Tag Archives: Simon Le Bon

Spring Break and Songbook!

Happy Spring Break to anyone is lucky enough to have this week off, and that includes Amanda and I! I’ve decided to take some time for myself this week, in which case my posts are likely to be shorter than normal.

With that in mind, do you know what was aired on Sky Works on this date in 2009? Anyone?  Songbook!  I didn’t see this until well-after its airing…but since it has been seven years since it aired, so let’s watch again!

In full-disclosure, I did not have time to watch both of these clips before posting. They were uploaded by two different people but one seems to have more the interview and the other looks to be more of the performances. That said, I can’t be sure they don’t overlap. So, my apologies if they’re not perfect. I’m going to watch now, and you know – if I have to see Duran Duran perform with Dom twice, I suppose I’ll manage. Somehow.  😀

In any case, enjoy!!

-R

All You Need is Now, out on CD in 2011

On this date in 2011, All You Need is Now came out on CD…for those of us who still like actual, physical, music to have and hold.

I’m having a difficult time with the idea of that happening seven years ago today. Is that even possible?

I can remember driving down to Best Buy that day. Originally, I wasn’t going to get a copy. I’d already heard the album, I’d already reviewed it, and I didn’t see a point. But the night before, something stirred in me. I had to have that CD! So, I got up in the morning, took my kids to school and made a quick trip down to our local Best Buy.

I searched the shelves, hoping to find the treasure. It was the Best Buy “Exclusive” edition I wanted, and I looked to no avail. There was no way they could have already sold out, so I asked a sales associate to look it up. Sure enough, they’d gotten a whopping three copies in stock. Ok then, where were they, I wondered?  I had two sales people crawling on their hands and knees, going through shipment cases before finally one of them sat back triumphantly with a copy in hand.

I marched over to the cashier and walked out of the store with the last CD I ever purchased at a Best Buy. (I just order off of Amazon now and have it sent to my house if I really want a CD! Yes, I could truly come a hermit if I wanted.)

I know that a great deal has been said about All You Need is Now. Those who once proclaimed its greatness now talk about it as though it was “just” a Rio reboot. I have a tough time seeing it quite so simply. Regardless of what the band and others might say, I love the album. I like that they tried to provide an answer to what Rio or a follow-up might sound like in 2011 – in some sense. I still believe it was the perfect bridge between Red Carpet Massacre and Paper Gods.  And, since I’ve already spent some of my week being unabashedly biased – I like that Dom received writing credit for a lot of it.  So there.

I fell in love with All You Need is Now from the very first listen.  It is an easy album to like, and there are times when I miss that easiness. Sure, technically speaking, Paper Gods is probably a more superior album. I can admit that. However, when it comes to me and my moods – sometimes I just need a little All You Need is Now.

And by the way – there is NOTHING that makes me smile more than when I watch this video. That alone is worth its weight (and mine) in gold.

-R

40-year old anecdotes

The other day, Herald de Paris published an interview with Andy Wickett.  I had seen a great deal of headlines posted by Duranie friends about this piece of work, but I hadn’t read enough of the article to make comment until today.

As a simple introduction for those who may not recognize the name, Andy Wickett was one of the lead singers of Duran Duran prior to Simon. I know, I know, it is difficult to believe that such a time existed. Last year, Mr. Wickett released (the article calls it a “monumental” release. I’m not sure I’d characterize it quite so strongly, but whatever) demos of songs he recorded with Duran Duran prior to Simon.

Funny thing is, I’ve had those demos for probably at least ten years now. I bought them as a bootleg type of thing online, so last year’s monumental release wasn’t exactly new.

In any case, Andy explains that before Duran Duran, he was in a band called TV Eye. There is a little history between TV Eye and Duran Duran, as they shared the same Cheapside squat for a while – I believe one band was upstairs and the other downstairs (or something like that). At the time, Stephen Duffy was the lead singer for Duran Duran, and at some point, he and Stephen basically switched bands. Andy began singing for Duran Duran and Duffy for TV Eye.  According to Wickett, he brought a song with him from TV Eye called “Stevie’s Radio Station”. Duran Duran loved the song, and “Stevie” eventually became “Rio”.

Andy Wickett recalls writing the melody for “Girls on Film” one night, although the lyric that Andy had written it as “Girls IN Film”, which Nick suggested he change.  It was recorded as a demo, which Nick and John later touted to EMI and A&M. According to Andy, both companies loved his voice and wanted more songs like Girls on Film.

At this point though, Andy left the band for “personal reasons”. Upon leaving, he wanted payment for “Girls on Film” since he helped write it, and in turn he was offered £600 if he would sign a waiver, ultimately releasing the band from further payment to Mr. Wickett. He signed the document, and later found out from his attorney that he could not fight and/or win a case for royalties against EMI.

If any of this back history interests you, I would steer you towards John Taylor’s brilliant autobiography, In The Pleasure Groove: Love, Death and Duran Duran. He writes about the band’s entire history, since of course he, along with Nick Rhodes, were the founding members. Best to get the details straight from the person who was there the entire time, I’d say.

However, the point of the article that fascinates me this week, is the claim from Andy that Duran Duran’s managers offered him £10 to give Simon 20 minute lessons – having him sing “Girls on Film”.  He comments in the article that he believes he influenced Duran Duran’s vocal style, since the managers paid him to teach Simon how to sing like him. He says they used a lot of his lyric ideas and song titles such as “Sound of Thunder” and “To The Shore”, and that “they”  influenced the Durans and Stephen Duffy.

He goes on, citing that DD and their management came to see him perform with Xpertz, a reggae band he’d joined after leaving Duran Duran. The Xpertz had a song at the time named “All The President’s Men”, and on Duran Duran’s next album they had a song titled “El Presidente”.  Take that for what you will.

Personally, I hesitate to extol anything as fact from someone whose best memory of being in Duran Duran is “lots of fun white stuff”.  I mean, sure – there was a lot of cocaine during the 80s. John Taylor himself may have mentioned that a time or two. But that’s the best memory he could manage? Not the songs? Not even performing?

The truth is, I have a difficult time with Andy Wickett, not that I’ve ever met him. I know fans who have and swear he’s the sweetest. I’m sure that is true. For me, the dilemma is simple: Andy is someone who could have easily profited heavily from some of the band’s earliest songs. He has intimated in the past that he felt the band knowingly cheated him out of money (never mind that he was not coerced into signing his name on a legally binding waiver, but did so willingly). It is troublesome to attribute everything he shares as fact without considering that he just might have an axe to grind. Regardless of whether truth, nonsense or likely somewhere in between, I cannot forget the entanglements of history when I read some of the things he says in interviews.

There are several people who probably feel as though they’ve been screwed by Duran Duran over the years, for one reason or another. That’s the cost of being in a successful band, I suppose. It also means that many people want their share, and are willing to say whatever it may take to make someone think twice about them and their contributions, however distant or prominent they may have been. I’ve personally seen and heard things from various ex-band members over the years about albums as recent as Paper Gods and All You Need is Now that just seem petty, yet the band still maintains some level of professional decorum with those people. It is something that I don’t know that I could do half as well.

I was not around during the days of TV Eye, Cheapside, or even the Rum Runner. I have no idea if what Andy says about giving Simon vocal lessons is really true – but I suppose anything is possible. If I genuinely thought that Simon would answer me seriously, I might ask. The thing is, at this point—it doesn’t even matter. Simon is the lead singer of Duran Duran, while Andy Wickett is marketing his new album, Creatures of Love, by retelling 40-year old anecdotes.

-R

 

 

Denying the reunion of the original five, 2001.

I think I must be on the topic of rumor this week or something…

As I was looking at our Day in Duran History spreadsheet (yes, we actually have one!), I noticed that on this date in 2001 – there’s an entry that says “dd.com denied a tour with the original five on this date”.

I laughed.

The real story is that the day prior –  March 19, 2001 – allstarnews.net broke a story about the original five (Simon, Nick, John, Roger & Andy…in case you forgot!) touring together. DDHQ, or duranduran.com, was quick to announce on this date in 2001 that such rumors were completely untrue.

Except of course they weren’t.

Turns out, timing is everything. Now, I don’t know how allstarnews.net found out the news before DDHQ was ready to make the big announcement, but I suspect it went a little something like this:

Management calls a promoter, perhaps forgetting to have them sign a NDA (non-disclosure agreement) before getting them under contract to put together a tour for Duran Duran.  It could have been that they actually did have them sign one, but as the promoter contacts venues who may be interested in contracting a gig with the original five members of Duran Duran, who haven’t performed together since the 80’s – the news was expertly leaked to a news site. After all, HELLO, this story was huge!

Hell, I’d have taken out a full-page ad in a newspaper at the time.  (note to DDHQ – I’m much better at keeping secrets now, I promise!)

Moving on…

Said news site does their job and broadcasts the news on the ‘net. Even without social media, it takes almost no time before this headline reaches Duranies around the planet, who begin to fall off of  chairs while typing the word thud on message boards and forums around the world. Meanwhile, DDHQ is found taking Advil, Tylenol and/or Paracetamol, while needing a lie down with a cool compress.

It is decided that, rather than admit to the Fab Five reuniting and losing full control of the narrative, and how it will be unfolded to the world, it is best to deny the story completely.  The words saying as much are posted on dd.com for all to see.

Meanwhile (most) Duranies skip the Tylenol, Advil and Paracetamol and go straight for shots of whatever hard liquor is available. Vodka shots, anyone??

Or maybe that’s just MY version of the story.

Of course, we all know how this turned out, don’t we?  It would be two years before the band actually started to do shows together, but yes – the original five DID reunite – and it was a bright and beautiful time to be a fan.

This story is also why, even when DDHQ denies, or even better, full-well ignores rumors and questions about rumors, fans don’t necessarily listen – in fact I’d argue that it just forces fans to do more sleuthing and investigating on their own. I suspect that this might where the “relationship” between DDHQ and fans started to go really wonky, although there were certainly signs of that prior to 2001.

While it is really neither side’s fault – DDHQ did need to protect their ownership of such a huge breaking story, and fans had the right to be excited by such a bombshell announcement – I think it makes it difficult to work together at times, and perhaps that alone is part of the problem.  Are we (fans) really just a problem that needs to be handled, or are we people who can be trusted to be there when it counts? I’m not quite sure. Regardless, the distrust is palatable, and pretty unfair, both ways.

-R

March 2018 Katy Kafe with Simon

Before I dive into the highlights and my thoughts regarding this month’s Katy Kafe, I want to thank everyone for the thoughts and well-wishes for my dad.  All of the comments have helped me to keep going in order to be there for him and my mom.  Again, I thank you.  Now, on to the Katy Kafe…

This particular one features Simon answering fan questions, twenty of them in fact!  As always, this is not a word-for-transcript.  Instead, I’m just sharing the highlights along with some of my commentary.  If you want it all (and I know you do), get yourself over to DuranDuranMusic to listen for yourself!  This means that I am not going to cover every question but  will pick out the most interesting to me.  I’m also going to divide them into band related questions and Simon only questions.

Duran Related Questions:

Question:  Does Simon write lyrics all the time or just when an album is coming up?

Simon stated that he does often write down phrases that could work as song lyrics all the time but tends to do more when an album is coming up.  It just happens naturally.  One aspect of songwriting that he focused on was on titles.  He mentioned an artist who had a friend name one of his pieces, which he thought was so fascinating.  At times, being given a title has worked for him like Rio, A View to a Kill, Girl Panic, and Electric Barbarella.  (Note to self:  That could make for an interesting daily question. Which title is better?  Or what is a title that would make for an interesting Duran song.)

Question:  Why is Last Chance on the Stairway not played live?

Simon focused on the middle part of the song that features a vibraphone that he would have to relearn.  I suspect some fans would love for him to do just that in order to hear it live!

Question:  Which DD song from the 80s should get a 2018 make-over?

He suggested Late Bar or My Own Way but commented about how fans really aren’t that keen with changing songs.  (I have to admit that is true.  I remember freaking out a little with the changes done to Too Much Information live in 2015.  To my credit, I actually liked it a lot once I got used to it.)  Katy and Simon focused on changes to Hungry Like the Wolf in 1993.  Simon wants to know which is better:  album version or the live 1993 version of that song.  Answer on Twitter via #AskSimonMarch.

Question:  What was Simon’s favorite DD video to shoot?

Simon really like the ones filmed in Sri Lanka because it was so amazing being there.  He enjoyed the action shots from Hungry but loved the relaxed feel of Save a Prayer and how there was more band in that one.

Question:  What was the inspiration for Cinderella Ride?

Simon talked about someone who helps the sick and the poor, especially in the back streets of London.  (Now I’ll have to relisten to it through that lens!)

Question:  When does the band celebrate the 40th anniversary?

Simon thinks that July 16, 2020 would be a good day as it will be the 40th anniversary of him being on stage with the band for the first time!  (NOTED!  I will keep that date open!)

Question:  Which song would you never get tired of performing?

Simon said that the song has to be something that he could sing in a wheelchair like Come Undone or Secret Oktober. (!!!)

Question:  What does it feel like to be a band that is so loved by many for so long?

Simon loves the music and the guys in the band.  “We look out for each other,” he stated.  Being a part of Duran has made him feel “useful.”  (I get that.)

Simon Only Questions:

Question:  Has the SYN track, “Closer to Your Bed” ever been released?  If so, where can people hear it?

Simon does not think that it has but maybe it should be.  He went on to share that when he was 12, he made a 4 track record when he was part of the church choir.  His old choir master has a clean copy and thinks it should be released.  Simon is considering doing that as a fundraiser in which the proceeds would go to the church choir.  Would people be interested in buying a copy?  If so, tell him again on Twitter with the hashtag #AskSimonMarch.

Question:  Who should play him in a movie?

Simon suggested Aaron Johnson, Ryan Gosling, or even Margot Robbie.

Question:  If he could take out a giant billboard, what would it say?

Be nice.  (Aww…)

Katy must have said a number of times that this is one of the best Kafes they have ever done.  I cannot disagree.  As I stated earlier, I didn’t include everything because there was so much.  Some of the questions I didn’t cover here:  One thing Simon has tried but wouldn’t do again, which 80s peer is he still in contact with, whether or not the duet with Isabelle Adjani would ever be released, who should cover a Duran song and which song, and more.  I, for one, applaud the questions as they were super interesting and loved hearing Simon’s responses.  I look forward to more Kafes like this one!

 

 

 

 

 

 

 

 

 

-A

Two Hearts Beating

I wanted to write about the latest Katy Kafe with Simon for today.  Apparently, it features 20 questions from fans and Simon’s responses.  Unfortunately, I don’t and haven’t had the time to listen yet.  I promise, though, that I will as soon as I can in order to properly blog about it.

So, what have I been busy doing?  Well, if you read the blog last weekend, you know that my dad was pretty sick.  His illness continued throughout the beginning of the week until finally he was hospitalized on Wednesday where he still is.  In fact, as soon as I get done with this blog, I’ll be heading back there.  The good news is that they know what the problem is and he appears to be getting better.  While I’m obviously relieved, this kind of event has shaken me.  Here’s the deal.  I don’t just simply love my parents but I adore them. I look up to them.  While almost every person I know has some conflicted feelings about their parents, I do not.  I benefitted from having my mom and dad as my parents as they raised me and my siblings well.  They sacrificed so much for us and it is only right for me to return the favor now.

While I love my fandom and need it in my life, my parents will always come first.  They will come before anything–my job, my students, myself, everything.  In 1997, I moved to Madison, hoping that this city would fit me.  In 2003, my dad retired and my parents chose to come to Madison to enjoy their retirement.  This has benefitted me on every level.  They, for example, take care of my cat when I’m on tour.  There have been countless times that they have taken me to the airport when I have traveled to see Duran.  I could go on with this list forever.

All that said, I couldn’t help but to think about Simon and how he recently lost his mother.  Then, I think of other band members who have lost their parents.  John’s autobiography, for example, captured his feelings about losing both of his parents.  How do their jobs fit with family?  I just got done saying that, for me, my parents come first and always will.  Does the job of rock star, of musician allow them the same?  I sure the heck hope so.

At times, I have pushed the band to speed up their work when it comes to writing and recording albums.  While I didn’t mean any harm to that, at the time, now I look at it differently.  They need to have the time to spend with their families, too.  This doesn’t mean they ignore their jobs, but it does mean prioritizing.  Yesterday, at school, I pushed through my classes but spent any extra time calling to check in on Dad.  I fulfilled my duties, but my focus was still on him.  Does the band have the same chance?  Again, I sure the heck hope so as life is a pretty precious thing.

On that note, I’m off to see my dad.

-A

Duran Duran at the Rum Runner, 1980

There are mornings that I sit down to this laptop and don’t really know where to begin. I’m feeling that way right now. Beginnings are simply just a starting point. It is what happens after that decision to begin that matters most. Sometimes, those auspicious beginnings aren’t even noticed at the time. The notice comes much later.

Today, very much in hindsight, we celebrate one of those beginnings, although I’m not sure we should really call it a beginning.  On this day in 1980, Duran Duran opened for a band named Fashion at the Rum Runner in Birmingham.

There does seem to be some confusion on social media about what this day actually represents. It was not the first gig Duran Duran played with the classic lineup, for example.  That came a bit later, in July of 1980. (see the timeline on duranduran.com)

This was also not the first gig Duran Duran played. Their first show was nearly a year earlier, at Birmingham Polytechnic, on April 5, 1979. The band formed during the year prior – in 1978 – although as we all know, it was not yet with the lineup we all recognize.

What this day does represent, however; was the first Duran Duran gig at the Rum Runner, at least to the best knowledge of those who painstakingly compiled the full Duran Duran tour list on dd.com. We know that John, Nick and Roger were there that night, along with Jeff Thomas singing (Simon didn’t audition until May), and Alan Curtis on guitar (Andy didn’t answer the Melody Maker ad until April). They opened for Fashion, a band we don’t often hear about, who also rehearsed at the Rum Runner. It’s kind of wild to think that at one point, Duran Duran was opening for other club bands. Yet as time wore on, Duran Duran became the band to be remembered.

It is somewhat apropos that a picture of Roger visiting the site was posted and tweeted recently. It is difficult to think about that area of Birmingham and not smile. I’m sure that has got to be the same reaction that many of you have, and I’m thankful we can all share those kinds of “memories”, even if we weren’t all there in person. I think of the Rum Runner as a special place in my own history, yet I really didn’t know anything of it other than what I read until much later in life.

When I think about places I wished I’d experienced, the Rum Runner comes to mind every time. Yeah, I would have loved being in that club and part of that scene (although I think in reality we all know just from looking at me that I’d have never quite fit in). I would have loved every second of watching the band grow and come into their own. Of course, I write that full-well knowing that the appreciation of such things only comes with hindsight. Even so, I find myself wishing I could have been there to have been a part of it all from the start.

Was this show really a beginning? I’m not really sure. As I’m writing this, I can certainly see why the band hasn’t announced an exact date of anniversary to celebrate DD40. Do they celebrate the moment John and Nick decided to start a band? What about the first gig – and if they do, is it really the “beginning” when more than half of the members weren’t even a part of it yet? What about the first gig at the Rum Runner?  How about the first gig that the classic lineup we all know and recognize played together?  It is all very vague, yet—at least in my opinion—all worthy of celebration.

Then again, maybe I’m just in the mood for a party.

To me, this date marks the beginning of the Rum Runner era for Duran Duran, and provides a perfectly good reason to post this video of Planet Earth filmed at the Rum Runner. I love this video because up until the DVD for Greatest was released, I’d never seen it – so it was a complete surprise (and an Easter Egg on the DVD)! I don’t think I had seen many pictures of what the Rum Runner looked like on the inside before I saw this, so when I watch the video, I really try to absorb the vibe. In a weird way, it is a little reminiscent of the club I used to go to on the Redondo Beach pier while I was in college, called Fashions. I love it!

I’m sure most Duranies have seen this video by now, but it’s still one of my favorites. I love the idea of watching the video, imagining what it was like in the club on any given night while the band played. I don’t know very many fans who were Rum Runner regulars back in the day, but can you imagine being one of them, watching Duran Duran skyrocket to fame?  If you haven’t seen the video, what better day to watch?!?

-R

 

You can fight it, or invite it

OK, so I obviously didn’t make the trip to Dubai for yesterday’s show. I know a few people who did, and I saw plenty of others who commented to Duran Duran on social media. The comments were by far positive. For the few songs I did see (thanks to the magic and power of the internet!) – I would wholeheartedly agree.

One surprise in particular was The Chauffeur. First of all, I applaud that it was put in the set.  The Chauffeur is one of those songs that gets circulated in and out of their set every so often. I’ve seen it live several times, but it isn’t in every set list.  Seeing it on occasion is  special. That said, last night’s rendition seemed different. I’m not sure if it was truly that way or because of how it was recorded. The end was the most noticeably different, but I could hear the guitar loud and clear, and it even sounded a bit different from I remember.  Granted, I like the hard edge of a guitar, and last night – the sound really delivered! I don’t know what it was, but I loved the juxtaposition of the guitar against the synthesizers at the end of the song. In the past I can’t say I picked up on it quite as much.  Anyway, I loved it. He didn’t overpower the song or anything, it was just that I could hear the guitar slice right through the music, and I felt it was just what the song needed. Others might disagree, to be expected.

In addition to some great footage from the show, I’ve seen quite a few snippets of video from some sort of an after party. The only band member I’ve seen has been Simon in short snippets. This brings me to reason #567,983 why I am thankful I’m not famous.

First of all, I don’t know why the person taking the videos feels the need to do so. I mean, don’t get me wrong, I’ve had my Kodak moment with Simon too, and of course I posted it. I just don’t know why you’d take video and pictures of Simon doing whatever it is he’s doing during his own downtime and then broadcast them to all of humanity. To me, it’s a fine line that I don’t want to cross, and yet I know other people have no problem. I just don’t get it.

He’s with a group of women in a couple of the short videos, he’s playing bartender in a couple of others, and while all of them seem  innocuous, I don’t think that’s the point. I mean, it isn’t that I’m not amused. Part of my hobby here is teasing the hell out of the guy and that’s not going to stop. (He gives it right back at times, and I’d expect no less) That said, it will be a very cold day in hell before I start taking video of him and post it online. (outside of when he’s onstage, of course…in which case, game on!)

I know what many will say. “He should be used to it” , “I’m sure he doesn’t mind”, “it’s funny”.  “You’re the one with the problem.” Yep.  All of those things, I’m sure. I’ve had numerous conversations with various people about this over the years, and if we’re going to treat him like you would anybody else, why on earth are we still jumping over cocktail tables to get to him? It’s one thing to ask them for a picture. Lots of fans do that, and by all means – it’s part of the deal of being a fan, right? No one, least of all me, is saying that’s wrong. Don’t send me hate mail – take all the photos you want and post them.

But here’s another scenario:

Let’s say you’re at a show, and some friends invite you to a bar afterward, mentioning that the band “might” show. For most of us, we’d probably go along willingly. We’d have that nervous feeling of excitement welling in our bellies, only to tell ourselves that they probably won’t show. We get to the bar, grab a seat and settle in. Before long, a friend nudges you under the table and you look up to see Simon walk in. You grin, because well – of course you do! I haven’t met a fan that wouldn’t, even if we’re trying to cover it with a mock sense of coolness.

It takes a while, but Simon has this way of working the room when he wants. He eventually makes his way to your table. Inside, you’re screaming because again – of course you are!  He strikes up a good conversation. The next thing you know, he’s sitting down with your group and you’re having fun. Are you really going to film the entire thing? Are you really going to take out your phone, pretend you’re taking video of something else, and get him instead?

I guess if you’re nodding your head yes, I’m responding that I wouldn’t. I definitely haven’t. That moment, or evening, or whatever, is yours. It was mine. I don’t need the video to remember it all.  I also wouldn’t want to ruin the moment by reminding him that I’m one of those teenagers that had his posters on my wall. Not that I think he’d forget, but wouldn’t it nice to have a conversation that doesn’t revolve around the elephant in the room?? Yep, inside, I’d be freaking out for a bit, and sure – afterward I might have a good case of the squeals (who wouldn’t?), but that’s for later!

Perhaps I just don’t get it. That’s very possible. Maybe it’s just ME, and I don’t realize that since he’s been a rock star for seemingly forever, he doesn’t mind being treated like a circus animal even when he’s trying to wind down for the evening. I kinda think he does mind – but that’s just my opinion, take it for what it may be worth.

I wouldn’t want to be treated that way, so I’m not going to do that to him, or anyone else. Based on my limited experience, I suspect Simon prefers having a drink, making a toast to a good night or whatever, and not having people stick their camera phones up to video every last second to post online later. He might act like he doesn’t care, but I’ll bet it’s annoying. Maybe as you’re reading you believe I’m wrong about that, and hey – that’s fine. You all can do what you want to do. But, if you’ve ever wondered why there’s no video of us with Simon, or anyone in the band for that matter – what I’ve written is exactly why.

-R

The Joy of February

Anyone in Dubai today?

Dubai is approximately twelve hours ahead of California. So that means it’s 9pm there already. I would imagine that Duran Duran is about to take the stage for the only show they’ve announced for this year. The real question for many is whether or not there will be more, or if this will truly be a quiet year!

Other things have also occurred on this date – in 1981 Planet Earth hit #12 on the UK charts, and then in 1987 Skin Trade peaked at #22. In 1994, Extraordinary World was released – anyone who has a still-working copy of that one is indeed lucky because it’s not the easiest to find.

My friend Amanda wasn’t living in Madison, Wisconsin when Duran Duran played at the Dane County Coliseum on this date in 1984, and from what I can tell, it’s the only time Duran Duran has actually played in the city.

In 1993, the band played on an Italian TV show in Milan called “Buona Domenica”. In 2000, the band played at the Festival de Mina del Mer. In 2009, Simon and Yasmin attended the Qasimi show at London Fashion Week. Life can be rough when you’re in Duran Duran, right?

Overall, there are more years where it is quiet in February than when it is not.  When I think about it, February really is a sleepy little month. The weather varies from thinking it’s Spring to deciding to be in the depths of winter. We’re eating candy, and seeing pink and red hearts everywhere. It’s when we start looking at ourselves in the mirror with the realization that while it may currently feel like winter will last forever, the calendar will eventually flip to March and then April. Winter-weight must come off and it’s time to put the chocolate down and dust off the old treadmill.  Or not.  It’s when I start seeing daily posts from friends in the midwest that threaten Mother Nature with bodily harm if she dares send another snowstorm their way….along with screenshots of the next weather system destined to hit them within the week.

I have to wonder if it’s like that at all for the band, even this year. I mean yes, they’re playing today – probably right now – but have they started looking at their instruments, sitting somewhat dusty in the corner and thought “Hmm. Maybe we ought to get back in that studio?” Or maybe Simon has started humming some sort of little melody and thought, “You know, that might BE something there.”  Or maybe not. Maybe he is taking time with his soon-to-be-growing family. I can’t blame him, there. Then again, maybe Nick is planning his entire year around all of the art exhibits he will visit, or perhaps putting the final, final touches on that photography book he’mentioned.  Maybe John and Nick will get that musical properly funded and start on production? Perhaps they haven’t quite convinced John to stay in the UK long enough to spend time in the studio? Perhaps Roger will just be, well…Roger this year. (What DOES that man do in his spare time, anyway?)

I suspect that 2018 might be a bit quieter than many would prefer, and still eventful enough for the band to call it busy. Chances are, most of us will never know how they spent most of their year – so much of what they do is done behind the scenes without an audience present. They could be doing anything from preparing things for DD40, to sitting at home with family, and likely everything in between. Like so many of you, I’d love to be a fly on the wall of the studio just once (preferably when they’re actually IN the studio, I might add!) We will sit and speculate based on the few bits and pieces that escape the walls of the studio and make it on to the internet, and will probably never really know the half of it.

Some incorrectly assume that because we write about missing Duran Duran or being anxious for them to return without making mention of whatever other bands we go see or things we do, it must mean we have nothing else in our lives. I’d like to direct you to the name of the blog, first of all.  So while I can attest to the fact that Amanda and I are busy and actually do have other things going on and things we enjoy doing, we also committed to writing about this band. Otherwise we might have called it Daily Fandom, or Daily Ramblings…or something else entirely. So yeah, that’s kind of why we mention them each day.

And yes, we will all complain about never seeing them, even though we just saw them last year.  They can’t win, nor will we ever get enough. That’s fandom!

-R

Losing Control: Where is it leading to?

If it hadn’t been for Amanda, I don’t think I would have remembered that Duran Duran,along with a fair amount of fans I recognize, are in Dubai this week.

Life has been a bit up in the air here lately. My husband has been interviewing by phone for a lot of companies all over the country, and for a while, every single day I’d get a text or two when I was at work suggesting the possibility of a new city to think about. “How do you feel about Philadelphia?”  Or “What about Chicago? Would you move back?” Today he has two more phone interviews. I have no idea how to plan, or what to plan for.  None of this is within my control right now. Should I start fixing up the house and thinking about packing away things I don’t need, or just start selling off personal items in order to keep paying bills. He’s been out of work since November, which in one sense has been a long time, but when you’re job hunting in his particular field with his particular job title, that’s not really so bad. My attention has been elsewhere, to say the least. Selfishly, I’m almost thankful we’re not talking tours right now.

Even with all that going on, and yes, it’s very stressful, I can’t help but notice a few photos from people I recognize and band members who don’t mind sharing their travels with us. Other than that, it’s hard to believe there’s #Duranlive happening anywhere right now. Dubai feels about as far away from California as the moon. (which I am well aware it is not!)

My own selfish needs aside, it is difficult to imagine that this may well be the only date for a live show this year. At one point, I was being told rumors of dates happening in spring. Obviously, that information was either wrong, or has been changed over the past several months. Either way, on one hand I’m relieved because I hate missing out (and I absolutely would have), and on the other – of course I always hope for something to happen. In some strange way, it helps to take my mind off of waiting for whatever is going to happen here at home. Those of you who have been in my situation know how difficult it is.

The one thing I’ve come to accept since November is that in this case, I have very little control over what might happen. I’ve told my husband over and over that I’ll move where ever we need to move. I’ve been very open and willing to consider every single place he’s suggested, and now we’re at a point where interviews are happening, although they’re just phone interviews right now – and I’d be lying if I didn’t say that I’m anxious. This isn’t the first time he’s had to look for work, and he’s at a point now where it’s not just menial “worker bee” type of positions – the interview process is LONG. Our bills, however, keep rolling in. It isn’t fun. It isn’t as though because Walt has had time off we’ve traveled or gone on vacation. I’d say it’s the opposite.

As I am sitting here writing, Walt comes downstairs to tell me that one of the interviews he had set for this morning ends up needing to be rescheduled. I just take a deep breath and try not to show my disappointment. This has happened more times than I can count this time around, and it doesn’t help. It will easily be another week before that company sets something up (because it always is), and I keep reminding myself that there’s nothing that can be done. I’m merely the sounding block, I have no control. I have to just sit back, try to remain calm and positive, and let it take its course. Chances are, it all happened for a reason.

I suppose in some weird way, I’ve learned that this is the way it is for the band, too. I don’t have any idea if they’ve even started with studio time, or if they’ve even got any plans for anything in the future. Right now, aside from this Dubai show, I don’t know their plans. What I do know, and 100% accept, is that they’re going to do whatever it is that they’re going to do. Or not do. And that’s fine. It is totally out of my control. I have zero expectations this time around, and I don’t even have time or energy to think about it past blogging each day. Every so often I’ll see a comment from a fellow fan about whether or not they’re working on plans for #DD40. Most fans who comment about it seem to post like it’s an absolute “MUST” for the band to acknowledge and celebrate the milestone.

Is it really?

I mean, what if they didn’t? Would the world end? Would their career go up in smoke? What if they waited until year 45 to even tour again? What if they didn’t do a single thing other than put out a Facebook post? You know what would happen then?

Nothing. There would still be a sunrise. And a sunset. “Rio” would still get radio play, as would “Hungry Like the Wolf”.  The world would still know Duran Duran as that “MTV” band. We’d all still be fans. Or not. None of us have any control over what the band does. We don’t OWN them. They make the music. We buy it. For 99.9% of us, that’s as far as the relationship goes, whether we’ve been fans for 40 years or became a fan yesterday. Yes, it is hard to admit we’ve got no bearing, no skin in the game other than our loyalty – but that’s really all it is. We are not in control.

(You know who IS in control right now…along with the rest of his buddies? That’s right. You know the answer. Say it! The Controller. Aptly named, right??? And people wonder why we started calling him that. Gee I don’t know…)

So, I’m going to just sit back, wait, and be positive, because I really can’t do much else.

-R