Another Duraniversary popped up this week on the socials. Has it really been twenty-nine years since Liberty arrived, somewhat uncomfortably, in our lives? Often dismissed as the band’s worst album, it was a difficult album for me to grasp upon its release. The 80s were over, that much was clear and where the new decade was headed remained unclear. Caught between decades, Duran Duran’s Liberty remains an important piece of the band’s history, and might even be a more consistent listen than the commercial juggernaut that followed it.
As far as album openers go, Duran Duran has done far worse than “Violence of Summer (Love’s Taking Over)”, and it made for an effervescent first single. The 12” single was a wonderful introduction to the band’s new direction. The artwork and the video clicked for me, and I was excited about the album. Ultimately, it never wormed its way into my bloodstream like previous albums had. Some of this was the new decade and exciting new bands arriving on the scene. However, Duran Duran also bears some responsibility for putting forth an album where insecurity and over-confidence lock horns.
Overconfidence or insecurity?
The over-confidence comes through in the guitars of Warren Cuccurullo and the lyrics of Simon LeBon. Playing against the melody, as if to prove a point, Cuccurullo’s work disrupts the otherwise perfectly pleasant “Liberty” while LeBon’s socially charged lyrics on “Hothead” are all a bit silly coming from a band that capitalized on the decade of excess better than most. While the band revisits that sentiment a bit on “Too Much Information”, the song rocks so hard that I give them the benefit of the doubt. A cola company is sponsoring the war? Well, they also sponsored your biggest tour. We are winking at each other, right?
The insecurity comes through whenever LeBon tries to sing about sex. Unless your Prince, rhyming jism and catechism sounds creepy and desperate. “Take Me To Your Water” doesn’t exactly conjure pastoral images of an English countryside and “Read My Lips” unfolds like a drunken come-on by a once cool geezer in a once trendy club. Listening almost three decades later, I hear a writer trying to recapture his mojo by becoming edgier. While it worked in 1990 for Madonna with “Justify My Love”, LeBon’s poetry was never meant to be so direct and explicit.
Liberty and The Wedding Album, side-by-side
It isn’t hard to pick “Serious” and “My Antartica” out of this album as the crown jewels of Liberty. I’d trade “Ordinary World” for “My Antartica” in a set list each and every show. It is more “Duran” than “Ordinary World” even if it didn’t re-ignite their commercial fortunes. The sophisticated “Serious” ranks up there with some of the best music on Notorious and still sounds like a hit single to me. Having hung my heart on the importance of Andy Taylor’s guitar, the rock-n-roll stomp of “First Impression” remains an absolute high point even if the song is, ahem, a bit like this Lords Of the New Church song (https://open.spotify.com/track/3Em6rJJUdozR2qj6jnAZ5u). If nothing else, it finally gave Sterling Campbell’s youthful energy room to move.
But, really, is Liberty a more consistent listen than the wedding album as I hypothesized earlier? Side by side, I find about six songs on each that I am excited to hear more than a few times a year. The production of Liberty is, even by the band’s own admission, dreadful. The rumor of demos being out there on a bootleg sounds tantalizing (someone hook me up!). Much like the fabled Reportage, a different production might have yielded a far different result for the album and the Duran Duran story could be totally different. However, the wedding album has some filler on it and the cover of “Femme Fatale” should have been enough to sink the whole idea of a covers album.
For your reconsideration
Without Liberty, the band would not have been forced to reconsider everything. Commercial flops have a way of doing that. Returning with a hit single in “Ordinary World”, the confidence of a band rejuvenated was enough to sell us on an album that wasn’t a huge artistic leap from Liberty. If anything, revisiting Liberty on its 29th anniversary makes me appreciate how important it was in shaking up the band. We learned that Campbell was not a good fit, that LeBon’s lyrics were best when shrouded in metaphors, and that the band could write sophisticated pop songs when they didn’t push too hard to fit into the foreign landscape of a new decade. For their so-called worst album, that is a pretty fabulous outcome!
You know it’s bad when you distinctly remember seeing mention of a Kafe, even going so far as to comment on how you’re looking forward to hearing it….and then promptly forget about the entire thing. Welcome to my life.
Better late than never, I listened to the Kafe this morning, took detailed notes, and am ready to deliver the State of the Duraniverse for this month. Or last month. Whatever. Just remember that I make no assertion that my notes are complete – and the only way you’ll hear the entire thing for yourself is with a DDM membership!
Kennedy Space Center Show
Katy caught up with Simon on July 30th. He was presumably back at home in England after the excitement from the Kennedy Space Center show a couple of weeks earlier. They spoke a little about the show, beginning with Studio Drift and their drone installation for the concert. Simon explained that the drones were meant to look like starling murmurations (the way they gather and seem to suspend in midair). I’ve posted some videos of their performance during The Universe Alone – if you haven’t checked them out yet, you really should. Trust me, the video will send goosebumps up and down your arms, it is that good. Here’s some of just the beginning to give you an idea:
Simon also talked a little about the setlist, saying that they did a full “space” section including “The Universe Alone”, “Planet Earth”, “New Moon on Monday”, “Reach Up for the Sunrise”, “Astronaut” and a cover of The Police’s “Walking on the Moon”. He said that for himself, “Astronaut” was a high point because it hasn’t been played very often during the last few years, suggesting that it was due to it’s difficulty. (I’m just going to say that for a song that is tough to play, I think they do an outstanding job). He mentioned that while he didn’t think they’d play “Walking on the Moon” again, maybe…just maybe…”Astronaut” might find its way back into a set list. I hope so!
Another interesting, but not at all surprising, comment on the KSC performance was that Nick took the time to come up with the master plan for that evening. His nickname is The Controller, you know….
September shows, and mini tours
While Simon didn’t say much about the upcoming shows in September, he did say that these mini tours are very important to Duran Duran because it has been decided that they should never go more than three months without a live show – simply because (and I’m having to surmise this a little based on the conversation) John, Simon & Roger get out of practice with the physicality. If they don’t play live, I think it is probably difficult to maintain the stamina necessary to play a full set. Not that Nick doesn’t “glisten” back there on keyboards, but I think compared to John, Simon and Roger, he doesn’t have to move as much. Regardless, I’m going to applaud their commitment to live shows!
The New Album
With that in mind, according to Katy, after September they don’t have anything booked. Will they go back into the studio? Katy does her best to lead Simon into this line of questioning, and I have to say that the studio work MUST be going well because Simon doesn’t struggle before answering that it’s going really well. He says the new album is going great and that he needs to start “knuckling down” and coming up with some lyrics. He plans to get together with Erol Alkan to work.
Simon describes the new album as “quite a departure”, using the word “Experimental”. What I dearly appreciate most from Simon here though, is that he explains this by saying that for him – Rio was a mainstream album. The first album; however, was more experimental. Katy follows up by asking him to compare Astronaut and Paper Gods in the same terms, and Simon says that Paper Gods is far more experimental – but is quick to also say that this new album is a “completely different vibe”.
I don’t know about the rest of you reading – but I’m excited!! I can hardly wait to hear what they’ve been working on. From everything that Nick has said, along with what Simon has now mentioned, it sounds fantastic! As I said last month, I’m still finding it hard to believe they’re already at a point where they can talk about this album as though it is a tangible thing as opposed to more of a vague, undefined few things they’ve kicked around. It’s been four years as of September since Paper Gods has been released, but for whatever reason, it hasn’t felt like it’s been that long.
Perhaps a drink suggestion for Duran Duran Appreciation Day?
Katy ended the Kafe by asking Simon if he had a cocktail suggestion to share. Last year, Simon went into extraordinary detail, describing a cocktail that we should all try in order to properly capture the last few days of summer. I find myself in similar territory (as always) this year…so I was happy to get another suggestion that I plan to put into full use on Saturday!
Pimms No. 1 Cup
**as an aside: Simon couldn’t remember in the Kafe if it was called a No. 1 or a No. 2 cup. I looked it up, and it is a No. 1. Pimms made seven different products, all “fruit cups” differing in their base alcohol. The No. 1 cup is the most popular and is based on Gin. No. 2 was whisky, the original No. 3 was brandy (although now there’s a winter cup infused with orange peel and spices that is available seasonally), No. 4 was Rum, No. 5 was rye whisky, and No. 6 is vodka. Only 1, 3 (as the Winter Cup), and 6 are currently made.
Pour a “decent measure” of this over ice, top with ginger ale, along with a slice of lemon, mint, perhaps some orange, and a maraschino cherry.
Expect this as one of the drink suggestions for Duran Duran Appreciation Day. I mean….it’d be rude not to, right??
It’s hard to feel like blogging today. I tried staying off of social media over the weekend. This morning it is definitely no better. Reading the same thing 50,000 times does little to heal, nor does it seem productive if you’re really wanting to change things. I would rather spend the time with people I care about, can see, speak with, and respond to in person. So that’s what I’ve been doing, and it is what I intend to continue – a lot less social media, and a lot more “in person”.
At one time, I was a huge proponent of social media. Direct-to-fan marketing? YES! Fan-empowerment? 100% on board. I believed that social media was the way to bond with fans, and a great tool for marketing and promotion. I loved it all. What changed?
Thought that I was in control
I was just sitting here mulling over my social media trajectory as I considered what I’d write this morning. The idea that we could connect with others from all across the globe, using this wonderful conduit, sparked something in me. Virtually “meeting” people that I would have likely never had the opportunity to talk with otherwise, made the Duranie world feel so much more tactile and real. Message boards and social media made fandom fun. I wanted more.
I don’t think things can stay like that forever. For example, writing this blog now isn’t nearly the “wide-eyed and bushy-tailed” experience it was when we started, and that’s okay with me. I can only control what I write – not how readers respond to my words. Social media is the same. What was once pure fun for me, has turned into something quite different. I am still able to see the joy when I see posts from friends and they’re speaking about things in their personal lives or sharing pictures and things. Every once in a while a blog resonates with someone, or a complete stranger finds the website and feels compelled to connect with Amanda and I to say thank you or to excitedly share their feelings. Those moments are still golden and I appreciate them greatly.
On the other hand though, social media is a minefield. Sometimes I have to wonder if it’s just me or if others feel the same. I see posts from people, and immediately internalize them. It is unhealthy, and I am well-aware of when I’m allowing it to happen. Ultimately, I’ve gotten to the point where social media isn’t a friend, but rather – a foe.
Another trick of fate
Self-confidence is attractive. Conversely, it is never good when someone seems desperate, has little poise, or self-assurance. If I am not careful, I can easily slide down that hill into the woe-is-me cesspool, and I have zero interest in wallowing there. I can see that social media is the kind of kryptonite that can throw me there. While it can, and has built me up over the years, social media has also helped to tear me down.
Not being mentioned in a list of people that inspired a friend didn’t shove me into a cavern of despair. Seeing posts from people who have long since stopped being close confidants doesn’t make me wistful and sad for what once was. Reading tweet after tweet suggesting that wishing “thoughts and prayers” are now horrible things to say didn’t hurt me directly. Knowing that we didn’t even go a full 24-hours without a mass shooting didn’t altogether drive me over an edge. No. It is all of it, actually. All of it – collectively – made me see that social media is no longer my friend.
Nearly everyone has asked at one point or another why the band isn’t on social media anymore – at least beyond more than a post here or there. This morning, the nicest thing I saw on Twitter was from someone (*cough* Dom *cough*) who almost never posts. They retweeted a picture from freaking 2012. That was SEVEN years ago…and it was the best thing I saw in my timeline, amongst of all the other tweets (not specifically aimed at anyone) filled with vitriol, anger and insults. Seriously? That’s the best?
Gotta break it all
People like to blame a specific troll, or say it’s the “crazies” that drove band members like John from Twitter. Did you ever ask him personally? (I haven’t) What if it wasn’t any one thing? Maybe it was ALL of it. What if they realized that it just isn’t that helpful, and it really isn’t much fun? That’s where I’m at.
I don’t know what I’m going to do, or how to handle it. I’m still online, of course. Regardless of what I do in my personal life, Daily Duranie won’t be affected. I’ve talked about taking a break before, and for the most part I think I did. Maybe I need another, but perhaps I also just need to unplug a bit more extensively.
I don’t like being dramatic and announcing an exit. Fishing or sympathy or reassurance isn’t something I like doing. I truly hate seeing people beg not to be “cut” from the friend list, or what-have-you. If I’m going to cull my friends and followers, or if I’m going to completely quit social media in my personal life; readers are probably going to be the last to know. I’m not going to tell you all so that you can “kiss the ring” and stay. That’s kind of the opposite of the point.
That isn’t even the purpose of my writing about it here. I’m just wondering if anyone else feels the same. Social media is an integral part of being a fan. We all rely on it to stay connected. I’m just wondering how it would feel to disconnect myself, I guess. It feels so extreme. I wonder how other people manage it all. Any thoughts or ideas?
Another Live Aid comes and goes and, as always, people have their annual chuckle about Simon LeBon missing a note during Duran Duran’s indifferent performance on the momentous day. For me, Live Aid arrived only four days after my first rock-n-roll concert and my ears were still ringing. As much as I wanted to see Duran Duran, it was The Power Station that had me glued to the television. A few nights earlier, my father took me to the outskirts of Florida civilization to witness John and Andy’s side-project at the infamous Hollywood Sportatorium. The excitement of seeing The Power Station certainly made it easier to accept the splintering mess that Duran Duran had become.
Duran Duran had played the Hollywood Sportatorium, affectionately called the Vomitorium for its lawless behavior, a year prior in March of 1984. Being a school night, I wasn’t able to convince my parents that it was the most important night of my life and I had to be there. They chalked it up to being a music crazed eleven year-old but I was serious. I knew Duran Duran were at their peak and I’ve always regretted missing that tour. My dad came through in 1985 and we stood in line for tickets as soon as the unexpected Power Station tour was announced.
The videos for “Some Like It Hot” and “Get It On (Bang A Gong)” were colorful, sexy, and rocking. The album was an instant favorite for me whereas Arcadia’s album has taken years to fully win me over (and it has). For a first concert, I could do far worse than The Power Station and my excitement built and built as we drove down a one lane highway towards to Florida Everglades in the middle of empty fields. While South Florida eventually paved its way west into the Everglades, in 1985 the Sportatorium sat alone on the edge of civilization. We were on an adventure in my 12 year-old mind!
The decrepit arena lived up to its reputation. A few weeks earlier, a Robert Plant concert was postponed due to rain which wouldn’t be that odd except the Sportatorium was actually indoors! The crumbing ceiling was a sieve. Upon arrival, we climbed up the side of the concrete box to section 117 after a stop at the merch table to buy a concert program which I still have to this day. The scheduled support act Spandau Ballet had pulled out due to someone blowing out a knee and, I think, The Bongos might have opened the show. Can anyone confirm that? I just learned they had a song called “Barbarella” so there’s that. Regardless, I don’t remember the support act and the arena’s acoustics were a sound engineer’s nightmare so it could have been Poison and I wouldn’t have noticed.
Thinking back on concerts in the 1980s, I really miss the way they started. The excitement of the first song felt bigger back then from Jon Bon Jovi shooting from under the stage to Howard Jones’ mime winding up an audience. The opening riff of “Murderess” is still burned into my memory. As the curtains pulled back, Andy Taylor’s guitar sliced through the clouds of pot smoke and enveloped my entire being. This was rock-n-roll! I was hooked for life.
The setlist was a mix of somewhat odd covers and the entire debut album. One of the biggest memories of the night was Miami Vice star Don Johnson joining the band on stage for a cover of Rod Stewart’s “Some Guys Have All the Luck”. One of the most interesting songs would have been The Velvet Underground classic “White Light/White Heat” but I don’t remember it and I wouldn’t have known the VU back then. The Animotion cover of “Obsession” that DesBarres cowrote was a bigger deal to me on that night. Looking back at the setlist, I’m surprised that there were only two Duran Duran songs played (“The Reflex” and “Hungry Like the Wolf”) but I was so overwhelmed by the concert that I left on a high.
A few days later, I spent a Saturday shifting from the living room couch to the front lawn to kick a soccer ball around awaiting the Duran Duran and The Power Station slots at Live Aid. The Power Station came out swinging at Live Aid, perhaps trying a little too hard. DesBarres runs all over the place while John and Andy play everything a little too fast. Tony Thompson, always a massive hitter, fills the stadium with ease but he was certainly thinking ahead to his set with Led Zeppelin a few hours later.
Next up was Duran Duran and it was quickly apparent that there was trouble in paradise. Roger Taylor looks completely sick of being in Duran Duran and the other four are clearly operating from two different camps. Andy Taylor sounds like he wants to bury Simon and Nick under a wall of distortion and John looks a bit ragged from his lifestyle. This is not a healthy band and Andy’s disgusted look to the stars when Simon misses the infamous note was a portent of what was to come. The fallout of Live Aid changed Duran Duran, and me, forever.
What happened after Live Aid comes back to me in pieces. I definitely didn’t buy Andy Taylor’s Thunder out of loyalty to Duran Duran but I’d be lying if I said I didn’t enjoy the singles. The Power Station concert had opened my ears to dirtier guitars just in time for the rise of glam metal on MTV. When Notorious arrived, it was such a break from where Duran Duran had left off that it pushed me deeper into the world of Whitesnake and David Lee Roth, both of whom I saw at the Hollywood Sportatorium before it was torn down to the disappointment of absolutely no one.
I finally saw Duran Duran in 1989 at the Miami Arena, which replaced the Sportatorium for us in South Florida. Empty seats and a lack of energy is what little I remember from the night. It was a difficult time to love Duran Duran but a lot of the songs on Big Thing and Notorious have aged better than Seven & the Ragged Tiger for me. Maybe The Power Station saved Duran Duran from themselves. It gave Andy an exit strategy, it finally forced them to address the divide that formed between the five men, and it forced Duran Duran to find a new sound in the aftermath. The Power Station also lit a fire in my soul for rock-n-roll that burns to this day. Other people have “cooler” first concerts to brag about but I wouldn’t trade that night in 1985 for any of them.
Did you see the interview with Simon and Nick on CNN yesterday? They sat down with Hala Gorani to promote their upcoming rocket-fueled show at the Kennedy Space Center later this month. It has been quite some time since I saw an interview with Duran Duran on CNN, so I was excited to see it. Naturally, in every interview there seems to be the inevitable point where the same questions seem to get asked. This used to drive me crazy. Often, I’d exclaim, “Is there NOTHING else that you can ask?” in complete frustration. I’d think to myself…or even tweet, “This is a band who has been around for forty years, and we’re still asking them about favorite songs and lines of lyric?”
As a self-proclaimed die hard fan, it’s easy for me to sit back and say all of that. Sure, I could get mad about it, and rest assured – I have. There’s been time spent feeling anger and frustration because journalists can’t ever seem to get past the simple questions and dig a bit deeper.
So what does “The Reflex” really mean?
Yesterday though, I didn’t feel any of that. Even as Simon fielded the question about what “The Reflex” means—and still did not give an answer—I just smiled. At the time, I didn’t think about how many times I’d heard or seen that question come up before. I just thought about how Simon was answering it this time. When Gorani asked why the band still made music, it didn’t frustrate me at all. I loved that Nick talked about how they don’t like making the same album twice.Simon described how one of them might play something that reminds someone else in the band of something new they’d come up with, and that after awhile it starts to feel like a candy floss (or cotton candy for us American folks!) machine that keeps building and building. I can’t get mad at any of that.
It is 100% true, die-hard fans could probably ask all the deep, soul-searching questions. What I think we tend to forget though, is that we die-hards represent a very small percentage of the viewing audience. You’ll never convince me that Duranies outnumber average, ordinary, viewers for CNN, and it is those average people that interviews cater to. Maybe someone watched that interview yesterday who hadn’t seen the band in years and didn’t even know they’re still around!
Don’t believe me? Well, nearly every show—particularly those that have me flying somewhere—I run into at least ONE person who says, “You’re going to see Duran Duran? I didn’t even know they’re still together!” Then, without fail – they break into the chorus or the doo-doo-doos from my favorite song (and yours), “Hungry Like the Wolf”. As I always say, it’s the song that will outlive us all.
Yep, I think we’ve all felt like we could do a better job asking the band interesting questions. It is easy to feel annoyed. It is also very easy to miss the real point and heart of the questions when you’re annoyed. The peace comes when you hear the same questions being asked over and over, and somehow – you’re still able to find joy.
At this point in this band’s career, when many of their peers have retired, quit, or just plain given up – Duran Duran is playing at the Kennedy Space Center. That fact alone, blows my mind and I sure hope it blows yours, too. I love listening to Simon explain – over and over – that he’s never going to explain “The Reflex”, and that he wants to keep Duran Duran going for as long as he can. Simon shared that he sum of all the parts each member brings adds up to so much more than each of them could do solo. Their interviews, regardless of what is being asked, still make me smile. That’s where I find my peace, and my joy.
DDHQ likes to keep our brains from turning to mush by throwing out questions to engage the community-at-large. I think they do this about once a week or so, and last week they asked about favorite lines of lyric.
At the time, I had a tough time answering. This wasn’t so much because I didn’t have an answer or didn’t know, but because there are too many “favorites” to choose from.
“And so we travel, and we unravel, towards the place where all loose ends go.”
This line comes from “Before the Rain” off of AYNIN. I think that for me, I tend to fall hardest for lyrics that are a bit more introspective in nature. Sometimes, I really do feel like I’m a loose end, myself. It’s sort of a wistful, cloudy-grey, sort of feeling – admittedly when I’m depressed it is the sort of song that plays right into my thoughts and feelings, but I still love it anyway.
“Freefall on a windy morning shore, nothing but a faded track of footsteps, to prove that you’d ever been there”
These words, of course, come from Secret Oktober, easily one of the best songs Duran Duran has ever written. (YES I AM BIASED) Again, more than slightly brooding and introspective, I love the line. It reminds me to leave my mark on this world in some way. I really don’t know if the blog is that mark, but some days, it absolutely does. I like the lyrics that sound like someone is on the outside looking in. I very much felt that way in my pre-Daily Duranie days.
“Searchlight the crowd, I’m fixed on your face, I know it well, but it’s a dream I can’t place”
Sometimes, when I’m in my car listening to this song, I would swear Simon read our blog at some point. There’s a few songs off of Paper Gods that make me feel that way, but obviously it’s because he wrote about things that were universally experienced. This song though, and particularly this line, remind me of what it is like being in the audience for Duran Duran. If there was ever a place, or a moment, that felt like an escape from reality….truly taking the Pressure Off….it would be at one of their shows.
“Don’t worry if you’re confused, we all tend to be sometimes.”
I think my problem is that I’ve spent most of my adult life confused…
No really, this line from Serious gets me because like much of what Simon writes, anyone and everyone can attribute it to some part of their own life. I try to remind myself that spending far too much time being serious is a waste of good energy. This song helps.
“I’m just a number on the metal fence which marks the great divide.”
I have no idea what inspired Simon to write Edge of America, but I know how I feel when I hear it. I think that as a stay-at-home parent, I’ve often felt forgotten. It is a very bizarre thing to raise children in this world. Once you choose to stay at home, sometimes it feels like you no longer take an active part in society. That is definitely how I felt from time to time as my kids grew. This song, and specifically this line, gave words and a voice to something I felt deep within.
These were just a few of the lines running through my head last week, and there are dozens more where they came from. I don’t know if I have a genuine favorite. I’m just lucky my favorite band seems to know exactly what to write and say.
There’s nothing quite like a weekend to make you forget your work troubles….until, of course, your writing partner texts you on a Saturday morning to tell you the site isn’t working.
Not only was the site down, but my son moved back home. Special thanks goes to my husband who drove to Riverside, picked up the boy and his belongings, then drove back up to the central coast all in one day). Then yesterday, I was shocked to find that one of my chickens laid an egg – the first of the flock!
It’s a time of some anxiety and change for my family, and for my chickens – well, they’re nesting like crazy. We were busy finishing up the nesting boxes for the coop yesterday, and one of my chickens was bound and determined to get in there and start nesting whether we were done or not! Adding the website to the top of the list wasn’t something I had in mind.
We’d been having difficulty with the site since Friday – and as it turns out, none of it was our fault (read: Rhonda’s fault) at all. So we’re back up and running now. Thankfully.
I was concerned we’d miss out on blogging during the Iceland/Denmark shows, but it turns out we made it just in time to make a little comment on Simon’s birthday celebration this past weekend in Ibiza!
Wait, what month is this?? Simon’s birthday isn’t in June!
I can’t tell you how many times I saw those lines written over social media. It’s true, his birthday is in October. It is also true that this past weekend, there seemed to be a celebration to put an exclamation mark on all other celebrations, onboard a mega yacht in Ibiza. The weather looked glorious, the party seemed to be casual and fun-loving, just like Simon himself – and yes, John, Nick and Roger, along with their respective spouses and significant others – were there for the ride. It looked like a lot of fun was had by all.
One particular moment that made Instagram (and then reposted by Duranie after Duranie) was during what appeared to be a little speech that Simon gave at some point. He mentioned that without Duran Duran, he didn’t know where he would have ended up. Simon listed John, Nick & Roger by name, and said he was so thankful to have them in his life. It was a lovely moment.
No, I’m not part of the band in any way, which makes it all the more significant that I feel the same way. I don’t know where I would be without Duran Duran.
My life is pretty wonderful all on it’s own. I mean, I have three fantastic kids, a husband I’ve been married to for almost 25 years, I live somewhere I fall more in love with every day, a few friends I trust, and some hobbies that have given me great joy.
One of those hobbies, of course, is music. More specifically, Duran Duran. While they’re not the only band I treasure, they’re the one I follow most closely. I blog about them – or some aspect thereof – four days a week! If Duran Duran didn’t exist, I would have never met Amanda, I doubt I would have done some of the traveling I’ve been able to do, and I don’t think I would have had nearly as much fun in my adult life…not to mention surviving adolescence.
I share Simon’s sentiment about Duran Duran. I’m thankful for them. I find that each time I am able to get together with my friends these days, I spend more and more time in gratitude for still having these times to look forward to than I do worrying about what they might play. I don’t really care so much what I hear, as much I as treasure the time I’m able to spend with this special group of people. Can’t wait to do it all again in September.
DDHQ’s choice of the video for “Someone Else Not Me” for “Watch it Wednesday” sparks discussion of the Pop Trash era.
Admittedly, there were years from the mid-90’s until I saw the band for the Up Close & Personal tour in 2001, when I didn’t pay quite as much attention as I did in the 80’s. I was still interested, and believe me when I say my ears perked up at the mere mention of Duran Duran. Even so – my room was no longer wallpapered with posters and pinups. I grew up, and stopped needing those posters, I suppose.
I’ve spoken or traded posts and messages with a good many Duran Duran fans who proclaim the Pop Trash era to be their favorite – and if it wasn’t the music itself being mentioned, it was the live shows. Many of these fans are my personal friends within the DD community. I dare say that most of my friends in this community are die hard Duranies at heart.
Something I want to say
I only went to one Pop Trash era show—the one at the House of Blues for the Up Close & Personal tour in 2001. I will continue to scream “that single show changed my entire life” from the rooftops, but not for the same reasons that seem to come up with other fans. For me, that show re-opened up a door into my heart. I felt so much joy in being there in that room that I completely lost myself in the show. I didn’t even know the Pop Trash album that well at the time. The music between us, indeed.
Obviously, we can all make note of the hysteria present during the early 80s. Clearly that was missing by the late 90s. The era tends to ignite my curiosity not because of the fans who had left by that time, but by those who stayed connected.
Burst this bubble
So many of my friends who were truly engaged during Pop Trash speak so fondly of that time and those shows, over the years I’ve wondered what made it so. Sure, for many who loved the Pop Trash and Medazzaland albums, the answer is obvious. The music fuels the passion. For others, it was likely the proximity to the band itself. I have friends who tell me that back then, the band really seemed to embrace the fans. Rather than treating them like asylum escapees with a registered potential for violence quotient – they acted like they were old friends.
Were the fans just friendlier at the time? The late 90s -2000s were early days of the internet. Social media hadn’t yet hooked us with its talons. The reunion was a blip on the horizon, but no fan even suspected the possibility just yet.
Were die-hard fans during this period there more for the music than the nostalgia?
To type the words seems so judgmental. I don’t mean it quite that way, but to be fair – don’t you wonder what the ratio between die-hard and “I-heard-a-single-from-Pop-Trash-on-the-radio” potential fans were in any given audience on the Up Close & Personal tour might have been? Let’s just be blunt: there IS a certain percentage of the greater fan base that continues to show up because they’re still in love with the pinup images of John, Simon, Nick and Roger. That doesn’t mean every fan from the 80s lives in nostalgia, it simply means some still might.
Hardest thing is to let go
I can’t say whether I’ve tested my theories enough to call them law, but I have definitely noticed a certain “Where were YOU in the 90s?” attitude that has permeated over the years. If you suggest that you stuck around during that time, you’re alright. If, like me, you mention a sabbatical, however brief – one can sense the eyes upon you narrowing as they scrutinize from head to toe. Judgments are made based on how one answers the simple questions of what live shows you’ve seen, or whether or not you remained a “true” fan during the lean 1990s.
On the other hand, and most likely one attached to the body of someone who haughtily says they’re not at all nostalgic to 1980’s Duran Duran – there is the fact that during these same Up Close & Personal shows, the band played a FAR more varied set list, filled with songs from—oh yes, you guessed it—their first few albums and B-sides. Not nostalgic, you say? Please, tell me more about that. Fandom is fueled by nostalgia.
I don’t necessarily think I’ve discovered the answers to the questions on my mind, but on second thought, I’m really not sure there are black and white answers to be found. Fandom is complex. This isn’t math. There aren’t firm answers, even though people like me really might prefer that. A lot of the ground we walk on is slippery. I would know, I’ve fallen a lot. And repeatedly. Then, I’m a bit of a klutz trapped in a china shop. Save the china!!
This humorous Paris conversation atop the Eiffel Tower marked the end to the cinematic music video for the 1985 MTV anthem, “A View To A Kill”. The film theme marked a crossroads for Duran Duran, and for global pop culture itself. Why?
“A View To A Kill” became the FIRST single from the (decades old) James Bond motion picture series to reach # 1 in America.
“A View To A Kill” remains the ONLY Bond anthem to reach #1 in America.
LIVE AID became the concert event of the decade in the 1980s. In the “Woodstock” of its era, the one-day charity stadium mega concert spanning the Atlantic Ocean in both London (UK) and Philadelphia (America) simultaneously played host to a wealth of music legends: Queen, David Bowie, Tina Turner, Mick Jagger, U2, Madonna, George Michael, Adam Ant, Phil Collins, Sting… with reunions by Black Sabbath and Led Zeppelin. (Only one band, however, marked the zeitgeist of the moment with the NUMBER ONE single on the Billboard Hot 100 that week: “A View To A Kill” by LIVE AID’s ABC and MTV prime-time headliner: Duran Duran.)
“A View To A Kill” came to mark the summit of Duran Duran’s commercial blaze as well. As guitarist Andy Taylor and drummer Roger Taylor soon departed, keyboardist Nick Rhodes and bass guitarist John Taylor forged ahead as a trio with singer Simon Le Bon.
Styles change. Style doesn’t.
This promotional manifesto emerged from Capitol-EMI Records in the 1990s, serving as the catalyst for a return to form for Duran Duran. New Wave was out. Glam Metal was out. Hip-Hop was in. Grunge was in. Was there room for the unflagging vision of Duran Duran? Yes.
“Comeback” is a tricky word for Duran Duran and their fans… this omnipresent dance-rock band has seen the top, the bottom, and the middle of the mountain creatively and commercially for 40 years since their 1978 formation.
(FOR THE RECORD: Duran Duran have never broken up… there has never “not been” a Duran Duran in existence since they dominated radio, MTV, poster and magazine sales, and sold out sports arenas in the 1980s.)
Billboard interviewed the band in the studio with producer Chris Kimsey in 1990 for the making of LIBERTY. Remarkably self-aware, singer Simon Le Bon stated defiantly: “We’re aware of the struggle we’re involved in. We will not be killed off.”
2019: A Space Coast Odyssey
In this spirit, I could hardly wait to be part of the 2019 Cultural Summit presented by the BCA (Brevard Cultural Alliance) in Melbourne, Florida. As a devout fan of Duran Duran since 1983 (at age 10!), I had seen many interviews with this band – in writing, on MTV and VH1, and later online. I have been fortunate to personally see Duran Duran live nearly 30 times since 1989, and met each founding member.
Was there anything left to “learn”? I wondered to myself.
I did know that I was delighted to be invited to this rare event. In 2000, while watching Duran Duran “Storytellers” on VH-1, I marvelled at the intimate British audience allowed into that “inner circle”… I observed how keenly these fans listened to the band members as they shared anecdotes of their culture-shifting history.
Nineteen years LATER… I was surprised to receive an e-mail from the BCA asking me if I had a question I would like considered for inclusion in the Q&A with Simon Le Bon. (My inner voice’s response: “WHOA….ME?”)
IS THERE SOMETHING I SHOULD KNOW?
May 23rd, 2019. Award-winning Orlando/Melbourne journalist Greg Pallone (Spectrum News 13) was appointed to moderate the onstage exchange: “In Conversation With Simon Le Bon.”
“Hundreds of artists, creative professionals, business and political leaders from Brevard County and beyond” were welcomed by the arts and cultural nonprofit organization BCA in their event handbill. A full day conference of morning and evening workshops were scheduled for paying attendees in the business-related fields of arts, culture, and the music industry. Wendy Laister, CEO of Magus Entertainment (and long-time Duran Duran band manager), was one of many notable presenters who spoke during the day’s breakout sessions.
12:00 PM – 2:00 PM was reserved for the luncheon, prior to which hundreds of animated Duran Duran fans swelled the ample hallways of the Hilton Melbourne Rialto Place. The Florida resort and the BCA Team were well-prepared for the “Sold Out” 420-seat capacity marquee event. Fans relished reliving key DD fan moments in the resort hallways. A table of BCA volunteers cheerfully logged in each guest, and handed the “Golden Ticket”-like wristband to each pre-paid attendee. And then the ballroom doors opened…
Is Anybody… HUNGRY?!
The choice of entree was yours upon reserving your tickets online. My food was delicious – better than the catered hotel fare typically experienced at such events. The lunch I was served:
Flank Steak (with feta cheese, garden herbs, and sun-dried tomatoes)
Garden Vegetables (steamed green beans, carrots, broccoli)
Mashed Potatoes (whipped in butter)
Coffee / Water / Tea
Key Lime Pie (w/fresh whipped cream)
My good friend Mike McCoy drove across the state from Tampa Bay for this event. We grew up together in the 1980s listening to Duran Duran’s hits when they were NEW songs – so our history as friends just added to the fun of the luncheon for each of us. Summoning the spirit of “Hungry Like The Wolf”, Mike says during our proper meal: “Wouldn’t it be AWESOME when Simon comes out, if we just ‘THREW’ the table over…??!”
(…as Mike gestures his arms upward, in a slow ‘throwing’ motion…)
Mike clearly knew we would obviously NEVER misbehave in such a way. But oh, the laugh. I’ll never forget that line. It was one of MANY great “Duran moments” from this day.
MY line at lunch: When the server places the china before me, I look upon my juicy flank steak and say aloud to our tablemates: “Is anybody… HUNGRY?!”
We all laughed. Among this crowd – we all know the lines, the cues, the nuances, the looks – and there is never a need to explain ourselves. We’re about to have lunch with ‘SIMON LE BON’. Just a PERFECT DAY…
While we dined, Neil Levine (BCA Executive Director) lead a powerpoint presentation revealing the findings of the “2019 Economic Contribution of Arts & Culture to the Space Coast. Levine made the case of how the creative community made the area a desirable locale for residents and for tourism alike. Then, Greg Pallone of Spectrum News 13 was introduced and welcomed to the stage. The audience excitement was palpable – and to the sound of forks and knives clanging chinaware, Greg enthusiastically profiled our conference’s special luncheon guest…
All You Need Is NOW…
Entering from stage right: The singer of Duran Duran – SIMON LE BON. The applause and cheers evoke a Duran Duran concert. Simon looks calm and relaxed… to describe his look in 3 words? “MIAMI VICE. HAVANA.”
White, long-sleeved button-down collar casual dress shirt. A few buttons undone, he looks ready to sail into Florida’s cool coastal breezes…
Off-white, low-top deck shoes. (No socks, that I could tell?)
A small gold, hoop earring in his left ear. (It’s BACK! LOL)
Fresh haircut: short on the sides, lightly spiky length on top. Sun-bleached brown. (Think: “Last Night In The City” video.)
…Greg notes that many WOMEN are here in today’s audience. As the crowd calls out to him, Simon relishes the moment – yet with good-nature, defers to his interviewer and bellows into his microphone: “Let’s hear it for GREG!!”
The light banter introductions segue into about 10 minutes of Greg asking Simon to share some of his music stories. Simon speaks of the early days starting out with Duran Duran in working class Birmingham, England. He speaks of how when the band toured in America early on, radio wouldn’t play their music – yet the risque music video for “Girls On Film” gained them airplay and underground credibility in American dance clubs. During this time in their young life (“Nick was only 19!”), they were very excited to play in New York City. Dancing in Studio 54, and meeting legendary artist Andy Warhol, were quite exciting bucket list moments for them.
After playing clubs around the world, the band finally got a mainstream break in America: MTV. Simon said that MTV brought the music of Duran Duran straight into people’s homes in America. He talked of the relationship they built with the fledgling music video network – especially “the VJ’s on MTV… when they actually PLAYED ‘music’!”
Greg asked Simon to highlight his childhood inspiration to make or perform music. Simon responded by singing: “She loves you / YEAH, yeah, yeah! / She loves you / YEAH, yeah, yeah!” as he namechecks “The Beatles… Stones… classical… T-Rex… David Bowie!”
As the crowd cheers and hangs on to every name cited, the interviewer cites the similar effect that Duran Duran had upon a generation of young people, particularly in the 1980s. Simon good naturedly interrupts, to a roar of laughing approval: “…***I’M*** stuck in the Eighties!!”
Simon talks about his relationship with his fans, stating how it is special “…to be a PART of their conscience – be a PART of their wallpaper.”
Shortly after, Greg announces that a few fans in attendance have been invited to submit questions for today’s event. As the host lifts a small stack of index cards, he announces that when your name is called, you will be invited to stand up and ask Simon your question… or Greg will read it for you, if preferred. Making eye contact with his fans in the eager audience, Simon grins widely: he knows it’s TIME to leave you…
…ANSWERED WITH A QUESTION MARK
Simon is asked how it feels to have recently become a grandfather. He notes that he recently turned 60 years old – and he loves family, and loves having a newborn child in his life again.
Simon talks about the effect of his fame upon his children. He namechecks the SING BLUE SILVER 1984 tour DVD (to enthusiastic audience cheers). “I recently showed it to my CHILDREN for the first time. They were VERY surprised……. (with a look of being awestruck, the audience laughs loudly with him).”
A fan says “You are a HEALER…” and tells Simon how his music has given hope to so many fans through the years, and asks how he feels about that. Simon thanks the fans, who have sent him so many letters detailing how his songs saved them. He says “Save A Prayer” may be the one that fans give him the most feedback on in helping them out of dark times…
A woman stands up and tells Simon that she was the person who introduced him to the modelling photos of (his now wife) YASMIN in the 80s, backstage at Madison Square Garden in New York. Simon is completely floored… “Do you have the pictures WITH you?” he asks. She says yes, and holds up the portfolio. Simon motions to her, to come join him onstage. Standing up, Simon and this young woman leaf purposefully through the book of glossy photos. Slowing down the present with his own eyes – Simon indulges his PAST, recalling how falling in love with the face of a girl forever changed his FUTURE.
Another fan asks if DD will be making any new music together again… Simon confirms that in the 40th year of the band, they have been. “We’re writing a new Duran Duran studio album in London with new dance producer Erol Alkan – and in L.A. with Mark Ronson. We’ll be celebrating (DD 40) all year… and for the NEXT 10 years…!”
“You know what your music has done for US…” the next fan is called upon to ask. “What has it done for YOU?” Simon answers: “It… has kept me OCCUPIED. It has given me the SCRIPT for my LIFE, really. Time FLIES, when you’re having FUN… It’s given me a reason to wake up in the morning, to wake up with these guys (his bandmates).”
Host Greg Pallone takes up the subject of sailing (close to the heart of Melbourne locals and many Floridians)… calling upon the fan who submitted that question. Simon waxes poetic, tying in his draw towards the ocean and being a member of a sailing crew, into his love of the give-and-take process of creating music in a band. “You learn to RELY on other people…”
Somebody asks Simon what music he enjoys today. He loses me personally with some names I am unfamiliar with. He mentions relishing the music of Fela Kuti, a frequent fallback for him. And Tame Impala is one of many new bands he thinks is great.
“We’ve heard from a lot of female fans today,” host Greg says, “now let’s hear from some of the MEN. Where’s Douglas Armstrong…” “RIGHT HERE! Hi!” I enthusiastically reply, standing up. I roll up my left sleeve, showing the skin of my upper arm, declaring, “I just want to represent – ‘MAN’ with a Duran Duran TATTOO!” Our spirited ballroom of Duran fans cheered my ‘ink reveal’ to the singer approvingly. What could feel better! Simon responds: “It’s quite a rare BREED, you know…!”
My question: “I just wanted to welcome you today to Melbourne, Florida. It is the birthplace of Jim Morrison. I know in 1995, The Doors’ ‘Crystal Ship’ was a song that Duran Duran covered. So I just want to ask: A lot of us know the ‘MUSIC’ – but part of what always captivated me about Duran Duran was a ‘POETIC’ aspect… it wasn’t just literal. It didn’t ‘TELL’ you where to go… it was open to interpretation. I get a lot of that listening to The Doors as well. So I just want you to go into that a little.”
“Yeah, I think it’s a very valid point,” Simon replied. “I think it’s something in works with a lot of lyrics – AND poetry as well. A lot of songs are not ‘specific’. And they leave a lot to the imagination. I think there’s a very good REASON for that. I know there is in my songwriting. And that is because I want to leave room for you, and you, and you, and YOU to insert your own experiences, and points-of-view, into the song – so you can make it your OWN. Because for whatever happens – the songs that come back, the way that people interpret them into their own way, are WAY more important than the ones that convey a ‘message’. Because it’s when you get that FEEDBACK from people… You say ‘I understand this song, I know what it’s all about’ – and its NOTHING that you intended. But it means SUCH a lot to THEM. And suddenly, it speaks to the audience about their OWN lives. And I think that’s a really wonderful thing.” (Crowd applauses… Simon breaks back in, to close.) “And I think – that’s a really IMPORTANT part – of what makes ‘poetry’, poetry.”
“In the Eighties, NOTHING was more important than music to people…” Today, Simon notes the most unifying passion across generational and cultural lines “seems to be sports.”
Host Greg asks aloud to know who is the “youngest” fan of Duran Duran in the audience (a mother speaks aloud for her daughter, named Rio(!) – aged 9! The mother of Rio asks: “Why did you name the song “Rio”? Simon replies, “I LOVE that name! I was just BLOWN AWAY by this beautiful country (America). I felt that ‘Rio’ could be about something much MORE than a girl. I wrote ‘Rio’ about your country. I wrote ‘Rio’ about the United States of America!!”
Greg turns back to ask the crowd who is the “oldest” person in the audience… “ME!” Simon cheekily says into the mic. The crowd loves it, rewarding him with hearty laughter at his self-effacing British humor. A young woman arises and introduces her elderly mother (I couldn’t discern her age), who smiles and waves back while remaining comfortably seated at her table. Her daughter then asks Simon who his biggest influence was in pursuing the arts? Immediately he answers: “My MOTHER, Anne Le Bon.” He goes into some detailed recollection about all the ways she encouraged him in his creative life. He was pursuing academics in university, only to find himself at an impasse after joining a local Birmingham, England band… “SHE said I should go for the band. I MISS her, everyday.”
He then adds “My choirmaster…” as a mentor who figured heavily into his musical development. Simon wraps up his answer by encouraging us to watch the recent BBC documentary “There’s Something You Should Know”, adding that the career retrospective “…really showed great footage when we were young.”
Will Simon ever write a published BIOGRAPHY about his life and career? The question came from an inquiring mind, pointing out that John Taylor has written his bio about Duran, and Andy Taylor has as well… the singer’s response? “I don’t have any particular ambition to write a book.”
“Did you read John or Andy’s book?”
Simon just let that one ‘hang’ out there… and the one-word response grew funnier to the laughing crowd, as he deliberately resisted elaboration. “I LIVED with them!” he finally pleads. “Why should I READ it?” (Again, the crowd laughter has not abated, as Simon holds his mic waiting for the next comic line to arrive from the ether like the 5:30 train…)
“You SHOULD read Andy Taylor’s book. You SHOULD read John’s book. I… ‘HIIIIGHLY recommend’, that you read them. Have ‘I’ read them? ‘NO’.”
Once the audience’s amused laughs tapered, Greg deferred to the next audience pre-screened question. How does Simon feel, about a possible induction to the Rock And Roll Hall Of Fame one day? He shared how honored he was to be asked by the organization (along with John) to present Roxy Music with their induction to the Class Of 2019 this year. Simon elaborated by saying how astonishing it felt to be considered for that honor – and what it was like to be backstage and onstage with Bryan Ferry and his heroes who he admired as a young lad growing up. He then stated in earnest that if there were NO Roxy Music in the world – there would be no Duran Duran. But yielding slightly to the nature of the original question, Simon said of a Duran Duran induction to the Rock Hall: “We would be grateful. We would WELCOME it, with open arms.”
Greg directed another audience member to ask Simon about his favorite “football club” (I.E. American soccer). As I personally follow American NFL football and NBA basketball – I honestly didn’t pay much attention to this answer. (Sorry, soccer fans! LOL)
A GREAT question emerged from the audience, asking: “How would you like Duran Duran to be ‘remembered’?”
Simon looked thoughtful. He elaborated that it didn’t matter what he thought or preferred – he just wanted the band’s life work to continue to be soundtracks to people’s lives. “I would like my ‘MUSIC’ to be remembered. I would like people to JUST, STILL, PLAY – DURAN DURAN music.”
The last question asked of Simon was for… his autograph. (Hey, who doesn’t want that, right?!) Simon smiled, but explained why it truly wasn’t practical due to the scale of audience in attendance here today. There were music industry workshops still scheduled for the afternoon session of BCA Cultural Summit, and he did not want to impede upon their times. Yet, as Simon talked himself OUT of autographs for 420 giddy Duran fans – he cracked open the window for ONE lucky fan… “If I do ONE, I’ll have to do it for all… (sigh) I’ll do ONE. Where is ‘RIO’…….?”
The young girl of 9 was brought to the stage by her mother. Simon revealed his sweet, paternal instincts – lifting the joyous child into the air. It was near OLYMPIAN in pose… delivering on the promise of an icon who adorned school lockers, Trapper Keepers, bedroom walls, and even the daily TV or VCR rituals of the 1980s “MTV Generation.” The frontman of Duran Duran was a music video “god” to teenagers of a different era – yet today’s Simon Le Bon is a 60-year old grandfather. Simon lifting the living embodiment of his band’s legacy into the air onstage was the perfect ending for our private “Storytellers” Q&A luncheon today with this pleasant and engaged music legend. Our luncheon ended with a NEW iconic image for Simon Le Bon and Duran Duran fans.
“HER NAME IS ‘RIO’…….”
Douglas Armstrong is from The Palm Beaches, Florida. He has been an ardent Duran Duran fan since the days of MTV, Martha Quinn and Union of the Snake. He loves music, dreaming, and traveling with his wife and three children. You can reach him on Twitter: @TravelAgentA
(Obviously, Amanda and I cannot be everywhere, so in this case, we called out to the internet for help in covering such a wonderful event! Lucky for us, we had a couple of wonderful Duran fans willing to be our special “on the scene” correspondents! We are featuring Kathy’s today, and hopefully another later in the week. THANK YOU!!) -R
By Kathy Diaz
Thursday, May 23 was here! For me, this meant missing one day of work and driving two-and-a-half hours to Melbourne, Florida to see Simon give a talk at a luncheon for the Cultural Summit. For some reason I wasn’t as excited for this as I was for the Duran Duran show in Miami.
I mean, it was Simon! If you don’t know me, you must know that I’m completely obsessed with this man, so when I heard the news that he was coming to Florida I was ready to leave everything behind and go see him.
I woke up that day at 7AM and for me, this was too early. So, I took my time getting ready. Before I knew it, it was already 9AM and I was expecting to leave at 8:30AM. So, I got there a bit later than I’d planned. Thankfully, I had no problem finding the ballroom where the luncheon was taking place. I walked in and found a decent seat where I would see Simon clearly.
I was pleased to find out that the place was smaller than I thought, so even if you were all the way on the back, you were going to be able to see Simon. At 12:00PM, they started serving the lunch: for me it was chicken breast, mashed potatoes and vegetables…oh, and carrot cake, which was delicious.
Someone spoke before Simon, but he promised to be brief as he knew we were all there for Mr. Le Bon. He kept his promise and only talked for about 15 minutes. Just before 1PM, Simon made his entrance. That’s when the excitement hit me! Seeing Simon making his entrance to the same room where I sat felt surreal.
The man that I am used to seeing on the screen of my computer was there in the same room! He probably even looked at me! I’m going to sound like a naive teenage girl but, when Simon was talking, I felt he was looking directly at me. Please, let me live my dream.
The interview couldn’t have been better. Simon—as always—was very funny and humble. There was even a chance for the fans to ask him questions, which I didn’t expect. A lot of people kept raising their hands to ask questions, and I wanted to do it, but I couldn’t. I’m way too shy, and I would have to stand up and ask my question in front of him and other 400 people. Nope, I just couldn’t do it. Regardless, I am very happy for the brave ones who stood up and asked their questions.
Some of my favorites were the fan who told Simon she met him and Yasmin in 1987, and she still had the photos of that amazing experience. Simon even had her join him on stage and show the pictures to him.
There was a guy who also showed Simon his DD tattoos, which Simon thought was a rarity.
Additionally, Greg Pallone, the reporter who was doing the interview, asked the audience who was the youngest fan. For a moment, I thought it could have been me (I’m 32) and the everyone around me seemed to be in their late 40’s or early 50’s. However, there was actually a 9-year-old girl in the audience named Rio. She was the luckiest fan that day. Not only did she have the chance to ask Simon a about his inspiration for the song, but she also got a picture with him, which is now all over the internet.
In total, the conversation lasted for about an hour. Simon talked about fashion, music, and even his family. One of the things I learned is that Simon recently showed his daughters the documentary of Sing Blue Silver, and they thought he was annoying.
Even though my excitement in the hours prior to Simon’s appearance wasn’t quite as intense as it might be before a gig, this was still an experience that I will never forget. A live show is fun and exciting, but in these types of events, you can see more of the real person behind the artist. The conversation tends to be more intimate, and overall it is a great way for the artist to connect with fans on a personal level.
I wanted to meet Simon after the event and even waited for him outside, but I didn’t get lucky this time. However, being there in that room listening to him talk to us was more than enough for me. It was well-worth the money, lost wages, and long drive. I really hope they keep doing events like this!
Kathy Diaz is a fairly new Duranie, just discovering her obsession last year! She recently moved to Miami from Puerto Rico. She is also fan of Harry Potter, Doctor Who, and basically everything and anything that is British. You can follow her on Twitter: @KathyDi86. We invite you to check out her own Duran Duran blog at theretroarena.blogspot.com.
An outspoken examination and celebration of fandom!