Tag Archives: Mark Ronson

Just An Hour To Go

Now the day is over

I think it has taken me a full 36 hours or so to completely reign in my thoughts on the show at the Kennedy Space Center. I don’t think Katy was wrong when she said the set and show would be “out of this world”. The band added “Anyone Out There”, “Astronaut” and even “Walking on the Moon” by The Police to an already fantastic set list that included a lengthy intro to “The Universe Alone”. If the ethereal, delicate beauty of drones hovering overhead didn’t send chills down your spine, then surely combining the choir and orchestra to Duran Duran’s already near-perfect sound gave you goosebumps and made your hair stand up on end. At least they did for me, and I was at home watching a pixelated stream with far-less-than-adequate audio!

That evening began with a series of clicking links that didn’t work for me. I didn’t even think I’d be able to see video, but then Studio Drift streamed their drone performance. Granted, they only showed their pertinent portion of the evening, and after that I was desperate. I’d tune in to one stream only to find it wasn’t working properly, then try another. There might be sound, but no video…or vice-versa. Where could I see more? Thankfully, social media never disappoints! Duranies in the know were pointing everyone else in the proper directions. I was sent a link to another kind soul who decided to live stream the entire gig. I was thrilled, even with her apology that there might only be sound because the view from where she was standing wasn’t that great (her words). I couldn’t have cared less, I was overjoyed to be able to even see a tiny bit of the show – and I had no trouble hearing what the band was playing, even if the quality wasn’t perfect. That certainly didn’t stop me from tweeting in awe over what was happening in Florida.

I tried to phone last night

For me, that was the best part of the evening – even from home. Of course the show was stunning! I loved seeing the overall view of the rockets, the stage, and the crowd, combined with the music I know and love. Simon really made the show special by talking about the astronauts and the space program. The ambience was just about perfect from my seat. What topped it all off, was that even here at home as I sat by myself in a barstool at my kitchen island, I wasn’t alone. My friends and I tweeted back and forth. Amanda and I texted. There was laughter, and yes – even giggly joy. You can’t really beat that! I mean, if I can be here at home, about 5,000 miles from the gig itself, and still feel like I’m amongst friends in the audience, that’s what it’s all about.

I’m still a little stunned, or in awe…or something like that. I’m not one to sit down and watch video after video clip from a show. I have friends who have sent me videos from concerts I’ve attended over the years (and a lot I have not), and while I might watch a clip or two, I don’t spend a lot of time doing it. normally. Since the KSC show on Wednesday, I’ve SCOURED the internet, looking for any and all videos I can find, particularly of The Universe Alone – a song that I have had a love/I’m-really-afraid sort of relationship with since it came out. That changed on Wednesday.

Here’s a link to some amazing footage. I can’t stop watching it. I might need help.

You didn’t answer

I will never again listen to “The Universe Alone” without thinking of those gorgeous drones in the sky. It was like watching the stars, or a sea of fireflies, dancing in the heavens. I loved it, and hearing Simon’s voice – perfect and clear – singing the verses to “The Universe Alone” nearly brought tears to my eyes right along with all the chills I’ve come to appreciate in response to an outstanding performance. I know there’s some outstanding, multi-camera video footage out there, and I know I’m not alone when I cheer loudly in hopes of a video of the full performance to be released!

Seeing the show that night made me all the more excited for what is to come – and I don’t just mean the September shows.

(Although, I would like to reiterate the formal request I made on Twitter that Duran Duran put “Anyone Out There” in the setlist for the September shows and beyond. Pleasethankyougoodbye).

It makes ya kind of wonder when we might hear new music from the band, doesn’t it?

Look out of the window maybe you can call by my name

It does me too….which is why I nearly fell out of my chair when I read a recent article published on Playlist, a magazine website from Mexico. The short piece is in Spanish, which remains the one language I read pretty well outside of English (speaking it is another story. Conjugating verbs on the fly is not one of my gifts…) But even so, I thought I was misreading things, so I sent it through good old google translate. Turns out, I wasn’t.

According to the article, the band already has a song in mind as a lead single. Lead what?!? Here’s the translation for those who want the short “executive” version of the full article: “So far, there is a song that is the main one to be the first single. It’s so different from anything you’ve heard from us before, or really from anyone else. There is a dancing element. The construction, the melodic content, the lyrics, some of the sounds … are very different for us”

I’ll give you a minute to absorb that. Meanwhile, here’s the link, read it yourself:

http://www.playlistmag.mx/2019/07/duran-duran-anuncia-nuevo-album-con.html?m=1

My face in the mirror shows a break in time

Anybody else have the feeling that this band has been working on the album more than they’ve kind of let on??? I honestly thought they must still be at the stage where they’re just jamming in the studio every few weeks, hoping for something to gel.

(ok, I was going to write “months” in that sentence, but that seemed too negative. Typing “weeks” seemed more optimistic and hopeful!)

This kind of talk regarding singles makes me wonder if I’m just going to wake up one morning and the band is going to be like “Surprise, we’ve released our new album and we’re going on tour starting tomorrow!! Pre-sales started at midnight and you’re already too LATE!!”

New album – ok.

Tour – that’s fine….I guess? I mean, it just seems a bit rushed!

Presales starting without notice….while I’m sleeping?? That’s stuff right out of my nightmares. Some might say that this is the obvious next step for a band who likes to give less than 48 hours notice for presales.

A crack in the ocean, which does not align

I also have to wonder if this story about singles is even true. Not that I think Nick told a big fat fib, but that perhaps the magazine misquoted him. I mean, it’s the only place I’ve seen anything mentioned about actually having songs written! Can it really be?

If it’s true, then I’m still thinking about the description. I’m not surprised it sounds nothing like anything they’ve done before. After all – this is not a band that likes to revisit. It’s all new, all the time. I’m still shocked that they think they’ve already got the lead single. I say “already” because in my head – this album process just started! I can’t seem to wrap my brain around anything else.

I think back to pre-Paper Gods. For me, those days were torture, and I wasn’t in the band or even on their team. I was just a bystander. A blogging bystander. Every month felt like another year. (I’m exaggerating here because I have a flair for the dramatic, you see…) I wanted them to hurry, hurry, hurry, and then get back on the road so we could have more fun! This time, I’ve been pretty damn patient, I must say. I was busy. There were boxes being packed, and unpacked. I moved. I raised chickens, built a chicken coop, and apparently became a bit of a farmer. What???

I sound like I’ve retired, which I have not.

I’ve caught your dreaming

There were shows, which honestly – kept me going even during some really dark days. I couldn’t tell you how long the band has actually been working on this album because – news flash – I don’t even know! Interesting. Well-played, Nicholas… and of course the rest of you. You got me this time. I did see comments on Twitter in reaction to another interview posted somewhere, and apparently Nick said they’re shooting for late spring of 2020 for new music to be released. To be completely honest, I discounted that information.

On one hand, it *was* Nick who was giving a target release timeframe. If it had been Roger…I’d have laughed quietly and said, “add on another 12-18 months on that!” Sorry Roger…I kid, I kid!!! In all seriousness though, I read the tweets about it and thought, “Yeah, we’ll see. Late spring of next year? Yeah…..I’ll believe it when I see it!”

Not that I don’t trust this band. I do. I believe they will eventually release new music. I just suspect I’ve got all kinds of time to wait and be patient, maybe build an animal paddock, and begin raising goats and sheep along with my chickens.

I really do sound like I’m a farmer.

Have a great weekend everyone!

-R

March 2019 Katy Kafe with Simon

Hi everyone! Happy Tuesday! Just before going to bed last night, I went through the Daily Duranie inbox. It isn’t often that we get extremely pointed reminders from anonymous people, but last night, we did. To be fair, I was happy to have the reminder! I FORGOT THE KAFE! Oops!

Yesterday was crazy, involving now 4-week old chickens figuring out how to fly up and over their 3.5-foot high fencing. Essentially, they were then having free reign of the room where they are currently located. They’re not old enough to be outside of their brooder (think baby crib for chickens!) just yet. I’ll bet none of you can imagine my reaction when opening the door to find a REAL Late Bar party going on amongst the chickies.

My life. I have to laugh. Why would I expect anything less than “baby” chicks escaping??

Anyway, I’m back on my game, the chicks are safely in their appropriate brooder, and I’ve listened to the Kafe! Below are the just the highlights! If you want to listen to the entire Kafe (and you should!) we at Daily Duranie highly recommend getting your own DuranDuranMusic.com membership!

Simon is sick with a cold right now – mentioning that he is bringing a Virus to the Kafe. As am I (Bringing Virus, that is.)

At some point, he starts singing some crazy little tune I don’t think I’ve heard before. That’s only after going after his cat – who is trying to get into a room that is off limits.

Sounds like my house on any given day! First it was dogs and cats, now it’s poultry. I don’t know people…maybe I should start singing crazy obscurities too. Moving on.

Studio time with Mark

Thrilled that Katy asked about the band being in the studio with Mark back at the end of February! After the Vegas shows, and just after Mark won an Oscar, they met in a Los Angeles studio. They did some writing with not only Mark Ronson, but also Lykke Li and Graham Coxon.

It was the first meeting of Graham and Mark, as the band introduced them that day. According to Simon, they did a lot of work – and now it is about seeing how much of it they will actually use. It did not sound as though Mark is acting as the only producer, or even as a producer at all, but rather more of a collaborative writer. although Simon did not go into a ton of detail. As Simon explained, while it sounded great, it is very difficult to discuss the songs because so much changes over the process of writing, recording, etc.

It would be a good reminder here that thousands of hours can go into recording for an album, and only a small percentage may get used. Having your heart set on Mark, or anyone for that matter, being the producer or working with the band on what ends up as the finished product is setting yourself up for certain disappointment. Keeping an open mind is prudent!

Rock and Roll Hall of Fame

So, anyone hear that Simon and John have the distinct honor of inducting Roxy Music into the Hall of Fame? The ceremony, which is to take place March 29th at Barclays Center in Brooklyn, New York, should be interesting this year. Roxy Music, Janet Jackson, The Cure, and even Def Leppard (not to play favorites but those are the few I remember off the top of my head) are being inducted this year. I’m looking forward to watching the ceremony at some point.

Simon says he is flattered and very honored to be inducting Roxy Music, as they are crucial to Duran Duran. He feels as though it is a huge responsibility to make sure they are given the credit that is due. He and John will deliver a speech (usually these are incredibly impassioned, and honestly – they are what make the ceremony special, in my opinion). Simon says that John is mostly working on it because he is a massive fan. He has never been to an induction ceremony before, so I’m curious to hear what he thinks of it all after he’s gone.

February Mini Tour

Loved hearing Simon talk about the mini-tour. He commented that the show in Miami was just “okay”. They hadn’t played a 90-minute show in about 18 months (since Japan). I know we had discussions about the length of their set several times during the mini-tour. There were critics who mentioned it as well – to which I responded in a blog right here. Listen, I’m a fan – I would love a four hour long set complete with an intermission! However, this band is made up of humans, not machines. I don’t know how people like Elton John or Paul McCartney do a 3 hour show every night. Maybe they rehearsed for months beforehand, conditioning themselves?

I just know that when Simon feels like he’s got to comment on a Kafe that it has been forever since they played a 90-minute show that maybe, just MAYBE, we need to cut them a little slack. He said that Miami wasn’t that great – I believe he used the word, “okay”, but that they got tighter in Cayman and by the time they hit NOLA they were feeling good and the show felt smooth.

I can understand that, too. Duran Duran doesn’t rehearse a ton. Now, we can certainly have a discussion about whether or not that should be happening more regularly; however, the bottom line is that this isn’t a band that rehearses for months or weeks on end before a tour begins. As they perform shows, they play tighter, and smoother. That’s the way this band rolls!

The set

As we know, they added in a few extras to the set this time around. Seventh Stranger, New Religion, Tempted, and even Friends of Mine. For long-time fans such as myself – this was a dream come true. Simon commented that they like to change things up. “We have quite a huge catalog to choose from, and it would be a real waste to stick to the same 18-20 songs.”

Yes, yes it would.

What I found particularly interesting here though was that Simon said they tried to make Seventh Stranger sound more modern. This was after saying that if they’d written that song today, they would have done it very differently. I don’t know if he felt the song was incredibly dated as is written – but let’s be fair to ourselves a bit here. It was released in 1983, and one can assume it was written at least several months (if not a year or more) prior. Simon followed up by saying they performed it by using the musical technology available today as opposed to the way it was in 1980-something.

A word or two for Simon

Nick tried to get Simon to lip-sync to the video on the screen, and I got the feeling that Simon wasn’t sure if that worked out right. Let me clear that air for him by speaking to Simon directly here. IT WAS FANTASTIC. I can imagine performing it that way, and trying to stay conscious of what was happening on screen might have felt weird, but the full effect of seeing you at 20-something on the larger screen and then right in front of me singing in person blew me away. I’m not a very emotional person (I cry in private thankyouverymuch), but that performance took everything out of me. It was an incredible five minutes that I will never forget. I am not the only one, either. The audience was filled with people sobbing just like me.

That doesn’t happen without a lot of magic, my friend. And that’s what that song and performance(s) were like. Magical. Don’t downplay it, and take my word for it. I can be incredibly hard on this band, but those performances contained some of the moments my heart was craving most. I feel lucky to have been there.

And if that weren’t enough….they announced they’d be playing at Tinderbox in Denmark this year, and Katy says “there may be more this summer”. Stay tuned….

Record Store Day 2019

It is exciting to hear that As the Lights Go Down will be available on pink and blue vinyl as Duran Duran’s RSD offering this year. Humorously though, Simon says he doesn’t remember even recording it. Not a single thing.

I’m sure there’s a joke in here about drugs in the 80s and 90s, or age….but I’m gonna just let it slide for now. (after all, I can remember the words to every Duran Duran song, but can’t remember where I put the TV remote. It was in the cupboard this morning. So….)

He does say though that when he gets his copy, he’ll “give it a go”.

Well, alright then. Just maybe then I will, too.

Simon will be back during the summer, and I can hardly wait to hear what obscurity he’ll sing.

As for me, I’m off to check on some very loud squawking I hear. I can only imagine what I’ll find this time.

-R

John on Jonesy’s JukeBox

Did you know that John Taylor was recently on Jonesy’s Jukebox? This, of course, is the radio show hosted by former Sex Pistols’ guitarist, Steve Jones. If you know your Duran history, you also are familiar with the fact that Steve and John played in Neurotic Outsiders together in the 1990s, one of John’s side projects. Every time I listen or watch the two of them interact, their friendship and affection for each other is obvious. This most recent video is a good example.

Of course, I wouldn’t be me if I didn’t comment on a few parts of the video. First, I love how excited John clearly is to go to the Rock ‘n’ Roll Hall of Fame ceremony in order to induct Roxy Music with Simon at the end of the month. The love he has for that band is obvious and I so appreciate the fact that John, even with all of his fame and legions of fans, is still a fan himself.

Then, I love that Steve Jones is trying to raise money for St. Jude’s for children with cancer. As John stated, it is a “no brainer” and a great cause. My mother is a breast cancer survivor so this is a cause that definitely speaks to me.

If all this wasn’t enough, John did give a brief update on the studio work the band has been doing. He spoke about Mark Ronson. The idea of Mark being in the studio with the band is one that excites quite a few Duranies. John did not specify his exact role and how much he will be doing with the band. I, for one, am happy that he is there and I will take however much he actually does. I refuse to get my hopes up too much as I am well-aware that Mark is highly in demand and that lots can change between now and a finished product. That said, the idea still makes me smile.

On that note, what did the rest of you think? Did you enjoy John’s appearance? What caught your attention?

-A

Don’t You Worry

‘Fore you know it

Happy Thursday everyone! We’ve almost made it through the week! Just last Thursday at this time, I was waiting for my ticket counter to open so that I could get my boarding pass for Vegas. Time flies and all that…

This week has flown by at such a rate that I have to keep reminding myself what day it is! I kind of like it that way. I’m busy, and as it turns out….so is Duran Duran.

Just believing

Yesterday was apparently a very productive day for our guys as they met with Mark Ronson(you know who this is)…and Lykke Li (she is someone John has mentioned several times – check her out!)..AND Graham Coxon (Blur)…in a studio. DDHQ tweeted a photo or two using the #DD15 hashtag, and Mark Ronson mentioned it as well.

What could it all mean???

Many Duranies are ready to throw parties, assuming this must mean Mark is producing the next album. Others are retweeting the photos citing that DDHQ *said* it was for the next album, so that must be the case. It is written in stone now, because DDHQ tweeted it.

I know a similar saying that goes a little like this, “I read it on the internet, so it MUST be true.

Trusting instinct

I’m not saying DDHQ is telling fibs, but I am going to go out on a limb and say that they’re doing their job. PR is a thing. Keeping Duran Duran in the news, being talked about, having photos shared, etc….is important. However, we don’t even know if any of this is going to be an actual album. The band hasn’t even committed to labeling what they’re working on beyond saying they’re working on new music. I don’t think that’s a horrible thing, either.

I like the idea of the creativity happening organically rather than them thinking, “Ok, we have to hurry up and write this album. Let’s do it. Now!” I would imagine it might feel a lot less daunting and, in some way, less restrictive, to say they’re working on new music than it is for them to say they’re working on creating a new album….to release in 2020 in culmination for their 40th anniversary. Get it?

If that doesn’t sit well with you, I’ll give an anecdote. Several years back, Amanda and I wrote a manuscript. We submitted it to a publisher who showed interest and wanted us to rewrite it and frame it a different way. We had a deadline, and so Amanda and I went to work. While the writing wasn’t horribly difficult, much of it felt like writing an extended college essay rather than this organic, holistic creation. In the end, the publisher didn’t take the book. That was a huge blow. I wish we’d have just worked the way we always did – letting the manuscript take US on a journey rather than the other way around. I would imagine that in the most basic of ways, creating an album is the same.

Lots of time left

While sure, DDHQ is using the #DD15 hashtag, that doesn’t really mean a single thing in this moment other than keeping all of these ongoing news bytes grouped together. Yes, they’re speaking with people. Yes, they’ve been in a studio in London, and they’ve met with Mark Ronson. They’ve also worked with Errol Alkan and plan to go back into their studio in London in a few weeks. This is a process. Aside from having hope to have new music in 2020, there are no lines in the sand, no plans set in stone.

Once upon a time, I would speculate. I’d make assumptions based on the news I would hear. And then there was that time that they met with Mark Ronson and we all though for sure they were going to have him produce their next album…but he didn’t. He worked a little bit on one or two songs. Next was that time that they had someone with the initials B.F. work on a song, and then due to obligations to his own label contract, he couldn’t appear…so someone else did.

Should we be excited by what we hear or see from DDHQ about studio happenings? Absolutely. If nothing else, be curious! That’s the point. Check out Blur if you don’t know them. Listen to Lykke Li if you’ve never given her a chance! By all means, download Wonderful, Wonderful by The Killers and listen to “The Man” on repeat because that was produced by Errol Alkan. But don’t make the mistake of assuming that what they’re doing right now, or yesterday, or even tomorrow, is going to have anything to do with whatever music eventually ends up in your ears. Keep an open mind rather than expect based on assumption.

Left to move up

I used to be one of those people who wanted to know the news and be the one to break it before anyone else. No matter how quickly I’d hear of something, someone else knew it first, and I’d get disheartened very quickly. It would boggle my mind how people found out about things so fast. Other times, I’d hear something that I’d feel very confident was truth, only to find out later that the band had changed their minds. There was always someone who knew first, and had better info. Nowadays, I don’t care too much about being first.

Don’t get me wrong, I still like talking to people who know what is going on with the band and hearing about their progress, but I don’t need to be the one to share it. I know what I know, and really – that counts for nothing at the end of it all. This is a process, and much of what we’re learning right now will indeed change by the time music is released.

Once again, I find myself saying “Trust the Process”…along with “sit back and enjoy the ride.” This is going to be good!

-R


Classic Pop Special Edition: The Mark of Greatness and Swimming Against…

Today marks the second to last blog about the Classic Pop magazine special edition for Duran Duran’s 40th Anniversary.  In this blog, I’ll cover two articles:  The Mark of Greatness and Swimming Against the Tide.  The first one focuses on the 2010s including the band’s work with Mark Ronson while the second one is all about Stephen Duffy, the guy who could have been lead singer.

The Mark of Greatness:

Right away, this article made me think.  The author describes how All You Need Is Now made a lot of fans happy in 2011 bu that Paper Gods helped to “turn the heads of those youngsters.”  Interesting.  How do they know that?  What evidence will be shared, I wondered.  Of course, I love Paper Gods but…I am not sure that I see a lot of kids or younger adults into it.

The article describes the making of AYNIN with the band meeting with Mark ahead of time to discuss the vision for the project.  This got me wondering.  Is that not the case of the rest of the albums?  I have always heard/read about how the band goes into the studio and jams until something rises to the surface.  That system seems the opposite of having a vision.  Which is better?  I, for one, loved how AYNIN turned out so maybe planning is?

According to the article, that vision went so far with All You Need Is Now that Ronson had created rules that were stuck to the walls of the studio in order for the band to follow them.  I had never heard that before but I have to admit that the image makes me smile.  No matter how experienced, people need reminders.  Mark claimed that he was a “mouthpiece for 10 million Duran Duran fans.”  He definitely was for me, which I will always be grateful!

Of course, the rest of the album discussion surrounding AYNIN included a song by song description with all of the various contributions from Kelis to Nina Hossain and more.  I will tell you this much.  Reading about All You Need Is Now definitely made me want to put that album on and listen to it.  I remembered how amazing an album it really is (at least in my opinion!).

The article does touch on promotional activities including the band’s appearance for One Night Only in the UK to Unstaged, a concert film produced by David Lynch.  It does mention about how the tour stopped in the summer of 2011 due to Simon’s vocal loss but then matter-of-factly states that the tour resumed in November (I think actually was October) like it was no big deal.  Maybe, in hindsight, it seems like no big deal but it was huge to those of us who lived through that time.  I know that I was not the only one worried that Simon had lost his voice for good and that Duran would be done.

From there, the article goes into the making of Paper Gods.  That said, the vast majority of this piece surrounded AYNIN.  Is Paper Gods too soon?  Historians might say so but music journalists?  Not sure on that one.  Likewise, I’m not sure that the article proved that millennials really bought into Paper Gods.  Some did, for sure.  Many?  I don’t know.

Swimming Against the Tide…:

This article did what I expected it to do.  It gave a little background about Stephen Duffy then dived into information about the Devils before describing some of his various projects over the years.  I, for one, haven’t listened to a lot of his work.  How about the rest of you? Have you listened to his stuff?  What do you think of it?

In the article, he makes reference to the 40th anniversary.  I wonder if he and other former members would be included.  Now, Stephen Duffy is not very controversial but what about the ones that are?  Then, I wonder about how they would be included or should be.  It will be interesting to watch.

-A

Classic Pop Special Edition: Five Decades and Boys on Film

This week’s edition of covering the Classic Pop magazine’s Special Edition for Duran’s 40th anniversary features two articles:  Five Decades of Duran Duran and Boys on Film.  The first article focuses on an interview with John Taylor and the second talks about the band’s videos.  Two articles I’m very excited to read and to write about!

Five Decades of Duran Duran:

This article appears to be a repeat from a 2012 interview with John Taylor that coincided with the release of his autobiography.  Despite the fact that it is not new, I’m still excited to read it and see how John interpreted Duran’s career.

This article is broken up into decades starting with the 1970s.  This part included how the band formed and their influences.  Frankly, this history lesson was one that I feel like I have read a bunch of times.  That said, while I feel like I know the history of Duran and could tell it in my sleep, I always appreciate it as it is important to know it.  One part that is interesting is how the article includes a little timeline with some big moments.  In the case of the 1970s and early 1980s, it had the forming of the band, signing with EMI and releasing the first single, Planet Earth.  The history teacher in me approves.

The part on the 1980s was exactly what I thought it would be.  It covered each of the albums from the debut self-titled album, Rio, Seven and the Ragged Tiger, Notorious and Big Thing.  On top of that, the side projects of Arcadia and Power Station, and the departure of Roger and Andy were covered.  Their Live Aid performance was also mentioned.  Much like the part about the forming of the band, I didn’t learn anything new.  That said, the timeline focused on the release of the first album, the Girls on Film video, the departure of Roger and Andy, the Notorious single and the Big Thing release.  I think some of those choices were interesting.  For example, I don’t know that I would have picked Big Thing to cover in that timeline.

The 1990s consisted of just a few short paragraphs, which included information on Ordinary World’s success, the poor performance of the album of covers, Thank You, and John’s decision to leave the band.  I’m fascinated that this section was so short.  Clearly, the author did not feel like the 1990s was worth much time and focus.  It isn’t that I disagree but I am surprised by that.  The timeline included the rise of grunge (weird), Ordinary World’s release, Thank You’s release, John’s departure and the parting from EMI.  This timeline almost completely matched the paragraphs about the same time period.

The 2000s part was definitely the most interesting to me.  It went over the reunion, Astronaut, Red Carpet Massacre and All You Need Is Now.  Out of all of that, I zeroed in on the transition from Red Carpet Massacre to AYNIN.  In the article, John is quoted as saying, “We’d disconnected with the vibe” with RCM but that it helped to create the perfect timing for Mark Ronson.  John continued by claiming that the band did not have a lot of trust with each other during Astronaut and weren’t always open-minded.  He stated, “All You Need Is Now is a total Duran Duran album, much more so than Astronaut.  But we didn’t have Mark then.  We needed a producer…who totally understood the Duran Duran DNA.”  I couldn’t agree more.

Boys on Film:

This focus of the article, Boys on Film, is exactly what you think it would be, which is about the band’s videos.  The feature gave credit to their video directors, including Russell Mucahy and Godley and Creme.  Like much of Duran’s history, it starts out discussing the video of Planet Earth to Girls on Film to the Sri Lankan videos especially Hungry Like the Wolf.

What is interesting to me is the discussion surrounding Girls on Film.  While we know why the band had a video like this and how it was received, I hadn’t read much criticism of the video from the band before.  In this article, Godley feels like the band wanted it more arty with style and fashion.  Similarly Simon feels like the video overshadowed the song’s message about the mistreatment of fashion models.

I also appreciated the discussion of the Rio video.  While the article talked about the suits and image of the yacht, the fact that the author included this quote from Nick makes me happy, “For me, the thing that stands out in the Rio video…is the humour in it…”  He continues to say, “A lot of the videos I liked best really had great humour in them.”  I totally agree!

The article wraps up with a discussion of the Wild Boys video with only inserts about A View to a Kill and Girl Panic.  Obviously, the author did not think the rest of the videos mattered that much.  Uh.  I don’t think I agree with that decision.  If I had written the article, I might pick a few different videos as examples of the types of videos Duran has done.  On that note, next week I’ll cover “The Mark of Greatness” about Mark Ronson and the 2010s as well as an article about Stephen Duffy.  Should be interesting!

-A

Dreams of vacations and Lovebox 2009

Today is the kind of day where a blog is written for June 18th rather than July 18th. sigh  I am a genius – one who cannot read a calendar well, apparently.

It’s quiet in Duranland, which in my mind, isn’t a bad thing, really. It’s July. It’s vacation time for many. In fact, if this were any other year, I would be on vacation myself! Alas….my vacation will come later, after we move and I’m (hopefully) sitting on my new patio, overlooking stately oak trees.  I don’t have a lot to mention today, despite knowing that Duran Duran has performed many times on July 18th over the years. So, I decided to take another look at Lovebox, because on this date in 2009, they performed a full set at the festival.

Here’s a clip of A View to a Kill – I chose it because Mark Ronson appears with them, and because I love the “Fatal Kiss” arrangement.

And, because it is one of my favorite songs performed live, here is Sunrise. It is labeled on YouTube as Reach Out for the Sunrise, and was filmed by a then-9 year old (not my child, but someone else’s)…but that’s fine, right?

 

That should provide a few moments of escape on this fine Wednesday. In the meantime, I’m going to spend some time working on the house this afternoon, and thinking about where I wish I could be going on vacation this summer.  Cheers!

-R

Lovebox Festival, 2010 with Mark Ronson

Lately, I’ve been feeling a little nostalgic. During my spare time, I have been on YouTube, watching snippets of video from DD shows I went to, or videos I haven’t seen in a while, like “Nightboat”, “Careless Memories”, or even “Falling Down”.  Nearly every day I check our history spreadsheet to see if anything noteworthy pops up that I should share, but it is rare that I’ll sit down and watch videos, much less go in search of them. I guess for me, they might be a needed source of comfort. Or else, I’m just super bored with packing and cleaning. There might be a bit of that, too!

Today I noticed that on this date in history, back in 2010, Mark Ronson played the Lovebox Festival. I realize that might not be so special, but his guests definitely were!  Mark invited Simon and Nick on stage to perform “Record Collection” from Mark’s album with Business Int’l, and then John and Roger crashed the party to play “Planet Earth”.

I am one of those pesky Duran Duran fans that loves Mark Ronson, and I especially adore Record Collection. It is an album that I have to be in the right mood to play, but when I put it on, I’m never disappointed.  I was thrilled to see Simon and Nick performing it with him and yeah, it was another one of those times where I kicked myself for not being there in person.

Sorry for the video quality – I didn’t take it!  I recognized the video owner’s name, and she is a huge DD fan. I can understand her jubilance!  Check out Mark, who can be seen in the back sporting what I believe should be a very recognizable outfit to any Duran Duran fan who has spent any kind of time watching old music videos lately!

The next video, of course, is “Planet Earth”. You may have heard that one before.

Now, this video isn’t necessarily the greatest either, some of it taken from the audience with hands and arms in the way. I love that the camera scans the stage, and if you look closely, you may just see MNDR on stage – she too was involved as part of The Business Int’l for the Record Collection album.

I loved watching these again. It is difficult to believe this happened eight years ago today. I don’t know about anyone else but it only feels like a few years ago at most. Crazy, right?

-R

Duran Duran, Ronson, and Smirnoff – what’s not to like?

It’s Tuesday!

Here’s the real deal: as you are reading this, I am in the middle of a drive up north…but I couldn’t very well leave you all hanging without a blog for today, could I?

Today marks a special anniversary of sorts. On YESTERDAY’S date in 2008, Duran Duran played a show called The Smirnoff Experience at La Cigale in Paris with Mark Ronson as a special guest. It is one of my favorite shows – one I wish I could have been at (and I know many of you reading were probably in the audience!).  There are a lot of reasons why this show is among my favorites – Smirnoff VODKA…. Mark joining Duran Duran onstage is certainly special, I love the jamming that Mark does with Dom, and the band seemed like they were on fire that night. I think Amanda might be lucky enough to have the entire show on DVD, which is how I saw it to begin with!

I searched online and found the show, or parts from it anyway, on YouTube. So, here you go!

 

 

Enjoy watching!

-R

Personal Jesus 2011 by M.A.N.

In my quest to find something worthy of blogging about today, I stumbled across something by chance that I’d forgotten about. Did you know that “Personal Jesus 2011” by Depeche Mode was released on YESTERDAYS date (in 2011, of course!) featuring production remix by none other than Nick Rhodes?

Forgive me, but I don’t even remember this happening. I’m sure I must have heard about it at some point, but now I’m driven to find a copy somewhere. I researched it online, just in case I was mistaken.  This is an EU 5-track pressing of the 2011 remix version of Personal Jesus. Nick, along with a certain Mark Ronson and Andrew Wyatt (they call themselves M.A.N.) produced one of the remixes of the track.

With that info in hand, I moved on to YouTube, and luckily – I was able to find it. (I’m convinced I can find just about anything on YouTube!!)

I’m not going to review it after only one or two listens (been there, done that….learned my lesson EXTREMELY well, thanks.), but I will say that I had absolutely no trouble recognizing the obvious influences, and I liked it. Very much. I loved the way they put their own stamp onto the song without changing the spirit of the music.

Ok, I can’t even follow my own rules. Never mind. Here’s the link. Check it out for yourself. I dare ya not to buy it if you don’t already have it, and shame on me for missing out the first time!

 

One more note: here is a very good reason why we do the day in history. We learn, and maybe…you learn a little sometimes too.

I’m off to work. It’s my very last day. I’m sad to say goodbye to the kids and my coworkers, but I’m also super excited to be done for now.  I’m hoping to focus on getting this house packed up, and spend some time up in the area we’re hoping to move. I’d also like to do some writing and reworking of this website during the fall and winter. Time is short, gotta run!

-R