Tag Archives: Mark Ronson

Dreams of vacations and Lovebox 2009

Today is the kind of day where a blog is written for June 18th rather than July 18th. sigh  I am a genius – one who cannot read a calendar well, apparently.

It’s quiet in Duranland, which in my mind, isn’t a bad thing, really. It’s July. It’s vacation time for many. In fact, if this were any other year, I would be on vacation myself! Alas….my vacation will come later, after we move and I’m (hopefully) sitting on my new patio, overlooking stately oak trees.  I don’t have a lot to mention today, despite knowing that Duran Duran has performed many times on July 18th over the years. So, I decided to take another look at Lovebox, because on this date in 2009, they performed a full set at the festival.

Here’s a clip of A View to a Kill – I chose it because Mark Ronson appears with them, and because I love the “Fatal Kiss” arrangement.

And, because it is one of my favorite songs performed live, here is Sunrise. It is labeled on YouTube as Reach Out for the Sunrise, and was filmed by a then-9 year old (not my child, but someone else’s)…but that’s fine, right?

 

That should provide a few moments of escape on this fine Wednesday. In the meantime, I’m going to spend some time working on the house this afternoon, and thinking about where I wish I could be going on vacation this summer.  Cheers!

-R

Lovebox Festival, 2010 with Mark Ronson

Lately, I’ve been feeling a little nostalgic. During my spare time, I have been on YouTube, watching snippets of video from DD shows I went to, or videos I haven’t seen in a while, like “Nightboat”, “Careless Memories”, or even “Falling Down”.  Nearly every day I check our history spreadsheet to see if anything noteworthy pops up that I should share, but it is rare that I’ll sit down and watch videos, much less go in search of them. I guess for me, they might be a needed source of comfort. Or else, I’m just super bored with packing and cleaning. There might be a bit of that, too!

Today I noticed that on this date in history, back in 2010, Mark Ronson played the Lovebox Festival. I realize that might not be so special, but his guests definitely were!  Mark invited Simon and Nick on stage to perform “Record Collection” from Mark’s album with Business Int’l, and then John and Roger crashed the party to play “Planet Earth”.

I am one of those pesky Duran Duran fans that loves Mark Ronson, and I especially adore Record Collection. It is an album that I have to be in the right mood to play, but when I put it on, I’m never disappointed.  I was thrilled to see Simon and Nick performing it with him and yeah, it was another one of those times where I kicked myself for not being there in person.

Sorry for the video quality – I didn’t take it!  I recognized the video owner’s name, and she is a huge DD fan. I can understand her jubilance!  Check out Mark, who can be seen in the back sporting what I believe should be a very recognizable outfit to any Duran Duran fan who has spent any kind of time watching old music videos lately!

The next video, of course, is “Planet Earth”. You may have heard that one before.

Now, this video isn’t necessarily the greatest either, some of it taken from the audience with hands and arms in the way. I love that the camera scans the stage, and if you look closely, you may just see MNDR on stage – she too was involved as part of The Business Int’l for the Record Collection album.

I loved watching these again. It is difficult to believe this happened eight years ago today. I don’t know about anyone else but it only feels like a few years ago at most. Crazy, right?

-R

Duran Duran, Ronson, and Smirnoff – what’s not to like?

It’s Tuesday!

Here’s the real deal: as you are reading this, I am in the middle of a drive up north…but I couldn’t very well leave you all hanging without a blog for today, could I?

Today marks a special anniversary of sorts. On YESTERDAY’S date in 2008, Duran Duran played a show called The Smirnoff Experience at La Cigale in Paris with Mark Ronson as a special guest. It is one of my favorite shows – one I wish I could have been at (and I know many of you reading were probably in the audience!).  There are a lot of reasons why this show is among my favorites – Smirnoff VODKA…. Mark joining Duran Duran onstage is certainly special, I love the jamming that Mark does with Dom, and the band seemed like they were on fire that night. I think Amanda might be lucky enough to have the entire show on DVD, which is how I saw it to begin with!

I searched online and found the show, or parts from it anyway, on YouTube. So, here you go!

 

 

Enjoy watching!

-R

Personal Jesus 2011 by M.A.N.

In my quest to find something worthy of blogging about today, I stumbled across something by chance that I’d forgotten about. Did you know that “Personal Jesus 2011” by Depeche Mode was released on YESTERDAYS date (in 2011, of course!) featuring production remix by none other than Nick Rhodes?

Forgive me, but I don’t even remember this happening. I’m sure I must have heard about it at some point, but now I’m driven to find a copy somewhere. I researched it online, just in case I was mistaken.  This is an EU 5-track pressing of the 2011 remix version of Personal Jesus. Nick, along with a certain Mark Ronson and Andrew Wyatt (they call themselves M.A.N.) produced one of the remixes of the track.

With that info in hand, I moved on to YouTube, and luckily – I was able to find it. (I’m convinced I can find just about anything on YouTube!!)

I’m not going to review it after only one or two listens (been there, done that….learned my lesson EXTREMELY well, thanks.), but I will say that I had absolutely no trouble recognizing the obvious influences, and I liked it. Very much. I loved the way they put their own stamp onto the song without changing the spirit of the music.

Ok, I can’t even follow my own rules. Never mind. Here’s the link. Check it out for yourself. I dare ya not to buy it if you don’t already have it, and shame on me for missing out the first time!

 

One more note: here is a very good reason why we do the day in history. We learn, and maybe…you learn a little sometimes too.

I’m off to work. It’s my very last day. I’m sad to say goodbye to the kids and my coworkers, but I’m also super excited to be done for now.  I’m hoping to focus on getting this house packed up, and spend some time up in the area we’re hoping to move. I’d also like to do some writing and reworking of this website during the fall and winter. Time is short, gotta run!

-R

Miami Live Stream Reactions

Wow.  Today has gotten away from me.  After finishing up grading papers, ordering Christmas presents and doing some household chores, I realized how late it was!  On to bigger and better things…did you get a chance to tune into the Duran show in Miami for SiriusXM last night?  I did!  I have to admit that it increased my productivity significantly, which is probably why I was able to get through all my grading!  That’s the solution to my problem!  Let’s have Duran play live every night with a live stream in order to get through everything I need to do. I love it!  On top of my efficiency, what other reactions did I have?  Here are my very random thoughts, in no particular order.

Super Small Show:

Based on the pictures of the venue and the pre-show with Lori Majewski and Richard Blade, it is clear that the venue was ridiculously small.  I think they said something about how the capacity was around 250 before they added the mixing board.  Wow.  Lori commented about how she had never seen them in such a small place and how Simon would be able to see and touch each member of the audience.  I am right there with her.  I, too, have never seen them in such a small place.  The smallest place I ever saw them  probably held around 1500-2000 people.  Obviously, I, for one, would love, love, love to see them in a venue this size.  I haven’t had a chance to see/hear from anyone who was there, but I have to wonder.  Was it amazing?  Was it everything you thought it would be?

Live Stream:

As I stated earlier, I loved that the show was live streamed for all of us to enjoy.  That said, it only made me want to see them live more.  It felt like a giant tease to me.  I could sense the performance, the crowd, etc but it felt removed, through a filter of some kind, something.  As someone who knows the power of Duran’s live show, it left me aching for the real thing.  Sometimes, I could hear the crowd and sometimes I couldn’t so I couldn’t get a proper read of how the show went.  For example, Simon encouraged the crowd to chant, “play the f’ing bass, John,” during the intros and I didn’t hear anything.  I assume that some fans there were chanting but I don’t know.  Likewise, I kept wanting to turn up the volume to get that all encompassing feeling that I get at a live show but couldn’t get there.  Needless to say, I suspect that I will really let it go with excitement in Vegas.

Set List:

I have heard that some fans were annoyed by the lack of set list changes as they played pretty much what they had been playing in the summer/fall with the exception of having Mark Ronson join them for Pressure Off (with a little extra of Uptown Funk.  How cool!).  I have two thoughts on that.  First, this show, like the ones coming up in Vegas and Dubai, are not officially part of the Paper Gods Tour from what I understand.  They are not part of something new either.  I wouldn’t want something brand new to be attached at the end of a big tour.  I would want something new as part of a new cycle or as part of some anniversary celebration.  These shows are not that.  Second, and probably more importantly, I could complain about the set list until the cows come home, but I won’t..  (For the record, people, when I left a note about Planet Earth, that was a joke.  A joke.  I was not really mad or upset.  I just wanted to give a little grief.  For fun.)  It just isn’t worth getting upset over.  Right now, at the end of 2017, I have WAY bigger issues to worry about.  I go to Duran to have fun, to escape from real life, etc.  I no longer want to ruin that fun with complaining about the set list.

3 Week Countdown:

Speaking of that escape from real life, I leave for Vegas in less than 3 weeks.  I’m not ready.  At all.  I have some idea of what I will be wearing but not totally.  My travel plans are generally set.  But the tour binder has not been started and won’t be until the Christmas to do list is done or until winter break starts.  Needless to say, I’m not feeling very ready.  On the other hand, as my friend, Suzie, said last night, she is starting to get that Duran feeling.  Last night, I felt that, too.  My excitement level increased dramatically!  I have started a countdown!  I cannot wait to see my friends, to exchange gifts with Rhonda, to forget about reality for a few days.  Our Late Bar party should be a blast, too, for those coming to the area for the show.  Details can be found at our event page here!  All in all, it should be an amazingly fun time!  I cannot wait!!!  I hope the city and the band are ready for us!!!

-A

Mark Ronson Adds Simon to his Record Collection!

September is winding to an end, and one thing I tend to remember about this month is that a few years back, I went to go see Mark Ronson & The Business Int’l at Club Nokia in LA. It was on this day in 2010 that the album Record Collection, which featured Simon LeBon (on the song of the same name), was released.

At the time, Duran Duran had not yet released All You Need is Now, and fans were chomping at the bit for any piece of new music they could get their hands on. They weren’t alone, as I listened to Record Collection over and over, and yes—even the song was on repeat.

Ronson’s show at Club Nokia was great. It was the first time I’d ever seen Mark live, and I also got to see MNDR that night as well. Who knew that several years later, I’d see her again when she stood in for Nick Rhodes and performed with Duran Duran?!

BTW – I completely screwed up yesterday’s blog, and I apologize for that. I have no excuse, other than I thought I was reading dates for September on my calendar, and instead, I was knee-deep in August and didn’t even notice. I’ll try to be more careful.

-R

Happy Birthday Ask Katy, Mark Ronson & Google!

Happy Monday!  So many birthdays in Duranland, beginning with Katy Krassner!  That’s right, Duran Duran’s own Ask Katy is celebrating her special day today, and considering all of the hard work she does for the band as well as keeping the fans feeling connected and up to date – we hope she has a wonderful and restful day! We appreciate everything she does for the band, and it helps to make this world a little friendlier and nicer.

Sharing this date with Katy is also Mark Ronson! (I did not know that!) Mark has done fantastic work with Duran Duran over the years, and I personally thank him for keeping the band true to themselves, but also giving them space to continue exploring new sounds.  It is a delicate balance, and I can certainly appreciate the time and tenacity involved all around. Happy birthday Mark!

Lastly, a little less “connected” to Duran Duran, but vital in every single way – Google turns 19 today. Do you remember life before Google??

It’s funny because just yesterday my husband Walt and I were talking about the web, circa 1995-ish. I can remember working for a company who had just started developing a web page, and the owner tried to explain to me what the web was all about and how it would work. Fast forward about two years, and we had America Online (AOL) at home as our ISP (Internet Service Provider). I can remember the cumbersome method of using the modem to dial in and then hoping I’d get a good connection and keep it!  I think the dial-up modem noise, along with the AOL “Welcome!” greeting, are almost Pavlov’s Bells to anyone from my generation, as a result. Anything I needed was found within the AOL platform though, and as Walt continued rebuilding and upgrading our computer (it seemed like he was constantly doing that!), everything grew faster and faster. Then, around 1998, things started moving from AOL platform to the internet itself. I couldn’t just get on AOL and find the message boards I wanted anymore. At that point, I was dialing into AOL, and then from there I clicked on internet explorer to be able to search for websites. And at that point – there was Google, ready to be used.  And not much later, no one needed AOL as the go-between, we could simply have our own internet connection directly from our computers – and no more dial up modem noise.

Google was just one search engine of many at that point. Yahoo, Alta Vista, WebCrawler, infoseek and Lycos are a few that I remember, along with of course, Google.  Over the years since, many of those first search engines are either gone or they’ve completely changed their business model. Google, on the other hand, expanded. They’ve bought (and sold) companies, and they continue to grow their business model to suit the ever-changing world.  Google is a permanent part of our vocabulary (“google it!”) in the same way that if you’re from the US, a bandage is a “Band-Aid”. It would seem they are here to stay, and it will not be long before most people don’t even realize there WAS an internet before Google, and that once upon a time, all Google did was search for terms!

Google is important to Duran Duran’s history because I’m betting that many of us used it right about the time the reunion of the original five members was announced. We searched the web, looking for information, looking for groups, message boards, websites, and anything we could find – at least I know I sure did! To this very moment, I don’t think a single day goes by when I don’t use Google to find one thing or another, and yeah—a lot of the time it has something to do with Duran Duran. The internet (and Google) has changed our world, both as Duranies and as people.

Makes me wonder what the next nineteen years will bring.

Happy Birthday, Katy Krassner, Mark Ronson and yes, Google!

-R

 

August 2017 Katy Kafe with Simon!

I took some time this morning to listen to the August 2017 Katy Kafe with Simon.  It was a very different sort of Kafe from any other I’ve listened to over the years in some respects, and I would encourage any other Duranie to take a listen. If you really want to know who Simon is – not the guy who just performs on stage and looks great in the photos – but SIMON himself, now his your chance. As always, these are the highlights, but if you want to hear the Kafe for yourself, you should get a DDM membership.

Simon’s Mom

There is just no way to get past the deep sense of loss in this Kafe. The Simon we hear is not the bright, happy, caffeinated or energized Simon that normally shows up. He is dealing with one hell of a loss, and as he correctly says, “I will never get over it, I just have to get used to it.”  That is absolutely, 100% correct. There are still days,  nine years after we said our goodbyes, when I desperately need to talk to my dad, and I can’t. The pain is still ridiculously present, and sometimes – particularly in those moments (like yesterday afternoon) when I really needed him – the pain rises right back to the surface. It is very hard, and he is right, there’s no way to prepare for it. I don’t know if Simon’s mom was ill like my dad was, but even though I knew what the inevitable end would bring, the finality is just unbearable.  It’s permanent.  This is not a club that anyone wants to join, and I wouldn’t wish it on anyone, either. It’s inevitable, but nobody wants to be here.

It’s very hard (and yet easy at the same time) to pretend I’m reaching out to Simon somehow on this blog – I mean, the audacity of me to assume he reads, right? I would just want him to know that I get it. Many fans do. And I still think he was incredibly brave to stand up on stage and sing Ordinary World. I could not have done it. I have a hard enough time baring my soul through my typed words, much less showing them live, in person. I couldn’t even look at him while he sang – too painful.

I also felt that while Katy was sympathetic, she was uncomfortable and wanted to move on to easier subjects. I’m sure she wanted to protect Simon’s feelings, and let’s face it – Duran Duran is supposed to be a party band and it’s hard to portray that when the lead singer sounds depressed.  The balance between real life and stage, I guess.

360 Videos

Did anyone see the videos the band posted for Duran Duran Appreciation Day?

Paper Gods 360

Hungry Like the Wolf 360

They are worth watching, but unless you have a VR headset, your best bet for watching is your phone. Pull up the videos, put them on full screen and watch with your phone horizontally.  Can I just say that it’s kind of cool to be able to see yourself in the audience? It’s like having an out-of-body experience!

I actually have access to a VR headset (special shout out to Gavin for letting mom borrow his!), and watched the videos. Gavin’s headset is  an early version, so it’s a bit wonky, but I got the general idea.  Normally I would have almost zero interest in that sort of thing, but it’s Duran Duran, and how often am I really going to be able to be IN one of their videos?  Definitely worth watching!

Simon, on the other hand, is not really into VR. He prefers not to worry about cameras when they are filming, because he sees his job, every single night, as playing for the people who paid to see them. He feels strongly that when the band films, the cameras have to fit in with that environment, and not the other way around. The rapport has to be with the audience, and not the camera.

Work with Nick Wood

Early this summer, Simon went with Nick Wood to Cannes for a conference/film festival for commercial music.  They gave a talk, and  filmed a video for Closer to my Bed. Syn also won an Emmy for a spot they did on CNN.  Not bad work for a Duran Duran “break”!!

Coming to the end of Paper Gods

There are seven more dates, including Croatia, Ireland, Italy, Singapore and Japan, and then the Paper Gods album cycle and touring will be complete. Simon sounds bittersweet as he describes this album as being the most exciting in years, and certainly “the best since Rio”.  He talks about the huge success they had with it in the US, but that he is sad they are not taking the tour to Australia. (according to Simon the dates just never worked out)

Katy asks Simon how he closes out a project, whether or not he reflects or looks to what is coming next.  Simon responds by saying that something isn’t “done” until it is done, and then whatever is coming down the road isn’t here until it gets here. He says it is important for him to have clear lines, and I think staying completely present in the moment he is in must be what guides him, as well.

So what IS going to be next for the band?  Well, they have some time blocked out to be in the studio “quite soon” after touring. Of course in one breath Simon says that, in the next Katy says that she is “sworn to secrecy” about that studio time – and Simon tries to back up saying “they MIGHT” go in the studio. Sounds to me as though they’re going in the studio for sure, but that no one really knows what, if anything, might happen when they’re in there.

Katy asked about working with collaborators, like Mark Ronson, Ben Hudson and even Nile again. Simon sounded like he was enthusiastic to work with Ben and Mark for sure, but as we all know – it’s the beginning of who-knows-what. Chances are, everything will change and turn completely on its head before it is all said and done, so I caution: nothing is in stone until you’re holding whatever will come next in your hands. Consider all possibilities, but hold the band to none.  🙂

Let’s face it, Duranies, we’re at the very end of what we know. Going forward from here, it’s like winter. We don’t know how long it might be, but we should probably get used to the quiet.  At first, we’ll all enjoy the novelty of peace.  Maybe staying in won’t be so bad.  But then January hits, and the cold really sets in. We start to get tired of looking outside and seeing the snow drifts only growing higher.  From previous experience we know that when spring arrives, it will probably be glorious and colorful, but it’s now March and there’s no sign of green grass yet. How long is this winter really going to take??

Yeah, I hate this part too. It makes writing tough. I get impatient, but this time, I’ve sworn not to push. I’m going to just enjoy the ride and let the rest work itself out.

-R

 

I’m Making a Break

Today is one of those days.  It is a day in which I just find myself sitting in my living room, unable to write anything on a blog post.  This does not happen to me much.  I always have something to write about, right?  In fact, I have a list of blog topics that I keep around.  I have been doing a lot of reading surrounding female fandom lately, which is bringing up a ton of topics to write about.  Yet, none of the topics on my list are motivating me right now.  I’m just not in a mood to think that much.  Call me exhausted and needing a break, I guess.

What am I going to do with blog then?  I’m not sure.  I thought I might do a little YouTube cruising and see if any Duran clips catch my attention.  Perhaps, I find some ones that I haven’t seen before that I can share with all of you.

I started out by checking out the videos “recommended” to me!  Sure enough, right away, I saw this clip, one I had never seen before:

This clip made me laugh!  As you see here, Simon and John certainly were laughing during this interview.  John tells a story about his dad pointing out that he is “thinking a lot more now” and Simon addresses the sexual nature of the song, “Big Thing.”  The interviewer says that parents must be super concerned about this “rougher” Duran Duran.  My reaction.  Huh?  The album, Big Thing, was rough?  Bad boy like?  Really?  Of course, the interviewer’s concern about parents says to me that she is making a big assumption that the band’s fans are all kids.  Now, I was a kid still in 1988 but a lot of Duranies were grown people.  Annoying.

Then, I found this gem:

First of all, they are babies.  Babies.  So young.  What is interesting to me is the focus, still, on their looks over the music.  People, even then, seemed to think that all they (and/or their fans) cared about were the band’s looks.  Beyond that, I was entertained by the kids and all of the various things they were doing behind John and Simon’s backs.  I wonder what those kids thought of themselves years later.  Funny watch!

Here is another 1981 clip:

Here’s what I really want to know.  Perhaps, someone from the UK can explain all of the shows with little kids present with rock stars or famous people in the early 1980s.  It is so weird to see the band so young.

Then, I found this clip:

I almost turned this off until I saw the dancing.  Oh, for the dancing.  Seriously, watch until at least 1:45.  Simon has some moves.

While I feel like I see most interviews/clips that come out these days, I love when I find that I missed one.  Here is a clip of the band winning a lifetime achievement award in 2015.

Simon’s speech is touching but I really related to Mark Ronson talking about being a kid and hearing the Reflex.  “And that’s what I want to listen to for the rest of my life.”  That’s my life.  Exactly.

Clearly, I could go on and on and on and on.  Yet, I think that awards clip is the perfect place to end my search, my viewing, this blog post.  Watching these clips was exactly what I needed today.

-A

Notorious & Wild Boys by Steve Malins

Do you like to read books about Duran Duran?  It is probably not shocking that I do and always have.  Looking back at my childhood, I remember reading and rereading and rereading paperbacks about Duran, such as Bop Magazine’s 700+ facts.  These days, the books and magazines surrounding the band are a little more sophisticated.  Obviously, fans who like to read have been lucky enough to enjoy both Andy and John’s autobiographies in recent years.  On top of that, in 2005, an unauthorized biography called Notorious by Steve Malins was published.

As I’m sure you are not surprised, I read that book as soon as I purchased it and have even read it more than once since then.  Rhonda and I have had a few conversations about the book.  In general, I think the book is stronger in the beginning, about the band members’ childhoods and the early days of the band.  As the book moved closer to current day, the sources were clearly all secondary sources, meaning that the information came from published articles, etc. as opposed to any real life individual.  This, of course, is common with unauthorized biographies.  The band did not share or get interviewed for the project.  I would say that in many cases the information in the book is common knowledge for many Duranies.

That said, when I saw that there was an updated version out, I had to pick it up.  The updated version, called Wild Boys, contains an additional chapter, surrounding both the Red Carpet Massacre era and the All You Need Is Now cycle.  What did I hope to learn from this additional chapter?  I won’t lie.  I hoped to gain some insight about Andy’s departure as well as behind the scenes for Red Carpet Massacre as I suspect that there is a lot more that went on that fans have been in the dark about.  What did I find out?

Andy’s Departure:

Interestingly enough, the book dedicated about two paragraphs to Andy’s departure.  Literally, it mentioned that the album, Reportage (the one Duran wrote and recorded after Astronaut but shelved), was stalled by “legal issues with Taylor”.  I’m not sure what the source of that was.  The author describes reports about the album that claim that the album was “edgy and contemporary”  (Malins 283).

Then, in the next paragraph, Andy’s departure was summarized by describing the official press release on the band’s website as well as how Andy described it in his book.  According to this book, the band claimed that there was ‘an unworkable gulf’ and Andy suggested that there was tension between him and management.  Clearly, I was hoping for a lot more as I knew both of those statements already.  I read the official announcement when it was posted in 2006 and read Andy’s book as quickly as it came out as well.  Now, I realize that an unauthorized biography will not have as much insight as an authorized one where the author is getting the scoop from the celebrity him/herself.  That said, I am surprised that there was not even any speculation on the author’s part on how this major personnel change would affect the band.  Instead, there was no analysis, just those statements.

Despite the lack of analysis on Andy, the author does mention Dom Brown a number of times.  The first time was right after talking about Andy’s departure.  Here the author says, “Duran Duran soldiered on by installing Dom Brown, who had toured with them before, as their new guitarist.  He has remained with them ever since, playing an increasingly valuable role”  (Malins 283).  Later in the chapter, Dom’s contribution is described during the writing and recording for All You Need Is Now, stating how he co-write most of the songs on that album.  What I found fascinating by this is that if I didn’t know better, I would read this chapter and assume that Dom is a permanent band member.  Yet, that is not the case.  He is in some weird limbo between a touring guitarist and a band member.  Malins does not explain that at all.  Likewise, there is no explanation of when and why Dom toured with the band before RCM.

Red Carpet Massacre:

As for the album created following Andy’s departure, Malins chose to focus on an article/interview from The Quietus that came out, not during the RCM cycle but afterwards during AYNIN.  According to that interview, Nick stated how they knew that RCM would be a risk with the fans.  Simon followed by stating that the fans left “no doubt” about how they felt about the album (Malins 293).  Again, though, outside of the quotes from the band, there is little explanation about why the fans might not like RCM.  On top of that, as someone in the fandom at the time, those brief statements don’t really explain what was really going on with the fans at that time.  It is and was far more complicated than that as many fans actually liked it, creating a wide division within the fan base.

All You Need Is Now:

The focus of the All You Need Is Now discussion surrounded Mark Ronson’s vision for the album and the Girl Panic video.  On one hand, I always appreciate reading and hearing about how Mark is a fan and pushed the band to really try to embrace their true selves and to occupy their rightful place in the music industry.  On the other hand, I am not really sure why there was so much focus on the Girl Panic video.  While I get that they used models who were pretending to be the band, I still found the discussion about it superficial.  Why did they use models?  I don’t know.  Why did they show fame in the way they did with luxury hotel living, fans surrounding them, bottles of champagne, etc?  I don’t know.

This, of course, is the argument I make about the entire project.  I want more of an in-depth, behind the scenes sort of analysis.  Perhaps, my frustration is unfounded.  I already know a lot about the band so I didn’t learn anything.  Others reading this book might learn a lot.  For them, maybe, the book serves the perfect function.  It does give a rough outline about the band’s history from formation through All You Need Is Now.

Has anyone else read this book?  What did you think about it?

-A

Malins, Steve.  Notorious.  London:  Andre Deutsch, 2005.

Malins, Steve.  Wild Boys.  London:  Andre Deutsch, 2013.