Tag Archives: Nick Rhodes

Question of the Week: The SOng that Represents the Astronaut Tour

I apologize for not getting a blog post out yesterday. While my intentions were there, my body said otherwise as I suffered through a pretty nasty migraine. Thankfully, I’m better today but I have been left with a ton of work to do to get ready for the new school world online tomorrow. Still, I wanted to check in here on a few items, including the weekly question, the twitter chat with Nick and the upcoming Duran Duran watch party.

Question of the Week

The last couple of weeks have been focused on the song that best represents the Astronaut Tour. First, I included all the songs they played in 2005 then limited to the songs people chose from that list. Now, we have a tie between two songs. This week’s poll will give us our final result.

Coming Soon
Which Song Best Represents the Astronaut Tour?
Which Song Best Represents the Astronaut Tour?
Which Song Best Represents the Astronaut Tour?

Nick’s Twitter Chat

Did anyone check out the Friday Twitter chat with Nick? I “watched” the tweets as I worked and had a few observations that I wanted to acknowledge. First of all, Nick was on longer than the rest, about an hour. It seemed to me that Nick took longer to “respond” which meant that there were longer pauses in between his tweets. That said, I appreciate some of the clever questions/comments that were shared. You can read the transcript here. I, for one, will be interested in seeing the chat next week with John. I’ll be curious to see if I will be able to watch as it happens as I’ll probably be doing school at that time. (I’m still getting used to this weird schedule I have.)

Duran Duran Facebook Watch Party

This weekend Duran Duran posted on their social media that they will be hosting a video watch party on Facebook: Duran Duran’s “Watch Party,” on the band’s Facebook page, will now take place on TUESDAY April 7 at 5pm EST (2pm PST, 10pm GMT). I, for one, have never actually checked into one of these watch parties. I might actually try for a bit on Tuesday just to see what it is like.

On that note, I better get back to work. Is it June yet?!

-A

Hothead – The Daily Duranie Review

Here we are. We have indeed arrived at the time to review Hothead. Produced by Chris Kimsey, featuring spoken word by none other than Simon Le Bon, there isn’t much written about Hothead. The song does not seem to be a fan favorite, so let’s get to the bottom of it!

Rhonda

Musicality/Instrumentation

The first thing I notice is the guitar, which quite frankly for a Duran Duran song, isn’t always the norm. Not buried too deeply in the mix, not an esoteric enigma, vaguely floating up in the stratosphere – for this track, the guitar helps ground the track like a root in the soil. The synthesizer takes on it’s old role, creating atmosphere and answering the guitar in the chorus.

The thing is, the music is kind of catchy. I like the slight grit to the guitar posed against the silky texture of keyboards. The semi-haunted house feeling of the descending synthesizer chords during each verse help to create interest, and it lends a bit more meaning to the point of the song. I picture wandering down into the proverbial rabbit hole, or falling into a pit while in a forest! This is the first DD album, to my knowledge, where the band samples from newscasts and television, incorporating those bytes into the background of the sound. I like that they did that, because those samplings give the song context. It isn’t difficult as a listener to understand the time frame in question, or why the song was written. Given that triumph, I don’t hear much bass though, which is strange – I think it’s in there, but during this period of time I think bass was more “felt” than heard. The band seemed to have backed off from the more complicated bass lines of Rio days and before. The drums are solid, no with no-nonsense, which probably is appropriate given the texture and point of the song.

Vocals

So, this is where things start to go sideways. The very first voice I recognize is that of Former President George Bush (the first one). That can’t be a good omen, can it? You hear news report snippets, which are sampled and as I said before – give context to time and setting of the song, and then Simon begins. Not quite spoken word, not quite singing…but then he does sing the chorus, doesn’t he? That’s followed by a stop gap, more than a little cringy, yet oddly appropriate, “hothead” sung in high-soprano by backing vocalists. I can’t decide if the cringe is meant due to the meaning of the song, or if that’s just *my* take on it. Before I can decide for sure while writing, I hear Simon’s rap section.

This may not be a popular opinion, but the words “Simon” and “rap” really don’t belong in the same sentence. It is very difficult to get past the sing-song aspect and take it seriously. Some artists rap well, and some just don’t. It’s my (possibly unpopular) opinion that Simon does not.

Lyrics

I’ll admit something right here and now: I’ve never read the lyrics to this song before. Lyrically, the song is strong, and arguably, more “political” than Paper Gods. The words were timely then, timely now, well-written, and (still) have a great message. They’re not dated, and they’re definitely not vague. He wasn’t wrong that governments use media and propaganda to change the mind of the public, and that whatever they say today might totally change tomorrow depending upon whatever view they wish to spread at the time. There is absolutely a message warning us to wary of those with the loudest microphones. I can’t argue with any of that. It isn’t the words that are the biggest problem.

Overall

While I can’t say it is a favorite song, there are a couple of things I liked. The guitar line is great, and I love the call and answer with synthesizer. I do give credit for innovation. The sampling of the news bytes was something that we may take for granted in 2020, but in 1990 was still fairly new. Overall, the music is pretty good. The lyrics themselves are solid, although I know they’re not the poetic ramblings that fans enjoyed in earlier albums. The real problem, at least for me, are the vocals and their delivery. I’m not opposed to rap or spoken word – but the sing-song delivery that seems to accompany the way Simon raps does the song an enormous amount of injustice. It cheapens the message and makes it out to be far more of a game or joke than I think was intended. I feel like the song started off to be a great idea, but during recording, it went ass-over-teakettle.

Cocktail Rating

two cocktails!

Amanda

Musicality/Instrumentation

This song definitely starts out in a non-typical Duran way with extremely obvious guitars. While I cannot say that I’m the biggest guitar fan, I think the jarring nature of the intro guitars is fitting with the theme of the song. You cannot talk about politics like this with a pretty synthesize sound, for example. Speaking of synthesizer, I really like the keyboards that pop up more when the guitars are pausing. The drums are solid with nothing too crazy going on. I don’t hear a lot of bass, though, which is a bummer. One thing that I notice about the musicality of this song is how the instrumentation is strong until the vocals and soundbytes begin then it almost feels as if the music takes a backseat.

Vocals

I’m not even sure where to start about the vocals. I guess I will start with the soundbytes of news headlines. I don’t mind them. In fact, part of me finds it fascinating what they chose and makes me wonder why those. To me, they fit with the theme of the song. Then, there is Simon’s vocals. At first, they aren’t terrible. I don’t mind them. Then, the first chorus happens. What the heck is that all about? Why the shouting like of “hothead”?! Why have a female vocal singing “hothead” for far too long? What is the point?! I don’t get it. Then, Simon’s vocals take a noticeable change for the final verse. It is more spoken word but not really. I don’t get that either. The vocals just make the song feel disjointed, lacking cohesion. It feels like they couldn’t decide exactly what they were going for so they did a bunch of stuff. It doesn’t work.

Lyrics

I have to admit that I find these lyrics pretty interesting but then again I spend a lot of my life involved in the political sphere. One thing that I find most interesting is how the overall message about media, politics, propaganda, etc and so forth is not dated at all. These issues are still relevant. In fact, they might be more relevant now in 2020 than in 1990 especially with the rise of social media, fake accounts, interference from other countries, etc. I look at other lyrics that might fit in the same category and feel like some of them feel more dated than this. The biggest example is Too Much Information. It definitely feels like the focus is on the Gulf War of the 1990s. Again, I give a little shoutout to the soundbytes as I found them to be interesting, too.

Overall

This song is definitely not a fan favorite and I totally get why. While there are elements that are interesting like the lyrics and much of the instrumentation, the vocals really detract from the rest especially since they are so front and center during the majority of the song. I do appreciate the fact that the band decided to do something political in nature but because of the vocals, specifically, I think it turned a lot of listeners off. They did not get the message or did not or could not think about what the lyrics might mean. That said, I do give credit for even mixing things up, musically, by having the guitar start it out and in such a dramatic way. I have to just wonder that if they had tweaked things a bit if the final result would have been significantly better.

Cocktail Rating

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two cocktails!

Year End Katy Kafe with Nick 2019

I’m still in the process of listening and blogging about the year end Katy Kafes. So far, I have blogged about John’s and about Roger’s. Today, I will move on to Nick. As always, I am not sharing everything. I’m focusing on what struck me and what I reacted to. If you want to want to know about the whole thing, please head over to DuranDuranMusic and listen for yourself.

Event of the year:

Nick mentioned that there were a lot of “ghastly political things” that he doesn’t want to remember. Instead, he would rather remember the 50th anniversary of the moon landing. He distinctly remembers being a little kid watching it, which he believed had a massive impact on what he thought about life. Additionally, it was “such a significant achievement that was positive for everyone.”

Favorite Movie:

Like John, Nick loved Once Upon a Time in Hollywood. While he acknowledged that it was a little long and slow, in places, he enjoyed every minute of it. He feels that both the writing and acting were great.

Favorite TV Show:

While Nick does not typically find a lot of time for TV, he made a point of doing so this past year. He mentioned two shows: Black Mirror and The Crown. He raved about the latter stating that it looks amazing with casting that it right on.

Favorite Book:

Leave it to Nick to talk about a book of photography. In this case, he talked about the latest Stephen Gill book that focused on photographs taken in rural Sweden.

Favorite Music:

Billie Eilish was Nick’s choice in this category. Fascinating. He acknowledged that she is very young but finds her clever and more interesting than others. When questioned about this choice, he stated how he believes that female singers are leading right now.

Favorite Thing Saw:

In this category, Nick focused on museum and art gallery shows. Nick discussed the various shows he saw in great detail. I took note of a couple including the Stanley Kubrick exhibit with props and clothing from his movies and seeing The Last Supper in person in Milan.

Favorite Duran Duran Moment:

Shocking to no one, Nick chose playing at the 50th anniversary of the launch of the Apollo 11 rocket to the moon. He described it as surreal, being at that exact location with rockets all around them, a big choir, a string section and a full moon. He shared a little about how this happened. Apparently, he had visited NASA a year earlier and the NASA people mentioned the idea of Duran playing at this and he jumped at the chance. Fascinating.

Looking Forward to the Most in 2020:

The first thing Nick popped out with was a nap. As someone who has been grading all weekend, I definitely could relate to that. Of course, he turned more seriously to the fact that they have spent a lot of 2019 working on the album. He said that he 100% thinks that the album will be out in 2020. His prediction is that it will most likely be between April and June. The worst case would be September. They have about 6 songs all set but have to battle to decide the rest. Katy asked how that happens. He explained that it was a democracy that works (unlike the UK and the US, he added!). Either they work on a song until everyone thinks it is the best it can be or it doesn’t get added. One story Nick shared was how he loved Northern Lights but Simon did not agree with a certain part. Apparently, they compromised by including it as a bonus track which Nick thinks it is the right way now.

All of the album talk got me excited! Maybe I’ll have new Duran music by my birthday. I would approve!

-A

Happy Halloween 2019!

I don’t know if there will be many treats for me this Halloween! So far, it’s been all tricks here at my house today! I’ve been working non-stop on doing some website housekeeping today, unfortunately to no avail. I’m going to be continuing to work on that this afternoon until my little pumpkin gets out of school a bit later. ( I suppose she is neither little, nor would she be amused by that term of endearment at this stage!)

Halloween has never been one of my favorite holidays , but I didn’t mind the trick or treat portion of the day! (I can hear Nick’s shocked gasp right about now…) Not a big fan of scary movies or any of that, and since I’m now a parent, I struggle just to find time to get it all done. It’s the kids holiday, not really mine, I guess. Case in point, I was sewing a costume for the aforementioned “pumpkin” just last night. She decided to go as a character from one of her favorite anime once she discovered that her school allows them to come in costume, which meant I had less than a week to pull something together.

Did I mention that sewing isn’t one of my better talents?

As a quick aside, I saw a T-Rex, Mario, Santa, and some Elves…and Deku (that’d be MY kid) this morning at the school drop-off. The kids refuse to wear their orange and blue school colors for spirit day, but they’ll sure as heck come in costume on Halloween. Sure, ok…I get it.

I think I’m struggling to get into the spirit of it all this year, which now that it is actually *the* day, I suppose it’s a bit late…but I’m going to try by referring to the Master himself, Mr. Nick Rhodes.

I ask you, has there really ever been a more dignified vampire?

Probably not.

Duranduran.com describes Nick’s playlist this year as “esoteric”…which makes me laugh. I’m just going to copy them here for all to enjoy! The best part of this list is that there are videos to match!

Midnight Star – Freak-A-Zoid

CJ & Co – The Devil’s Gun

Cameo – Rigor Mortis

Hot Blood – Soul Dracula

Souls Unlimited – The Raving Vampire 

James Brown – Hell

Billy Preston – Creature Feature

Lee Perry & the Full Experience – Disco Devil 

The Pop Group – She is Beyond Good and Evil

Brian Auger and The Trinity – Black Cat

The Temptations – Witchcraft (For Your Love) 

Dusty Springfield – Spooky

R Dean Taylor – There’s a Ghost in my House

If that’s not enough for you, and you’re looking for a little more Duran this evening…I give you Roger’s playlist, the full list available on Spotify, or you could certainly recreate it elsewhere!

That’s it for me today. I’m back to website maintenance! We’ll chat again next Monday!

-R

Happy 22, Medazzaland!

Medazzaland is 22, today. For some reason, that number doesn’t bother me nearly as much as hearing, for instance, that Astronaut is 15…or that I’m about to turn 49 in a few weeks. Let’s just not talk about any of that, though.

They’ll say we’ll get over it

As I waxed nostalgic earlier to a friend, I can remember when Duran Duran appeared on the Rosie O’Donnell show in 1997. They were promoting Medazzaland, and I was folding laundry while my oldest was bouncing away in her little chair. I can remember hoping she’d stay quiet long enough for me to listen to the interview and see them perform!

I hadn’t bought Medazzaland yet. In fact, I don’t think I even knew they had an album coming out until I watched the show that day, which, when I think back on it – is pretty alarming. It also explains my headspace at the time. I was definitely in the full throes of postpartum depression. Motherhood was proving to be a far bigger challenge than just diapers, laundry and bottles.

Why do we still face the music?

Seeing Simon, Nick and Warren that day made me smile for what might have been the first time in months, but I also felt pretty wistful. Admittedly, they didn’t feel like the Duran Duran I’d known. It was kind of like running into people at your high school reunion. Everyone wears these name tags with their maiden names on them, along with senior pictures to remind everyone of what they once looked like – but you don’t really recognize them. You don’t KNOW them anymore. That’s kind of how I felt with Duran Duran back then. I mean, by the time Medazzaland was released in 1997, Rio had already been out for fifteen years. So yes, I guess I did struggle with that a little bit.

I’d never heard “Electric Barbarella” until that day on the show, and I can remember thinking that the tune was catchy, so I decided that I’d go get the CD when I had a chance. As different as they were, there were still hints of sounds I recognized. (No, it wasn’t all about Simon)

Not long after the Rosie appearance, I bought the CD. I can remember running into the music store and buying it while my husband and Heather happily waited in the car. It was a shock to hear Medazzaland for the first time, as my husband scanned through the songs – only hearing the first 30 seconds or so of each before moving on. I just didn’t know this band anymore, and I think that was a real shock to my system. I’m not writing this as a topic of argument, I’m just explaining how it felt to me at the time, in 1997. Things change.

Now and then you’ll get the strangest notion

There are a good many people out there who claim to love Medazzaland now, 22 years after it’s initial release, but I can remember talking to many of those same people online in the year 2002-2003 or so. There were not nearly as many well-wishers then. Music has a tendency to grow on your ears and your heart, I suppose. I’m still not sure that I love the album as much as I love others, but I recognize its importance in the overall catalog.

Medazzaland kind of allowed Nick, Simon and even Warren to spread their wings and experiment with their sound as a trio for the first time. John was gone. Andy and Roger had been gone for quite a while by then. This trio was the new Duran Duran (or Duranduran if you prefer), and they were making a-go of it. In a lot of ways, this was a brand-new band. I would imagine that it was on this album that Warren really grew more comfortable because he’d already had the success of Ordinary World and Come Undone, and John wasn’t around to side with Simon. So he and Nick grew closer, worked together far more extensively, and the music evolved as result.

Wild ambition can you really blame us

This is why they took the cover of Rio and “redesigned” it. It wasn’t just happenstance they chose that image to graffiti for the cover. They were making a statement that this was a new era. This was not the band who created Rio, this was new. They wanted to be known for who they were at that moment, not for the Fab Five, Rio, or Sing Blue Silver. There is no clearer proof than on the album closer, “Undergoing Treatment”. Read the lyrics. In fact, read them all. The story is right there, laid out in the words, and playing in the music. The problem, of course, is that you can try to outrun it….but you can’t hide from your past. It tends to follow.

Like it, love it, or something else entirely, Medazzaland was a tidal change for Duran Duran. Creatively, they pushed the envelope and broke out of boxes that critics and, yes, even fans, had insisted they stay in. Funny thing about time, too. It softens the hard edges, makes the black and white seem a bit less so. I listen to the album today, and much of it feels and sounds very much like the band I know. Call it wisdom, call it old age, even. Pop Trash, Astronaut, Red Carpet Massacre, All You Need is Now and Paper Gods all came later, and on each album there are the remnants and evolutions of sounds from Medazzaland. That’s success in my book.

Can you give a little more?

The defiance the band found in Medazzaland is still present in their music today. It gives their sound this fiery edge that I’ll hear every once in a while, which I appreciate. The difference, at least one that I hear, is along with that defiance, there is also pride. Shouldn’t they be, though? After all, they’ve been in this business for forty years. They’ve undergone enough personnel changes to have created four or even five different bands. They’ve come full circle, and then some.

Happy anniversary, Medazzaland!

-R

Do the Dance

Good morning, Duran-fans! Welcome to a new (work) week. Mine started off on a nice note as I found out yesterday at about 4:45pm that my youngest had the day off from school today. I stayed up late watching Breaking Bad over again (we re-watched some of the series to prepare for El Camino, the Breaking Bad movie that’s coming out on Netflix in just four days, not that I’m counting down at all), and then woke up blissfully later than normal.

Hear it when you listen

Is anyone ready for some new music? Dying for just about anything you can get your hands on that might have a little Duran-something in there? Well, check out the new album by Jon Regen called Higher Ground. There are a number of contributions from recognizable musicians on the album, including one Nick Rhodes playing on a song named “Who Cares if Anybody Else Knows”. I don’t think you’ll miss Nick’s contribution! While it might not be quite Duran Duran, it’s something new besides!

Free to say

Now for blog news. In the interest of being sure to offer opportunities for fans to use their voices in a safe environment – I wanted to announce that we are ALWAYS willing and ready to publish guest blog posts from fans and readers. Maybe you’d like to offer up your own POV of a recent show, or you want to analyze your favorite Duran Duran song and/or video. Perhaps you want to celebrate your favorite band member, or even show off your own tribute band or DD-themed artwork. Maybe you want to share your own “How I became a fan” story, or share your experience of meeting a band member. The world – or at least this website – is your oyster. Your ideas and opinions do not need to be similar to ours, either. All it takes is an email (dailyduranie@gmail.com), and we can sort the rest out.

Additionally, I wanted to send a shout-out to Jason Lent, who will be contributing blog posts on a more regular basis. You will likely be seeing his posts on Wednesdays. I look forward to reading more about the Duran-world from his point-of-view! Thanks for the extra help, Jason – and don’t forget, rum and cokes are on me next time!

I’m hoping that those of you who struggled with links from Facebook and even Twitter at times are finding that they’re working again. We set up the security certificate, and that should have solved the problems so many were having. Thanks for your patience.

You can take it or leave it

Lastly, Amanda and I are going to be returning to Friday song reviews. We left off at the very end of Big Thing, and so we are going to start by finishing that album and moving on from there. Be on the lookout for those to start appearing!

Have a wonderful week!

-R

John Taylor on Let There Be Talk Podcast

I’m late, I’m late…I know… My tardy excuse today is that I was listening to the “Let There Be Talk” podcast with Dean Delray as he interviewed John Taylor. Yesterday, I scanned through it, picking up on bits and pieces, but today I forced myself to sit down and listen to the entire thing (at over an hour and a half – it’s a monster).

If you haven’t listened, or feel like you need a fairly comprehensive (but elementary) education on Duran Duran’s history, this may be the podcast for you. Likewise, if you are more of an auditory learner, give it a good listen. Make sure to have beverages and other sustenance available because it is hella-long. Here’s the link: Let There Be Talk featuring John Taylor.

Hard rock, The Viper Room, and plenty of gushing

Here’s the real deal: Dean Delray is very obviously someone who comes from more of a rock background, and by “rock”, I mean hard rock. Van Halen. Black Sabbath (whom he mentioned during the first MINUTE John was on the podcast), Guns ’n’ Roses… you get the idea. He has a voice that sounds like he smoked for 40 years and hung out at the Viper Room as a regular for at least 10, but who really knows.

He is what I would call a man’s man (more on that in a bit), and although he does a fair job of gushing (and yes, I do mean gushing) over Duran Duran and John Taylor (not that they don’t deserve it)…I would venture to guess the guy has spent next to no time ever really listening to their albums, or reading about their history. He knows the highlights, which to be fair is more than I can say about MANY of the people who have interviewed the band over the years. The problem is that Dean was going to attempt to chat with John for 90 minutes. Where does one go, conversationally, when you only know a smidgeon of what they’ve done??? That said…let’s just get on with the highlights before I get into more trouble.

I appreciated that the conversation opens with a discussion of the post-punk era. That lasted for approximately 15 precious seconds, when the conversation takes a strange turn. Delray brings up Black Sabbath – which caused my eyes to nearly roll back into my head. Is there really any other band that sums up the antithesis of what Duran Duran really IS at their core, than Black Sabbath? Obviously Delray was reaching for something to connect with John because Sabbath is also from the Midlands. I get it, but I don’t like where he was trying to go.

If you had to name one band that was DD’s polar opposite…

And hey, were John and Nick ever fans of Black Sabbath? I nearly spat coffee at my screen as John commented that no, he was never really into Sabbath, but he and Nick went to a show where they were playing, and knew to get out while they could. Again I ask, is there really any other band that is quite the polar opposite of Duran Duran? Probably not. I mean, Duran Duran is light, love, joy. Black Sabbath (and yes I actually *do* know their music well, thankyouverymuch) is more darkness, anger, and some control issues mixed in for good measure.

Rest assured, the train was brought back onto the right track as they continued to discuss where Duran Duran fit into this post-punk movement. John discussed how he switched from guitar to bass, and why he aspired to the sounds from black American bands like Chic. He talked about the funky power trio being at their core and how those rhythm sounds (as well as the bass) spoke to him. John also said that time really belonged to rhythm sections, as opposed to punk which belonged to guitar.

Delray then mentioned that in the 80s, Duran Duran were everywhere. DJ’s would play them, then follow with Van Halen and Prince. The common thread was that the 80s were a dance scene – bands wanted to be able to crossover and create songs that could be danced to, like “Jump” from Van Halen.

Dance, dance, dance

Funny, I just had this same conversation with my youngest as she prepares to go to her very first school dance on Friday. She’s only in 6th grade (she’s 11), and the dance is being billed as a dance/social with a carnival theme. Rather than just music and kids dancing – nowadays parents try to add in other activities. I talked about how at my middle school dances, girls (primarily, but not always) formed circles on the dance floor while we danced to the popular music of the day. She asked me what was popular then, and with profound joy (seriously, way too much joy, I think…) I pointed at our car stereo, which was tuned to SiriusXM 1stWave. “Anything they play on this channel is what Mom would dance to, including Duran Duran.” As we talked further, we agreed that kids don’t seem to have a lot of bands to dance to. It’s EDM, or like where we live – country. It’s not the same now. They have to play carnival games instead, I guess.

“What we lacked in know-how, we made up for in cajones.” – John, on “Let There Be Talk”

Simon, before…and after

They spend some time chatting about life before Simon. (Seems like that could be a fitting title for an autobiography) John gave a rudimentary timeline of the singers who held the mic before Simon came gliding in with his suave attitude, pink leopard pants, and book of lyrics. Sometimes, I wonder if the book of lyrics wasn’t more of a driving force behind Simon’s induction into Duran Duran than anyone wants to say….hmm…(thank goodness he’s still there though, am I right??) He mentionedTin-Tin Duffy and his band the Lilac Time, then talked a little more about Andy Wickett, and explained the course of events that brought him into Duran Duran. He said that Andy was a phenomenal singer, but that it just didn’t work out for him as a front man.

Simon joined the group by listening to what became Sound of Thunder a couple of times, flipping though that now infamous book of lyrics, and settling upon words that fit the music. The uniqueness of Duran Duran maintains that basic approach to this day, but back then it was John, Nick, Roger and Andy who wrote the music. Simon wrote the lyrics. All five members were equal.

Doesn’t it suck to be a boyband?

Just the topic is enough to set me off. Dean Delray doesn’t realize the minefield he stepped into as he asks the next question.

“There was a time when of course you become the teen idols. You’re fucking everywhere…Teen BeatTiger BeatDream Magazine (is that even a thing?)….any kinds of those. But at the same time it was really helping you, it was cursing you maybe in a legitimate music world. People thinking they’re just a boy band, even back then because we have boy bands all the way to now. Uh…did you feel that way, like ‘fuck this is great but it sucks at the same time’?”

John kind of pauses, which I appreciated…and I’m going to assume that he needed to collect his thoughts before answering. I know I needed to collect my jaw as it hit the ground while I was listening. He then says “uhhhh….I don’t remember thinking it sucks.”

For me, that was all that was needed. However, for the people in the back, or for those who, like Delray, believe it was a double-edged sword…John continues to explain that he didn’t mind being the pinup and in fact points out that his fans had his poster pinned up in their room to Gela (this made me chuckle) whenever possible. Amusing. If I were his wife, I’d probably put up with that exactly one time before throttling him. (typed with a grin)

“Life is foreplay for when the lights go down.” – JT


Videos

Like most who interview Duran Duran, Dean Delray doesn’t really get the videos. He knows they’re works of art “They’re 35mm films, dude, not videos!”, but he also thinks they cost millions. “Planet Earth cost about $10,000 US”, John corrects.

John gives Dean the quick rundown on why Duran Duran relied on videos, explaining that Rio was charting in Australia, about as far away as one could get from the UK, and yet they couldn’t affordably travel there to play, so their managers suggested they make videos. He described going into the studio to make Planet Earth and meeting Russel Mulcahey, and then talking about how it wasn’t until the mid-80s that videos became a multi-million dollar business. It remained pretty clear that Delray just didn’t get it as he finished the conversation on videos by saying “That thing you did on the yacht was great!” He expanded by talking about how they looked rich, living the good life and trails off just as John says that they were really “just goofballs” on the video.

Exactly. Sure, it took place on a yacht, but the moral of that video is that you can put the goofballs in nice clothes, allow them to drink champagne, and let them sail on a yacht…but they’re still going to fall all over themselves in front of a girl and throw the guitarist overboard!

They speak briefly of Sing Blue Silver, and it is just about at this point when I begin to wonder if John knew he was going to be teaching Duran Duran 101 before doing the podcast. His reward for providing that knowledge is Delray’s reply “That thing is so great!”

Oh come on….you know you’re thinking the same thing I am. Did he really know what Sing Blue Silver was?

Power Station and an evolving Duran Duran

So here’s the thing, John gives a full narrative on how Power Station came to be. The two main highlights here are:

Had Robert Palmer agreed to tour with Power Station, John feels (in hindsight, mind you), that they would have continued on, but they wouldn’t have been as important as Duran Duran.

John has so much respect for Nile, it is truly inspiring. They talk about Nile and the Rock and Roll Hall of Fame. Chic has been nominated eleven times. ELEVEN…and even then, only Nile has been honored with an award of excellence as a guitarist. John says he (Rodgers) wears that (the knowledge) very well, that if it were him, he’d be bitter.

As many probably recognize, it was during this period that Duran Duran really evolved from a five piece to a three piece band. Dean asks about the money and the fame. Rather than succumb to discussing what had been lost along the way, John turns it around.

“A run like that, sooner or later, has to end. The momentum of what you’ve done carries you. Objectivity of your work, it has it’s place.” He continues by saying, “Treat audiences and your band mates with respect, and you can have a career.”

Delray asked about Neurotic Outsiders, a project that – out of everything – he seemed the most familiar with. He cites the Viper Room and knows the people in the band. John explains that it was a good space for him to work through the burnout he’d had (for him, it was the second time he experienced burnout with Duran Duran), and to work on staying sober and being a decent parent. This was a way for him to still have fun, by playing a residency on Monday’s at the Viper Room.

New album and closing thoughts

They closed with a bit of news on the coming album – which I shared yesterday. I also took special note of a date that John mentioned while talking about Simon’s history with the band. As they chatted about the band’s beginnings, John commented that on July 1, 2020 – it will be the 40th anniversary for the current lineup. I know this has always been a sticking point for fans, many of whom claim that the band has somehow “missed” their own anniversary in 2018.

I’m the last person to tell Duran Duran what date should be celebrated, or how they should do so. My job is to applaud it. In the case of the date though, it would appear that they want to celebrate the time when Simon was in fact part of the band. This makes sense. After all, the Duran Duran we all tend to think of actually involves Simon! So, stop with the “they forgot to celebrate their anniversary” nonsense. They didn’t. Sure, they celebrated the inception of the band back when they did the 78-03 tour. That’s called “marketing”. It’s a thing, and it isn’t an affront to anyone. It also isn’t “confusing”….it was about selling tickets and hyping up their reunion as the original five. They came up with a slick way to make it all seem a lot less contrived than saying “Hey, we need to hit the road to see if anyone will even buy tickets to come see us.” There’s nothing wrong with that.

This band isn’t one for looking back – listen to any interview over the years, and they’ll tell you that themselves. We fans have made far more out of this 40th anniversary than anyone else likely intended, including the band and management. The sights are set incredibly high, and the expectations are out of this world. No matter what the band does at this point, it may not be enough to pacify. This is unfortunate. Listen to the podcast. The one thing John says that is key for Duranies in resetting their expectations, is that the band talked a lot about what to do (if anything) about the 40th anniversary. The one thing they agreed upon, was that the best way to celebrate their career next year was with new music.

Sounds great to me, John!

Wow, after that post, I need a break! Good thing today is my “Friday” for blogging! Happy Weekend, everyone!

-R

Who’s That with the Broom?!

If there were any concert I wish I had video for, it would be the Power Station concert that took place on this date in 1985 in East Rutherford, New Jersey.

Maybe you’re reading this right now and wondering what I’m going on about. Well, there was a special guest at this particular Power Station performance. He (oh yes, it was a “HE”) appeared between the main set and encore, and proceeded to sweep the stage.

The crowd began to recognize the janitor – he was none other than Nick Rhodes (an obvious choice for janitor???), and as the encore continued, he “played” along…on his broom. (again, of course he did. Who doesn’t imagine Nick playing air guitar, or air keyboards???)

I had wild hopes of finding this clip somewhere on YouTube, but my search was not productive. If you happen to have it or were there…feel free to chime in! I’d have loved to have been in that audience!

With that, I am off to get some work done around here. Have a great Wednesday, everyone!

-R

I Don’t Really Know What I’m Doing Here

I’m struggling for posting topics. This seems to happen each year around this same time (and again in December). It is always a problem for me, and this year is really no different.

The thing is, I’m also researching and writing. Amanda and I have started a new project, and I’m actually in the middle of writing the intro for the very first chapter. My brain is working on that – and while the subject matter does have a lot to do with being a Duran Duran fan – it isn’t ready for blogging. When I’m intensely writing, I have a difficult time thinking of fun little blog topics. Maybe next week will prove easier!

Until then, I have a few little newsy items for those who missed them on social media over the past few days.

New Religion!

First off, on this date in 1980, the fan favorite, New Religion, was written! It was released in 1982, and is on the Rio album, of course.

Last Chance on the Stairway!

Secondly, on this date in 1981, another fan favorite, Last Chance on the Stairway, was written. It was also released in 1982, and is also on the Rio album. I don’t know how Amanda compiled these dates (the calendar is her department and we should all be thankful for that because she’s the detail-oriented one!), but here we are!

Just get a picture of sun

If you didn’t catch Instagram over the weekend, you might have missed that John and Gela were visiting Nantucket with Gela’s son Travis. Color me green with envy – I haven’t been there, but it is on my bucket list of vacation spots! Almost back to work time, John! (I don’t know whether I should feel bad about writing that, or excited….???)

So the party runs on all night

Let’s see, Simon and most of his family, Nick and Nefer, Giovanna Cantone (Roger’s ex-wife) and her children were guests at Cristiano Basciu’s 50th birthday party on the island of Sardinia. I’m sure I’m missing people who were there, but I didn’t see the pictures, and I really don’t follow every possible person connected to the band – only the people that I find interesting and/or nice! Cristiano is the hair stylist for most of the band and has been practically family for a very long time. Happy birthday to Cristiano – one of the nicest people I’ve never personally met! He is always extremely patient and kind to everyone on social media, even when he is having to post for the 50,000th time that no, he doesn’t follow Duranies, he doesn’t let people follow him on Facebook, and he doesn’t give secrets away. It looked like a wonderful party!!

Turn and see the circles we’ve traced

Yesterday, Anna posted some pictures and a short little video with Jessie Wagner (backing vocals for part of the Paper Gods tour, prior to Erin taking over), and Dom in his studio. Along with what must have been a good catch-up, Anna and Jessie recorded some vocals on a song for Dom’s “top secret” new album. I’m excited to hear the finished product!

Lastly, in a week from now I’ll be starting to think about packing. I leave Thursday with my sister to drive to Palm Springs. Apparently there’s some crazy band playing there. Then on Friday I’ll drive on to Vegas for what I anticipate will be a very fun weekend. Turns out, that same band is playing in Vegas, too!! I’m really looking forward to hanging out with Amanda, Suzie and Lori, and seeing some other friends. I can hardly believe that we’re already almost through August and that the time for the west coast mini-tour is almost here.

I hope the band is ready!

-R

Just An Hour To Go

Now the day is over

I think it has taken me a full 36 hours or so to completely reign in my thoughts on the show at the Kennedy Space Center. I don’t think Katy was wrong when she said the set and show would be “out of this world”. The band added “Anyone Out There”, “Astronaut” and even “Walking on the Moon” by The Police to an already fantastic set list that included a lengthy intro to “The Universe Alone”. If the ethereal, delicate beauty of drones hovering overhead didn’t send chills down your spine, then surely combining the choir and orchestra to Duran Duran’s already near-perfect sound gave you goosebumps and made your hair stand up on end. At least they did for me, and I was at home watching a pixelated stream with far-less-than-adequate audio!

That evening began with a series of clicking links that didn’t work for me. I didn’t even think I’d be able to see video, but then Studio Drift streamed their drone performance. Granted, they only showed their pertinent portion of the evening, and after that I was desperate. I’d tune in to one stream only to find it wasn’t working properly, then try another. There might be sound, but no video…or vice-versa. Where could I see more? Thankfully, social media never disappoints! Duranies in the know were pointing everyone else in the proper directions. I was sent a link to another kind soul who decided to live stream the entire gig. I was thrilled, even with her apology that there might only be sound because the view from where she was standing wasn’t that great (her words). I couldn’t have cared less, I was overjoyed to be able to even see a tiny bit of the show – and I had no trouble hearing what the band was playing, even if the quality wasn’t perfect. That certainly didn’t stop me from tweeting in awe over what was happening in Florida.

I tried to phone last night

For me, that was the best part of the evening – even from home. Of course the show was stunning! I loved seeing the overall view of the rockets, the stage, and the crowd, combined with the music I know and love. Simon really made the show special by talking about the astronauts and the space program. The ambience was just about perfect from my seat. What topped it all off, was that even here at home as I sat by myself in a barstool at my kitchen island, I wasn’t alone. My friends and I tweeted back and forth. Amanda and I texted. There was laughter, and yes – even giggly joy. You can’t really beat that! I mean, if I can be here at home, about 5,000 miles from the gig itself, and still feel like I’m amongst friends in the audience, that’s what it’s all about.

I’m still a little stunned, or in awe…or something like that. I’m not one to sit down and watch video after video clip from a show. I have friends who have sent me videos from concerts I’ve attended over the years (and a lot I have not), and while I might watch a clip or two, I don’t spend a lot of time doing it. normally. Since the KSC show on Wednesday, I’ve SCOURED the internet, looking for any and all videos I can find, particularly of The Universe Alone – a song that I have had a love/I’m-really-afraid sort of relationship with since it came out. That changed on Wednesday.

Here’s a link to some amazing footage. I can’t stop watching it. I might need help.

You didn’t answer

I will never again listen to “The Universe Alone” without thinking of those gorgeous drones in the sky. It was like watching the stars, or a sea of fireflies, dancing in the heavens. I loved it, and hearing Simon’s voice – perfect and clear – singing the verses to “The Universe Alone” nearly brought tears to my eyes right along with all the chills I’ve come to appreciate in response to an outstanding performance. I know there’s some outstanding, multi-camera video footage out there, and I know I’m not alone when I cheer loudly in hopes of a video of the full performance to be released!

Seeing the show that night made me all the more excited for what is to come – and I don’t just mean the September shows.

(Although, I would like to reiterate the formal request I made on Twitter that Duran Duran put “Anyone Out There” in the setlist for the September shows and beyond. Pleasethankyougoodbye).

It makes ya kind of wonder when we might hear new music from the band, doesn’t it?

Look out of the window maybe you can call by my name

It does me too….which is why I nearly fell out of my chair when I read a recent article published on Playlist, a magazine website from Mexico. The short piece is in Spanish, which remains the one language I read pretty well outside of English (speaking it is another story. Conjugating verbs on the fly is not one of my gifts…) But even so, I thought I was misreading things, so I sent it through good old google translate. Turns out, I wasn’t.

According to the article, the band already has a song in mind as a lead single. Lead what?!? Here’s the translation for those who want the short “executive” version of the full article: “So far, there is a song that is the main one to be the first single. It’s so different from anything you’ve heard from us before, or really from anyone else. There is a dancing element. The construction, the melodic content, the lyrics, some of the sounds … are very different for us”

I’ll give you a minute to absorb that. Meanwhile, here’s the link, read it yourself:

http://www.playlistmag.mx/2019/07/duran-duran-anuncia-nuevo-album-con.html?m=1

My face in the mirror shows a break in time

Anybody else have the feeling that this band has been working on the album more than they’ve kind of let on??? I honestly thought they must still be at the stage where they’re just jamming in the studio every few weeks, hoping for something to gel.

(ok, I was going to write “months” in that sentence, but that seemed too negative. Typing “weeks” seemed more optimistic and hopeful!)

This kind of talk regarding singles makes me wonder if I’m just going to wake up one morning and the band is going to be like “Surprise, we’ve released our new album and we’re going on tour starting tomorrow!! Pre-sales started at midnight and you’re already too LATE!!”

New album – ok.

Tour – that’s fine….I guess? I mean, it just seems a bit rushed!

Presales starting without notice….while I’m sleeping?? That’s stuff right out of my nightmares. Some might say that this is the obvious next step for a band who likes to give less than 48 hours notice for presales.

A crack in the ocean, which does not align

I also have to wonder if this story about singles is even true. Not that I think Nick told a big fat fib, but that perhaps the magazine misquoted him. I mean, it’s the only place I’ve seen anything mentioned about actually having songs written! Can it really be?

If it’s true, then I’m still thinking about the description. I’m not surprised it sounds nothing like anything they’ve done before. After all – this is not a band that likes to revisit. It’s all new, all the time. I’m still shocked that they think they’ve already got the lead single. I say “already” because in my head – this album process just started! I can’t seem to wrap my brain around anything else.

I think back to pre-Paper Gods. For me, those days were torture, and I wasn’t in the band or even on their team. I was just a bystander. A blogging bystander. Every month felt like another year. (I’m exaggerating here because I have a flair for the dramatic, you see…) I wanted them to hurry, hurry, hurry, and then get back on the road so we could have more fun! This time, I’ve been pretty damn patient, I must say. I was busy. There were boxes being packed, and unpacked. I moved. I raised chickens, built a chicken coop, and apparently became a bit of a farmer. What???

I sound like I’ve retired, which I have not.

I’ve caught your dreaming

There were shows, which honestly – kept me going even during some really dark days. I couldn’t tell you how long the band has actually been working on this album because – news flash – I don’t even know! Interesting. Well-played, Nicholas… and of course the rest of you. You got me this time. I did see comments on Twitter in reaction to another interview posted somewhere, and apparently Nick said they’re shooting for late spring of 2020 for new music to be released. To be completely honest, I discounted that information.

On one hand, it *was* Nick who was giving a target release timeframe. If it had been Roger…I’d have laughed quietly and said, “add on another 12-18 months on that!” Sorry Roger…I kid, I kid!!! In all seriousness though, I read the tweets about it and thought, “Yeah, we’ll see. Late spring of next year? Yeah…..I’ll believe it when I see it!”

Not that I don’t trust this band. I do. I believe they will eventually release new music. I just suspect I’ve got all kinds of time to wait and be patient, maybe build an animal paddock, and begin raising goats and sheep along with my chickens.

I really do sound like I’m a farmer.

Have a great weekend everyone!

-R