Tag Archives: Nick Rhodes

What WON’T the band do for their 40th anniversary?

I’ve noticed a lot of people working on surveys and things, putting together a wish list for Duran Duran’s 40th anniversary. I suspect the intention is that if fans work together to come up with a cohesive list, then perhaps the band will take a look and perhaps see their way clear to incorporating some of the ideas into their celebration plans. Maybe.

Amanda and I haven’t really done much of that here on the blog. I suspect part of the reason is that we’ve been around for six years, and during that time – while we’ve gotten support from DDHQ – I think we’ve come to realize they’re not going to take us seriously when it comes to the business of the band, and quite frankly – they’re probably smarter that way.  That doesn’t stop either of us from looking side-eyed at some of the things that have been done over the years, but you know, it’s much easier to quarterback from the sidelines than it is to actually be in the game. I don’t think we were always quite that accepting, but you know, Amanda and I have changed a little bit over the years.  Now we’re just having fun with it all.

That doesn’t mean we don’t throw some ideas out there every once in a while for fun though, and today will be no exception as I put together a short list of things the band will (probably) NOT do during #DD40!

Play a cruise!

I dearly love every human being who has suggested that Duran Duran basically put themselves on a cruise ship with what, 3-4,000 of their most rabid fans. How could that possibly go wrong??

Let’s just think about that for a minute: sun, water, several bars, thousands of fans who may or may not have partaken in said alcohol….and nowhere the band can really go to hide. Or run. Outstanding!

Yeah, I think it’s safe to say that won’t be happening. Again, love the enthusiasm, but probably not for their 40th anniversary.

Play shows with Dom, Andy and Warren…at the same time!

Again, love the enthusiasm for their 40th anniversary.  Honestly, I think about the possibility of this purely for the entertainment value.  Can you imagine all three of them on stage? Together? Two of them have enormous egos…the third might be trampled in the process. All together onstage for the same shows, same songs?  My money is on a firm “no”.

For that matter, why don’t we bring back everyone who has ever played with the band to play onstage? Andy Hamilton, all of the backup singers, Sterling, Steve Ferrone, Joe Travers…is there a stage large enough???

More travel packages!

This is one idea that I could see the band instituting in part, but I’m going to gamble and say they won’t do it again, even for their 40th anniversary. Back before Astronaut was released, the band did a few very special travel packages that were in extremely limited quantity. Fans paid a tidy sum for a ticket to a specific show, accommodations, special merchandise, concierge service, and a cocktail party with all five band members in attendance. I have a good friend that bought a travel package, and by her account it was extremely well-organized and thought out, and I think it’s fair to say it was a very positive experience for her. The travel packages went from these extravagant luxuries down to a ticket and a quick meet and greet, and then they morphed into meet and greets given at random to VIP ticket buyers, and now none of the VIP packages come with anything other than the ticket, merchandise and possible cocktail parties in some cities (without the band in attendance).

I know the demand for these travel packages (and meet and greets) still exists, but I think the band hated them for the most part.  I can imagine the thought of going into a room filled with Duranies can be a bit overwhelming. I can’t blame them even if I might wish I’d been able to take advantage when meet and greets or travel packages were offered.

Play individual albums in their entirety!

The one suggestion I’ve seen over and over again is to play Rio, or any of their albums – entirely live for their 40th anniversary. It’s the one suggestion that I am positive most Duran fans want (even if there is discussion over which album they’d most like to see done that way), and it is the one suggestion that the band just doesn’t seem to get.

Just last week, Lori Majewski had John Taylor call in on her radio show, and she mentioned playing Rio live. John thinks we’d be bored (sometimes, I really don’t think they know their fans) because we’d already know the set list.

Ok, John. I get you. I’d just invite you to take a good look at your set list for the past few years as you’ve been touring Paper Gods, and then tell me again that fans get bored when they know the set list. The fact is, to have an entire album played live is a completely different experience than many of us have had before – Red Carpet Massacre aside.  For that matter, you could mix it up and that way, you’re not playing the same album over and over, and if fans like me want to see them all—they’re gonna have to take a leave of absence from their lives and travel to different shows to do it.

Even so, I think it’s safe to assume the band isn’t going to listen to reason on this one. They’re gonna play the hits, and we’re going to like it.

My heart is still hoping for Late Bar…but my head knows we’re getting Hungry Like the Wolf.

Intimate shows of 3,000 or less!

Let’s be real. Again, this one is a gamble, but I’m thinking money-wise, touring the 40th anniversary would be a cash cow. Why on earth would they only want to play in small venues when they can play arenas and bring in more money?

Personally, I’d love to see them play in smaller theaters so that long time fans have the opportunity to get up close and celebrate with this band. I’d like to see fans acknowledged for the time and energy we’ve given over the years. Who wouldn’t? That said, the lure for a huge “comeback” anniversary tour (no, they never left but the rest of the country, world, so forth probably doesn’t know that) is ever looming.

I’m just hoping they don’t decide to do that “Verified Fan” thing through Ticketmaster…

There are a lot of things I’d like to see the band do for their 40th anniversary. Mostly, I’m at a point where I’m just happy to see they’re still around fighting the good fight.  I’m looking forward to reading what they’ve got planned, and I’m hoping that I can take an active part in some of it along the way!

-R

What’s Your Favorite Live Recording of a DD song?

DDHQ asked for our favorite live recording of a Duran Duran song this morning. At first, I stumbled over the words. It’s Monday, I’m already tired (not really a great sign for the week ahead) and I can’t seem to make much sense out of anything yet. Live songs? Do they record anything? Seriously – it’s been that sort of morning so far.

But then, as I went about my normal tasks of feeding the animals and complaining about dishes being left in the sink, I remembered a show!  Costa Mesa, 2003. The entire show was recorded and I ordered the CD.  The Encore Series was the name.

Granted, I am pretty sure I’ve seen better shows since then. Or maybe it’s just that my seats have improved significantly in the years since, I don’t know. The fact remains that when I think about all of the shows I’ve seen over the years – that one is a definite standout, and not because it positively ticks off all of the boxes on Amanda’s Concert Rubric. Simply put, it was the very first time I’d ever seen Duran Duran – all FIVE original members of Duran Duran – on the same stage.

I don’t even remember a lot from that show, to be honest. I got there, winced at how far back our seats were from the stage (I went with my husband and I think we were about 23 rows back and off to John’s side), and once the band took the stage, I stood there pinching myself to make sure that what I was seeing really wasn’t just my overactive imagination working overtime. I remember watching as someone decided to jump up onto the stage and nearly tackle Simon as he sidestepped and allowed Dave, the band’s security, to grab her. (I won’t give away her name, but I’m pretty sure I’m friends with this woman to this day. I nearly died the day I found out she was the culprit!) I also remember Roger stepping away from his drums at the end of their set, tongue wagging as though he’d run a marathon or two. But mostly, I just remember standing there thinking about how lucky I was to be there, and how thankful I was to still be a fan so that I could finally see them all together on stage.

I am one of those people who cannot stand it when we ask a “This or That” question here on the blog and people vote by saying “both!” It’s freaking annoying (to me).  I usually grit my teeth and say “make a choice, dammit!” Probably not the nicest thing to cross my mind, but I’m being honest here.  Now it’s my turn to choose. This show, which is definitely my favorite live recording of them, wasn’t about what they played or how long they were on stage or even about how many songs they played. It was that they were there in front of me. They showed up. They were together, and I had this feeling I was at the beginning of a wild, new ride. Even so, for the sake of participation, my favorite from that set has to be Virus.  No, not a song from their back catalog, not New Religion (which is a very close second), but Virus, because I loved it.  The song had the hard edge I was looking for, I could hear all five members working together, and to this day I’m giddy when it comes up on my phone.

Thanks to DDHQ for that question today – it gave me a chance to think about that fantastic show!

-R

 

 

35 Years and Counting: RIO!

Can you believe it? Thirty-five wild and crazy years ago today, Rio came into our world.

I bought Rio when it came out, and for a brief time thought it was Duran Duran’s first album. I was very confused, apparently. The thing is – I’d heard Planet Earth, and I had a K-Tel record with Girls on Film, but I hadn’t heard those songs on the radio much. But Rio? Please.

Truth be told, Rio was released a full year before I believe it really took off here in America. It’s first release here fell flat, not doing particularly well. Capitol Records hired David Kershenbaum to do a dance-remix of several songs off the album (released as Carnival).  Those remixes are a little more guitar-heavy, a little less synth, a little more bass in sound. Eventually, Capitol had Kershenbaum go back and remix most of the rest of the album and then re-released it in America, promoting it as a dance album. That’s when sales started to pick up steam and the band began to climb the charts.

Suddenly Rio and Hungry Like the Wolf were everywhere, and Is There Something I Should Know wasn’t far behind…which is why I thought it was the next album, rather than being the first.  But then again, my UK friends will remind me that it was NOT the first, because on their version of the first album – ITSISK is nowhere to be found, and they are correct.  It’s just on our altered US versions that there’s no To The Shore, with ITSISK instead. (my head is spinning even as I recall this from memory)

Honestly, if you want my most vivid memories from Rio, they would be my realizing that I had the order of their albums wrong….and that champagne stuff Simon drank while in the ocean.  To this very day, every single time I think of Rio, that vision comes to mind. Not the fake crab on Roger, not pallid-looking Nick in the galley, definitely not a daydreamy John Taylor on the sand or even Andy being thrown overboard…but Simon, drinking out of a champagne glass in the ocean.

I just don’t know.

Despite testing the waters with Planet Earth and even Girls on Film before the Rio album – it was truly this album that set my world on fire. I think that the band continues to be judged for Rio, without a lot of regard for anything else they’ve done (perhaps with a few exceptions), and many believe it to be the pinnacle of their career.

I love Rio. I also appreciate and love everything Duran Duran has done (yes, even RCM. Ok?!?), because at this point, nearly forty years into our journey – it really IS about the whole journey. It has been a crazy, wicked, wild, ride, and I’m ready for more.

I am writing this and I haven’t had any time yet this morning to actually listen to the oral history. I’m hoping to get a chance later today….but I might just have to let Amanda be the one to comment on it due to a lack of time on my part. Or else, I’ll comment later. I am really looking forward to hearing it though, because it’s not that often we get the opportunity to look back at something with the band and get their point of view.

It’s a special day in Duranland, and I’m thankful to be able to be here and experience it with everyone else. Happy 35th Birthday, Rio!

-R

You Won’t Miss Me When I’m Gone

Well, the spring run of shows is over, and the band has gone back to England.

I feel a little deflated, and yet my shows ended weeks ago. If that weren’t enough, I’ve seen a few people comment that they’ve never seen a tour happen this way – and so that must mean it’s farewell.

Oh come on now. Really?

First of all, I’ve seen a lot of tours like this. As in, most, if not all of them. The band always adds dates here and there, at least for as long as I’ve been actively paying attention. They do first, second…sometimes third and even fourth “legs”, and Duran Duran is FAR from the only band in the universe to do this. As John Taylor said recently in an interview, sometimes dates (like the South American shows) come up, and they have to get their whole group together, and so it just makes sense to add in a few more shows to make the trips worthwhile. I’m not going to find fault with that kind of sanity.

Second, if we’re talking about the fact that they haven’t gone many other places aside from the UK, Italy, the US and now South America – again I have to say it’s about money. Like it or not, the band has bills to pay, and they only go where they’re being paid to go. I know it’s hard to imagine, but the cost involved with doing a world tour – a real world tour – are staggering. They can’t just fly to Australia and do one show, and they can’t do more than that if promoters and bookers aren’t getting them shows. It’s that simple, whether we want to believe it or not. Sometimes, I think Duran fans look for conspiracies that just do not exist.

Lastly, even if this is their final farewell, does it really change anything? Does it change how YOU are touring? What shows YOU are attending? For me personally, I’m going to what I can. Even if I knew it was the final countdown, I couldn’t possibly do more shows right now, even if I wanted. I mean, what more could I really want though?

I’m not the type of person that is going to sit and wait for them outside of their hotel, or at an airport. I love them, but I also feel awkward doing that stuff. I know a lot of others do, and that’s great. It’s not my thing. There is only one time I’ve asked one of them to sign something for me, and in all honesty it was Dom, it wasn’t Simon, or Roger, or anyone like that. I’m just not that kind of fan, not that I think those people are wrong or weird or anything like that – it’s just that for me, I don’t want or need much signed. I’ve been to the UK. I’ve seen Birmingham – out of everything I’ve ever done in the name of “fandom”, that was the one thing I really wanted and it lived up to every last possible expectation and then some. Truth be told, I would really like to go back to the UK again. Very much so. I don’t know if I will have a chance to take that trip though, just because of timing and family expenses (again, college is NOT CHEAP).  I’ve taken long road trips with Amanda, I’ve had some wonderful experiences at shows, and I have made a lot of friends along the way. I just don’t know if there’s much else I could reasonably want, except more.

So while the idea of “farewell” bothers me, I can’t go on worrying about it looming overhead. A bit of advice my dad gave me before he died was that I needed to not worry so much about the dying. I’d call him at least a few times a week towards the end, and I’d always ask how he was feeling. It was natural, and I meant it in the most loving way possible – he was my dad and I was worried. Dad got tired of talking about how he was feeling though, because let’s face it – he already knew he was dying. It was no secret. He didn’t want to focus on the end, he just wanted to enjoy the living. So, he told me that the end was going to be just that, the end, and that none of us had much control over when that was going to be, or how that was going to transpire. What he and I could do though, was to enjoy the time we had. So I am, and I will. It was still a shock when the end arrived, and I still went through all of the same stages of grief as anyone might. But, I’m kind of glad my dad gave me that little pep talk though, because it’s come in handy more than once in the almost nine years he’s been gone. That’s my dad – watching out for me up until the very end!

Of course I’ll be wistful and sad when they stop touring. I have friends that I don’t know if I’ll see again when that time comes, even if I don’t think now is that time. I can’t imagine not seeing the band, or Dom, or even some of the roadies again. We fans have known them so long we can’t imagine not having them around and yet they really don’t know us at all. There’s really only one person in or around the band that truly knows me or my name, and I don’t even question whether or not he’ll know me in a crowd. It’s kind of like going to family reunions every time they tour or do a show, and I’ll miss those.

I think that’s really just it. Family. Somewhere along the line, this band and all of the fans that go along with them, have become a family, whether we like it or not! Some I might see as crazy uncles (there’s always one!), and others are probably related only by marriage and we don’t really know how they fit in, but they’re part of the group. I can’t imagine that feeling of family just ending, can you?

I don’t know what the band has coming next. I know that they’re coming back to California in July. I have heard rumblings of other possibilities, courtesy of the monthly Katy Kafes. I don’t think this band is quite done yet, but I’m not going to worry about that. I’m going to enjoy seeing pictures, chatting with friends, and planning for the shows I will see in July. I am going to work on a couple of projects I have going on here at home – including a high school graduation for my son, and I’m going to be reveling in the joy I have bubbling within for getting him to this point. I’m going to savor each moment as it comes, and live in gratitude for each day I’m given, and so should you.

-R

Totally 80’s with Rio!

I was thoroughly spoiled on Friday night, as I stood less than 30 feet away from Simon Le Bon as he sang Is There Something I Should Know AND Late Bar in a single set in a small, intimate bar in Fullerton, California. Of course, John, Roger, Andy and Nick were there too, and Duran Duran was on fire…playing everything from Sound of Thunder to Notorious, deep cuts to big hits. Duranies lined the stage, and while I only saw one pair of panties thrown…it was a good night.

Ok, so maybe it wasn’t really Simon. Or John, Roger, Andy and Nick for that matter. Particularly given the fact that they were in Argentina that night, and oh yes – Andy is no longer with the band – I kind of knew it was going to be tough to sell anyone on that story.  So who was the band and where was I? The band was of course Rio: the Duran Duran tribute band, and the venue was the Totally 80’s Bar and Grille.

Here’s the thing – as far as bars go, the Totally 80’s Bar is every 80s cliché wrapped up into one building. Neon, black lights, TV monitors on the wall playing completely different videos from the music pouring out of the speaker, even the same really gross, dank, but not entirely off putting, “ick” oozing from its walls. As I stood at the bar, nursing one of the worst vodka tonics I’ve ever had, I watched a guy dancing and spinning alone in the corner of the dance floor. I almost had to pinch myself, because I’d swear I saw that same dude thirty years ago at Fashions on the Redondo Beach pier.  Yeah, for me, Totally 80’s was nearly like stepping back in time….and falling flat on my face in a sea of neon paint with Apollonia 6 serenading me like carnival music in a fun house.  In a word: weird.  Fun, but weird.

I think that in order to appreciate the sights and sounds, you must have a sense of humor about the whole thing. Some do, as they come dressed proudly in 80s garb with a side ponytail and enough neon lighting bolts to power their own homes. Others, like me, are little more apprehensive and less likely to fully embrace 1980-something coming back to life. We come to see bands we think we know play music we rarely get to hear live.

As showtime neared, I was once again flabbergast to see Duranies – and yes, you can tell they’re Duranies because some even wear their Paper Gods touring t-shirts, which is both appropriate and cute in this setting – grabbing the front and center spots. They were ready to do battle if necessary to defend their territory from the few women (oh yes, even here) that feel they should always be awarded a spot directly in front of the singer, even if they drunkenly arrive mid-set. Truthfully, I can’t find fault with the Duranies in front, even if I chose not to join them in favor or standing back to watch the scene unfold. The die-hard in me screamed to go to the front, while the more reasonable side constantly reminded me that this was not really Duran Duran. The dance floor filled nicely for Rio, and once the band took the stage, even people from the back of the bar came to check the band out.

I hadn’t seen Rio perform live for about a year, and it might have been longer than that, now that I think about it. I can’t always make it to their shows (this is a tribute band that plays regularly so that Duranies can always get their fix, should the need arise!), but I go when I can.  Since my last trip to 1985 (with Rio, of course), they’ve had a personnel change. Not to be confused with the real Duran Duran (although they will tell you that they are in fact the real Duran Duran), in this case it is their keyboardist who has recently changed. Not sure if the sub “Nick” will stick around, but he was good.

I know a lot of people wince at the idea of a tribute band. I was one of those, once. Two things make Rio different: 1. They take the music seriously, even though sure – the “act” is a schtick of sorts. They’re not making fun of Duran Duran, they’re emulating them as they tell the crowd that we’ve all been taken back to 1985 in a time machine and that it’s going to be a party. These guys are fans – and I know this because I’ve hung out with them after Duran Duran shows! In turn, they make their own show fun, and do the music all kinds of justice. I’m picky about my Is There Something I Should Know, and they play it true to form….every time. EVERY TIME.  2. They don’t just play the hits. They also play the deep cuts only Duranies know. That’s the one thing I have to say, even when they’re playing Late Bar, everyone is dancing on that floor. I wish Duran Duran (the real band) could see it, because it’s a sight to behold. John Taylor may say that only die-hard fans in the first row or two know the song at his shows – but at these shows? Everybody knows it, or it’s so damn good they dance anyway.

So while Duran Duran may never play Late Bar or Sound of Thunder, Rio does…and they do it brilliantly. If you haven’t had a chance to see them, you should make the time. I’ll even save you space on the dance floor.

-R

So Red The Rose: Arcadia or Power Station?

I don’t think I’ve spent much time writing about Arcadia or Power Station. I suppose to begin with, this site is dedicated to being a Duran Duran fan, so there is that. On the other hand though, Arcadia, Power Station, et al, have all been stops along my way. On this date in 2010, So Red the Rose was remastered and released. So, it seems appropriate to write a little about Arcadia today.

On the purely frivolous side, I loved Simon’s look during this period. Nick’s hair, longer than mine has probably ever been, was beautiful too.  It was as though they took whatever they’d done in Duran Duran and turned it up a notch with just a tinge more darkness. I loved it.  Their style was part of their branding, and I loved the whole package. The videos? I still watch them whenever I get a chance.

For me, Power Station was all about the music. It’s not that I wasn’t a John-fan or an Andy-fan, but I don’t know that I would say style was as much the focus as the music.  Many people describe Arcadia as an art project. Well, Power Station was a rock band. I embraced that.

This is the point where the discussion gets trickier (for me). Arcadia checked all the same boxes for me as Duran Duran. I loved the feel of the music, it was unique and different and nothing like anything else I heard on the radio. It was recognizable and comfortable to me because of Simon’s voice, but I cannot lie – I dearly missed John and Andy.

On the same token, I enjoyed Power Station. In the same way that I dearly loved AC/DC…Led Zeppelin….and just about any hard rock band of that era, hearing Andy and John lay it all out on the line in a way that Duran’s music did not allow was fantastic. But I missed the keyboards.

It was as though Power Station and Arcadia were the results of a very involved surgery to separate conjoined twins. Each could survive without the other, but should they? They weren’t quite the same on their own. Both bands were great, don’t get me wrong. I loved them both for their individuality, but if I could have smooshed them together to create one band, I think it might have been perfect.

Oh wait.

I see the debate anytime the subject of one or another comes up.  It always starts out by asking, “Which was your favorite?” For me, it depended on my mood and it still does. Yes, Roger was my favorite, and so you’d think I would have given the edge to Arcadia. Some days, I did. On other days though, I longed for that seemingly reckless guitar and deep bass groove. I never really had a favorite between the two of them. Sure, I loved the video for Election Day (who doesn’t?!?), but I also really liked Some Like it Hot. That guitar solo? Yes, please!  Invariably the discussion dissolves into who “left” the band and why, as though those facts alone should determine allegiance. It is just music.

In a nutshell, the Arcadia/Power Station debate is a very good metaphor for my own musical tastes, even today. On one hand, there is nothing like a great Duran Duran concert.  On the other, I really just want to stand in front of Dom while he’s playing his own music. I love Duran Duran. I also like Metallica. It’s not necessarily this OR that, but both…and why not?

So let’s watch some videos!

 

 

Enjoy!

-R

 

 

 

Anaheim House Of Blues in 2001 – were you there?

Today marks a kind of special day for me in Duran history. I almost forgot it…but thanks to the spreadsheet that Amanda has painstakingly amassed, I was properly reminded.

On this date in 2001, Duran Duran played at the Anaheim House of Blues. Just a normal date, on a normal day, right? Yes, except that at  this show, my fandom was reawakened.

In 2001, I was a young mom of two very little kids. My son Gavin was barely two, and Heather was four. At the time, Duran Duran was about the furthest thing from my mind. My days were spent doing laundry, trying to make sure my kids didn’t kill one another (you think I’m joking, but I assure you I am not).

At the time, Walt and I had annual passes to Disneyland and California Adventure, and we spent many a weekend taking the kids to the parks. On one of those weekends, we were strolling through Downtown Disney, and Walt happened to notice that the marquee for the House of Blues announced an upcoming show for Duran Duran. He asked if I wanted to go and I laughed. That’s right, I laughed. I hadn’t really listened to Duran Duran in years. I still had all of their albums, and fond memories, but I was in the throes of Mommyhood. I didn’t love Medazzaland, and admittedly, I hadn’t even bought Pop Trash.  Walt looked at me pretty insistently, saying I needed a night out (which meant getting a sitter, and that seemed like so much work!), so I told him to go ahead and get them. I really wasn’t excited, but I figured I might as well go.

Yes, telling this story makes me laugh…and kind of embarrasses me at the same time. It was like I was a completely different person back then!

I really was.

The night of the show arrived, and we got to Downtown Disney early enough to grab dinner. That’s right, I didn’t insist on getting there at 5am to grab a good spot. We walked by the line of people waiting to get in — it wasn’t very long — and Walt asked if I wanted to go wait. I said “No way, I want to eat dinner! I don’t need to be up front!!”

Insanity, I tell you.

We got dinner, went in about twenty minutes before the show started, and I decided I didn’t want to stand on the floor. I ended up being by the stairs in the back. Plenty close enough for me, because I wasn’t a huge fan. I’d given that up years before, right? Before long the show started and Simon, Nick and Warren took the stage.  I remember thinking to myself how, after all these years, I was finally in what I could consider to be the same room with Simon and Nick. Not the same arena, but the same breathing space. I was only a matter of feet from them. Yeah, Warren was there too, but I convinced myself that if I just ignored that part of the stage, it wouldn’t matter. (Sorry Warren fans. I was reliving the Fab Five as a Fab Twosome) John and Roger’s absence were noted, and I wondered wistfully what it would have been like with them there, but I didn’t dwell on those thoughts. I just lived and breathed the music that night.

I don’t remember much after that. I screamed, nearly cried and lost my mind.  Something happened during that show. Something deep, meaningful and visceral.  I remembered who I was before children, before getting married, before becoming whatever I was right then. I was reintroduced to the girl I once knew, and I really liked her.

That show was pivotal for me in so many ways. I can’t really talk about some of the things I’ve felt since then, or how that single show really woke me back up. I’m just thankful and filled with gratitude that I went. My life went from being pretty grey to complete Technicolor after that night. My husband didn’t realize what he’d done by insisting that I go with him to that show until it was far too late. I would imagine if he could, he’d go back and change that plan, in a lot of ways. On the other hand, that show saved me. I can’t even explain how or why—even for me, some things are just too private to blog about—but that show saved me.

I have a long, long way to go. But, I’ve reclaimed much along the way. I suppose in some way, I’m trusting the process (and what a process it is!). I’ve said it before, and I’ll say it again: I am lucky. Yeah, I tease and joke about the band, and they drive me crazy at times—but I’m lucky I have this fandom.

I don’t know how many people think they grow out of something like this fandom, only to be reintroduced much later and jump back in with both feet. I did, and I’m not leaving. The Anaheim House of Blues on March 28, 2001 was a special night, I hope to never forget it.

-R

March 2017 Katy Kafe with Simon!

I am late. Ridiculously late. Not one, not five…but TEN days late…..for posting the highlights of the most recent Katy Kafe with Simon.

This is the kind of thing that happens when someone is working and misses a tweet or post from Katy, announcing that the most recent Kafe is up and ready for listening. Thanks to Debbie on Twitter!  When it appeared that I was going to ignore the Kafe completely, she sent a note asking about it. I saw the message yesterday while welcoming my students on to campus yesterday, and made a note to figure out what she was talking about!

I think this might have been the first time I truly missed a Kafe completely, and I’m sorry.  But, without further delay – here are my highlights.  You all know the disclaimer I’m about to write, but I will say it anyway:

These are my notes from the Katy Kafe, it is not a full-transcript of what was said. Often, I interject with my own opinion, and therefore, if you really want the full Kafe, you’ll need to purchase a membership to Duranduranmusic.com.  

Simon on Coffee

Over the past couple of years, Simon has talked about coffee quite a bit in the Kafe. He is down to six cups a day (down from 12, which he claims “…is apparently not good for you.” I don’t even know how to respond to that, Simon…except that you never fail to make me laugh. If I drank six cups a day, my heart rate would be about 175 and I’d end up in the hospital. My “ticker” already likes to go faster than normal as it is!)  But now, he drinks Bullet Coffee.

This is not really a “new” thing, because I remember seeing this little concoction mentioned by many of my friends on Facebook two years ago or more.  Alas, we’ll play along… Simon describes that basically, you brew coffee as normal, then put it into a blender (or bullet blender, as the case may be!) along with some coconut oil (he calls it wax, which does nothing to sell me on it, but he’s right – that’s what it looks and feels like) and some butter (not just regular butter, either butter from grass-fed cows, or Irish butter – maybe they don’t call it that in England?? – or as Simon mentions, goat butter). You blend it, and apparently it tastes good, and puts your body into ketosis, or fat-burning mode. Simon says he likes to drink it before he trains.

I’d like to drink it before I go to the doctor for my monthly “how high is your pulse and blood pressure today, Rhonda?” check-ins. Except I would do it just to see the reaction from the nurse and my doctor. Yes, I’m that kind of patient. Moving on…

Simon on the David Bowie Tribute Performance

For those wondering how Simon’s performance of “Let’s Dance” (which was fantastic, BTW) came about, it turns out that Sterling originally contacted Nick to play.  Sterling plays drums in Bowie’s stage band, and the tribute involved other artists coming on stage to perform with the band. Nick mentioned it to Simon, who was interested in singing. The organizers decided to have Simon perform “Let’s Dance”, (not one of Simon’s favorite Bowie songs). This made sense to Simon though, because it was from the same time frame as Duran Duran’s height in popularity (The Reflex), and the song itself suited him very well.

Simon describes the song as not being easy to sing, due to the massive gaps in singing – the timing has to be just right to keep the song flowing. As we all know (and you can see below), he did a great job with it.

 

After the show, the performers went to hotel that I didn’t catch the name of (sorry, I was busy multitasking by making breakfast for my youngest!), and stayed up very, very, late. He follows up by saying that he is “really good at metabolizing booze”.

BEST. QUOTE. EVER.  Oh, Simon. 

Simon on Music (Italy)!

Originally, the offer to do this show came through an Italian promoter who had never worked with Duran Duran. (The funny thing about this little segue was that Simon originally used the term “agent”…and then said, “I’m not really good about business things like this – ‘job titles’ and that sort of thing!” )

Simon rarely does solo performances, preferring to spend his time working on Duran Duran things and “being exclusive”, but this time, he decided to do it.

“Broken Dream” is a song that Simon completely reimagined. He sings it lower than the original, because his natural register is much lower than what he often does in Duran Duran. He had thought about the musical arrangement, wanting to go with a modern-sounding orchestra and organ accompaniment. The finished product, which I linked below, isn’t exactly as he had originally imagined, but after listening to it, Simon felt it really worked.

As a personal note, I thought it was easily one of Simon’s best vocal performances I’ve ever heard. If you haven’t watched it, you should. 

 

Simon said that learning the words was the toughest part, because for him, a great performance means completely relaxing so that he completely opens up vocally.

Katy said that she really loved his performance, proclaiming it better than the original, and commented on his suit (Sir Tom Baker), and his hair.

Simon on the Upcoming Tour Dates

This short tour began with the band wanting to do dates in South America since it had been a long time. However, the band felt they needed to do something different from just showing up and playing “the same thing”.  He made the point that Lalapalooza gives them access to an entirely new audience.  This does make sense, although as a fan I have to wonder why going and playing shows for their South American Duranies doesn’t seem to be enough.  My guess is that in order to justify the trip, business-wise (and I don’t know to whom) – they need to prove they would be gaining audience numbers. I’m not sure, but I do know that South America is thrilled they’re making their way to see them!

Katy pressed Simon on the possibility of upcoming Australian dates, to which Simon said that dates are coming for both there and the Far East, but they are not yet confirmed.  He mentioned Hong Kong, Japan and Singapore before saying he really didn’t know. I guess we’ll all find out soon!

Simon on the band’s big 4-0

The Kafe ended on a positive note, as Katy asked about any plans the band may have for their 40th birthday next year. Simon commented that this, even with the few dates they’ve got coming up, is their bit of time off before beginning to celebrate.  He continued on saying that while he didn’t join the band until the 80s, they’re celebrating the beginnings of John and Nick getting the band together and that it’s bound to be a “busy, fun, year” filled with tours and “lots of stuff”!

(I hope everyone’s bank accounts and credit cards are ready. Mine, however, are not. EEK!)

So sorry it was so late!!

-R

 

Musical Offer!

Duran Duran’s social media posted this picture yesterday:

Photo from Duran Duran’s Twitter Account

The tweet that went along with the photo was, “Happy Friday!  Nick and John in the studio in London”  After I saw the photo, I texted Rhonda to ask, “Know why they are in the studio?” as I figured that I missed some statement due to my insane schedule.  Rhonda said that she figured that they were working on the little musical those two are writing.  After all, Nick mentioned their goal to finish a second draft before shows started, which made sense to me.  This got me thinking.  Dangerous, I know.  Here’s the conclusion I came up with…  (Just a heads up…what you are about to read is supposed to be funny, a joke.  No hate mail.  Thankyouverymuch.)

Dear Nick and John,

It has come to my attention that you two have been working on a Broadway musical.  In fact, based on the most recent Katy Kafe, which took place in January 2017, the first draft of this musical is done.  You have finished writing it.  Now, you are working on perfecting your ideas by completing a second draft.  Obviously, your fans are thrilled to hear of the progress of this exciting project.  More than that, we are all anxious to be able to see and hear the musical ourselves in person.  Yet, we recognize that the process is lengthy and that there are many steps in between idea to completion.

One of the many steps that needs to be completed is to play the musical for a selected audience in order to receive necessary feedback of a project of this size.  After all, the intention of the musical is to be actually seen and heard by an audience, by people.  You would need to know what people think about it, right?  

Therefore, I am writing to you to offer Rhonda and myself as your guinea pigs, so to speak.  We are putting ourselves out there as a potential focus group.  You can then plan to play your musical for us and we would be pleased to provide some feedback, offering both much praise (we are sure!) and any potential suggestions for changes, adjustments, etc.  

The perfect time for this feedback session to happen would be in March, specifically surrounding the weekend of the shows at Agua Caliente in Rancho Mirage, California as we will all be in the same place at the same time.  In fact, my flight will arrive in Los Angeles late on Thursday, March 16th.  We could then schedule a listening session for that Friday, March 17th before the show.  We would be available all day for such purposes.  Of course, during the day on Saturday and Sunday would work as well since my return flight does not take place until Monday morning.  

In conclusion, both Rhonda and I myself wish you the best of luck in completing that second draft and hope that you will consider our offer to listen and give necessary feedback in order to reach your end goal with the musical successfully.  You can reach us here through our social media as well as through our email.   We look forward to hearing from you.  

Sincerely,
Amanda and Rhonda

If you are still reading, hopefully you understand that we don’t really expect this letter to be read or responded to (although we would be open if we did get a response!).  I wrote it just for fun.  That said, how cool would it be to get to hear this musical while they are in the process of writing it!?!

-A

Out of My Mind (no really!)

On this date in 1997, Duran Duran began filming a video for a little song called “Out of My Mind”.  They had traveled to Prague, and were filming at a castle (Krumlov Castle)…as one does, or at least did! Right?

Here’s a little more “truth” to add to the story.  This is the ONE video from Duran Duran that I genuinely do not know very well. I didn’t even know it existed until a good many years after it was filmed. Out of My Mind is off of Medazzaland, an album that came out just as I was learning how to be a mom. I had no time to pay attention back then, and it wasn’t until much later that I really spent time listening to and appreciating Medazzaland.

I will go so far as to say that I didn’t even realize that Out of My Mind had been a single, or included on the soundtrack for The Saint until far later, much less know the video. (I will accept my award for “biggest loser fan” at any time now) My only reason for sharing this extra info here is simply to show that all of us have our times when Duran Duran just isn’t the highest priority. At this point in 1997, I was struggling just to keep my head above water. I had a newborn, I didn’t know what I was doing, and to be blunt – I felt like I was losing MY mind. So, there you have it!

So, before posting I watched the video again. I think part of the reason I feel so unfamiliar with the video is because, in short – the video is downright creepy in parts. Simon wears facial prosthetics so that he appears to age, Nick is, well…Nick…(that means delightfully wicked), and Warren is Warren…although there’s one part where someone bites his ear and then animated blood appears to drip.  So that’s fun.  In my opinion, the video works very well with the mood of the song, but it is a song (and a video) that I have to be in just the right mood to appreciate.

Check it out again and see what you think!

-R