Tag Archives: I Don’t Want Your Love

Question of the Day: Sunday, March 26, 2017

Yesterday’s winner:  I Don’t Want Your Love

Which song do you like better:  I Take the Dice or I Wanna Take You Higher?

Question of the Day: Saturday, March 25, 2017

Yesterday’s winner:  Friends of Mine

Which song do you like better:  Hold Me or I Don’t Want Your Love?

I Want Your Attention: Duran Songs for Friend

Last weekend, I spent about 30 hours in a  car with three of my colleagues and friends as we traveled to and from Washington D.C. for the Women’s March.  During the drive, two of us provided the music, the soundtrack for the trip.  While I had compiled playlists of social justice songs and songs about women and women’s power, I also played some of my favorite songs.  During a long stretch of horrible fog, my friend turned to me and said, “I like many of the Duran Duran songs I have heard but I just don’t know them that well.”  She went on to say that she likes Hungry Like the Wolf and Come Undone.  Ignoring those specific songs, my brain started reeling.  Which songs should I play for her, I wondered.

Before I started picking out Duran tunes, I looked to her music collection.  She had lots of Madonna, for example, especially 80s Madonna.  The Cure took up space in her collection.  Besides that, she had a lot of 90s music on there from the Verve Pipe to Oasis, which makes sense since she is about 10 years younger than me.  I took these songs to mean that she likes pop but the fact that she had a lot of the Cure makes me think that she would be open to some darker, more obscure Duran.  Here is what I came up with to play for her divided into pop and dark.

Pop:

Since she clearly knows some classics, I thought I would skip more of the obvious ones like Rio.

Hold Back the Rain:

New Moon on Monday:

I Don’t Want Your Love:

Sunrise:

All You Need Is Now:

What do you think of those choices?  I wanted feel good songs but also wanted to showcase the fact that all Duran, even those feel good songs, have substance behind them.

Darker Duran:

Before the Rain:

Out of my Mind:

Friends of Mine:

Secret Oktober:

The Chauffeur:

What did I miss?  What else should I include?

-A

My Big Thing Story

Yesterday I blogged about Duran’s Big Thing album as it has recently had an anniversary.  I wanted to take note of when it was made, what singles and videos it had and more.  Today, though, I want to take it personal.  What was my relationship with this album and where is it today?

Before I dive into Big Thing, I wanted to provide a little context, a little backstory.  I had moved with my family in late 1985 from the Chicago suburbs to a small town in Illinois.  A lot of aspects of my life felt wrong then, including my Duran Duran fandom.  I missed my best friend and a fellow Duran fan.  In my new town, no one knew who Duran Duran was and they certainly didn’t care.  I tried desperately to hang onto my fandom but it was tough.  Heck, I even attempted to persuade new acquaintances that they should love Duran like I did.  Thus, I loyally purchased Notorious as soon as it came out, but a lot changed in the two years that followed.

In between the Notorious and Big Thing releases, MTV arrived in my new home town.  My new friends and I were glued to the channel.  We couldn’t get enough, despite our growing annoyance with Whitney Houston’s I Wanna Dance with Somebody that played on continuous loop.  One day, I happened to catch a world premiere video.  Of course, the big event was the brand new video for I Don’t Want Your Love.  My reaction?  It felt instantly like Duran.  While the video wasn’t as cool or as exciting as some of their previous ones in exotic locations with story lines, I still liked it.  I even recorded the premiere on my VCR.  Yet, it didn’t catch my attention for long.

By 1988, I was on an island surrounded by people who were not into Duran Duran in any way, shape or form.  My classmates played a lot of hair metal bands.  While I never got into that, my love for Duran had waned.  I couldn’t share it with anyone.  My video watching became a lonely, solitary activity, which was no fun.  I soon realized that it almost made me sad to watch this new Duran video as it reminded me of better, more fun times.  I hoped that MTV would feature Duran like they once did, in order to convince my peers that Duran was the band to love.  Unfortunately, while the video was played a lot, it wasn’t enough.  My new friends weren’t open to the band.

My fandom began to sink as I didn’t even buy the album for a long time.  By the time All She Wants Is was released, the band was out of sight, out of mind, for the most part.  When I heard about the band touring, I didn’t even look at the dates or try to go.  After all, we now lived about an hour and a half from the closest concert venue and I knew that I would have no one to go with.  Emotionally, it became easier to dismiss the tour as something I wasn’t interested in rather than really think about how cool it would be.

Of course, at some point, I did buy the album.  In fact, I bought it used as one of those used cd/book/dvd stores.  Now, of course, I know each and every song, but I wouldn’t say that I ever really bonded with it, not like I have with other albums.  This has nothing to do with the music.  It has more to do with the context of when the album came out and where I was in my life at the time.

That said, there are clearly some quality music on it.  For example, The Edge of America is one of my favorite Duran tracks of all time.  The song captures a lot of what I see and feel from some of my students, a helplessness and anger directed at a country who has done harm too often in its history.  Speaking of history, I’m not sure that this album was a highlight in Duran’s catalog, not because of the music, but because like in my own life, this time period represented more of  Duran’s slide away from being the biggest band in the world (commercially and fame wise).  The tour, for example, was a massive one but had some moments that many fans look at now and question like the decision to feature dancing during All She Wants Is.

In many ways, Big Thing represents a period of real change and adjustment, I think, for both the band’s career and for me personally.  It may not represent the biggest commercial or critical success for the band, but it represents many qualities that I love about Duran.  They were not afraid to try a new direction or be influenced by the musical world at the time.  Their persistence remained despite all who wanted to shut the door on them.  The album was necessary for them to make the albums of the future.  Similarly, I continued to battle and had to push through to find a new me in my new town.

Perhaps, by placing Big Thing in Duran’s history as well as mine own, my appreciation for it will only grow.

-A

Big Thing Facts and Stats

Duran Duran tend to release their albums in the fall.  It isn’t always the case but happens a lot of the time.  The month of October, in fact, has seen three album releases over Duran’s career.  The first album they released in October was Big Thing in 1988, followed up by Medazzaland in 1997 and Astronaut in 2004.  In celebration of these birthdays/anniversaries, I thought it might be fun to take a look at each of them starting with Big Thing.

Big Thing Facts:
Released on October 18, 1988
Produced by Jonathan Elias, Daniel AbrahamDuran Duran
Had 12 tracks included

5 different songs were released as singles:

  1. I Don’t Want Your Love (everywhere)
  2. All She Wants Is (everywhere)
  3. Do You Believe in Shame (everywhere)
  4. Big Thing (UK and Mexico)
  5. Too Late Marlene (Brazil)

Peak chart position:

  • I Don’t Want Your Love–#14 in the UK and #4 in the US
  • All She Wants Is–#9 in the UK and #22 in the US
  • Do You Believe in Shame–#30 in the UK and #72 in the US

Personnel:
The band at that time was made up of John, Nick and Simon.
Warren played guitar on tracks 1, 4, 6, 9, 11 and 12 (half of the album)
Chester Kamen played guitar on tracks 2 and 3
Steve Ferrone played drums on tracks 1, 2, 4, 6 and 9
Sterling Campbell also played drums on the album

Videos:

Three videos were made from this album:

I Don’t Want Your Love

All She Wants Is

Do You Believe in Shame?

Interview:

Here is a long interview with the band, Warren, and the back-up singers from 1988.

The Tour:

The band began touring this album began with the Nine City Caravan Club Tour, in which they toured small venues starting in October 1988.  It was followed by the Big Live Thing Tour in November 1988.  Then, they added the Big Electric Theatre Tour starting in March of 1989 before ending with some festivals in August 1989.

Beyond all of the facts, Duranies have memories of this album.  I would love to hear your Big Thing story.  When did you buy the album?  What did you think of it?  What do you think of the single choices?  The videos?  Did you see the band play tour?  If so, how many shows did you see?  Tomorrow, I will share my Big Thing story.

-A

Question of the Day: Monday, August 29, 2016

Yesterday’s choice:  Pressure Off

Which song would you rather have LEFT OFF the setlist:  Ordinary World or I Don’t Want Your Love?

Feel It in the Air: Duran Duran – Mohegan Sun

On Thursday April 7, I attended my 16th Duran Duran show. Although I’m a lifelong American fan dating back to Rio, I had never seen the band until 1997. In fact, nearly all of my Duran concerts occurred between the Medazzaland and Red Carpet Massacre tours (14 shows between 1997-2008, evenly split between the 90’s era and reunited lineups). As I sat with my wife and one of my sisters the other night, waiting for the show to start and chatting with other Duranies, these thoughts ran through my mind.  How was it that I was only seeing my 2nd show in the last 8 years? Of course, starting a family, buying a house, and job demands all get in the way, as does “Durantime” and the band’s lack of touring. Regardless, I made up my mind to go into the show completely open. I was going to enjoy it, even if they played “Hungry Like the Wolf” for two hours straight! (Well, maybe that would be a bit much…but you get my point.)

A little over 24 hours later, as I write this, I am still processing what was an amazing live performance of songs old and new.  Rather than go song by song, here are some general observations:

We’ve come too far to give up who we are. 

Chic’s set was awesome. Nile and the gang played all of their hits—“Le Freak,” “I Want Your Love,” and “Good Times”—in addition to a medley of other songs that he’d written for other artists. The highlight was a cover of David Bowie’s “Let’s Dance.” I won’t lie, I have always loved disco (before Duran Duran, my favorite artists included Andy Gibb and the Bee Gees…I was born in the early 70’s and that’s what I grew up with!) and seeing Nile perform these songs live was a dream come true. He has an energy and enthusiasm for life that comes through in his music. Nile introduced “Get Lucky,” a song he wrote with Daft Punk and Pharrell Williams several years ago, as the response to his cancer diagnosis (and he is now cancer free!). I had never heard “Get Lucky” but it resonated with me—musically and lyrically—as Nile, Duran, and all of us fans have truly “come too far to give up who we are.” Nile Rodgers and Chic perfectly set the stage for Duran with their funky, high energy performance.

Is it out of choice that you’re here next to me, or just the aftermath of moments as they pass?

 That line—from “What are the Chances”—is one of my favorites in the entirety of the Duran catalogue. As with any lyric, its interpretation depends on the listener. Last night, I wondered if it might refer to the relationship between Dom Brown and the band. Dom has been a loyal part of the Duran family for over a decade now, not just as a “touring” guitarist but co-writer on the last two (amazing) albums. Much has been made in the Duran fandom of his status (or lack thereof) as an “official” member of the band. All I know is what I saw and heard last night: an amazing show, with great chemistry, much of it involving Dom. Gone is the tension that marked the later Warren years and the initial reunion involving Andy (where something about the “Fab 5” just felt off). Now, they seem as relaxed and sure of themselves as they were in the early 80’s, and surely Dom deserves some measure of credit for that. “What are the Chances” was amazing, emotional, and a standout from last night’s show. I have been on the fence on the track for months now, but last night put me over the edge. Dom was also great on “I Don’t Want Your Love.” While I’ve seen different lineups perform that song, the Mohegan Sun show marked two firsts: The first time I’ve ever heard Dom play it, and the first time I’ve ever heard the guitar solo played properly, like Chester Kamen played it on Big Thing. Even the dreaded “Hungry Like the Wolf” sounded livelier and refreshed (my wife noticed that as well and she is no Duranie!). “Ordinary World,” another song I know some feel should be dropped (more on that in a moment) also sounded great, thanks to Dom’s faithful rendition. While I don’t fully understand the relationship between Dom and the band, and the fact that he seems to be kept at arm’s length at times, I only know what I saw last night. I hope to continue to see him playing with Duran for years to come.

We’re all busy being human; we remember.  

So when it comes down to it, there isn’t much I would change in last night’s set. “Last Night in the City” was far better live than I ever would have imagined, with Anna Ross doing a great job. As noted above, so too was “What are the Chances.” “Paper Gods” was the perfect opener. Complimented by the visuals of the band (minus Nick, unless I missed him) singing the Mr. Hudson backing vocal on the big screen, the band took the stage. Roger’s percussion and Nick’s synth line followed Simon’s vocal, and then the crowd went nuts as John’s bass kicked in. Putting “Wild Boys” earlier in the set (rather than toward the end, where it usually is if they play it) was a great decision. It got the crowd rocking early and followed the momentum of their entrance and “Paper Gods.” Perhaps the highlight of the night were two of the tracks that Nile Rodgers cowrote—“Notorious” and “Pressure Off”—played with the hit maker himself, who returned to the stage. His chemistry with John, Dom and Simon reinforced the fact that Duran truly is like a second band for him. Even “Hungry Like the Wolf” and “Ordinary World”—two hits that seem far overplayed and I could do without—sounded great last night and I would not have removed them.

That being said, I would make a few changes.   While it seemed well received, I would have eliminated “Come Undone.” I understand the band’s attachment to their few 90’s hits. However, we’re nearly a quarter century removed from The Wedding Album. If an 80’s hit like “Union of the Snake” or “The Reflex” can be omitted from the set, surely “Come Undone” can as well. Why not replace that spot in the set with something from the first three albums? “Last Chance on the Stairway” could easily function as an early mid-tempo number that would give the guys a breather while offering the fans (even the casual ones) a song they likely know.

Likewise, “Danceophobia” is a misstep that need not be repeated live. I understand from reading interviews how much the band worked on the track, and of course there is the celebrity connection with Lindsay Lohan performing on the studio version. If the goal is to get the casual Duranies to buy Paper Gods, why not replace “Danceophobia” with “Face for Today” or “Butterfly Girl”?

Finally, the band should either play the guitar-driven, 1993 version of “Too Much Information,” or go all-in and swap it out with “Drowning Man” and strip the guitar from that track (if they are so bent on playing something more from The Wedding Album). The sped-up, electro “Too Much Information” completely ruins one of their best songs.

Those quibbles aside, it was a great show for both long time Duranies and casual fans. The past may very well be “another country” but last night, for a few hours, Duran Duran, Nile Rodgers, and Chic successfully blended past and present songs for an amazing show.

HIGHLIGHTS: I Don’t Want Your Love, Paper Gods, Notorious, Pressure Off, What are the Chances, Planet Earth/Space Oddity, Save a Prayer, Sunrise/New Moon on Monday medley.

LEAST FAVORITE: Danceophobia, Too Much Information, Come Undone

MOST SURPRISING: White Lines continues to be a song that people go nuts for, even though most Duranies would probably like to see it replaced in the set. Yes, Rhonda, he still spit the water, although we were a section too far back to feel it.

BIGGEST OMISSION:  I understand the need to promote Paper Gods, but would it have killed the band to include something from All You Need Is Now?  All they need do is look at how Sunrise has become such a huge fan favorite, even with casual fans.  The same could be true of the song All You Need is Now if given the chance.  It has the same anthemic quality.

BY THE NUMBERS: Paper Gods (5), Rio (3), The Wedding Album (3), Duran Duran (2), SATR (1), Arena (1), Notorious (1), Big Thing (1), Thank You (1), Astronaut (1), & AVTAK.

-C.K

Question of the Day: Monday, April 11, 2016

Yesterday’s winner:  Meet el Presidente

Which song would you rather be LEFT OFF the setlist:  I Don’t Want Your Love or All She Wants Is?

Question of the Day: Saturday, October 24, 2015

Yesterday’s winner:  A View to a Kill

Which single do you like better?

Question of the Day: Sunday, October 11, 2015

Yesterday’s winner:  I Don’t Want Your Love

Which single do you like better?