songs by artists Andy has been involved with (Reef, Robert Palmer, etc.)…
…and not forgetting some very surprising and welcome Duran Duran songs! Mid-set, the audience were taken aback in the absolute best of ways when Andy and co launched into a triumphant medley of ‘Hungry Like The Wolf’ and ‘Wild Boys’. That was a very special moment, as it wasn’t expected at all.
The 100 Club, which I hadn’t been to previously, is a very well-designed small venue, and even if you’re at the back it still feels like the front as everyone in the audience is so close to the stage. This gave the show a real intimacy – it was just like watching a local band in the back room of a pub, except that it was Andy freaking Taylor and we were all getting to see him perform right up close!
Reef’s Gary Stringer, who features on some of the songs on the new album and so was onstage for vocal duties, is of course fantastic, but it was really lovely also to see Andy singing lead on so many of the songs. I’m a huge fan of the Thunder album and so it was those tracks that moved me the most – my absolute highlight was ‘Tremblin’’, a beautifully slowed-down version of the song that was just Andy on stage by himself. There was some discussion after the show once the band’s copies of the setlist had been procured, as the planned setlist seemed to indicate that Andy had originally also intended to incorporate ‘Save A Prayer’ into this track. However, for me, the performance of ‘Tremblin’’ absolutely stood by itself, and I don’t think it would have necessarily been improved by the incorporation of the Duran track – it was beautiful as it was.
To my surprise, the band didn’t play an awful lot of tracks off the new album – I had been expecting that the new material would comprise a good 50% or more of the set, but as it happened, there were only one or two new songs in addition to the already-released ‘Love Or Liberation’. What we did hear, however, was more varied than I expected – it seems there’s some mellower stuff on the album to complement the banging hard rock!
It was a fantastic show overall – engaging from start to finish. I, like many others, had travelled to London especially for the gig, and it was so worth the journey! I just hope we don’t have to wait another 30 years for Andy to perform his solo stuff again…
Wow. If these are the opening remarks of this series, Amanda and I need to do our homework! Great job, everyone. I thoroughly enjoyed reading and contemplating a reply. Originally I was going to just reply in a comment, and then I wrote a short novel and realized that wasn’t going to work.
I can’t say that my view has been completely changed, but I’ve certainly been given some food for thought. I’d like to keep my response to the same 250 word limit given to our esteemed interns. I was close…
Sexism is about power. Those who hold the power oppressing, defining, and weakening those who do not. With that in mind, none of the songs offered up as being possibly more sexist tend to hold up, at least lyrically. In these cases: ASWI, HLTW, GOF and The Chauffeur, the words clearly put the woman in a position of power. The man is ultimately chasing them. Even in GOF, arguably the most lyrically sexist song lyrically of those mentioned, the woman is clearly a model. There is no clear indication that she is there by force. Read My Lips, on the other hand, is overtly sexual – no argument there – but sexist? I read the lyrics as perhaps someone (maybe even a celeb) in a bar trying to convince a woman to go away with him for a one night stand. Falling Down has nothing to do with sexism, lyrically. It could be about anyone.
In Electric Barbarella, we can read that this female subject was found on a so-called “showroom floor”. At the onset, she has no power – whether robot, or arguably, even if human. She is powerless. He buys her. He takes her home, dresses her, “plugs her in” and trains her.
In videos, women still have the power. ASWI – the men are puppets. HTLW – the male is desperately pursuing the female. GOF – in every vignette, it is a woman in charge. She is the horse rider, the masseuse, even the hero. Sex objects, yes. Sexism? No. In Falling Down, the video definitely poses women as the rehab/psych patients and the men are doctors, treating the patients. Is that as overtly sexist? I don’t think so.
Loved doing this – it was a great exercise!
According to Wikipedia, the song Hungry Like the Wolf was released in the UK on this day. This, of course, makes me both smile and cringe as the same time. Am I the only one who responds in that way? I’m sure that there are a lot of Duranies who love, love, love that song and others who might express outright annoyance or dislike. Why is there so many mixed emotions, though, within the fandom, at least from what I have seen?
Let’s start with the positives and why this song might make Duranies smile. It goes without saying that this song played a significant role in breaking the band in the U.S. We all know the story. It was all about the video, really, that did it. Before the video was released, Duran was getting minimal attention and radio play. Then, the video began to play on MTV, which I suspect the network was excited about. After all, it was an interesting video to watch with a adventurous storyline, exotic location and attractive people. I’m sure it would got more viewers than a basic boring in the studio performance. After the video got more play, then the band started to sell more albums and to get more radio play. So, I think we can all appreciate that this song/video helped make the band more popular in the States.
Speaking of the video, I’m willing to bet that it is a video that many fans fell for the band with. I’m not in the same boat on that but I will admit that the video is one that is hard not to love. I fell for the storyline and the Indiana Jones vibe with it, not to mention how good all the guys look in it.
So, if the song and video helped the band reach tremendous success and made people fans, why do so many cringe now when they hear it? If I had to summarize what I think the reason is in one sentence, I would mention how it is too often the ONLY song/video that people think when they did Duran. Let me give a couple of examples to prove my point. Recently, my school had a staff development day. The administration decided to welcome us to the day by playing songs to represent the staff. My song? Of course, it was Hungry Like the Wolf. People know I’m a Duran fan and the only song they could think of was that. Then, I think about the various Howl at the Moons I have been in. For those of you who don’t know what I’m talking about, Howl at the Moon is a chain of dueling piano bars where the audience makes requests and the musicians play them. Whenever I have asked for Duran, the song that has always been chosen is HLTW.
Then, there is the fact that Hungry Like the Wolf is the song Duran Duran has played most in concert, according to Setlist.fm. Why is that a problem? I think it frustrates some fans that the song is almost always played. Setlists are not limitless. The band cannot play as many songs as they want. They have to limit the number for obvious reasons. If the band didn’t always include HLTW, they could add a different song in its place. Fans could hear something different. Now, the reason that is often played include what I mentioned above. Fans get it but they aren’t always thrilled about it. All that said, in fairness, the band has tried to change it up a bit throughout the years as seen by the following videos:
There have been times that I really got annoyed when the song appeared in the setlist and allowed it to sap some of my enthusiasm. Now, I just try to remind myself that the song is played because it is well-known by fans and non-fans alike. It is a song that is significant to the band’s history and success. I cannot ignore that. Would I like something different in the setlist? Sure but it is not going to happen so I would be smart just to accept that and try to appreciate it. Of course, it really helps now that there is a lot of DoJo during the song. For some reason, that really helps make it better…
What about the rest of you? How are you feeling bout Hungry Like the Wolf these days?
The inexplicable decision to record Thank You in the wake of a commercial resurgence continues to perplex me whenever I revisit it. Duran Duran have a few solid covers to their name but few of them made it onto Thank You. If they had either released a covers album on par with David Bowie’s Pin Ups (a tall order for any artist) or put out a new studio album with a few hit singles to maintain their momentum, the 1990s might have gone much differently for the band. What should have Thank You sounded like? That is a question I plan to address in part two of this essay. For now, I am more excited about the idea of younger bands wearing their Duranie influence on their sleeves.
The recent cover of “Hungry Like the Wolf” by Muse is far more significant than has been noted. The 2014 tribute album Making Patterns Rhyme was a beautiful collection of ethereal covers but apart from Warpaint (and veteran Moby), the artist list was more underground and obscure. Muse are playing sold-out arenas right now. They are one of the few rock-n-roll bands who can do that in today’s industry. And they covered “Hungry Like the Wolf” without a hint of hipster irony. If you haven’t heard this slice of sonic gold, check it out here:
Muse joins The Deftones, and Eagles of Death Metal, as contemporary bands willing to fly the Duran Duran flag with sharp covers. The influence of the band can be traced through almost every sub-genre of popular music today and popular culture’s retro fetish has again made Duran Duran fashionable. It gets me excited for what happens tomorrow. Here is my list of twelve dream covers of Duran Duran songs.
The current live version of the song by Duran is what I’m imagining with a Peaches cover. Her ability to deconstruct gender roles makes this a lyrical feast for her to dine on. Check out how she balances guitars and electronics on “Boys Wanna Be Her” and you hear some of Duran’s DNA percolating beneath its surface.
OK, we have to get MCR to reunite for this to work but I can see that happening in the not too distant future. Regardless, Gerard Way’s solid solo album would have been a good home for this cover as well. Slathering the lyrics in some teenage angst would give it a stronger narrative punch. I can see the band playing a goth prom with young kids “turning on the animal” and knocking over the lockers as they run out into the night.
This seems so obvious it may have already happened and I missed it. The vocal line suits Brandon Flowers perfectly and the rhythm track would be a rollicking fun ride with Ronnie Vanucci Jr. pounding the skins. The influence of Duran Duran is all over Hot Fuss and it’s not like The Killers are making interesting music at this point (Wonderful Wonderful? Umm, no and no.).
She would own this! Strip it back to an acoustic ballad with a little steel guitar playing behind her. As a country artist, she has confounded expectations at every turn and a Duran Duran cover would be another unexpected move. She could probably sing any Duran song and make it work but these lyrics seem to best suit her style.
When Let’s Eat Grandma take the stage at Coachella in April, they will convert even more listeners to their unique alchemy of glitchy synths and soaring pop. Covering this song demands a complete re-invention because it is hard to top the original. Rosa Walton and Jenny Hollingworth were born long after the song was a hit so they could shatter it and re-arrange the shards into a beautiful new prism.
Julia Cumming’s voice and bass tone are in this song’s sweet spot. Sunflower Bean can shift from Blondie disco-punk to Fleetwood Mac balladry in seconds so they could take this in a few interesting directions. One of Duran Duran’s most beautiful songs, it really deserves to be revived and shared with new listeners.
I don’t know why but I can see this video already with Matty Healy looking mysterious on crowded London streets. The nonsensical lyrics (A lizard mixture? Help us out, Simon.) are no problem for Healy. He could sing anything and teenagers would go crazy. The 1975 already borrow a lot of their aesthetic from the 1980s so this wouldn’t be a creative leap for them to tackle.
Nobody makes dance music like Robyn and this song would be the perfect companion to her classic “Dancing With Myself”. Sprinkle a little Swedish electro-pop fairy dust on the song to give it a stronger kick drum that shakes the walls and you have a hit song. Hearing Robyn whisper “princess of my dreams” would leave us begging for more.
Last year’s Joy As An Act of Resistance won IDLES critical acclaim and a legion of positive-minded punk fans who are ready to kick toxic masculinity in the face. Never an easy vocal for Simon LeBon, IDLES could reimagine it as a working-class anthem for young men trying to do right by this world.
OK, Garbage probably don’t need to cover Duran Duran but their recent version of Bowie’s “Starman” was a sheer delight. The only band on this list to have also done a Bond cover, Shirley Manson would bring this song to life. Manson would sell the narrative, too. She knows exactly what this song is trying to say and she could deliver it with more force than Duran Duran.
Annie Clark’s immense guitar skills and anti-establishment attitude would suit this better than Duran Duran. No soda company will ever sponsor a St. Vincent tour. She would turn it inside out with a less linear version, I believe. Her and Dua Lipa covering this at this year’s Grammy Awards would have been a joy to see.
Pale Waves straddle the border between dark pop and dreamy gothic atmosphere which makes “New Religion” the perfect tune for them. They would slow it down to a glacial pace, perhaps, and take it from Birmingham to Manchester where the heavy clouds of Joy Division could strip it of any color. Pale Waves are finding success injecting irresistible pop songs with darker, more artistic tones. Sound familiar?
Jason Lent (Velvet Rebel Music) discovered Duran Duran on MTV in 1983 and a lifelong musical love affair was born. In 2010, he left a job in Hawaii to tour with Cowboy Junkies as a music writer and his work has appeared in various online music outlets. He currently resides in Las Vegas managing a music venue while trying to learn John Taylor’s bass line from Rio.
Has anyone noticed that DDHQ has been promoting a cover of Hungry Like the Wolf performed by Muse lately? I did – and filed the information in my head for later.
Today was that day, my friends. I had to mentally prepare myself. I would not only be listening to Hungry Like the Wolf, but sitting through an actual cover of it. Doesn’t everyone do that???
In full disclosure, I’ve liked Muse for a long time. They’ve been on my radar since the soundtrack for the first Twilight was released with “Supermassive Black Hole”. (Yes, I did actually read the books and go to the movies with my oldest. I’m a mom. It’s what we do.) I was a little surprised they decided to do a cover of a Duran Duran song, much less HLTW. It seems to be one that many bands choose for their cover. I was curious to see what Muse would do with it.
Covers usually take one of two basic routes: either they are rearranged to the point where they are almost unrecognizable, or they hold true to the spirit of the original. Maybe they have a little flair here and there, but the spirit of the song holds on faithfully. I really wasn’t sure which way Muse would go. I figured it would be a little different, yet recognizable.
Clearly, DDHQ has been promoting the song to some extent – so I wanted to hear what it had to offer! I sat down with my coffee this morning, and clicked play, hoping I wouldn’t be completely disappointed or put off. (one never knows!)
Here is the link if you want to see and hear it for yourself! Muse is Hungry Like the Wolf.
The first thing I can tell you is that Muse held true to Duran Duran. I don’t even know if they changed a single drum beat, which surprised me. Obviously, I could tell it was Muse playing the song, but I don’t think they took much in the way of poetic license with the arrangement or even the rhythm. It sounded like Muse playing Duran Duran, and while that was comforting, it was also strange.
I think that bands are in a no-win situation with covers much of the time. If they take too much liberty – fans will hate it because the original is what they fell in love with, or what they know. If they don’t take enough, then they’ve got yahoos like me saying “Hey, how come you didn’t get more creative with it?”
In my own defense, I like to see a band choose a song that inspires them, and pushes them to do more with it. Take the song to a different level, or a different place. Explore the sound, create a new environment – that sort of thing. That doesn’t necessarily mean that I want to hear HLTW sound like a ballad, but I want to hear them create something fresh.
In my opinion, the song was good. They didn’t perform it to make fun of it or to change it from pop to classical jazz. They wanted to perform in tribute to a band that they apparently respect and admire, and they were absolutely successful in doing so. I think Muse could have done more with it on a creative level, to be sure, but they chose not to – and I have to respect that because the song was performed incredibly well. Obviously they felt it is amazing as is, and you know, that speaks to Duran Duran’s own songwriting genius. I can’t argue with that!
I did rather enjoy the end of it, as Matt Bellamy began to launch into a very familiar guitar riff/solo that Dom likes to do during the live shows…and I thought it was an interesting spin to have that part end the song rather than act as the bridge. So in that aspect, they did assert some creativity with the arrangement.
Overall, I enjoyed it, and I still say that “Hungry Like the Wolf” is indeed the song that will outlive all of us.
…and it’s November already. Part of me is happy to be nearly finished with 2018, and another part of me is standing here saying, “Wait, what just happened to the entire YEAR?”
I’m feeling optimistic about 2019, but we’ve got to finish out 2018 first, I suppose. I’ve got just the thing to begin the month on the right note, too!
Who doesn’t love Duran Duran?!? Take that band, and combine them with one of my favorite set of cartoon characters – and you’ve got the Peanuts gang singing “Hungry Like the Wolf”.
Yeah, it’s that song again. That Pavlovian bell of iconic laughter at the beginning, along with the rest of the tune, will outlive all of us. This song will end up being totally synonymous with the 1980s – not that it isn’t already (but I think this will be the big one!). My great-grandchildren will hear it and immediately be reminded of a crazy old lady in their family who actually blogged every day about this band. Insanity!!
The video is super cute though, and so much more clever than just writing every single day. I love seeing Pig Pen on the drums, synced with the song, followed by the gang singing my favorite part, “doo do doo do, do doo do, do doo do, do doo do, doo do.” Impressive!
Here we are, on the cusp of the holiday season. I saw a meme last night that said something about how at the strike of twelve, jack-o-lanterns would disappear and holiday music would begin playing. Last night I was watching TV in between trick-or-treaters, and I saw holiday commercials on TV already. My glass very nearly left my hand and hurled itself towards the television. I’m definitely not ready, are you??
I’ll tell you what I am ready for though! I’m ready to start planning for a mini-Duranie convention in Vegas! We’ve got one more week until the US election day. After she gets some much needed rest, Amanda and I will begin working to put something solid together. What you need to know, if you’re at all interested in a party – is that our festivities are going to begin on Thursday night! So plan on getting to Vegas a night early!
Speaking of Election Day, let’s set the tone properly, shall we?
US people, do your part and VOTE on Tuesday !!!
Yes, you too can smell like they sound, Duranies.
I have always wanted to use that line on someone! Who knew that if I just waited long enough….my perfect opportunity would arrive!
Honestly, I’m not sure that’s even a compliment or what it would smell like, but today Duran Duran, in conjunction with D.S. and Durga, have released four Duran-inspired fragrances, available exclusively at Liberty London.
The most curious part of the equation here is that the band approached the fragrance house. (which is located not in England…but in Brooklyn. Brooklyn, New York.) Who would have guessed that the band would ever be into the idea of putting their name on a fragrance bottle?!?
According to the press release, available to read on DD’s website here, Simon worked with David Moltz (the perfumer) to create each scent – there are four – each named after a song in a different eras/decades of the band’s career. Yes, there really IS a 40th-anniversary connection here, subtle as it may be.
Simon says the scents are “brave, original, cut to the heart and ring like glass”. Is he right? Inquiring minds want to know!
Here are the notes from each fragrance, taken from duranduran.com:
(notes from perfumer David Moltz)
“I insisted on this song from the 80’s (although there were so many that would have worked!) The fragrance is animalic and captures some of the scenes in the video – the market, the jungle at night. It is furry, wolfy and badass!”
Notes include leather, atlas cedar, cade, sandalwood and patchouli.
“A sexy song and a sexy scent! It smells of body secretions – musks, hot breath and possibly illegal substances…….!”
Notes include oil of saffron, coca leaf, geraniol and tonka.
“Using Calone (a molecule created in the 1990’s) to help convey a drenched love affair.”
Notes include seaweed, blue water, ylang ylang, vetiver and bergamot citrus.
“A cold and smokey Arctic wood fragrance. It uses Nootka tree and wintergreen extract to achieve a bitter woody note that conjures the feeling of being frozen out by a loved one in a fight – like in the song.”
Notes include smoke, cistus, ice and incense.
Before anybody grabs their plastic and heads out the door – the prices aren’t for the faint of heart. Wanna smell like a VIP? It’s gonna cost ya. The fragrances (like everything else DD seems to release these days, are a “limited edition” at 500 pieces), are priced at £68 each for a 10 mL oil-based rollerball bottle. Let me do the math for you, that equates to $89.30 USD. As my dear accountant friend and fellow Duran fan Jeff said today on Twitter, ” I can tell you that amounts to a cost of £28,800 per gallon, or $37,713 per gallon.”
Who wants to go in on a gallon or two with me??
I am wondering though, about those folks who have called Duran out on the proverbial carpet for “selling out” in the past. Is this just more of the same, or something different?
Did you know that on this date in 1982, Duran Duran made their first appearance on American television?!?
It’s true. They appeared on a popular Philadelphia show called “Dancin’ On Air”, where they lip synched “Rio” along with the song that will outlive us all…”Hungry Like the Wolf”!
I wasn’t even twelve when this happened, but then again, I simply refuse to believe that we’re really starting to celebrate their 40th anniversary. That can’t be possible!
I know the band claims to not be fond of looking back. If I’m going to be honest – I don’t necessarily enjoy counting the amount of years we’re looking back either. I know I’m not alone when I say that I can barely remember a time when Duran Duran wasn’t in my life. I can’t even say that about my own husband! It’s bizarre and strangely comforting all at once.
All of that is even more heartwarming when I consider that tomorrow night, I expect that nearly every Duran-fan in the UK will be sitting in front of their televisions as the band takes over BBC4 for the evening. I’m envious, and only a little annoyed that the entire world can’t participate. Licensing fees, country boundaries…too much red-tape for this girl. I hope everyone who is able to see the programs enjoys them.
On a similar note, I’ve noticed that in the lead-up for tomorrow night, the hashtag #DD40 has begun to be seen and used by folks other than the Duranies who started it. This is exciting! While I know the band is somewhat reluctant about the whole thing—those of us who will use any excuse to turn something into a massive extended party are thrilled to see it. May the festivities continue!
I also wanted to once again mention that due to family circumstances beyond my immediate control, I can’t commit to Durandemonium in August. A few people have asked and I wanted to make sure everyone understands. It is a huge undertaking to coordinate a successful convention, and I’m finding that it is equally stressful and time-consuming to prepare for a move. I just can’t manage both, and it turns out that my husband really is expecting us to move north with him. Imagine that! The good news is that after a week of house hunting, we have a good idea of where we want to move. We’re going to be trading the OC beaches, traffic, and small backyards for acreage, cleaner air and trees! If all turns out as we hope, I won’t be more than ten minutes down the road from the California Mid State Fair in Paso Robles, where Duran performed a couple of years ago. Amanda remembers it for cows alongside the amphitheater. I remember because it was where Simon came to the front of the stage pretending to have a big mouthful of water to spit on us, and then didn’t (the first time anyway). I don’t think I’ve ever laughed harder at a show.
Anyway, once this crazy move is done, then I can go back to planning a big Duranie party to celebrate the 40th. That seems reasonable, doesn’t it?
In the meantime, enjoy your night of television tomorrow, UK Duranies!
Truthfully, it isn’t every day that we run into a brand new fan, particularly those that discovered the band in 2018, just a few weeks ago! Today, we are thrilled to share a story that will sound very familiar to most Duranies – once again proving that there is absolutely ZERO age limits on being a fan! Enjoy – R
by Kathy Diaz
Duranies all have stories about how they discovered the band. Most fans likely found the band back in their teenage years during the early 80’s, when the band began their career and during their golden days of glory. My story is quite different, especially because I didn’t grow up in the 1980’s. I was born in 1986, just months before Duran Duran released their fourth studio album, Notorious. By the time I was born, they already had a steady career, but I didn’t learn about them until much later. I missed their comeback in the charts with “The Wedding Album” in 1993, and even their reunion of their original lineup in 2003. I didn’t even take notice of them when they first released their latest album “Paper Gods” in 2015. No, it wasn’t until 2018—yes, just this very year—that I found this band and became a fan.
I always have been a fan of 80’s music, as I grew up listening to Michael Jackson and Madonna. I knew about the existence of a band called Duran Duran, but I never really paid much attention to them before. Up until this year, the only song I could recognize by Duran Duran was “Ordinary World”. I probably listened it on the radio when I was a child, but I didn’t know who sang it, or even the name of the song.
It all started a couple of weeks ago, when I was searching for new music for my Spotify playlists. I stumbled upon a YouTube channel that makes lists of songs by the year. I was watched the playlist for “Top Songs of 1982” that I came across “Hungry Like the Wolf”. I was immediately impressed. The song, video, and lead singer—whose name I later learned to be Simon Le Bon—all stuck with me. A normal person would have looked for the song, downloaded it and that was the end of it. Not me. I had to look up the video of “Hungry Like the Wolf” again. After I finished watching it, I knew I was completely hooked. It was like love at first sight.
I spent the rest of the night watching some of their other music videos and I was in awe with “Save a Prayer”, “Rio”, “Is There Something I Should Know”, and “Wild Boys”. I kept asking myself: “How I didn’t discover this band before?” “Where was I living, under a rock?!?” Apparently! After this discovery, I knew I would never be the same again.
During the following days, I indulged myself in a Duran Duran marathon from morning-to-night. I figured that since I was on vacation from work, I had the time to do it. I spent those days listening to their songs, watching their music videos, and looking for any information I could. I quickly learned the history of the band, the names and backgrounds of each member, and anything else I could find on the internet. Their songs give me a warm feeling. I could be feeling down, or stressed, but when I am listening to their songs, I feel happy, calm and joyful. It is rare for a band to have this effect on me.
I felt alone in this new obsession because I didn’t know anyone who were also a fan of this band, so I decided to search in Facebook for Duran Duran groups. I found two amazing groups full of Duranies who gave me a warm welcome to their inner circle, even though I was kind of an outsider since I had just become a fan only weeks ago and they all had been fans for almost four decades.
Then, some moments of frustration came. I found out they played in my country, Puerto Rico just 2 years ago. Before that, they played here other 3 times. I was so distracted by other things that I didn’t discover them in time to go to any of those shows. Sometimes I wish I could go back in time and slap myself in the face for not paying attention before. I am thankful that they are still together and making music, but it also makes me a bit sad that I had to discover them in a dry period when there is no news on new albums or tour. I don’t know why I had to discover them now, was it fate or just coincidence?
All I know, is that this band is giving me joy and happiness with their music. That is something I thought only could happen when you were a teenager. I believed my years of “fangirling” for a band were over long ago. I didn’t ask for this, but Duran Duran just came into my life, changed it and I didn’t expect it at all.
I still have a lot to catch up on, but I feel happy to be part of this fandom. I so look forward to what Duran Duran has in store for the future. Hopefully one day, not too far in the future, I will finally see them live for the first time. Until then, I will enjoy this new interest as much as I can, however possible.
Kathy Diaz is a newbie Duranie. She lives in Puerto Rico where she works as an Elementary School Teacher. She is also fan of Harry Potter, Doctor Who, and basically everything and anything that is British. You can follow her on Twitter: @KathyDi86