Tag Archives: Duran Duran new album

July 2019 Katy Kafe with Simon!

(Yes, I know it’s August 6th. Bear with me.)

You know it’s bad when you distinctly remember seeing mention of a Kafe, even going so far as to comment on how you’re looking forward to hearing it….and then promptly forget about the entire thing. Welcome to my life.

Better late than never, I listened to the Kafe this morning, took detailed notes, and am ready to deliver the State of the Duraniverse for this month. Or last month. Whatever. Just remember that I make no assertion that my notes are complete – and the only way you’ll hear the entire thing for yourself is with a DDM membership!

Kennedy Space Center Show

Katy caught up with Simon on July 30th. He was presumably back at home in England after the excitement from the Kennedy Space Center show a couple of weeks earlier. They spoke a little about the show, beginning with Studio Drift and their drone installation for the concert. Simon explained that the drones were meant to look like starling murmurations (the way they gather and seem to suspend in midair). I’ve posted some videos of their performance during The Universe Alone – if you haven’t checked them out yet, you really should. Trust me, the video will send goosebumps up and down your arms, it is that good. Here’s some of just the beginning to give you an idea:

I wish this were the entire song…but even a minute of it gave me chills!

Simon also talked a little about the setlist, saying that they did a full “space” section including “The Universe Alone”, “Planet Earth”, “New Moon on Monday”, “Reach Up for the Sunrise”, “Astronaut” and a cover of The Police’s “Walking on the Moon”. He said that for himself, “Astronaut” was a high point because it hasn’t been played very often during the last few years, suggesting that it was due to it’s difficulty. (I’m just going to say that for a song that is tough to play, I think they do an outstanding job). He mentioned that while he didn’t think they’d play “Walking on the Moon” again, maybe…just maybe…”Astronaut” might find its way back into a set list. I hope so!

Another interesting, but not at all surprising, comment on the KSC performance was that Nick took the time to come up with the master plan for that evening. His nickname is The Controller, you know….

September shows, and mini tours

While Simon didn’t say much about the upcoming shows in September, he did say that these mini tours are very important to Duran Duran because it has been decided that they should never go more than three months without a live show – simply because (and I’m having to surmise this a little based on the conversation) John, Simon & Roger get out of practice with the physicality. If they don’t play live, I think it is probably difficult to maintain the stamina necessary to play a full set. Not that Nick doesn’t “glisten” back there on keyboards, but I think compared to John, Simon and Roger, he doesn’t have to move as much. Regardless, I’m going to applaud their commitment to live shows!

The New Album

With that in mind, according to Katy, after September they don’t have anything booked. Will they go back into the studio? Katy does her best to lead Simon into this line of questioning, and I have to say that the studio work MUST be going well because Simon doesn’t struggle before answering that it’s going really well. He says the new album is going great and that he needs to start “knuckling down” and coming up with some lyrics. He plans to get together with Erol Alkan to work.

Simon describes the new album as “quite a departure”, using the word “Experimental”. What I dearly appreciate most from Simon here though, is that he explains this by saying that for him – Rio was a mainstream album. The first album; however, was more experimental. Katy follows up by asking him to compare Astronaut and Paper Gods in the same terms, and Simon says that Paper Gods is far more experimental – but is quick to also say that this new album is a “completely different vibe”.

I don’t know about the rest of you reading – but I’m excited!! I can hardly wait to hear what they’ve been working on. From everything that Nick has said, along with what Simon has now mentioned, it sounds fantastic! As I said last month, I’m still finding it hard to believe they’re already at a point where they can talk about this album as though it is a tangible thing as opposed to more of a vague, undefined few things they’ve kicked around. It’s been four years as of September since Paper Gods has been released, but for whatever reason, it hasn’t felt like it’s been that long.

Perhaps a drink suggestion for Duran Duran Appreciation Day?

Katy ended the Kafe by asking Simon if he had a cocktail suggestion to share. Last year, Simon went into extraordinary detail, describing a cocktail that we should all try in order to properly capture the last few days of summer. I find myself in similar territory (as always) this year…so I was happy to get another suggestion that I plan to put into full use on Saturday!

Pimms No. 1 Cup

**as an aside: Simon couldn’t remember in the Kafe if it was called a No. 1 or a No. 2 cup. I looked it up, and it is a No. 1. Pimms made seven different products, all “fruit cups” differing in their base alcohol. The No. 1 cup is the most popular and is based on Gin. No. 2 was whisky, the original No. 3 was brandy (although now there’s a winter cup infused with orange peel and spices that is available seasonally), No. 4 was Rum, No. 5 was rye whisky, and No. 6 is vodka. Only 1, 3 (as the Winter Cup), and 6 are currently made.

Pour a “decent measure” of this over ice, top with ginger ale, along with a slice of lemon, mint, perhaps some orange, and a maraschino cherry.

Expect this as one of the drink suggestions for Duran Duran Appreciation Day. I mean….it’d be rude not to, right??

-R

Some New Romantic Looking For the TV Sound

I heard you making patterns rhyme

If you had to categorize Duran Duran in a word, what word would you pick?

Are they pop? Rock? New Wave? Synthpop? Electronic? New Romantic? I think Nick described the band as Modernist once or twice?? What would you say?

My head is stuck on something precious

Yesterday, there were a few tweets going back and forth between several fans about DD’s music. Classic Pop Magazine has a Synthpop issue out on newsstands now. Although Duran Duran aren’t really mentioned in the magazine much, one of the editors put Ordinary World in their top ten synthpop songs. I find that interesting, because I wouldn’t characterize Ordinary World that way at all.

That got me thinking, of course. If Ordinary World isn’t truly synthpop, then what? I don’t think I ever came up with a reasonable answer for that. I always struggle with calling them a pop band because in my head – they’re not. They’re not music you’d hear on Top 40 radio (although we certainly did once). They might have some pop songs in their catalog, but I really hate the idea of categorizing them just as pop. It seems so pedestrian, boring and kind of cringy. Clearly, they’re not rock either. I mean, yeah, they’ve got guitar, but they don’t rely on it. I’d say similar for Synthpop – in my head, a synthpop group relies on the synthesizer for the melody lines. Is that the case with DD? I’d argue no on that.

Does it help to take one album at a time? I’d say no. For example, I mean, what do you call their debut? New Romantic? The problem with that, of course, is that the moniker isn’t as much about the music as it is about the fashion of the time. The reason we think of Planet Earth as New Romantic (aside from the words being in the lyrics…thank you Duran Duran…) is because of the ruffled shirts, the over the top hair and make up, the pirate look. To use a similar idea to what was discussed yesterday on Twitter, bands who were classified as New Romantic had synthesizers, but not all bands who had synthesizers were New Romantic. (nor were they New Wave – thanks @GuyFansofDuran!)

My eyes so cloudy, I can’t see

I think that for me, one of the reasons I’ve always valued Duran Duran so highly is that they didn’t CARE about boxes marked “New Wave” or “New Romantic”, or even “Pop” or “Rock”. The one thing I loved most about the band was also the one thing that challenged me from album to album. I never knew what a finished, new album would sound like, and there was never any way to prepare. As an aside, I’ve learned to never, EVER review one of their songs publicly after only a few listens. I have to sit with the music for a while. Paper Gods took me a good solid two or three weeks before I finally had that light bulb “I GET IT!” moment. I still don’t know what I’d characterize Paper Gods as, musically, though. Does it matter?

For those of us who tend to value a sense of routine and normalcy, Duran Duran has sometimes been the very opposite.

They’ve created music they liked. In their purist, most raw moments as a band in the very beginning, I don’t think they were worried about marketing or labels. Sure, they wanted fame and fortune. They wanted to be the biggest band in the world. But I don’t know that they were overly concerned with the minutia in getting there.

Can you hear me now?

What do I mean by that? Well, what I’m NOT saying is that they were careless for detail. That isn’t it at all. I just don’t think that they consciously sat back and tried to figure out what music might sell best, or get radio time the easiest. There was a certain kind of bliss with industry ignorance in that respect. How self-aware was the band before they really “made it”? I believe it was simple enough for them to get out of their own way back then.

Writing and recording under those conditions had to have been easier in that aspect. I mean, once you know who you are, and what you’ve done in the past, I suspect that has the potential to set the bar incredibly high. When I compare Rio and Seven and the Ragged Tiger, I see the latter as evidence of being far too self-aware, despite my undying love for the work.

I’m not sure how Duran Duran gets past all of the mind games that come along with recording nowadays. The ghosts of albums past, the requirements of record labels to deliver at least one verifiable, marketable, top 40 hit coupled with the notions of playlists, streaming, and the idea of how much differently music is consumed these days than forty years earlier. On top of all that, deciding what kind of music they’re actually going to record, and fighting whatever label people want to put on them now? Pop? Rock? Electronic? EDM? Urban? Contemporary? Oh hell no. How can anybody be creative in that environment?

Is there anybody out there trying to get through?

If I were them, I’d want to throw my phone in the trash compactor, unplug from society, and forget the labels. It seems to me that it might be the only way to record an album with honest, pure, organic intentions.

Of course, if they did that, then they wouldn’t be able to read my incredibly humorous and intelligent fodder.

Hmm.

Throw your electronic devices away, gentlemen… and good luck!

-R

Trusting the Process

The holiday season just keeps on giving!!

Sure, the gifts might be small – depending upon how you may feel about pictures of the drummer “in residence” at the studio….

(does that mean he’s moved in for the duration?!?)

(that’s a joke)

(although really…maybe that would be more effective…)

(Ok, I’ve used too many parentheses… and now my WordPress editor hates me…)

The pictures make my day! The more the merrier, actually!  As I wander through my house, endlessly trying to find the holiday ribbon that was probably packed months ago, I will gladly accept even the tiniest of gestures to remind me that all is well. Seeing Roger in the studio, behind his drum kit, works for me!

At some point, the band will settle into the seemingly never-ending process of writing and recording, and the pictures may stop for a while. Until then, I’m going to cheer over every photo we get, and…yes…trust the process.

I don’t know how much “the process” has really changed for the band over the years. Naturally, technology has advanced, but beyond that, I don’t know if they really do things any differently. On this side, fans have the added benefit of being “plugged in”. Earlier albums seemed to just appear out of nowhere. I didn’t know they were recording until something was released. These days, thanks to the internet and social media, we are made more aware.

For me, this is a double-edged sword. I love seeing the pictures. I used to get so excited when they’d post snips of whatever they were working on. Some might even say we – or I – obsessed over details before we really knew they were even going to be real details on an album.  It wasn’t necessarily fair to the band. In hindsight I can say that doing all of that was part of MY process. I needed to learn how to blog. Understanding that I had a duty to be responsible with my words and opinions took me longer than I want to admit. The learning curve was a roller coaster, and at times I crashed and burned.

Balance is important. I might not be able to contain a grin, or a post or two when I see pictures indicating that the band is working in the studio, but I know that it is unfair to the band to dissect whatever new music may arise from this time before any of us even have it in hand. Not only would I be setting an unfair prejudice for their work, it would be unkind to fans. My hope is to be able to report on whatever progress is shared, without interjecting too much “early opinion”.  Overall, while the band is hard at work, I am hoping to be a bit more patient, introspective, and use my time wisely….once I finally unpack and find my holiday ribbon!

-R

Paper Gods: Can’t Stop Believing

Today is October 6, and that means it’s 4  5 (I am so sorry that I cannot seem to add simple numbers after 11pm at night, which is when I wrote this.) days shy of the first month that Paper Gods has been available.

What a month it has been. Truly.

As everyone has likely already read on this very blog, Paper Gods was not an immediate “love at first listen” for me. I really needed to allow the music to sit and percolate. I needed to pick out elements that I really enjoyed, and give myself permission to take the time necessary for Paper Gods to take ME on a journey.

Let me be clear: I am not a patient person. It is my biggest fault, by far. I expect things to happen instantly. I’m not one to want to wait for much of anything, and unfortunately sometimes – Duran Duran ends up bearing the brunt of that impatience. I shared my experiences with the album as they happened at the time, but I never really came back and explained that after giving the album some much-needed listening, I dearly love Paper Gods.

It seems strange to type that now, nearly a month into an album’s release, but it’s true. It is really difficult to put my journey into words that make sense here, but I’ll try. Like most anything the band has ever done, Paper Gods isn’t a one-listen, throw away album.  It has depth that goes far beyond the words or music, and I should have realized that was going to happen based on the cover art alone.

In a lot of ways, I’m kind of glad I didn’t fall into immediate love with the album. I really like that Paper Gods challenged my ears, something that hasn’t happened in a long time. It isn’t enough to just sit down and pop the CD into a player or hit your iTunes icon. In order to get something out of it, you’ve got to really listen in the same way that I think in order to understand the full breadth of the band’s career – you’ve got to really be willing to look beyond the pinups and videos. I appreciate that the band, and particularly this album, have forced me to think. I’ve needed to pull the band out of the box and off of the pedestal I previously had them, which overall has been a good thing.  Let me give you just a few examples:

Danceophobia was by far the one song off this album that I just could not digest. Yes, the Lindsay Lohan thing really bugged me. It still does to a large extent. That said, it is so much fun live!!! The first night I saw, I couldn’t even move. I just stood there, watching the band. I won’t lie – I wanted to see them SELL IT.  If they really wanted me to like it, then they had better fucking bring it BIG time. I didn’t want a repeat of other songs off of other albums that I won’t even mention here. I wanted to see the band love the song at least as much as they expected us to do. Well, John Taylor danced like a crazy man, and Dom “co-writer of Danceophobia” Brown (shout out to my dear friend CK for constantly reminding me of that fact over the past several weeks) couldn’t seem to stand still either.  I marveled at the scene as my foot started to tap on its own. (dammit!) Then there’s Jessie, the new backup singer, who has more energy than an entire AUDIENCE of Duranies. I’ll say this much: she’s a much better doctor than Lindsay. Big controversial name on the album or not, the song has become one of the most fun in  Duran Duran’s live show, and dammit (again) – I danced. I DANCED. It’s just a silly dance song, and that’s OK.  Not every song they do has to be deep and insightful. Some songs can just be shallow, fun, and tongue-in-cheek. Yes, the band sold it. More importantly, they sold it to ME.  I can’t fight that. (Don’t even bother emailing me your “I told you so’s” CK….)

In some of the early reviews Amanda and I did, I wondered out loud about the album feeling so electronic. It’s something that I’ve heard a lot out of the mouths of a lot of fans, including my own from time to time. Is that really all that fair, though?  I’m not quite so sure. The album still has guitar, PLENTY of bass and a ton of drums. Just because they aren’t necessarily served up in the same way as All You Need is Now doesn’t mean they aren’t there…and this just goes back to taking the band out of the box we’ve been keeping them in. It’s not fair to them, and it is definitely not fair to our own ears or heart. For weeks I sat by my stereo, thinking to myself that I really liked what I heard, but then I’d second and third guess myself by thinking about the lack of whatever it was I thought I needed at the time. The point is that it’s all still there…and if you haven’t grabbed a copy of Bass Player magazine (you know the one, with JT on the cover), you probably should. Many of my concerns, and likely yours too, are addressed in there. The real difference with this album that I believe 100% is that the band is totally behind it. They made their own choices with the instrumentation – and I refuse to fault them for that. In fact, I applaud them.

I’ve seen a few of the songs live at this point: “Pressure Off”, “Paper Gods”, “Last Night in the City”, “Danceophobia”, “You Kill Me With Silence” and “What are the Chances.” That’s half of the regular album, and they haven’t even started the “real” tour yet! I won’t lie: I wanted to see what, if anything, changed with the band as they played from this album live. I wanted to see if they were still one cohesive unit. Let me tell you: they are all that and then some. Sure, there are some songs that require John on synth bass and Dom is in the back because the guitar isn’t quite as up front. There are songs where Roger’s drums – which are in fact STILL drums, thank you – are mostly electronic. There are also songs where everyone is nearly all over that stage, like “Last Night in the City”- you can’t help but dance to that one, and I challenge any EDM fan to stand still – it cannot be done. There are songs such as “What Are the Chances”,  when Dom lights up the entire theatre with his work. Make no mistake, he has made that song his very own at this point. When they play “You Kill Me With Silence”, you can feel the bass coming up right through the floor and it puts me on pins and needles in a way no other piece of music has ever done.  This band has made it a point to learn to play this music for the live show. Don’t miss out on the chance to see or hear any of that.

Anyone who has read this blog for any length of time should know that Amanda and I are “thinking” people. We really enjoy reading the lyrics, looking at the art work, watching the videos and analyzing how they all work together to create an overall picture. I think the one thing I love most about Paper Gods is that, like an onion, there are so many different layers. I can’t take the music at face value any more than I should take the cover. When you listen to the songs – it might be really easy to write them off as pure pop. They’re so much more than that once you add in the words, and when you start considering that some of the songs with the most depth are also done with a lot of synth, it’s an interesting sort of dynamic. Just as the cover is far more than a bunch of stickers put up on a backdrop, the album is far more than just some EDM or pop. You don’t actually HEAR that on the first listen, it takes much more attention than just one listen. If you take the album as a whole, you start getting the feeling that this album is an overall look at the career of the band. From “Paper Gods,” a song all about the materialistic nature of our society – using a term that could easily be applied to the band themselves, to “Last Night in the City, ” a tune that is truly about touring, to “Face for Today,” which really seems to be a good bit of advice to today’s young celebrities, on to “Only in Dreams,” which seems to echo some of the feelings a lot of fans have about the band…and finally “The Universe Alone,” which really seems to describe the end. I dare say that the album starts to feel just a bit like a loosely held concept album.

I’ve said it before and I’ll say it again: this band is so much smarter than any of us have ever given them credit for.

We waited a long, long, time for this album – and I’m telling you as a fellow fan, it was worth every single second of the wait. Give it many proper, thorough listens from start to finish. There’s a story in there, waiting to be discovered.

-R

 

 

 

 

Steppin’ Out with Paper Gods

In preparation for tomorrow’s release of Paper Gods, we decided to offer our own quick “shot” in summation for each song.  Rest assured that at some point not far in the future, we will write full Daily Duranie song reviews with cocktail ratings to match, but until then, enjoy our Daily Duranie “Happy Hour”, and have some shots on us!

Paper Gods

Rhonda:

I tried to prepare myself for what Paper Gods could possibly sound like, and even then – I couldn’t have been farther off. I’m still stumbling over myself to try to fully absorb this song, but one thing is sure: these lyrics have the depth and emotion I’ve been craving. 

Amanda:

This song is one of three songs that we did a video review for when it first was made available.  My thoughts about it haven’t really changed.  I appreciate that this song is like the anti-single, the anti-radio focused track as it doesn’t follow much when it comes to standard radio friendly tracks.  It is long, has frequent changes and just seems unpredictable.  I like all that and I like that they just embraced the art, for art sake on this one, and added a social commentary on top of that.

Last Night in the City

Rhonda:

If there were ever a party song…or a to fully describe a road trip with Amanda & Rhonda…this is it. I know plenty of people have a love/hate relationship with EDM, and I’ve got to be honest…I just don’t care. It took me more than one listen to get into this song, but once I finally stopped trying to cram Duran Duran into the “box” that held them in the 80’s,  I couldn’t stop myself from wiggling in my chair or bobbing my head as I listened. That’s all that matters.

Amanda:

I’ll be completely honest with this song.  When I first heard it, I told Rhonda that it reminded me of a bad, meat market type club that I would never want to go to.  It didn’t sound or feel like Duran, initially, to me.  It is very electronic and I missed the feel of organic instrumentation.  Then, at the same time, Rhonda and I realized that the lyrics describe what it is like for us when we are on tour.  It is that complete focus on having fun and connecting.  The female vocals just makes me connect to the song even more.  Now, I still think the song is very different from what I think of when I think Duran but it is super fun and has become a favorite on the album.

You Kill Me With Silence

Rhonda:

So, we did already do a video review of this song, which were our first impressions. I had difficulty with the chorus/verse changes and felt it really watered down the song. That said, I must admit this one is slowly growing on me. On one hand, it’s like Simon LeBon lives in my head and I thank him for putting my feelings into words. On the other hand, this song has just enough darkness for me to make it interesting. Who doesn’t love that Nick Rhodes solo at the end? Come on now!

Amanda:

Again, this is one of the songs that we reviewed earlier in video format.  Like Paper Gods, my feelings about it haven’t changed that much.  One change is that I might not be as critical of the chorus now that I have gotten more used to it.  That said, I’m still struggle a little. Perhaps, the subject matter is partly to blame for that.  I have a hard time really loving a song with the focus of emotional abuse in relationships. 

Pressure Off

Rhonda:

I’m always amazed by the responses out there in the fan community. To me, this is the easiest song on the album to fall in love with, and I still say this has the strongest hook I’ve heard in a Duran Duran song since the 80’s. To others, “this is like listening to Simon sing High School Musical.”   If the band wanted me to dance, this was the way to do it! The one thing that has changed for me since I first heard is that it sounds nothing like the rest of the album, and as a result it is (still) a standout! 

Amanda:

In many ways, now that I have heard the album as a whole, this song doesn’t match the feel of much of the rest.  That said, it is still a favorite.  To me, the instrumentation feels very Duran and the lyrics are just fun.  I know that some have criticized all of the “oh”s in the chorus but that even feels Duran-like (Hungry Like the Wolf, anyone??).  This is one that I’m very much looking forward to hearing live!

Face For Today

Rhonda:

Maybe I lied about Pressure Off being the easiest song to love on this album… The truth is, I really like this song too. It’s very “Duran Duran”, complete with the stacked harmonies and soaring chorus…I just wish (and this goes for the entire album) that they’d create more of a balance with their instrumentation. There, I said it. Done.

Amanda:

I enjoyed this one as soon as I heard it as it is easy to like. Right away, I found the lyrics swimming around in my head as I tried to figure out what the heck it is about. Quickly, I began to feel that this was the band giving advice and well wishes to those young and super popular bands now. This added some depth to the song.

Danceophobia

Rhonda:

The tune is slightly catchy while the lyrics are very elementary. The addition of Lindsay Lohan does absolutely nothing to add to the song particularly when it’s clear she is having difficulty not laughing while “singing” the last portion of the song after her dreadful spoken part.  On the upside, it does add something to the album that magazine editors and trash TV “celeb” news shows LOVE to dish on. Cringe-worthy at best.

Amanda:

It seems to me with many of these tracks I had strong reactions as soon as I heard them.  For some, it was an instant like and others I had to hope that the song would grow on me.  It did for Last Night in the City but…I am not as successful with this one.  I start to get passed the silly lyrics and non-Duran music then Lohan comes in.  I just don’t think her part works.  Is she supposed to be taken seriously?  Is it supposed to be funny?  Sexy?  I just don’t get it.

What Are the Chances

Rhonda:

I fell in love with this song as soon as I heard it. As I said on Twitter, there’s only ONE thing wrong with this song, and it’s that Dom Brown isn’t playing the lead guitar part. I don’t know if I’ll ever quite forgive them. That said, I’m pretty sure I’ll forget all about this small oversight should they play this live with Dom playing the part that should have been his to begin with.  PS – These lyrics? Really??? Beautifully done.

Amanda:

This isn’t my usual song to gravitate towards.  I am much more of an up tempo, rocking out sort of person.  I have gotten bored over many of the more ballad type songs in Duran’s catalog over the years.  Yet, this isn’t really that.  It does have a “bigger than normal” sort of feel like an Ordinary World has with some really great lines in the lyrics that will keep me interested for years to come.

Sunset Garage

Rhonda:

When someone is able to tell me what a Sunset Garage is, I will be much better able to talk about this song. Until then, I’m still struck by how “not” Duran Duran this song really is…and how much I enjoy it, even though I still see the Brady Bunch “Silver Platter” episode in my head as it plays. Definitely a tune for a summer night taking a drive along the coast. Gonna keep on, keep on…. (if you don’t get the reference, click here)

Amanda:

This is a song that simply had not hit me.  It isn’t one that has created strong emotion in me, either super positive or super negative.  The song has left me more puzzled than anything else.  I don’t understand the message.  I will be interested to see if this one grows on me after time.

Change the Skyline

Rhonda:

From the first sounds of the synth intro, I think it’s pretty clear this isn’t your average Duran Duran tune. I can’t help but think about how this song might have sounded with Brandon Flowers…but Jonas Bjerre does a good job. This is a song that I’m still trying to hash out and find a comfy spot, but there’s a lot going on here to like. 

Amanda:

This is the one track that got lost when listening to the album.  I’m not sure why with that chorus.  At first, I wasn’t sure about having Jonas Bjerre on this track.  Yet, his vocals and the song is starting to grow on me.  I’m starting to pay more and more attention to it, which is leading to greater appreciation.  It is one that I’m anxious to take the time to really read and digest the lyrics. 

Butterfly Girl

Rhonda:

The best part of this song for me is that Anna Ross is featured, and I love her. She brings an energy that this song was crying for, and I can hardly wait to hear them play this song live. Oh yes, the guitar. It’s good even if it’s not Dom (but he is going to blow the audience away with this live)…and there’s only one kind of happy in a glass of wine. (we all learn something from Duran Duran, don’t we?)

Amanda:

This is one of my favorite tracks on the album.  Like Last Night in the City, I love the additional female vocal (Go Anna!) and I usually don’t go for female vocals.  Musically, the song grabs me but more than that is the picture of this girl that is created.  She seems so specific and, yet, so universal.  I think many people can relate.  Goodness knows that I certainly do.  What more can you ask for?

Only In Dreams

Rhonda:

This song starts off reminding me of Before the Rain, and then very quickly turns into this gorgeous dream-like scene. Definitely a favorite of mine on the album. Simon sings like it’s a lullaby (and I really want to know who is on backup vocals…), and I love the calm that comes over me until the funk hits after the intro. Then I’m completely in it for the long haul. Vampires, limousines, reminds me of some elements of fandom…and no, I don’t want to wake up. 

Amanda:

Like the previous song, this is another favorite.  I love the opening which reminds me of Before the Rain.  Of course, it quickly changes to something else completely different.  Then, there are more changes as the song moves further along.  I love all of the changes.  Even more importantly than that, I love the lyrics.  There are so many great lines in this one and as a whole it really feels like Simon is describing fandom.  With good times in fandom, it is like being in a dream that you don’t want to wake up from!

The Universe Alone

Rhonda:

Here’s the thing: this song is pure Duran Duran genius from start to finish. It is also the darkest and deepest song on the album. I listen and get this scary sense of foreboding that makes the hair on my neck stand up and my emotions run way high every time I listen. I’d forgotten that Duran Duran can write like this – appealing to the modern sound they strive for,  with some of the deepest writing (both music and lyrics) I’ve heard them do in decades. Well done, Duran Duran, you’ve managed to make me extremely uncomfortable (as all art should!) AND love the song at the same time. Thumbs way, way, up.  

Amanda:

The first and only word that comes to mind when I hear this song is haunting.  It feels like goodbye.  I don’t know if it is the end of the world type goodbye or individuals leaving a huge chapter in their lives but it definitely feels like closure of some sort.  The first line really sets the tone about how there can be beauty within dying.  That said, it isn’t an easy song to want to listen to because it creates so many uncomfortable feelings in me.  Despite that, I adore the ending with the distortion followed by the beautiful chorus.

 

We can’t wait to read your own thoughts as you listen to the album yourselves. It took both of us some time to adjust to the new sounds and feelings, and as you can see – we’re still adjusting, but we welcome the challenge. We also congratulate the band and look forward to seeing them LIVE in the coming weeks!!

-A&R

Countdown to Paper Gods – ONE!!!!!

It is like freaking Christmas EVE (if you’re into that sort of thing) on social media right now. Duranies are excitedly posting about everything from events their local record stores are having in honor of the album to sad emails they’ve received from Amazon, Target and even Warner Bros letting them know that their album – which has been slated to come out tomorrow for MONTHS now – won’t actually be arriving until at least late next week. (I’m just gonna say it: this is not impressive work on the behalf of whomever was in charge of their distribution.)  My advice? iTunes. Google Play. At least you’ll get the album tomorrow, and then your physical copy will come later. Then there’s the band, who sneakily posted a video…that was just shot what, a week ago??… online this morning.

So, if you don’t have anything to do but sit, twiddle your thumbs and wait…I have some plans for you today…in no particular order.

  • Go watch Duran Duran’s video for Pressure Off. Watch it an extra time for me, because as you read this, I am with my kids at their school for orientation. I’m probably weeping a little, but it’s cleverly hidden behind my sunglasses. I hear the video was shot with YouTube’s 360 video in mind.  Ok, now I’m sobbing. This could be embarrassing until I get home and watch it .
  • Send Daily Duranie messages on Facebook and Twitter taunting us with how amazing it is. Oh wait, some of you are already doing that!!  (Amanda is at work too, so there is no video watching. At least not yet….)  Seriously though, how is that video?!?
  • Make plans to attend the online DAILY DURANIE BIRTHDAY PARTY on Sunday!! We’re turning five!! Can you believe it?? We really can’t. We plan to drown our sorrows…I mean CELEBRATE…on Sunday with an online video party (yes, another one) with OUR favorite videos from 2-7pm PDT or 5-10pm EDT (Yes, these are US times, because we live in the US and because Amanda and I didn’t want to be celebrating at 9am. Sorry.) Even if you can’t join us in our merriment, we have a YouTube channel with a Daily Duranie Birthday playlist (not public yet, we’re still working on it!) that you can watch on your own time should you so choose.  Details will be made available on the event page that I am going to create a bit later today. You’re ALL invited and we hope to see you. If nothing else, you can laugh at Amanda and I as we taunt, laugh and poke fun at one another while under the influence. Cheers!
  • Lastly, who am I really kidding…I know many of you already have the album because you were lucky enough to have yours sent early. Give it another listen or ten and enjoy!!!

I just want to say congratulations to Duran Duran. Fourteen albums (and then some) is quite an accomplishment, and definitely not one that I could ever replicate. I know that I’ve spent the better part of three years chomping at the bit for new music, and I also know that for a great deal of that time, I’ve worried about what would eventually come and how it all might sound. I am not the only fan in that category…just probably one of the “louder” ones. In any case, I am proud to be a Duran Duran fan today. No, this album does not sound like any other album you’ve done, but yet it is still Duran Duran. I revel in the fact that the band I came to adore in early 1981 is still doing so much to put continued smiles on the faces of their fans. No, that’s not necessarily equal to chart success, or huge sales. I have to hope that somewhere, to someone…knowing that longtime fans are still there by your side…matters.

-R

Countdown to Paper Gods – TWO!

Two days. 48 hours. I could figure out the seconds but nobody needs me to do that. We have nearly arrived at what I wouldn’t call a destination, but rather, the next stopover on our journey. We are so close that we can see the welcome sign, and some of us – oh hell, nearly all of us – are running to get there.

I have no idea of what the future may hold, only that once again, we have come full circle. Although it has been nearly five years since the release of All You Need is Now, when I think back – I can still remember the first moments of listening to the album in full. I remember those feelings of anticipation mixed with nerves and excitement. I remember the hope, the joy, and the elation.  To this day, I still have All You Need is Now in my car stereo, and I still love it. For that matter, I love it more so now than in 2010. Songs have grown on me, and now I have memories to match most of the songs on the album. For me personally, those memories have made the album what it is to my heart.

All You Need is Now is a tough act to follow, at least in my mind. While no, it might not have been a “critically acclaimed” album or marched up the charts for a lengthy stay in the top ten, that never mattered (to me). Now we are at the same vantage point for Paper Gods. In nearly ever review I’ve seen, Paper Gods is the album to beat this year. Critics seem to really enjoy what they hear, which quite frankly blows my mind. This is Duran Duran, the band that those same critics have laughed at over the years, and now – this album, has suddenly been added to “album of the year” status. Well then. I don’t know how that happens.  Over the coming days and weeks we can begin to sort that out as fans – but I’d be lying if I didn’t say I wasn’t curious as to how the album might do.

However, on this day, with a mere 48-hours to go, I leave you with another way to fill up some time AND support Duran Duran in the process.

Go Duran Shopping!

That’s right. Go to duranduran.com and buy yourself some of the new Paper Gods merchandise. Maybe take a spin on eBay and see what comes up. Preorder the album if you haven’t, there’s still time!  Plan your wardrobe for the upcoming shows.  Bask in the glory of being a Duran Duran fan… I sense the best is still yet to come.

-R

 

Duran Duran Streaming Paper Gods!

If you are one of those people who cannot wait until Friday for your own chance to listen to Paper Gods…Duran Duran have done something amazingly cool and have made Paper Gods available (public) for streaming.

Check it out at the link below:

Paper Gods Streaming via Pitchfork

And if you do take a listen, we’d love to read your thoughts! Send us a comment and let’s get the conversation started!

-R

 

Countdown to Paper Gods – THREE!!

We are seriously down to just 72 little hours to go before Paper Gods is released!! Can you deal with it?!?  (If you don’t know where that last line came from, your assignment for today includes listening to Liberty again.)

I’m getting fairly good at handing out homework and assignments, as today begins homeschool for my second grader, so now I’m teaching high school and elementary school. (Admittedly the high schooler is far more independent so planning for him isn’t that difficult!) However, since we are on this “homework” theme this week, I have some for all of you today as well! (Can You Deal With It aside…)

We have had five songs already released from Paper Gods, and I’m not seeing NEARLY enough about them on social media. So, let’s blitz all social media today and get them out there! Your task is to share each of the five songs.  Let’s get them trending!!!   If we want this album heard ’round the world…it’s gonna take all of us to make it happen, so get going!

Pressure Off

Paper Gods

You Kill Me With Silence

What are the Chances

Last Night in the City

 

Let’s get the music out there…share and encourage your friends and followers to pass it on!

-R

Cherry Ice Cream Smile: Paper Gods Album Cover

So how about that Paper Gods album cover?

For months now (actually it’s been YEARS…but we won’t bring that up again right now), I’ve wondered what they would do for a cover and a title. Would it be something artsy like All You Need is Now? Would it be a photo of the band? Would they use the black and gold or black and silver DD logo?  And what would they call this thing? I was starting to think they’d go with Pressure Off only because they hash tagged it everywhere; but my heart was with DD14 because, well…duh.  It’s what we’ve all called it since about September of 2013. Maybe it can be the treasured nickname, only used by friends and family.

Overthinking again. Right….anyway…

And…as is very indicative of my “relationship” and communicative abilities with this band, I was so, so wrong. In a lot of ways, I’m glad I couldn’t read their minds (actually, in MOST ways I’m glad I can’t read their minds). After all, when the day comes that I can pinpoint what they’re going to do, I will need to probably take a giant step back from the keyboard and find a new hobby. I mean, if there are no surprises, what is truly the point? In my point of view, some surprises can be good.

Admittedly, I am still trying to come to terms with the album cover, if not also the name. This is not meant as an insult, it’s that we’re all in that awkward phase where we’re introducing ourselves to someone (something) we’ve not really met yet. I’ll give a personal example and pray that my youngest never reads the blog. When I had my youngest, back in 2008 – we were pretty set on her first name. (That name came from a stuffed dog that my oldest owned, oddly enough…we are very careful to say that we didn’t name her after the dog of course, only that it gave us the idea!) Anyway, her middle name was tougher. We’ve named our kids after various family members, and I wanted to continue the tradition but I also wanted to give her the middle name of Marie (a name which belongs to no one in our family). Instead of doing so, I went with Renee, a middle name she shares with my sister. For the first few months, she didn’t look at all like her name to me. I was still getting used to her, finding her personality.  I would even occasionally slip and call her the name I’d originally chose rather than the one on her birth certificate. Now? I couldn’t imagine her having any other name. It fits perfectly.

I’m trying to remember back to All You Need is Now. Remember the cigarette burn on the cover?  I believe some of you out there even called it a sperm…isn’t that lovely? I’ve never seen so much criticism given to a cover of an album we’d yet to have heard. Funny, I hear nothing about that cover these days. We got used to it, and the album of course grew on most of us, too….and now we’ve moved on to Paper Gods.

Let me briefly comment on the name since I didn’t have a chance last week. I don’t even know when the news of the name hit – was it Friday? I didn’t really come up for air until Sunday afternoon, so the name doesn’t quite roll off my tongue (or my fingers) with ease just yet. I think the name is one of those things that will explain itself in time, and then I’ll wonder why I even thought twice about it…because that’s what albums are really supposed to do. If I had the chance to ask the band about this album, I’d ask them if they feel like it’s a complete “statement” in the same vein as albums back in our day were done (Ziggy Stardust comes to mind), or if it was put together the way so many are today, where they’re meant for quicker consumption. There’s no wrong answer there, albums are written so much differently today, thanks to iTunes and similar. People buy songs, not albums – so there isn’t as much of a motivation for a band to create an album that tells a whole story, or gives a statement. I’ve just been curious as to how they feel about it, especially now that it’s finished. In any case, as I ramble on here, I am hoping that once I really listen to the album, the name and it’s meaning will unfold in the very same way that all of their albums have done.  I think back to not just All You Need is Now (although perfectly named), but Red Carpet Massacre, Astronaut,  Pop Trash and even Medazzaland.  When you stand back and look at those albums as a whole – the meanings are clear and the names are perfect. I can’t wait to hash this one over.

Then there’s the cover, as I mentioned earlier. At some point over the last several days, I saw the new logo and the blurred background image. I love the logo by Brian Roettinger. I really do. I love the way the Duran kind of sits on top of and blends into the other Duran. I actually like the colors, too. I was able to make out the ice cream cone and even the telephone and tiger (actually at one point I had thought the cover looked similar to the one they did for the single of Perfect Day), and that’s when I realized that those images of the ice cream cone, telephone and tiger were meant to remind us of what came before. I dug that…because they were blurred. They were sort of enigmatic in their own way. We knew they were there, we knew what had come, but we weren’t meant to focus on them. The colors were complementary, they’ve had pinks and blues around them for as long as I can remember, and I like them.  At the time, I didn’t realize that the intention wasn’t for the cover to remain blurred.
duran-duran-paper-gods-cover

The cover was reveled just yesterday (I believe??), with the caveat that the artwork is not final (Warner store website). The images are no longer blurred, and they kind of look like stickers. Someone else said (very accurately) that they reminded him of Colorforms from back in, well…OUR day.

The cover artist is LA-based Alex Israel and was done as a collaboration with the band, overseen by China Chow. Alex’s work is very large scale and much of it might remind you of gorgeous soft sunsets across a blue sky, although he has a multitude of other work as well. What tickles me with a cover such as this, where it might be easy to discard it as just pop -whether pop art or pop culture or even pop music – Alex Israel puts those images right on a reproduction of one of his very fine art pieces. Those images are somewhat styled to look like stickers or Colorforms if you remember them, very much icons of pop culture, if you will. But, if you bother to look beyond the surface, you’ll also find real art.

If that doesn’t describe this band; well, you’re not looking hard enough. Yes, Duran Duran are a part of pop culture. Yes, they’ve been pin-ups and have not been taken seriously, very much like this cover is being taken by FANS right now, but if you look hard enough, if you really pay attention, you just might find something far more valuable underneath.  I think it’s genius, and I love that Duran Duran makes comment on the (supposed) paradox of their career in such a unique and subtle way.

I’ve seen many, many negative comments regarding the cover. There was even one or two comments suggesting that fans put together a sort of online petition so that the band reconsiders. Really?! Really??? First of all, the obvious: it is THEIR cover. The band can call the album whatever they want, put whatever they want on the cover, and the rest of us have to respect their choice. That’s the way this all works. This is the boundary between being a fan and being the band. It’s a slippery slope at times, and yes – there are moments when we have that sense of ownership, but this cannot be one of those times. We have not commissioned the band to go into the studio and make the album we want.  They wrote the music THEY wanted, created the package and message they wished to convey.  I’m as guilty as the next person, but enough is enough. Secondly, how about putting a little thought into the cover before condemnation?  Dig a little deeper and see what you might find.

Lastly…anyone ready to take some Pressure Off?!?  I sure am!  I can’t wait to hear that single!!!

-R