Tag Archives: Notorious

Three To Get Ready

the lasting first impression is what you’re looking for – “First Impression”

The excitement of unwrapping a new cassette, CD, or vinyl record, and settling into a new listening experience retains its sense of excitement no matter how old we get. There is something magical about hearing new music from a favorite band and, often, the first three songs of the album are a strong indication of where you are headed together. The trio of songs that open U2’s The Joshua Tree and Prince’s 1999 are astoundingly good and a huge reason both are considered classic albums. Does Duran Duran have a trio on the same level? Maybe not but it made for a fun Duran Dissection project.

Duran Duran (1981)

The camera shutter of “Girls On Film” is certainly prophetic given Duran’s success in front of it on MTV and countless teen magazines. Then you get “Planet Earth”, a song that encapsulates a moment in time when all the various styles of the 1970s were coalescing into a new sound that would change the world. While “Anyone Out There” might have made it back into recent set lists because of the NASA show, it would be hard to find someone unhappy about it. Not necessarily single-worthy, “Anyone Out There” remains one of the strongest album tracks the band would ever record. 

Verdict: A- (I decided to use letter grades since Amanda is a teacher and we need more heroes like her on the front lines of education)

Rio (1982)

From the dark clubs of the New Romantic movement to the world stage, the more colorful sound of “Rio” is pop perfection and succinctly captures the spirit of the 1980s. The trio gets a little shaky, however, with the album version of “My Own Way”. No matter how much I love this album, there is always a voice in the back of my head telling Roger to speed it up on this song. I much prefer the Carnival remix and the night version to the original album version but maybe that’s just me. I also prefer the longer version of “Lonely In Your Nightmare” on the remixed US version of the album. The mood and atmosphere are allowed more time to capture your imagination. 

Verdict: B+

Seven & the Ragged Tiger (1983)

Nile Rodgers gets the A for his remix of “The Reflex” because the original is pretty flat overall. Given the anticipation for this record, it is a disappointing start. “New Moon On Monday” feels more fully realized but then the album loses momentum again with “(I’m Looking For) Cracks In the Pavement”. While not a horrible song, it isn’t essential to the album. One of the weakest opening runs of any Duran Duran album, it might have frightened casual fans away from the magic that awaits on side two. 

Verdict: C-

Notorious (1986)

A statement of purpose, the title song ring in a new era of Duran Duran that feels a little chippy (at least towards a flaky bandit). Then, “American Science” sways like a palm tree in the dark. Full of sophistication, the new Duran Duran were growing up faster than some fans; including me. The sexy “Skin Trade” should have faired better as a single and rounds out a thrilling opening suite of songs. The overall mood of the album comes through on these songs and all hold their own individually. 

Verdict: A

Big Thing (1988)

I sense that the title track is a love it or hate it moment in the band’s history. In 1988, I was definitely a little hair metal kid so the punch of it instantly appealed to me. Then, the band delivers two of their finest singles. I’ll argue all day that “I Don’t Want Your Love” and “All She Wants Is” are stronger singles than “The Reflex” and “New Moon On Monday”. OK, maybe I’m stretching it, but this album was criminally ignored by the industry. 

Verdict: A-

Liberty (1990)

I just waxed nostalgic over Liberty here so I’ll keep this brief. The first two songs are solid introductions to a slightly uncertain time for Duran Duran. That uncertainty turns into a hot mess on “Hothead”. I’ll leave it at that.

Verdict: D+

Duran Duran (1993)

Please, please let me know. Are we officially calling this The Wedding Album now? Despite the slight hypocrisy of the lyrics in “Too Much Information”, the song practically explodes from the speakers after the timid Liberty. Where would Duran have ended up had “Ordinary World” not turned the tide on their commercial free fall? I’d rather not think too hard about that. Unfortunately, “Love Voodoo” hints at some of the uneven music that follows on The Wedding Album

Verdict: B

Medazzaland (1997)

Experimental, bold, fresh. There are so many words to describe the mysterious Medazzaland album. The opening three songs are all of the above-mentioned adjectives and more. The album loses its luster the deeper you go but the opening trio lays to rest any concerns about Duran Duran bouncing back strong from the critical mess that was Thank You. It is hard to resist “Electric Barbarella” as a single. The percolating synths and guitars work well together. Its classic Duran Duran even if the video’s stab at humor fails to overcome the sexist premise.

Verdict: A-

Pop Trash (2000)

A new century of Duran Duran began with “Someone Else Not Me”, a fine song but a difficult album opener. Bordering on 60s psychedelic folk-pop, the song challenged us to open our minds to what Duran Duran could sound like. The opening guitar and drums of “Lava Lamp” could pass for a Matchbox 20 song before Nick and Simon arrive while the swirling “Playing With Uranium” manages a decent chorus. I find that I enjoy Pop Trash in a single listen so any three song run from this album leaves me indifferent.

Verdict: C-

Astronaut (2004)

And then they were back. “(Reach Up For the) Sunrise” has a chorus worthy of a stadium. It is contemporary but without sacrificing the values of early Duran Duran. “Want You More!” is the sort of synth-pop gold that the band used to dispense with ease. LeBon’s voice sounds particularly strong on “What Happens Tomorrow”, a mid-tempo rocker the band seems determined to put on every album since the success of “Ordinary World”. This time, it works out beautifully.

Verdict: A-

Red Carpet Massacre (2007)

Opener “The Valley” suffers from confusing production. This song should be a distant cousin to The Normal’s “Warm Leatherette” but it ends up trying to be something urban and hip. The title song and “Nite-Runner” are better examples of what the band was aiming for. It might have driven Andy to Ibiza and left me dreaming of what Reportage will someday sound like but this project has grown on me.

Verdict: B-

All You Need Is Now (2010)

Such an incredible album, the band hasn’t kept any of the songs in the set list since the tour ended supporting it. I’m not bitter. Yet. The title song is the best Duran Duran single since “All She Wants Is” and introduces an album that holds its own with the band’s best work during their imperial phase. “Blame the Machines” and “Being Followed” get the adrenaline racing with the perfect balance of synths and guitars. This is Duran playing to their strengths in every respect.

Verdict: A+

Paper Gods (2015)

One of the most instantly intriguing opening tracks the band has ever done. When the instruments come in, you can hear a little of M’s “Pop Muzik” buried in the DNA of the track. It’s an instantly likable blend of the band’s pop aspirations and art-school fixations. Of all the band’s albums, this one suffers the most from the sequencing. “Last Night In the City” is the sound of a screeching car crashing into a wall with some EDM blasting through the stereo. It feels out of place after the moody opener. “You Kill Me With Silence” feels like the appropriate follow-up to “Paper Gods” and doesn’t create such a disjointed listen. I could write an entire Daily Duranie piece on restructuring Paper Gods. Maybe, I will.

Verdict: C-

Question of the Day: Thursday, July 4, 2019

According to our voters, this should have been the track listing for Seven and the Ragged Tiger:

  • The Reflex
  • New Moon on Monday
  • (I’m Looking for) Cracks in the Pavement
  • I Take the Dice
  • Of Crime and Passion
  • Union of the Snake
  • Shadows on Your Side
  • The Seventh Stranger
  • Secret Oktober

Which song off of Notorious should have been a b-side and not included on the album?

It’s Got to be Funky!

It’s a little bit late now

Welcome to a brand new week, Duranies. As I sat here pondering what to write about today, (and let me just be honest: I was not prepared in the least for today, and if I had it my way, I’d have called the day off altogether!) I saw that DDHQ had asked social media what they felt was Duran Duran’s funkiest song.

I thought the answer was pretty simple. Of course it’s “Notorious”. After all, Simon pretty much proclaims it at every show when he asks if anyone is ready to dance, and if so what should they play…and then he’ll say something like “Whatever it is, it has to be FUNKY!”…and then they break into “Notorious”. I didn’t have to think hard about it, and started to type when I decided to take a quick scroll through the other answers being offered on Twitter.

Turns out, “Notorious” wasn’t even the most popular answer (at the time), and the answers ran the gamut from “Nite Runner” to “Skin Trade”. All of that had me thinking whether or not I still wanted to go with “Notorious” as my answer. Sure, it was the easiest for me to come up with, but is it really the funkiest? I think that might depend on your definition of funk.

Soul persuasion

I decided that if I was going to write about funk, I’d better have a decent, formal definition. I pulled the following up from Google:

Funk (noun): A style of popular dance music of US black origin, based on elements of blues and soul and having a strong rhythm that typically accentuates the first beat in the bar.

The definition is a little vague, but the idea is there. The music is danceable. It has a foot firmly in the jazz rule book, but the rhythm and blues current is undeniable and very forward in the music. (meaning it is what your ears notice first. You can’t really miss it.) Even more interesting than noticing just how many Duran songs fit into that box, is realizing that the one element found on every Duran Duran album in some way, shape, or form, is funk!

Even on their debut album, you can hear funk in the bass and in the drums. It is there, even when the other song elements aren’t in that same vein. That effect – the melding of electronic with funk, rhythm & blues and even disco – is likely what made their music so special to many of us, from day one.

It moves me into place

While many fans (including myself) have engaged in discussion over the ever-changing musical fabric with each album, the one element that remains the same is indeed that sense of funk. So often I find myself talking with folks about whether or not I can hear the guitar, or the bass, or even synthesizers, when in fact what I think we should really be discussing is whether or not we still hear that “Duran Duran Funk”.

If we hear it, is it weak or strong? Overpowering? Just the right amount? If it seems absent, how does that make us feel? Do we think something is missing? It is definitely worth a trip down the rabbit hole into the back catalog to see just how important funk is to the Duran Duran musical “brand” and to individual listeners, or fans.

If we can lay this down

Obviously, this concept isn’t new. It wasn’t as though I woke up today with the magic formula for a perfect Duran Duran song. Rather, the idea of just how many songs in their catalog have funk as their elemental backbone gave me something to consider over coffee this morning.

I don’t know if it is really the “funkiest” song in their catalog – but “American Science” has a slow, hypnotic, soul, with plenty of funk to it that I’ve always loved. While the tempo isn’t fast and it certainly isn’t “Notorious”, it has all the elements that make it a song worth many listens.

-R

Happy Anniversary to SATRT and Notorious!

I love this time of year. It has finally cooled off in So Cal (hey, it’s under 80 degrees now!), the winds have died down for at least the moment, and December is right around the corner. All of that aside, the real reason I love this time of year is because for me – late November reminds me of one thing: DURAN DURAN.

I think anyone who has been an ardent fan of theirs over the years is aware that the band seems to have a special relationship with Autumn…one that seems to embrace releasing new music! I automatically associate albums like Seven and the Ragged Tiger with  the falling leaves, and even the color scheme of the album reminds me of November.  Just the other day I was listening to KROQ HD2 “Roq of the 80s” when “Union of the Snake” started. The beginning chords reminding me of sharing the small bathroom mirror in my childhood home with my younger sister, or sitting in the back of my mom’s green Mercury as we drove up north to my uncle’s house for Thanksgiving.

The Notorious album beckons similar memories for me. I remember hearing the “No, No…Notorious!” over the radio as my parents, sister and I took our annual apple-picking trip one year. As much as the music still feels current, I can’t deny the sense of nostalgia.

It isn’t exactly a shock that the two albums share a common anniversary date, which just happens to be today (although Google tells me that Notorious was released on the 18th. I give up trying to keep it all straight at this point!) I think the jolt of surprise for me comes from reading that Seven and the Ragged Tiger is celebrating #35, and #32 for Notorious.  How can that be possible?

Happy Duraniversary to Seven and the Ragged Tiger and Notorious!

-R

How do we really feel about Autumn Albums?

I think we can all agree it’s been pretty quiet recently. I can appreciate friends who post topics to get a conversation started, particularly when it comes to Duran Duran.  Personally, I love surveys and polls. They’re fun little “litmus” tests for the fan community, and they’re fun to look back on from year to year to see if there’s been any changes.

One of my Twitter friends, @BoysMakeNoise (you should follow him!) likes putting together surveys. This week, there was a survey on Autumn albums. Each of the albums that Duran Duran has released in Autumn months was given a star rating of 1 to 5, and then that information was compiled to find out what album was most liked.  He ran the same survey last year at about the same time, and now we’d have a comparison.

2017 Results  (average rating)

  1. Red Carpet Massacre  (2.95)

  2. Medazzaland (3.06)

  3. Astronaut (3.73)

  4. Big Thing (3.78)

  5. Paper Gods (3.96)

  6. Notorious (4.00)

  1. Seven and the Ragged Tiger (4.07)

2018 Results (average rating)

  1. Red Carpet Massacre (2.99)

  2. Medazzaland (3.06)

  3. Astronaut (3.63)

  4. Big Thing (3.74)

  5. Seven and the Ragged Tiger (3.86)

  6. Notorious (4.06)

  1. Paper Gods (4.28)

It shouldn’t come as a surprise to anyone that I like to extrapolate information from results like these.  There were 100 participants in the survey. The number isn’t enormous, but I think it is fairly representative. Chances are, the people who participated are not simply “fair-weather fans”. These are people who know the band’s catalog, and know it well-enough to debate the components.

Astonishingly, the real movement here was between Paper Gods and Seven and the Ragged Tiger – one of the “Holy Trinity” albums. (First album, Rio and SATRT). Rarely do I ever see any of the initial three knocked out of the top three of any survey ever taken. They tend to be considered Holy Grail, virtually untouchable. The rest of the results stayed within a reasonable range of last year’s survey results, but most did vary.  Medazzaland, pinpointed at an average rating of 3.06 stars each year, was the only album with stagnate results.

Nostalgia at Work

It is rare to see any of the first three albums removed from the top of any “favorites” list. There are a number of reasons for this. The album was released in 1983, there was a reasonably huge tour to support it, and it came out at the height of their popularity. This album marked the end of the initial “Fab Five” era, and for that reason alone, even post-1980’s fans hold it close to their hearts. The nostalgia for this album is enormous, and that alone keeps it afloat.

Over the years I’ve been participating in social media, I’ve been involved in more than one discussion about Seven and the Ragged Tiger. It is a difficult album for me, because I remember how much I adored it when it was released. The funny thing is that even in 1983, I don’t think I really “got” it. I can remember thinking how strange it sounded compared to anything else out at the time—and I liked it that way. Even today, I’m astounded by just how much is going on in every single song. There are no “empty spaces”.  There are layers upon layers of music and background effect. The question, is whether or not it was overdone, and that’s always up for debate.

I can see the first three albums in a definite progression. The first album was pretty raw and natural. In my opinion, that album remains the most uniquely untouched “Duran”. No egos, no fame, no fortune to muddy the picture. Rio, has far more finesse. A little more ego, but not too much. After all, they didn’t “hit” in the USA until much of Rio was remixed (Kershenbaum) and re-released here in the states. They were UK stars, but America was another challenge. Next was SATRT, and they pulled out all of the stops for this one. There’s a lot going on, and I don’t just mean musically. The band clearly had an ego by this time, and they felt like they had something to prove, with all the resources in the world to do it. I can hear the inner tug-of-war going on within the band, and if you listen closely – you can hear Simon tell you all about the struggles of fame, too.

The trouble is, at least in my opinion, as much as I loved this period of time – the album has its challenges. In hindsight, Seven and the Ragged Tiger is representative of the band’s excesses on nearly every level. Even so, I can’t quit it, and likely – neither can you.

What about Paper Gods?

In the other hand lies Paper Gods. Upon first glance, you might not even recognize that it’s the same band, particularly if you’re not a diehard fan. As I bow to my fellow nostalgia-nerds out there, I can’t help but say that Paper Gods is the better album. The quality of construction is there. It has all of the finesse of Rio, with the same quality of ingenuity that created Seven and the Ragged Tiger. On the same token, Paper Gods is not a one-listen album. In order to fully appreciate the music, it takes time. Once again, if you listen closely, you’ll even hear Simon tell you everything you need to know about their career. Paper Gods is truly a survey of their career, and a hallmark album. I believe these to be the reasons for the growth in the survey results for Autumn albums over last year.

In other words, it is not so much that Seven and the Ragged Tiger has lost a huge amount of favor with fans as it is that Paper Gods is becoming more beloved. I don’t think there will ever be a time when a significant number of fans won’t include SATRT in their top three or four list of favorite DD albums, much less Autumn album. The nostalgia for the time, paired with the album’s historic status (it was the last album with the original five until 2004) continue to keep it balanced on a narrow pedestal. Perhaps though, Paper Gods will occupy its own nearby pinnacle. Time will tell.

-R

Classic Pop Special Edition: Notorious and A Life Less Ordinary

This is the next installment of my (now) series on Classic Pop Magazine’s Special Edition for Duran Duran’s 40th Anniversary.  This weekend I will give some thoughts about the last album from the 1980s that the magazine covered, Notorious, as well as the summary of the 1990s with an article, “A Life Less Ordinary.”  I’m anxious to compare the review of Notorious to the ones on Rio and Seven and the Ragged Tiger.  I also wonder about how the 1990s will be discussed.  Will it just be about the Wedding Album or will there be discussion on Thank You and Medazzaland?  What about the Liberty album?  Read on, people.

Notorious:

Like Seven and the Ragged Tiger, this was a much shorter review in comparison to the one on Rio.  There is no extra sections on some specific songs or the videos.  The only extras within the article are the track listing and information on the players.

Like other articles within the magazine, I like that the author placed the album in context, which includes the band’s history but also the larger world of the music business and beyond.  In this case, there is an acknowledgment that Live Aid shifted the music business in a significant way.  Perhaps, more interesting is how the article described the departure of Andy Taylor.  According to what was written here, Andy, at one point, wanted to legally stop the band from using the name, Duran Duran.  That is a new insight to me.  A Simon quote indicated that all the meetings with lawyers hurt their creative process.  (I can imagine it would be.)  Of course, there is a positive spin, which is that the situation bonded the three of them.  (Again, that makes sense to me.  I have experienced similar things with colleagues when under attack, so to speak.)

The author then discusses Nile Rodgers’s role within the album and mentions the addition of Warren Cuccurullo and Steve Ferrone.  What is interesting is that they are referred to as members rather than hired musicians, which is less than precise.  The last part of the review mentions how the album had not done nearly as well as the previous ones, chart wise, and how this disappointed John Taylor, in particular.

A Life Less Ordinary:

This article starts out focusing on Liberty, the band’s first album of the 1990s.  In it, there is mention of the poor chart performance, indicating that this led to the decision not to tour and even canceled videos for First Impression and Liberty.  Yet, that is all that is said about that album as the author quickly moved on to the Wedding Album.  While I understand the decision, I always feel like Liberty is brushed over more than it should be.

Interestingly enough, the author did mention what Andy and Roger did during the 1990s.  I was not expecting that at all but I cheer that. Fans and readers who don’t know what they were up to probably appreciate the heck out of now knowing.  Likewise, John Taylor’s marriage to Amanda de Cadenet and birth of his daughter was mentioned.  (Note that there was no coverage of Simon and Nick’s marriages and children.  Hmmm….)

The article did discuss Thank You to some extent including which songs they chose to cover and how it did in the charts.  Sigh.  I have to admit that I wish more was discussed there.  I like the stories about which songs they chose and why.  How come an album that should have been done quickly wasn’t?  Why did it do so poorly in the charts?  I would like more information there and less basic facts.

That said, there was a lot about various moments within that time period.  For example, some topics included were the Power Station reunion, John’s struggle with addiction, the appearance of Roger in 1995, John’s solo album and more.  Similarly, Neurotic Outsiders was covered in this section.  This makes me wonder even more about why TV Mania was listed in the side projects article about the 1980s.  Why wasn’t that project in the 1990s or even beyond that?  Weird.

In many ways, the most interesting part of the summary of the 1990s was the discussion surrounding Pop Trash.  In that part, the author talked about how Simon was just unhappy and did not come to the studio much.  According to the article, Nick now accepts that they should have waited for Simon to “pull himself together” as he was missing John, still hurting from the death of Michael Hutchence and more.  I don’t know much about all that but it also claims that Simon and Warren’s friendship had “deteriorated.”

Like many of the previous articles, I did learn a few new tidbits about the band, which I appreciate.  In some cases, I wish that they had covered more of one thing over another but generally well-rounded and informed.

-A

Guest Blog: How I Discovered Duran Duran in 2018!

Truthfully, it isn’t every day that we run into a brand new fan, particularly those that discovered the band in 2018, just a few weeks ago! Today, we are thrilled to share a story that will sound very familiar to most Duranies – once again proving that there is absolutely ZERO age limits on being a fan! Enjoy – R

by Kathy Diaz

Duranies all have stories about how they discovered the band.  Most fans likely found the band back in their teenage years during the early 80’s, when the band began their career and during their golden days of glory. My story is quite different, especially because I didn’t grow up in the 1980’s. I was born in 1986, just months before Duran Duran released their fourth studio album, Notorious. By the time I was born, they already had a steady career, but I didn’t learn about them until much later. I missed their comeback in the charts with “The Wedding Album” in 1993, and even their reunion of their original lineup in 2003. I didn’t even take notice of them when they first released their latest album “Paper Gods” in 2015.  No, it wasn’t until 2018—yes, just this very year—that I found this band and became a fan. 

I always have been a fan of 80’s music, as I grew up listening to Michael Jackson and Madonna. I knew about the existence of a band called Duran Duran, but I never really paid much attention to them before.  Up until this year, the only song I could recognize by Duran Duran was “Ordinary World”.  I probably listened it on the radio when I was a child, but I didn’t know who sang it, or even the name of the song.

It all started a couple of weeks ago, when I was searching for new music for my Spotify playlists.  I stumbled upon a YouTube channel that makes lists of songs by the year. I was watched the playlist for “Top Songs of 1982” that I came across  “Hungry Like the Wolf”. I was immediately impressed.  The song, video, and  lead singer—whose name I later learned to be Simon Le Bon—all stuck with me.  A normal person would have looked for the song, downloaded it and that was the end of it.  Not me. I had to look up the video of “Hungry Like the Wolf” again.  After I finished watching it,  I knew I was completely hooked. It was like love at first sight. 

I spent the rest of the night watching some of their other music videos and I was in awe with “Save a Prayer”, “Rio”,  “Is There Something I Should Know”, and “Wild Boys”. I kept asking myself: “How I didn’t discover this band before?” “Where was I living, under a rock?!?” Apparently! After this discovery, I knew I would never be the same again.

During the following days, I indulged myself in a Duran Duran marathon from morning-to-night. I figured that since I was on vacation from work, I had the time to do it. I spent those days listening to their songs, watching their music videos, and looking for any information I could. I quickly learned the history of the band, the names and backgrounds of each member, and anything else I could find on the internet. Their songs give me a warm feeling. I could be feeling down, or stressed, but when I am listening to their songs, I feel happy, calm and joyful. It is rare for a band to have this effect on me.

I felt alone in this new obsession because I didn’t know anyone who were also a fan of this band, so I decided to search in Facebook for Duran Duran groups. I found two amazing groups full of Duranies who gave me a warm welcome to their inner circle, even though I was kind of an outsider since I had just become a fan only weeks ago and they all had been fans for almost four decades.

Then, some moments of frustration came. I found out they played in my country, Puerto Rico just 2 years ago. Before that, they played here other 3 times. I was so distracted by other things that I didn’t discover them in time to go to any of those shows. Sometimes I wish I could go back in time and slap myself in the face for not paying attention before.  I am thankful that they are still together and making music,  but it also makes me a bit sad that I had to discover them in a dry period when there is no news on new albums or tour. I don’t know why I had to discover them now, was it fate or just coincidence?

All I know, is that this band is giving me joy and happiness with their music. That is something I thought only could happen when you were a teenager. I believed my years of “fangirling” for a band were over long ago. I didn’t ask for this, but Duran Duran just came into my life, changed it and I didn’t expect it at all. 

I still have a lot to catch up on, but I feel happy to be part of this fandom. I so look forward to what Duran Duran has in store for the future. Hopefully one day, not too far in the future, I will finally see them live for the first time. Until then, I will enjoy this new interest as much as I can, however possible.

Kathy Diaz is a newbie Duranie. She lives in Puerto Rico where she works as an Elementary School Teacher. She is also fan of Harry Potter, Doctor Who, and basically everything and anything that is British. You can follow her on Twitter: @KathyDi86 

To be a Fly on the Wall

Imagine yourself, invisible to those around you, sitting in a studio. Or a hotel room. Or someone’s home. You can see and hear everything around you, but they can’t see you.

Now, imagine that scenario on this date in 1986,  as John Taylor and got together in London to discuss “the next Duran Duran album”.  Keep in mind, this is after Roger and Andy had left the band. Simon, Nick, and John were left to figure out the next step for what was arguably (at the time) the biggest band in the world. Where to go from there?

I don’t think I would have envied their positioning. After all, the higher you climb, the farther the potential fall. At this point in 1986, I was 15 years old. The idea of Duran Duran ceasing to exist, or the idea of “new” people ever being in that band were unfathomable to me as a fan. I am quite certain I wasn’t alone. What to do when two of the original members (as the fans knew) left?  Bring in new people? Continue as a threesome? How would Duran Duran look and sound?  Would the fans still respond?

Important questions, to be sure, and I’m not as certain that the answers were all that clear. Can you imagine what it must have felt like to consider moving forward? Sure, there was probably quite a bit of ego and bravado at the time, given their previous success. I’m also certain that at least in part, they wanted to prove to Andy and Roger that they really could go on without them – and that is likely what motivated and drove them to keep going. Even so, I have to wonder what that first meeting to discuss the next album was like.

We could likely debate all day about the outcome. Notorious, the band’s fourth FULL album (Arena was released in 1984 but was not a full-length studio album), and was their answer to how they would move forward. I can remember hearing the album for first time, just after I turned 16, and saying that they didn’t sound the same. It was just different without Andy and Roger, and to be honest – at the time I wasn’t sure I liked it. Their sound had matured more than my musical tastes at the time, I think. Like many of their albums since, it took me a long time to come to terms and have an appreciation. That’s not a critique of the album, but rather my more-ridiculous musical interests of the time.

Even so, I have often wondered what it would have been like during that initial planning, and certainly not just for Notorious!

-R